How does a secret service confront its past, when secrets are kept for ever? Buried deep in MI6's digital archives is the most classified directory of all. It doesn't contain war plans or agent profiles, but shame: the misdeeds of politicians, royalty, business leaders and the service's own personnel. There are seven decades' worth of images and recordings, usually acquired for the sake of assessing risk, sometimes as a guard against betrayal, often engineered by MI6 for their own purposes. These amount to the most sensitive two thousand terabytes of data in the Service's possession. When material from the archive begins appearing online, the panic is widespread. At first, the security breach only manifests itself in apparently random events: a suicide, a disappearance, a breakdown. But when it turns out that the individuals concerned were all contacted by the same anonymous person, a connection comes into focus. The archive has somehow leaked. The hunt is now of unprecedented urgency. That's when they call for Elliot Kane...

In this gritty, white-knuckle crime thriller, Detective Nick Belsey--introduced in the acclaimed The Hollow Man as a shrewd, street-smart cynic who is one of London's sharpest, but most unprincipled, investigators--is plunged into a perplexing mystery of secrets, danger, and suspense beneath the city's streets.

Trouble once again finds Nick Belsey when he takes a date to an abandoned bomb shelter buried beneath the heart of London. One minute the young woman is there, and the next, she's gone, mysteriously vanishing into the dark labyrinth of secret tunnels. A seasoned cop with a bad reputation, Nick knows that if he reports her disappearance, he'll be the prime suspect. Instead, he's going to find her. It's not just her life at stake--it's his, too.

Determined to discover who else is down in those forgotten tunnels, and how far this secret network of underground passages extends, he plunges head first into the investigation--and into a dangerous game of cat-and-mouse with a ruthless enemy who would rather let an innocent woman die than reveal old Cold War secrets hidden deep beneath the city's streets.

An edgy, subversive thriller with the superb characterization of classic Lawrence Block and the psychological acuity and suspense of Sophie Hannah, Deep Shelter is a compulsively readable mystery from a master of literary suspense.

Archaeology for Today and Tomorrow explores how cutting-edge archaeological theories have implications not only for how we study the past, but also how we think about and prepare for the future. Ranging from how we understand migration or political leadership to how we think about violence or ecological crisis, the book argues that archaeology should embrace a "future-oriented" attitude. Behind the traditional archaeological gaze on the past are a unique and useful collection of skills, tools, and orientations for rethinking the present and future. Further, it asserts that archaeological theory is not only vital for how we conduct our work as archaeologists, and how we create narratives about the past, but also for how we think about the broader world in the present and, crucially, how we envision and shape the future. Each of the chapters in the book links specific theoretical approaches and global archaeological case studies to a specific contemporary issue. It examines such issues as human movement, violence, human and non-human relations, the Anthropocene, and fake news to showcase the critical contributions that archaeology, and archaeological theory, can make to shaping the world of tomorrow. An ideal book for courses on archaeology in the modern world and public archaeology, it will also appeal to archaeology students and researchers in general and all those in related disciplines interested in areas of critical contemporary concern.

Archaeology for Today and Tomorrow explores how cutting-edge archaeological theories have implications not only for how we study the past, but also how we think about and prepare for the future. Ranging from how we understand migration or political leadership to how we think about violence or ecological crisis, the book argues that archaeology should embrace a "future-oriented" attitude. Behind the traditional archaeological gaze on the past are a unique and useful collection of skills, tools, and orientations for rethinking the present and future. Further, it asserts that archaeological theory is not only vital for how we conduct our work as archaeologists, and how we create narratives about the past, but also for how we think about the broader world in the present and, crucially, how we envision and shape the future. Each of the chapters in the book links specific theoretical approaches and global archaeological case studies to a specific contemporary issue. It examines such issues as human movement, violence, human and non-human relations, the Anthropocene, and fake news to showcase the critical contributions that archaeology, and archaeological theory, can make to shaping the world of tomorrow. An ideal book for courses on archaeology in the modern world and public archaeology, it will also appeal to archaeology students and researchers in general and all those in related disciplines interested in areas of critical contemporary concern.

