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This clear and reliable introduction to Taoism (also known as
Daoism) brings a fresh dimension to a tradition that has found a
natural place in Western society. Examining Taoist sacred texts
together with current scholarship, it surveys Taoism's ancient
roots, contemporary heritage and role in daily life.
The Reverend Howard Finster (1916 2001) was called the backwoods William Blake" and the Andy Warhol of the South," and he is considered the godfather of contemporary American folk and visionary art. This book is the first interpretive analysis of the intertwined artistic and religious significance of Finster's work within the context of the American outsider art" tradition. Finster began preaching as a teenager in the South in the 1930s. But it was not until he received a revelation from God at the age of sixty that he began to make sacred art. A modern-day Noah who saw his art as a religious crusade to save the world before it was too late, Finster worked around the clock, often subsisting on a diet of peanut butter and instant coffee. He spent the last years of his life feverishly creating his environmental artwork called Paradise Garden and what would ultimately number almost fifty thousand works of bad and nasty art." This was visionary work that obsessively combined images and text and featured apocalyptic biblical imagery, flying saucers from outer space, and popular cultural icons such as Elvis Presley, Marilyn Monroe, Henry Ford, Mona Lisa, and George Washington. In the 1980s and 90s, he developed cult celebrity status, and he appeared in the Venice Biennale and on the Tonight Show. His work graced the album covers of bands such as R.E.M. and Talking Heads. This book explores the life and religious-artistic significance of Finster and his work from the personal perspective of religion scholar Norman Girardot, friend to Finster and his family during the later years of the artist's life.
This clear and reliable introduction to Taoism (also known as
Daoism) brings a fresh dimension to a tradition that has found a
natural place in Western society. Examining Taoist sacred texts
together with current scholarship, it surveys Taoism's ancient
roots, contemporary heritage and role in daily life.
"Norman J. Girardot's "The Victorian Translation of China: James Legge's Oriental Pilgrimage is breathtaking in its scope. James Legge was a giant in Sinology; only a monumental volume such as this one could do justice to him. The publication of this biography of Legge is a major event, not just for the history of Sinology, but for the intellectual history of the late 19th century in general. Indeed, in a sense, the book is almost as much about the great Indologist and comparative philologist Max Muller as it is about the Christian missionary from Aberdeen who produced such epochal translations of the Chinese classics in Hong Kong and at Oxford. Partly inspired by Lytton Strachey's trenchant insights of into the Victorian mind and character, Girardot's masterpiece deserves to be ranked with the finest examples of the craft of writing about influential persons and interesting eras. But it is more than that; quite simply, this is one of the most outstanding academic biographies of all time and in any field."--Victor H. Mair, translator of "Tao Te Ching: The Classic Book of Integrity and the Way and "Wandering on the Way: Early Taoist Tales and Parables of Chuang Tzu. "Through a densely annotated translation of the entire Confucian canon and two seminal Daoist texts, James Legge is the single most important individual in making the historical classics of Chinese history and philosophy known to English readership, and through it to the entire Western world. Norman Girardot's study, surpassing all previous efforts in chronicling the person and assessing Legge's legacy, is itself a monumental achievement in research, interpretation, and writing. The focalized discussion of the subject interms of the scholar as missionary, the development of Sinological Orientalism, and the rise and growth of the Comparative Science of Religions or "Religionswissenschaft provides unrivalled enormity of scope and depth of understanding. "The Victorian Translation of China will remain a definitive work for decades to come."--Anthony C. Yu, author most recently of "Rereading the Stone: Desire and the Making of Fiction in Dream of the Red Chamber.
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