Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The mutiny on the Bounty was one of the most controversial events of eighteenth-century maritime history. This book publishes a full and absorbing narrative of the events by one of the participants, the boatswain's mate James Morrison, who tells the story of the mounting tensions over the course of the voyage out to Tahiti, the fascinating encounter with Polynesian culture there, and the shocking drama of the event itself. In the aftermath, Morrison was among those who tried to make a new life on Tahiti. In doing so, he gained a deeper understanding of Polynesian culture than any European who went on to write about the people of the island and their way of life before it was changed forever by Christianity and colonial contact. Morrison was not a professional scientist but a keen observer with a lively sympathy for Islanders. This is the most insightful and wide-ranging of early European accounts of Tahitian life. Mutiny and Aftermath is the first scholarly edition of this classic of Pacific history and anthropology. It is based directly on a close study of Morrison's original manuscript, one of the treasures of the Mitchell Library in Sydney, Australia. The editors assess and explain Morrison's observations of Islander culture and social relations, both on Tubuai in the Austral Islands and on Tahiti itself. The book fully identifies the Tahitian people and places that Morrison refers to and makes this remarkable text accessible for the first time to all those interested in an extraordinary chapter of early Pacific history.

A timely re-examination of European engagements with indigenous art and the presence of indigenous art in the contemporary art world. The arts of Africa, Oceania and native America famously inspired twentieth-century modernist artists such as Picasso, Matisse and Ernst. The politics of such stimulus, however, have long been highly contentious: was this a cross-cultural discovery to be celebrated, or just one more example of Western colonial appropriation? This revelatory book explores cross-cultural art through the lens of settler societies such as Australia and New Zealand, where Europeans made new nations, displacing and outnumbering but never eclipsing native peoples. In this dynamic of dispossession and resistance, visual art has loomed large. Settler artists and designers drew upon Indigenous motifs and styles in their search for distinctive identities. Yet powerful Indigenous art traditions have asserted the presence of First Nations peoples and their claims to place, history and sovereignty. Cultural exchange has been a two-way process, and an unpredictable one: contemporary Indigenous art draws on global contemporary practice, but moves beyond a bland affirmation of hybrid identities to insist on the enduring values and attachment to place of Indigenous peoples.

In the decade since the Asian financial crisis the ten states of Southeast Asia that form ASEAN, together with China, Japan and South Korea have formed the basis of a community intended to support the well-being of its member states, markets and peoples. This highly successful regionalisation was not anticipated by the region's leaders, however, and as a result, policy makers are increasingly talking about 'meeting fatigue' and the need to find a better way to govern regional affairs. Among the reforms being considered is a shift towards a more rules-based culture as well as the more explicit incorporation of both private sector and civil society organisations into the policy processes. In short, ASEAN+3 is seeking to develop new norms and processes for its networks and institutions. This book explores the pressures currently influencing East Asian regionalist policy debates, analysing the trend towards deeper integration and the emergence of a governance model for managing regional processes. Combining state and subnational perspectives in conjunction with an examination of the role of the business community and civil society organisations, this book highlights the policy challenges confronting regionalism and governance in East Asia, including key issues such as the rule of law, financial cooperation and a case study on disaster management.

Published in 1999, this book is designed to provide the reader with a detailed understanding of Hong Kong's social and political development. It offers a contemporary, holistic understanding of Hong Kong, which will not only complement existing works but also provide the reader with a solid foundation for understanding future developments in the territory. The book is divided into three sections: Identity, Civil Society and Politics. The first two sections provide a discrete understanding of the issues involved. This analysis is then utilised to explain the particular path of political development Hong Kong experienced in the 1980s and 1990s. Due to the in-depth analysis provided this work will be of use either to academics or to members of the general public seeking to understand the development of Hong Kong.

Developments in East Asia have progressed rapidly in terms of regionalism since the 1997 crisis. The end of the Asian miracle called into question not only the capacity of regional states to meet the needs of their attendant peoples, but also challenged the viability of regional organizations, such as ASEAN, to adapt and respond to the changing circumstances.
Advancing East Asian Regionalism looks at the ways in which ASEAN has expanded since the crisis, and evaluates the potential of East Asia to come together in a regional formation - one capable of representing the region as a whole - akin to the European Community. It draws upon the knowledge and perspectives of academics and policy makers actively engaged in the contradictory issues of regionalism. Coupling case study material on regionalism, institutions, and sectoral cooperation, with theoretical debates on regionalization, this book is an invaluable resource that pushes our understanding of East Asian regionalism forward.