The continued influence and significance of the legend of Arthur are demonstrated by the articles collected in this volume. The enduring appeal and rich variety of the Arthurian legend are once again manifest here. Chretien's Erec et Enide features first in a case study of the poet's endings and medieval theories of poetic composition. Next follows an essay that comes to the rather surprising-but- convincing conclusion that the "traitor" spoken of in the opening lines of Sir Gawain and the Green Knight is neither Aeneas nor Antenor, but Paris. Another essay dealing with Sir Gawain, this time in Malory's Morte Darthur, offers among other things an answer to the question of how Gawain knows the exact hour of his death. Few native Irish Arthurian tales have come down to us: a discussion of "The Tale of the Crop-Eared Dog" shows it to be both bizarre and popular, as witnessed by the many manuscripts in which it is preserved. The materiality of the Arthurian legend is represented here by a detailed treatment of the lead cross supposedly found in the grave of King Arthur at Glastonbury Abbey in 1191. Finally, this volume continues Arthurian Literature's tradition of publishing unfamiliar or previously unknown Arthurian texts, in this instance an original Middle English translation of the story of the sword in the stone, from the Old French Merlin. ELIZABETH ARCHIBALD is Professor of English Studies at Durham University, and Principal of StCuthbert's Society; DAVID F. JOHNSON is Professor of English at Florida State University, Tallahassee. Contributors: Lindy Brady, David Carlton, Neil Cartlidge, Nicole Clifton, Oliver Harris, Richard Moll, Rebecca Newby.

As this new edition reveals, the cultural reach of "The Ticket That Exploded" has expanded with the viral logic of Burroughs's multimedia methods, recycling itself into our digital environment. A last chance antidote to the virus of lies spread by the ad men and con men of the Nova Mob, Burroughs's book is an outrageous hybrid of pulp science fiction, obscene experimental poetry, and manifesto for revolution--as fresh today as it ever has been. Edited from the original manuscripts by renowned Burroughs scholar Oliver Harris, this revised edition incorporates an introduction and appendices of never before seen materials.

Chapters 1, 2, and 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com/books/e/9781138820388 Lacan's Return to Antiquity is the first book devoted to the role of classical antiquity in Lacan's work. Oliver Harris poses a question familiar from studies of Freud: what are Ancient Greece and Rome doing in a twentieth-century theory of psychology? In Lacan's case, the issue has an additional edge, for he employs antiquity to demonstrate what is radically new about psychoanalysis. It is a tool with which to convey the revolutionary power of Freud's ideas by digging down to the philosophical questions beneath them. It is through these questions that Lacan allies psychoanalysis with the pioneering intellectual developments of his time in anthropology, philosophy, art and literature. Harris begins by considering the role of Plato and Socrates in Lacan's conflicted thoughts on teaching, writing and the process of becoming an intellectual icon. In doing so, he provides a way into considering the uniquely challenging nature of the Lacanian texts themselves, and the live performances behind them. Two central chapters explore when and why myth is drawn upon in psychoanalysis, its threat to the discipline's scientific aspirations, and Lacan's embrace of its expressive potential. The final chapters explore Lacan's defence of tragedy and his return to Ovidian themes. These include the unwitting voyeurism of Actaeon, and the fate of Narcissus, a figure of tragic metamorphosis that Freud places at the heart of infantile development. Lacan's Return to Antiquity brings to Lacan studies the close reading and cross-disciplinary research that has proved fruitful in understanding Freud's invention of psychoanalysis. It will appeal to psychoanalysts and advanced students studying in the field, being of particular value to those interested in the roots of Lacanian concepts, the evolution of his thought, and the cultural context of his work. What emerges is a more nuanced, self-critical figure, a corrective to the reputation for dogmatism and obscurity that Lacan has attracted. In the process, new light is thrown on enduring controversies, from Lacan's pronouncements on feminine sexuality to the opaque drama of the seminars themselves.

'Oliver Harris is always pure quality and I'm loving the hell out of his foray into the contemporary spy novel' Ian Rankin 'Scary if true, or even half true' Sunday Times star pick There is a dark side to MI6 that needs men like Elliot Kane - mercurial, inquisitive, free floating. He's spent fifteen years managing events overseas that never make the papers, deniable and deeply effective. Kane is a ghost in his own life, picking up and dropping personalities as each new cover story comes into play. But when a woman he loves, Joanna Lake, vanishes without a trace in Kazakhstan, he is forced centre stage. Drawn ever deeper into a realm of deception, Kane moves from merely infiltrating events to steering them. He's used to a new mode of hybrid psychological warfare - but snowbound Kazakhstan presents unique challenges. Poised between China, Russia and the West, dictatorship and democracy, state intelligence and an increasingly powerful world of private agencies, it's impossible to work out who is manipulating who. And Kane's not the only one trying to figure out where Joanna Lake has gone or what she learned before disappearing. Unable to trust anyone, hunted by his own colleagues, and with the life of someone he loves at stake, Kane needs to work out who is driving events, and why...

