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Lacan's Return to Antiquity - Between nature and the gods (Paperback)
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Lacan's Return to Antiquity - Between nature and the gods (Paperback)
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Chapters 1, 2, and 5 of this book is freely available as a
downloadable Open Access PDF under a Creative Commons
Attribution-Non Commercial-No Derivatives 4.0 license available at
http://www.taylorfrancis.com/books/e/9781138820388 Lacan's Return
to Antiquity is the first book devoted to the role of classical
antiquity in Lacan's work. Oliver Harris poses a question familiar
from studies of Freud: what are Ancient Greece and Rome doing in a
twentieth-century theory of psychology? In Lacan's case, the issue
has an additional edge, for he employs antiquity to demonstrate
what is radically new about psychoanalysis. It is a tool with which
to convey the revolutionary power of Freud's ideas by digging down
to the philosophical questions beneath them. It is through these
questions that Lacan allies psychoanalysis with the pioneering
intellectual developments of his time in anthropology, philosophy,
art and literature. Harris begins by considering the role of Plato
and Socrates in Lacan's conflicted thoughts on teaching, writing
and the process of becoming an intellectual icon. In doing so, he
provides a way into considering the uniquely challenging nature of
the Lacanian texts themselves, and the live performances behind
them. Two central chapters explore when and why myth is drawn upon
in psychoanalysis, its threat to the discipline's scientific
aspirations, and Lacan's embrace of its expressive potential. The
final chapters explore Lacan's defence of tragedy and his return to
Ovidian themes. These include the unwitting voyeurism of Actaeon,
and the fate of Narcissus, a figure of tragic metamorphosis that
Freud places at the heart of infantile development. Lacan's Return
to Antiquity brings to Lacan studies the close reading and
cross-disciplinary research that has proved fruitful in
understanding Freud's invention of psychoanalysis. It will appeal
to psychoanalysts and advanced students studying in the field,
being of particular value to those interested in the roots of
Lacanian concepts, the evolution of his thought, and the cultural
context of his work. What emerges is a more nuanced, self-critical
figure, a corrective to the reputation for dogmatism and obscurity
that Lacan has attracted. In the process, new light is thrown on
enduring controversies, from Lacan's pronouncements on feminine
sexuality to the opaque drama of the seminars themselves.
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