In the decade since the Asian financial crisis the ten states of Southeast Asia that form ASEAN, together with China, Japan and South Korea have formed the basis of a community intended to support the well-being of its member states, markets and peoples. This highly successful regionalisation was not anticipated by the region's leaders, however, and as a result, policy makers are increasingly talking about 'meeting fatigue' and the need to find a better way to govern regional affairs. Among the reforms being considered is a shift towards a more rules-based culture as well as the more explicit incorporation of both private sector and civil society organisations into the policy processes. In short, ASEAN+3 is seeking to develop new norms and processes for its networks and institutions.

This book explores the pressures currently influencing East Asian regionalist policy debates, analysing the trend towards deeper integration and the emergence of a governance model for managing regional processes. Combining state and subnational perspectives in conjunction with an examination of the role of the business community and civil society organisations, this book highlights the policy challenges confronting regionalism and governance in East Asia, including key issues such as the rule of law, financial cooperation and a case study on disaster management.

Developments in East Asia have progressed rapidly in terms of regionalism since the 1997 crisis. The end of the Asian miracle called into question not only the capacity of regional states to meet the needs of their attendant peoples, but also challenged the viability of regional organizations, such as ASEAN, to adapt and respond to the changing circumstances. Advancing East Asian Regionalism looks at the ways in which ASEAN has expanded since the crisis, and evaluates the potential of East Asia to come together in a regional formation - one capable of representing the region as a whole - akin to the European Community. It draws upon the knowledge and perspectives of academics and policy makers actively engaged in the contradictory issues of regionalism. Coupling case study material on regionalism, institutions, and sectoral cooperation, with theoretical debates on regionalization, this book is an invaluable resource that pushes our understanding of East Asian regionalism forward.

The extraordinary sixty-thousand-year history of how the Pacific islands were settled. 'Takes readers on a narrative odyssey' Wall Street Journal, Books of the Year 'Highlights a dizzying burst of new research' The Economist 'A refreshing addition to the canon of literature that contemplates Oceanic navigation' Noelle Kahanu 'I would not be surprised if, after reading this masterpiece, many readers are compelled to take up voyaging themselves' Science Magazine Thousands of islands, inhabited by a multitude of different peoples, are scattered across the vastness of the Pacific. The first European explorers to visit Oceania, from the sixteenth century on, were astounded and perplexed to find populations thriving so many miles from the nearest continents. Who were these people and where did they come from? In Voyagers, the distinguished anthropologist Nicholas Thomas charts the course of the seaborne migrations that populated the islands between Asia and the Americas. Drawing on the latest research, including insights gained from linguistics, archaeology, and the re-enactment of voyages, Thomas provides a dazzling account of these long-distance migrations, the sea-going technologies that enabled them, and the societies that they left in their wake.

Published in 1999, this book is designed to provide the reader with a detailed understanding of Hong Kong's social and political development. It offers a contemporary, holistic understanding of Hong Kong, which will not only complement existing works but also provide the reader with a solid foundation for understanding future developments in the territory. The book is divided into three sections: Identity, Civil Society and Politics. The first two sections provide a discrete understanding of the issues involved. This analysis is then utilised to explain the particular path of political development Hong Kong experienced in the 1980s and 1990s. Due to the in-depth analysis provided this work will be of use either to academics or to members of the general public seeking to understand the development of Hong Kong.

The essays in this volume, by distinguished scholars in Pacific studies, emerge from research in a region in which the nation - like other projects of modernity - has been peculiarly tenuous. These case studies focus upon local perceptions of the state, efforts to ground nationhood in tradition, the character of national narratives, and recent transformations of the Pacific nationalism. It is striking that in many Pacific nations, "national" narratives are subordinate to other fundamental historical imaginings, such as those concerning local political dynasties and conversion to Christianity. While leaders in Pacific states have frequently sought to legitimate new nations through local "tradition" and "custom", these constructions of identity frequently mask divisions arising from gender, hierarchy and other social relationships. These studies from Papua New Guinea, Vanautu, Samoa and the Cook Islands add much to our knowledge of historical imaginings and contemporary culture in the Pacific, but raise larger questions concerning the current transformation of national identities.