How does a secret service confront its past, when secrets are kept for ever? Buried deep in MI6's digital archives is the most classified directory of all. It doesn't contain war plans or agent profiles, but shame: the misdeeds of politicians, royalty, business leaders and the service's own personnel. There are seven decades' worth of images and recordings, usually acquired for the sake of assessing risk, sometimes as a guard against betrayal, often engineered by MI6 for their own purposes. These amount to the most sensitive two thousand terabytes of data in the Service's possession. When material from the archive begins appearing online, the panic is widespread. At first, the security breach only manifests itself in apparently random events: a suicide, a disappearance, a breakdown. But when it turns out that the individuals concerned were all contacted by the same anonymous person, a connection comes into focus. The archive has somehow leaked. The hunt is now of unprecedented urgency. That's when they call for Elliot Kane...

A shocking expose of the desperate subculture surrounding heroin addiction, William S. Burroughs' Junky is edited with an introduction by Oliver Harris in Penguin Modern Classics. Burroughs' first novel, a largely autobiographical account of the constant cycle of drug dependency, cures and relapses, remains the most unflinching, unsentimental account of addiction ever written. Through junk neighbourhoods in New York, New Orleans and Mexico City, through time spent kicking, time spent dealing and time rolling drunks for money, through junk sickness and a sanatorium, Junky is a field report (by a writer trained in anthropology at Harvard) from the American post-war drug underground. Nurtured into being by fellow Beat Generation guru Allen Ginsberg, Junky is a cult classic that has influenced generations of writers with its raw, sparse and unapologetic tone. This definitive edition painstakingly recreates the author's original text word for word. In work and in life, William S. Burroughs (1914-1997) expressed a constant subversion of the morality, politics and economics of modern America. To escape those conditions, and in particular his treatment as a homosexual and a drug-user, Burroughs left his homeland in 1950, and soon after began writing. By the time of his death he was widely recognised as one of the most politically trenchant, culturally influential, and innovative artists of the twentieth century. His numerous books include Naked Lunch, Junky, Queer, Nova Express, Interzone, The Wild Boys, The Ticket That Exploded and The Soft Machine. If you enjoyed Junky, you might like Burroughs' Exterminator!, also available in Penguin Modern Classics. 'Reads today as fresh and unvarnished as it ever has' Will Self

Archaeological Theory in the New Millennium provides an account of the changing world of archaeological theory and a challenge to more traditional narratives of archaeological thought. It charts the emergence of the new emphasis on relations as well as engaging with other current theoretical trends and the thinkers archaeologists regularly employ. Bringing together different strands of global archaeological theory and placing them in dialogue, the book explores the similarities and differences between different contemporary trends in theory while also highlighting potential strengths and weaknesses of different approaches. Written in a way to maximise its accessibility, in direct contrast to many of the sources on which it draws, Archaeological Theory in the New Millennium is an essential guide to cutting-edge theory for students and for professionals wishing to reacquaint themselves with this field.

'One of our finest thriller writers' Evening Standard A BBC2 BETWEEN THE COVERS BOOK CLUB PICK 2021 'Oliver Harris is always pure quality' Ian Rankin 'A fascinating tale of modern espionage in a unique setting' Irish Independent Three friends from a mission many years ago reconnect when one of them dies in mysterious circumstances on remote Ascension Island. Rory Bannatyne had been tasked with tapping a new transatlantic data cable, but a day before he was due to return home he is found hanged. When Kathryn Taylor, on the South Atlantic MI5 desk, begs ex-spy Elliot Kane to go over and investigate, he can't say no, but it's an uneasy reintroduction to the intelligence game. Entirely isolated from the world, the disappearance of a young girl on the island at the same time as Rory's death means local tensions are high. Elliot needs to discover what happened to her as well as to Rory. But the island contains more secrets than even the government knows, and it's not going to give them up without a fight. WHAT READERS ARE SAYING 'Captivating...Gripping, relevant and frenetic. You'll be hard pressed to put this one down for a second' Amazon reader five star review 'Stunning spy novel...This is the best of its genre I've read' Amazon reader five star review 'A bit like a thinking person's Lee Child' Amazon reader five star review

