The book investigates the aesthetic theology embedded in the Franciscan artistic tradition. The novelty of the approach is in applying concepts gleaned from Franciscan textual sources to create a deeper understanding of how art in all its sensual forms was foundational to the Franciscan milieu. Chapters range from studies of statements about aesthetics and the arts in theological textual sources to examples of visual, auditory, and tactile arts communicating theological ideas found in texts. The essays cover not only European art and textual sources, but also Franciscan influences in the Americas found in both texts and artifacts.

A Reader in Early Franciscan Theology presents for the first time in English key passages from the Summa Halensis, one of the first major installments in the summa genre for which scholasticism became famous. This systematic work of philosophy and theology was collaboratively written mostly between 1236 and 1245 by the founding members of the Franciscan school, such as Alexander of Hales and John of La Rochelle, who worked at the recently founded University of Paris. Modern scholarship has often dismissed this early Franciscan intellectual tradition as unoriginal, merely systematizing the Augustinian tradition in light of the rediscovery of Aristotle, paving the way for truly revolutionary figures like John Duns Scotus. But as the selections in this reader show, it was this earlier generation that initiated this break with precedent. The compilers of the Summa Halensis first articulated many positions that eventually become closely associated with the Franciscan tradition on issues like the nature of God, the proof for God's existence, free will, the transcendentals, and Christology. This book is essential reading for anyone wishing to understand the ways in which medieval thinkers employed philosophical concepts in a theological context as well as the evolution of Franciscan thought and its legacy to modernity. A Reader in Early Franciscan Theology is available from the publisher on an open-access basis.

The book investigates the aesthetic theology embedded in the Franciscan artistic tradition. The novelty of the approach is in applying concepts gleaned from Franciscan textual sources to create a deeper understanding of how art in all its sensual forms was foundational to the Franciscan milieu. Chapters range from studies of statements about aesthetics and the arts in theological textual sources to examples of visual, auditory, and tactile arts communicating theological ideas found in texts. The essays cover not only European art and textual sources, but also Franciscan influences in the Americas found in both texts and artifacts.

A Reader in Early Franciscan Theology presents for the first time in English key passages from the Summa Halensis, one of the first major installments in the summa genre for which scholasticism became famous. This systematic work of philosophy and theology was collaboratively written mostly between 1236 and 1245 by the founding members of the Franciscan school, such as Alexander of Hales and John of La Rochelle, who worked at the recently founded University of Paris. Modern scholarship has often dismissed this early Franciscan intellectual tradition as unoriginal, merely systematizing the Augustinian tradition in light of the rediscovery of Aristotle, paving the way for truly revolutionary figures like John Duns Scotus. But as the selections in this reader show, it was this earlier generation that initiated this break with precedent. The compilers of the Summa Halensis first articulated many positions that eventually become closely associated with the Franciscan tradition on issues like the nature of God, the proof for God's existence, free will, the transcendentals, and Christology. This book is essential reading for anyone wishing to understand the ways in which medieval thinkers employed philosophical concepts in a theological context as well as the evolution of Franciscan thought and its legacy to modernity. A Reader in Early Franciscan Theology is available from the publisher on an open-access basis.

Hans Urs von Balthasar (1905-1988), long considered one of the most important Catholic theologians of the twentieth century, is a central figure in the field of theological aesthetics. His "poetic" reading of ancient and medieval texts was intended to retrieve the role of the aesthetic in discerning the Divine in a modern, technological world. Aesthetic Revelation reexamines von Balthasar's study of ancient and medieval theological aesthetics in his Glory of the Lord and confirms and critiques certain aspects of his analysis of traditional texts. Oleg Bychkov begins with a methodological introduction on the hermeneutics of traditional texts and addresses the question of whether it is feasible to examine ancient and medieval texts in contemporary terms. He then presents a critical outline of the history of the discipline of aesthetics, von Balthasar's idea of theological aesthetics, and a unique analysis of von Balthasar's hermeneutics of ancient and medieval texts. The second part of the book offers a groundbreaking study of several ancient and medieval authors and the traditions they inspired-Platonic, Stoic, Augustinian, and late medieval-with a view to confirming von Balthasar's insights in aesthetics and correcting his approaches to textual criticism. Besides contributing to a wide range of disciplines and areas, the book clarifies certain methodological issues concerning the hermeneutics of ancient and medieval texts-a theoretical area often neglected by classicists and medievalists. Oleg Bychkov's masterly exposition also shows how the texts analyzed have significantly influenced the development of Western theological thought.