The anthropology of art is currently at a crossroads. Although well versed in the meaning of art in small-scale tribal societies, anthropologists are still wrestling with the question of how to interpret art in a complex, post-colonial environment. Alfred Gell recently confronted this problem in his posthumous book Art and Agency. The central thesis of his study was that art objects could be seen, not as bearers of meaning or aesthetic value, but as forms mediating social action. At a stroke, Gell provocatively dismissed many longstanding but tired questions of definition and issues of aesthetic value. His book proposed a novel perspective on the roles of art in political practice and made fresh links between analyses of style, tradition and society.
Offering a new overview of the anthropology of art, this book begins where Gell left off. Presenting wide-ranging critiques of the limits of aesthetic interpretation, the workings of objects in practice, the relations between meaning and efficacy and the politics of postcolonial art, its distinguished contributors both elaborate on and dissent from the controversies of Gell's important text. Subjects covered include music and the internet as well as ethnographic traditions and contemporary indigenous art. Geographically its case studies range from India to Oceania to North America and Europe.

The anthropology of art is currently at a crossroads. Although well versed in the meaning of art in small-scale tribal societies, anthropologists are still wrestling with the question of how to interpret art in a complex, post-colonial environment. Alfred Gell recently confronted this problem in his posthumous book Art and Agency. The central thesis of his study was that art objects could be seen, not as bearers of meaning or aesthetic value, but as forms mediating social action. At a stroke, Gell provocatively dismissed many longstanding but tired questions of definition and issues of aesthetic value. His book proposed a novel perspective on the roles of art in political practice and made fresh links between analyses of style, tradition and society.
Offering a new overview of the anthropology of art, this book begins where Gell left off. Presenting wide-ranging critiques of the limits of aesthetic interpretation, the workings of objects in practice, the relations between meaning and efficacy and the politics of postcolonial art, its distinguished contributors both elaborate on and dissent from the controversies of Gell's important text. Subjects covered include music and the internet as well as ethnographic traditions and contemporary indigenous art. Geographically its case studies range from India to Oceania to North America and Europe.

The dazzling colours and patterns of the art of the Pacific Islands have long entranced Western audiences, not least artists such as Gauguin and Picasso. The tendency has been to regard Oceanic art as `primitive', mysterious and shrouded in taboo, but Nicholas Thomas, in looking at and beyond the familiar, stunning surfaces of masks and shields, carved canoe prows and feathered gods, discovers the significance of such objects, past and present, for the peoples of the Pacific. In this revised edition with a completely new chapter on globalization and contemporary art, he shows how each region is characterized by certain art forms and practices - among them Maori ancestral carvings, rituals of exchange and warfare in the Solomon Islands, the production of barkcloth by women in Polynesia - while also being shaped by influences from within the Pacific and beyond. The dynamism and diversity of this compelling art are highlighted by the works accompanying this revelatory text - from those that evoke deep-rooted customs to ones that address contemporary political issues, now illustrated in colour throughout.

Taking as its departure point Bernard Smith's classic study, European Vision and the South Pacific (1960), Double Vision explores the ambivalences of European perceptions of the Pacific and juxtaposes them with the indigenous visual cultures that challenge Western assumptions about art and representation. Double Vision addresses these larger interpretive questions through case studies of the cultures of voyages, colonial art, and indigenous affirmations of identity. It suggests that images and texts can be combined through a new practice of innovative, visually oriented cultural history. This approach yields a fresh understanding of history, colonialism and culture in Australia, New Zealand and the Pacific. Double Vision is a challenging combination of visual and textual inquiry, and its outstanding list of contributors offers a fresh perspective on art and history in the Pacific.

The voyages of Captain Cook are endlessly fascinating to a wide audience, and no aspect of them has been more controversial than Cook's death. This book reprints one of the classic accounts of this episode, the vivid and lively narrative by one of the voyage surgeons, David Samwell. This book not only makes Samwell's "Narrative of the Death of Captain James Cook" readily available for the first time, but presents it with Samwell's previously unpublished letters relating to Cook's third voyage, and his poetry. The introductory essays discuss Samwell's contribution to our understanding of this dramatic period in Pacific and maritime history, and examine the personality and career of Samwell himself.

This informed and accessible book explores the wide-ranging history of body art, from its expression of tribal affinities and cultural identity to its role in theatricality, criminality, and beautifying the body, as well as its influence on contemporary artists.