Essays on the links between film and fiction, and their mutual influence. Fiction and film interrelate closely to each other, and the specially commissioned essays in this volume all consider different aspects of this relationship. Beginning with discussions of Dickens and Victorian literature, the contributors, all leading scholars in this field, demonstrate how visual devices like the magic lantern caught the interest of writers and affected their choice of subject and method. The impact of the cinema on the British modernistsis then discussed, and the remaining essays provide detailed case studies on such subjects as Hemingway, Updike, and the depiction of women in contemporary fiction and film.

In January 1953, William Burroughs began a seven-month expedition into the jungles of South America, ostensibly to find yage, the fabled hallucinogen of the Amazon. But Burroughs also cast his anthropological-satiric eye over the local regimes to record trademark vignettes of political and psychic malaise. From the notebooks he kept and the letters he wrote home to Allen Ginsberg, Burroughs composed a narrative of his adventures that appeared ten years later as "In Search of Yage" within The Yage Letters. That book, published by City Lights in 1963, was completed by the addition of Ginsberg's account of his own experiences with yage as he traveled through South America in 1960, and by the addition of other Burroughs letters and texts. For this new edition, Burroughs scholar Oliver Harris has gone back to the original manuscripts to untangle the history of the text, telling the fascinating story of its genesis and cultural importance in his wide-ranging introduction. Also included in this edition are extensive materials, never before published, by both Burroughs and Ginsberg that shed new light on their adventures in exploration and writing "A complete understanding of the literary legacy of William Burroughs and Allen Ginsberg is impossible without reading this amazing collection of letters and documents centered on yage, the fabled hallucinogen of the Amazon. . . . These crucial texts go beyond simple curiosity about mind-changing drugs to set the foundation of what would later become a literary movement that changed American literature."-Bloomsbury Review "Burroughs' book about his search for the 'ultimate fix', The Yage Letters, possesses an equally strange and secret history. Published in 1963 but written a decade earlier, it has long been seen as a fascinating curio in the Burroughs canon, yet a new edition of the book, edited by Oliver Harris, places it more centrally in the list of key Burroughs texts. . . . The Yage Letters marks the point when Burroughs moved full-time into his own, fully realised universe."-The Independent UK William Burroughs is widely recognized as one of the most influential and innovative writers of the twentieth century. His books include: Junky, Naked Lunch, Queer, The Wild Boys and The Place of Dead Roads. Oliver Harris is a professor in literature and film in the School of American Studies at Keele University. He is the editor of The Letters of William S, Burroughs (Penguin) and the 50th anniversary edition of Junky (Penguin).

Chapters 1, 2, and 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com/books/e/9781138820388 Lacan's Return to Antiquity is the first book devoted to the role of classical antiquity in Lacan's work. Oliver Harris poses a question familiar from studies of Freud: what are Ancient Greece and Rome doing in a twentieth-century theory of psychology? In Lacan's case, the issue has an additional edge, for he employs antiquity to demonstrate what is radically new about psychoanalysis. It is a tool with which to convey the revolutionary power of Freud's ideas by digging down to the philosophical questions beneath them. It is through these questions that Lacan allies psychoanalysis with the pioneering intellectual developments of his time in anthropology, philosophy, art and literature. Harris begins by considering the role of Plato and Socrates in Lacan's conflicted thoughts on teaching, writing and the process of becoming an intellectual icon. In doing so, he provides a way into considering the uniquely challenging nature of the Lacanian texts themselves, and the live performances behind them. Two central chapters explore when and why myth is drawn upon in psychoanalysis, its threat to the discipline's scientific aspirations, and Lacan's embrace of its expressive potential. The final chapters explore Lacan's defence of tragedy and his return to Ovidian themes. These include the unwitting voyeurism of Actaeon, and the fate of Narcissus, a figure of tragic metamorphosis that Freud places at the heart of infantile development. Lacan's Return to Antiquity brings to Lacan studies the close reading and cross-disciplinary research that has proved fruitful in understanding Freud's invention of psychoanalysis. It will appeal to psychoanalysts and advanced students studying in the field, being of particular value to those interested in the roots of Lacanian concepts, the evolution of his thought, and the cultural context of his work. What emerges is a more nuanced, self-critical figure, a corrective to the reputation for dogmatism and obscurity that Lacan has attracted. In the process, new light is thrown on enduring controversies, from Lacan's pronouncements on feminine sexuality to the opaque drama of the seminars themselves.

