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With marriage in decline, divorce on the rise and the demise of the nuclear family, it is clear that the structures of kinship in the modern West are in a state of flux. In The Metamorphoses of Kinship, the world-renowned anthropologist Maurice Godelier contextualises these developments, surveying the accumulated experience of humanity with regard to such phenomena as the organisation of lines of descent, sexuality and sexual prohibitions. In parallel, Godelier studies the evolution of Western conjugal and familial traditions from their roots in the nineteenth century to the present. The conclusion he draws is that it is never the case that a man and a woman are sufficient on their own to raise a child, and nowhere are relations of kinship or the family the keystone of society.
The Achuar Indians of the Upper Amazon have developed sophisticated strategies of resource management. The author documents their knowledge of the environment, and explains how it is interwoven with cosmological ideas that endow nature with the characteristics of society.
The Achuar Indians of the Upper Amazon have developed sophisticated strategies of resource management. The author documents their knowledge of the environment, and explains how it is interwoven with cosmological ideas that endow nature with the characteristics of society.
What is incest? Is it universally prohibited? Does this prohibition concern only "biological" kinships or does it extend to various "social" kinships, such as those that are formed today in so-called blended families but which also exist in many other societies? This prohibition plays a fundamental role in the functioning of the multiple kinship systems studied throughout the world. But where does it come from? Can we think, with Claude Lévi-Strauss, that the prohibition of incest alone marks the passage from nature to culture? And how can we understand, then, the persistent tension between the proclaimed, institutionalized prohibition and the incestuous practice which, everywhere, remains? World-renowned anthropologist Maurice Godelier highlights an essential fact, the spontaneously asocial and undifferentiated character of human sexuality and the need for a social regulation of this spontaneity. It thus brings to light the main teachings of anthropology on the question of incest, a major social fact of burning relevance today.
In this landmark work of economic sociology, Lucien Karpik introduces the theory and practical tools needed to analyze markets for singularities. Singularities are goods and services that cannot be studied by standard methods because they are multidimensional, incommensurable, and of uncertain quality. Examples include movies, novels, music, artwork, fine wine, lawyers, and doctors. "Valuing the Unique" provides a theoretical framework to explain this important class of products and markets that for so long have eluded neoclassical economics. With this innovative theory--called the economics of singularities--Karpik shows that, because of the uncertainty and the highly subjective valuation of singularities, these markets are necessarily equipped with what he calls "judgment devices"--such as labels, brands, guides, critics, and rankings--which provide consumers with the credible knowledge needed to make reasonable choices. He explains why these markets are characterized by the primacy of competition by qualities over competition by prices, and he identifies the conditions under which singularities are constructed or are in danger of losing their uniqueness. After demonstrating how combinations of the numerous and multiform judgment devices can be used to identify different market models, Karpik applies his analytical tools to the functioning of a large number of actual markets, including fine wines, movies, luxury goods, pop music, and legal services.
For the Ankave of Papua New Guinea, men, unlike women, do not reach adulthood and become fathers simply by growing up and reproducing. What fathers and by extension, men actually are is a result of a series of relational transformations, operated in and by rituals in which men and women both perform complementary actions in separate spaces. Acting for Others is a tour de force in Melanesian ethnography, gender studies, and theories of ritual. Based on years of fieldwork conducted by the author and her husband and co-ethnographer, this book's "double view" of the Ankave ritual cycle from women in the village and from the men in the forest is novel, provocative, and one of the most incisive analyses of the emergence of ideas of gender in Papua New Guinea since Marilyn Strathern's The Gender of the Gift. At the heart of Pascale Bonnem re's argument is the idea that it is possible for genders to act for and upon one another, and to do so almost paradoxically, by limiting action through the obeying of taboos and other restrictions. With this first English translation by acclaimed French translator Nora Scott, accompanied by a foreword from Marilyn Strathern, Acting for Others brings the Ankave ritual world to new theoretical life, challenging how we think about mutual action, mutual being, and mutual life.
The subjugation of millions of people in a caste system that is a
radical form of apartheid has long had its critics, both from
within India and from outside it. Although the government has
introduced equal opportunity legislation in an effort to right some
of history's wrongs, untouchability is an accident of birth that
continues to stigmatize and ostracize more than one hundred and
forty million people. Untouchables remain on the bottom of the
socioeconomic scale and are found, more often than not, in
unskilled, low status occupations. They are forbidden to enter
temples, often beg for their food, must leave their chests
uncovered and silently endure public humiliations and insults. They
remain on the fringes of society and it is even said by some that
their shadows pollute passersby.
The subjugation of millions of people in a caste system that is a
radical form of apartheid has long had its critics, both from
within India and from outside it. Although the government has
introduced equal opportunity legislation in an effort to right some
of history's wrongs, untouchability is an accident of birth that
continues to stigmatize and ostracize more than one hundred and
forty million people. Untouchables remain on the bottom of the
socioeconomic scale and are found, more often than not, in
unskilled, low status occupations. They are forbidden to enter
temples, often beg for their food, must leave their chests
uncovered and silently endure public humiliations and insults. They
remain on the fringes of society and it is even said by some that
their shadows pollute passersby.
Is anthropology simply a continuation of colonial domination and cultural imperialism by other means, or has it--since its nineteenth-century rebirth as a purportedly scientific discipline--produced reliable knowledge about the cultures it studies? Is anthropology a mirror--which reflects only the preoccupations of the (Western) anthropologist--or a window, through which it is possible to see, though not with the same eyes as their members, other cultures? Deriving from the 2002 Page-Barbour Lectures delivered by the French anthropologist Maurice Godelier at the University of Virginia, and supplemented by additional lectures and articles by the author, In and Out of the West addresses a series of fundamental topics and issues in social anthropology--including family, kinship, and the construction of the self. He particularly emphasizes the strategic role of political-religious relations in the construction of societies and social life. Godelier places social anthropology in its historical perspective, with its origins in the West and, more particularly, colonialism, while also arguing that it has to some extent transcended its origins, achieving a measure of scientific objectivity and validity that cannot be reduced to a continuation of the colonial project. A final chapter, reflecting his experience as the first head of the science department of the new Quai Branly anthropological museum in Paris, discusses issues surrounding the presentation of nonwestern cultural artifacts to a Western general public.
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