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From Oscar-winner Oliver Stone comes a first-hand look at one of
the most important, powerful, and controversial leaders in the
world: Vladimir Putin of Russia. The companion to the news-breaking
television series, this edition has substantial material not
included in the documentary. Academy Award winner Oliver Stone was
able to secure what journalists, news organizations, and even other
world leaders have long coveted: extended, unprecedented access to
Russian President Vladimir Putin. The Putin Interviews are culled
from more than a dozen interviews with Putin over a two-year
span-never before has the Russian leader spoken in such depth or at
such length with a Western interviewer. No topics are off limits in
the interviews, which first occurred during Stone's trips to meet
with NSA whistleblower Edward Snowden in Moscow and most recently
after the election of President Donald Trump. Prodded by Stone,
Putin discusses relations between the United States and Russia,
allegations of interference in the US election, and Russia's
involvement with conflicts in Syria, Ukraine, and elsewhere across
the globe. Putin speaks about his rise to power and details his
relationships with Presidents Clinton, George W. Bush, Obama, and
Trump. The exchanges are personal, provocative, and at times
surreal. At one point, Stone asks, "Why did Russia hack the
election?"; at another, Stone introduces him to Stanley Kubrick's
1964 Cold War satire "Dr. Strangelove," which the two watch
together. Stone has interviewed controversial world leaders before,
including Hugo Chavez, Fidel Castro, and Benjamin Netanyahu. But
The Putin Interviews, in its unmediated access to one of the most
enigmatic and powerful men in the world, can only be compared to
the series of conversations between David Frost and Richard Nixon
we now refer to as "The Nixon Interviews" of 1977. The book will
also contain references and sources that give readers a deeper
understanding of the topics covered in the interviews and make for
a more robust reading experience.
(Applause Books). A documented screenplay of the Oliver Stone film,
complete with historical annotation, with 340 research notes and 97
reactions and commentaries by Norman Mailer, Tom Wicker, Gerald R.
Ford, and many others. "It's a lesson in craft to watch JFK on
video while reading along, charting what got cut, softened, and
rethought." Entertainment Weekly
Based on Oliver Stone's documentary, JFK Revisited, read the
transcripts and interviews that will change the way you think about
the John F. Kennedy assassination. JFK Revisited: Through the
Looking Glass contains the two working original screenplays
for Oliver Stoneâs JFK Revisited; both the two-hour version,
Through the Looking Glass, and the four-hour version, Destiny
Betrayed. These films are the first documentaries to feature the
work of the Assassination Records Review Board. The Assassination
Records Review Board worked from 1994â98 releasing records that
the government has classified in whole or in part on the
assassination of President John F. Kennedy. They ended up releasing
about two million pages or approximately sixty thousand documents.
They also pursued an investigation into the autopsy and medical
evidence in the JFK case. Although their releases and discoveries
were quite important to the evidentiary record, they received very
little exposure in the mainstream media. They also released
documents relating to Kennedyâs foreign policy in both Cuba and
Vietnam. In the former case, these were plans by the Pentagon to
create a pretext to invade Cuba. In the latter, documents proved
Kennedy was implementing a withdrawal plan from Vietnam. This book
is unprecedented. It contains a compendium of information
originating from the widest range of authorities on the JFK case
ever assembled. This includes luminaries from several fields:
pathology, surgery, ballistics, criminal investigation, neurology,
history, and journalism. Never before have people like forensic
pathologist Cyril Wecht, criminalist Henry Lee, Professor James
Galbraith, author David Talbot, journalist Jefferson Morley,
intelligence analyst John Newman, Professor Robert Rakove, and more
appeared in one book; never have this many illustrious authorities
been interviewed about their views on the policies and the
assassination of President John F. Kennedy. The book also includes
important witness interviews with Dr. Donald Miller about his
colleague Malcolm Perry, Jim Gochenaur of the Church Committee, and
Edwin McGehee of both the House Select Committee on Assassinations
and the Jim Garrison investigation. The combination of this newly
released information plus expert interviews changed the database
and calculus of the JFK case. The scripts are included in this
book, which were the backbone for Oliver Stone's films. It also
includes important excerpts from the many interviews which did not
make it into the final cuts of the films. JFK
Revisited will challenge everything you thought you know
about the JFK assassination.