Seven thematic chapters explore the extraordinary diversity of body arts practiced worldwide, both past and present. These range from the role of body art in traditional societies around the world, from Nigeria to Amazonia, Samoa, and New Guinea and from the past through the twentieth century. The theatricality of body is considered in a range of stages including the masquerades in West Africa, the Japanese Noh theater, the drag balls of Harlem, and the Sydney Mardi Gras parade. Later chapters explore themes of beauty and the association of tattoos with the socially marginal, before moving to the revival in the twentieth- and twenty-first centuries of body art as a means of expressing individual and cultural identity as demonstrated in the modern primitive movement, performance art, and celebrity tattoo culture.

A wealth of illustrations reflects the many manifestations of body art, including tattooing, piercing, scarification, masquerade, hairstyles, performance art, and more. "

Marquesan society has long captured the interest of European observers, in part because of unfamiliar institutions such as polyandry. But because of complex and destructive historical changes and the very scattered nature of early source materials, the distinctive Marquesan developments of Polynesian society have been obscure and at odds with anthropologists' and historians' overall understanding of Pacific societies. This book, based on a critical study of the fullest possible range of sources, is the first to provide a clear account of early Marquesan social relations and culture, and as such will become a key source for Pacific scholars. Discussion is not restricted to ethnohistoric documentation. The author's analysis of a dynamic and highly fluid chiefly society and its encounters with early European visitors and traders encompasses wider debates about the nature of gender relations in Polynesian societies, small-scale hierarchical structures, cultural transformation and longer-term change. In linking specific features of early Marquesan society, its contact with foreigners, and the longer-term transformations of eastern polynesian societies, Dr Thomas offers Pacific studies a

An incisive, evocative history of the experience of empire in the Oceanic world This compelling book explores the lived experience of empire in the Pacific, the last region to be contacted and colonized by Europeans following the great voyages of Captain Cook. Unlike conventional accounts that emphasize confrontation and the destruction of indigenous cultures, Islanders reveals there was gain as well as loss, survival as well as suffering, and invention as well as exploitation. Empowered by imaginative research in obscure archives and collections, Thomas rediscovers a rich and surprising history of encounters, not only between Islanders and Europeans, but among Islanders, brought together in new ways by explorers, missionaries, and colonists. He tells the story of the making of empire, not through an impersonal survey, but through vivid stories of the lives of men and women-some visionary, some vicious, and some just eccentric-and through sensuous evocation of seascapes and landscapes of the Pacific. A fascinating re-creation of an Oceanic world, Islanders offers a new paradigm, not only for histories of the Pacific, but for understandings of cultural contact everywhere.

From the remote shores of Rapa Nui to the dense rainforest of Papua New Guinea, the islands of the Pacific are home to some of the most culturally diverse populations on the planet. The region embraces an extraordinary range of art forms, from delicate shell ornaments to spectacularly decorated canoes and meeting houses. These have fascinated outsiders since the exploratory voyages of Captain Cook, the first of which commenced 250 years ago in 1768, and went on to entrance Gauguin and a host of other European artists. This volume accompanies a major survey in London and Paris of art from Oceania. It brings together the most up-to-date scholarship by the leading experts in the field, encompassing a dazzling array of objects from the region, including many that have never been published before. Also included are many works that have historically been overlooked, such as painted and woven textiles, elaborate wicker assemblages and expressively sculpted vessels, alongside works by artists working in Oceania today. Objects of great aesthetic beauty, these artworks are the product of a complex web of social, mythological and historical influences.

The human hospitality industry is constantly evolving on many different fronts. From innovations in technology to more exacting customer expectations, the need for well-trained human resources are needed now more than ever to meet operation demands. Human Resources Leadership in Hospitality addresses one of the biggest challenges a hospitality manager faces: finding and retaining great employees. This text provides ""real world"" examples through vignettes from industry practitioners and members of the academic community who teach and research HR. Human Resources Leadership in Hospitality proves that there is a distinct difference between leading human resources and managing them. Human Resources Leadership in Hospitality provides a comprehensive overview of human resources leadership. It features best practices and critical information related to the following topics: diversity regulatory issues (the law) various functions of human resources leadership: workforce planning and organizing recruiting selection training development compensation benefits managing employee performance labor relations workplace safety and health working labor unions.