'Anti-hero Nick Belsey, a policeman so maverick as to make Rebus look like a jobsworth, has burnt his bridges and fled to Mexico in Harris's latest marvellous thriller' Telegraph, 50 Best Books of 2022 Praise for Oliver Harris: 'One of our finest thriller writers' Evening Standard 'Oliver Harris is always pure quality' Ian Rankin Nick Belsey's on the run. Touching down in Mexico City, he doesn't have much in the way of funds, but he has a new continent and surely that's enough to start afresh. But it's not as easy as that. An idyllic interlude in a coastal village is interrupted when men turn up who seem to know exactly who he is. And they have some very urgent questions. DI Kirsty Craik had also hoped she'd left Nick Belsey behind her, in the wilder days of her career. When a five am call instructs her to track him down or she'll be dead by Christmas, it seems he's walked back into her life with characteristic commotion. Craik is forced to break the rules once more to find out what her former lover is up to. She needs to save herself, and, just maybe, to save Belsey too.

The most ferociously political and prophetic book of Burroughs's "cut-up" trilogy, "Nova Express" fires the reader into a textual outer space the better to see our burning planet and the operations of the Nova Mob in all their ugliness. As the new edition demonstrates, the shortest of the three books was cut by Burroughs from an extraordinary wealth of typescripts to create a visionary demand to take back the world that has been stolen from us. Edited from the original manuscripts by renowned Burroughs scholar Oliver Harris, this revised edition incorporates an introduction and appendices of never before seen materials.

Archaeological Theory in the New Millennium provides an account of the changing world of archaeological theory and a challenge to more traditional narratives of archaeological thought. It charts the emergence of the new emphasis on relations as well as engaging with other current theoretical trends and the thinkers archaeologists regularly employ. Bringing together different strands of global archaeological theory and placing them in dialogue, the book explores the similarities and differences between different contemporary trends in theory while also highlighting potential strengths and weaknesses of different approaches. Written in a way to maximise its accessibility, in direct contrast to many of the sources on which it draws, Archaeological Theory in the New Millennium is an essential guide to cutting-edge theory for students and for professionals wishing to reacquaint themselves with this field.

An outrageous hybrid of pulp science fiction, obscene experimental poetry, and manifesto for revolution, The Ticket That Exploded is a last chance antidote to the virus of lies spread by the ad men and con men of the Nova Mob, a call to arms against those driving our planet toward the point of destruction. Like the other two volumes of Burroughs' Cut-Up Trilogy, The Soft Machine and Nova Express, it is today as fresh in its form and as urgent in its message as it has ever been. Edited and introduced by renowned Burroughs scholar Oliver Harris, this new edition reveals how the book's cultural reach has expanded with the viral logic of Burroughs' multi-media creative methods.

First published in 1963 and representing Burroughs's literary breakthrough in the UK, Dead Fingers Talk is, in the words of Burroughs scholar Prof. Oliver Harris, "a prophetic work of haunting power", and is perhaps the most commercial and accessible of his works. Combining new material with selections from Naked Lunch and his cut-up novels The Soft Machine and The Ticket That Exploded, the book is also a fascinating precursor to remix and mash-up forms in art and music, which owe much to Burroughs's influence. This newly edited edition of Dead Fingers Talk, based on the restored text of the novel, will delight all Burroughs fans and lovers of experimental literature, and offer a new insight into the artistic process of one of the most original and influential writers of the twentieth century.

The most ferociously political and prophetic book of the Cut-Up Trilogy, Nova Express fires the reader into a textual outer space to show us our burning planet and to reveal the operations of the Nova Mob in all their ugliness. As with The Soft Machine and The Ticket That Exploded, William Burroughs deploys his cut-up methods to make a visionary demand that we take back the world that has been stolen from us. Edited and introduced by renowned Burroughs scholar Oliver Harris, this new edition reveals how Nova Express was cut from an extraordinary wealth of typescripts to create startling new forms of poetic possibility. The third book of Burroughs' linguistically prophetic 'cut-up' trilogy - following The Soft Machine and The Ticket That Exploded - Nova Express is a hilarious and Swiftian parody of bureaucracy and the frailty of the human animal.