IN Stars and Wars, Oscar-nominated art director Alan Tomkins
reveals his fascinating unpublished film artwork and
behind-the-scenes photographs from an acclaimed career that spanned
over fifty years in both British and Hollywood cinema. Tomkins' art
appeared in such celebrated films as Saving Private Ryan; JFK;
Robin Hood: Prince of Thieves; The Empire Strikes Back (which would
earn him his Oscar nomination); Lawrence of Arabia; Casino Royale;
Battle of Britain; and Batman Begins. He shares his own unique
experiences alongside these wonderful illustrations and
photographs, charting his early work as a draughtsman through to
becoming a celebrated and sought-after art director on some of the
biggest blockbusters ever made. Having worked alongside such
eminent directors as David Lean, Oliver Stone, Stanley Kubrick,
Franco Zeffirelli and Clint Eastwood, Tomkins has produced a book
that is a must-have for all lovers of classic cinema.
*** "I loved it. An amazing book." - Louis Theroux "A rip-roaring
read. It left me breathless." - Chris Evans, Virgin Radio Breakfast
Show "Riveting." - The New York Times "... a Hollywood movie in
itself." - Spike Lee "Raw, savagely honest, as dramatic as any of
his movies." - Mail on Sunday "A tremendous book - readable, funny
and harrowing." - The Sunday Times In this powerful and evocative
memoir, Oscar-winning director and screenwriter, Oliver Stone,
takes us right to the heart of what it's like to make movies on the
edge. In Chasing The Light he writes about his rarefied New York
childhood, volunteering for combat, and his struggles and triumphs
making such films as Platoon, Midnight Express, and Scarface.
Before the international success of Platoon in 1986, Oliver Stone
had been wounded as an infantryman in Vietnam, and spent years
writing unproduced scripts while taking miscellaneous jobs and
driving taxis in New York, finally venturing westward to Los
Angeles and a new life. Stone, now 73, recounts those formative
years with vivid details of the high and low moments: we sit at the
table in meetings with Al Pacino over Stone's scripts for Scarface,
Platoon, and Born on the Fourth of July; relive the harrowing demon
of cocaine addiction following the failure of his first feature,
The Hand (starring Michael Caine); experience his risky
on-the-ground research of Miami drug cartels for Scarface; and see
his stormy relationship with The Deer Hunter director Michael
Cimino. We also learn of the breathless hustles to finance the
acclaimed and divisive Salvador; and witness tensions behind the
scenes of his first Academy Award-winning film, Midnight Express.
The culmination of the book is the extraordinarily vivid recreation
of filming Platoon in the depths of the Philippine jungle with
Kevin Dillon, Charlie Sheen, Willem Dafoe, Johnny Depp et al,
pushing himself, the crew and the young cast almost beyond breaking
point. Written fearlessly, with intense detail and colour, Chasing
the Light is a true insider's story of Hollywood's years of
upheaval in the 1970s and '80s, and Stone brings this period alive
as only someone at the centre of the action truly can.
In working together on two challenging new documentaries - South of
the Border and the forthcoming Untold History of the United States
- Oliver Stone, the filmmaker, engaged with author and filmmaker
Tariq Ali in a hard-hitting conversation on the politics of
history. Their dialogue brings to light a number of forgotten - or
buried - episodes of history. From the U.S. intervention against
the Russian Revolution to the connections between Presidents and
the Saudi royal family, no stone is left unturned and no topic is
sacred in this insightful exchange.
*** THE SUNDAY TIMES BESTSELLER "I loved it. An amazing book." -
Louis Theroux "A rip-roaring read. It left me breathless." - Chris
Evans, Virgin Radio "Raw, savagely honest, as dramatic as any of
his movies." - Mail on Sunday "A tremendous book - readable, funny
and harrowing." - The Sunday Times "Riveting." - The New York Times
"A fascinating exposure of Stone's inner life and his powerful, all
devouring energy and genius that drove him to become one of the
world's greatest filmmakers." - Sir Anthony Hopkins "... a
Hollywood movie in itself." - Spike Lee Chasing the Light is Oliver
Stone's intimate and ground-breaking filmmaker's memoir - and a
razor-sharp insider's tour of Hollywood during its 70s and 80s
upheaval. With disarming honesty, he takes us from a childhood on
New York's Upper East Side through the combat zones of Vietnam,
inside the clandestine worlds of Chinatown's gang lords and Miami's
cocaine trade - and behind the glittering and often drug-addled Los
Angeles movie society scene. And from Midnight Express through
Scarface, and Salvador he discovers his own dogged determination, a
marked rebellious streak and a drive to make controversial films
that matter. How he strung together the realistic, radical and
ultimately box office smash Platoon is in itself a 10-year
adventure of financial intrigue, perseverance and near-death
experiences that culminates in the depths of the Philippine jungle
with Stone pushing himself, the crew and young cast almost beyond
breaking point. Written fearlessly with intense detail and colour,
this is what it's like to make films on the edge.
**The New York Times bestseller** **Updated to include Obama's
second term, Trump's first year and a half, climate change, nuclear
winter, Korea, Russia, Iran, China, Libya, ISIS, and Syria** 'This
is not history for history's sake, however - this is the history of
our present and future, long beyond cold war, into war on terror,
war on drugs' Ed Vulliamy, Guardian The Untold History of the
United States is filmmaker Oliver Stone and historian Peter
Kuznick's riveting landmark account of the rise and decline of the
American empire - the most powerful and dominant nation the world
has ever seen. Probing the dark corners of the administrations of
eighteen presidents, from Woodrow Wilson to Donald Trump, they dare
to ask just how far the US has drifted from its founding democratic
ideals. Beginning with the bloody suppression of the Filipino
struggle for independence and spanning the two World Wars, it
documents how US administrations have repeatedly intervened in
conflicts on foreign soil, taking part in covert operations and
wars in Latin American, Asia and the Middle East. At various times
it has overthrown elected leaders in favour of right-wing
dictators, for both economic and political gain. Examining
America's atomic history, Stone and Kuznick argue that the bombings
of Hiroshima and Nagasaki were militarily unnecessary and morally
indefensible. They show how the United States has repeatedly
brandished nuclear threats and come terrifyingly close to nuclear
war. They expose how US presidents have trampled on the US
constitution and international law and lay bare the recent
transformation of United States into a national security state with
the closest links to Russia since the end of the Second World War.
Using the latest research and recently declassified records, The
Untold History builds a meticulously documented and shocking
picture of the American empire, showing how it has determined the
course of world events for the interests of the few across the
twentieth century and beyond.
The charismatic Alexander the Great of Macedon (356-323 B.C.E.) was
one of the most successful military commanders in history,
conquering Asia Minor, Egypt, Persia, central Asia, and the lands
beyond as far as Pakistan and India. Alexander has been, over the
course of two millennia since his death at the age of thirty-two,
the central figure in histories, legends, songs, novels,
biographies, and, most recently, films. In 2004 director Oliver
Stone's epic film ""Alexander"" generated a renewed interest in
Alexander the Great and his companions, surroundings, and
accomplishments, but the critical response to the film offers a
fascinating lesson in the contentious dialogue between
historiography and modern entertainment. This volume brings
together an intriguing mix of leading scholars in Macedonian and
Greek history, Persian culture, film studies, classical literature,
and archaeology - including some who were advisors for the film -
and includes an afterword by Oliver Stone discussing the challenges
he faced in putting Alexander's life on the big screen. The
contributors scrutinize Stone's project from its inception and
design to its production and reception, considering such questions
as: Can a film about Alexander (and similar figures from history)
be both entertaining and historically sound? How do the goals of
screenwriters and directors differ from those of historians? How do
Alexander's personal relationships - with his mother Olympias, his
wife Roxane, his lover Hephaistion, and others - affect modern
perceptions of Alexander? Several of the contributors also explore
reasons behind the film's tepid response at the box office and
subsequent controversies.
The fictional Oliver Stone is alienated from the stultifying
American nation in which he lives, and, abandoning his parents and
his Ivy League education for Vietnam, he encounters a hell far more
brutal than he could have ever imagined - a world of barroom
whores, psychedelic drugs, and killing fields of indescribable
proportions. His head torn apart, his emotions sundered, he begins
an epic voyage that will lead him through the Merchant Marine, an
unceremonious return to American soil, and a flight into madness
south of the border into Mexico. "A Child's Night Dream" is a visit
into the unconscious mind, a work that celebrates the power of
dreams, propelling us to the brink of reality and then steering us
back to calmer waters.
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