One of the most distinctive artists working today, El Anatsui is best-known for his cascading metallic sculptures constructed of thousands of recycled bottle-tops articulated with copper wire. Repurposing found materials into dazzling works of abstract art, Anatsui’s work explores themes that include the environment, consumption and trade. His site-specific work for the Turbine Hall will be open to the public from 10 October 2023 – 14 April 2024. The book will be lavishly illustrated with photos of this new sculpture, while also serving as an introduction to the artist's life and work. Newly commissioned texts from a fascinating range of perspectives, along with a conversation between Anatsui and curator Osei Bonsu, are accompanied by images from the artist's studio.

Over the past two decades contemporary African art has taken its rightful place on the world stage. Today, African artists work outside the confines of limiting categories and outdated perceptions; they produce art that is as much a reflection of Africa's tumultuous past as it is a vision of its boundless future. African Art Now is an expansive overview featuring some of the most interesting and innovative artists working today. Far-reaching in its scope, this book celebrates the diversity and dynamism of the contemporary African art scene across the continent today. Featuring the work of Njideka Akunyili Crosby, Michael Armitage, Amoako Boafo, Cassi Namoda, Cinga Samson, Zina Saro-Wiwa and many more.

Pierre Janet's L'Automatisme Psychologique, originally published in 1889, is one of the earliest and most important books written on the study of trauma and dissociation. Here it is made available, in two volumes, in English for the first time, with a new preface by Giuseppe Craparo and Onno van der Hart. The second volume, Subconscious Acts, Anesthesias, and Psychological Disaggregation in Psychological Automatism, covers four main topics. Beginning with an examination of subconscious acts, Janet first assesses partial catalepsies, subconscious acts, and posthypnotic suggestions, then proceeds to a consideration of anesthesias and simultaneous psychological existences. This is followed by discussion of several forms of psychological disaggregation, including spiritism, impulsive madness, hallucinations, and possessions. Finally, Janet considers elements of mental weakness and strength, from misery to judgement and will. Janet's work, with its many descriptions of dissociative actions and the dissociative personality, will help clinicians and researchers to develop insight in trauma-related dissociation, and to become more adapt at relating to their patients' dissociative actions. This seminal work will be of great interest to researchers and students of psychoanalysis, philosophy, and modernism, as well as psychotherapists and psychoanalysts working with clients who have experienced trauma. It is accompanied by Catalepsy, Memory, and Suggestion in Psychological Automatism: Total Automatism.

Since the invention of photography in the nineteenth century, Africa has been defined largely by Western images of its cultures and traditions. From the colonial carte de visite and ethnographic archive to the rise of studio portraiture and social documents of racial surveillance, the fraught relationship between Africa and the photographic lens has become inseparable from the discourses of post-colonialism. Challenging these dominant images of exoticism and otherness, this book illustrates how photography has allowed artists to reimagine African histories through the lens of the present, to shape our understanding of the contemporary realities we face. Bringing together a diverse range of artists and thinkers to present varied perspectives on issues such as cultural heritage and restitution, spirituality, urbanism and climate change, it reveals how innovative contemporary photography challenges perceptions of history, culture and identity.

Pierre Janet's L'Automatisme psychologique, originally published in 1889, is one of the earliest and most important books written on the study of trauma and dissociation. Here it is made available, in two volumes, in English for the first time, with a new preface by Giuseppe Craparo and Onno van der Hart. Catalepsy, Memory, and Suggestion in Psychological Automatism, the first volume, examines three aspects of trauma and dissociation. Janet first explores catalepsy and analogous states, including comparing catalepsy to somnambulism, then discusses somnambulism, memory, and forgetting. Finally, Janet considers suggestion, amnesia, and distraction, as well as considering characteristics of suggestible individuals. Janet's work is an unsurpassed experimental study of human actions in their simplest and most rudimentary forms, and a fundamental contribution to our understanding of trauma-related dissociation. This seminal work will be of great interest to researchers and students of psychoanalysis, philosophy, and modernism, as well as psychotherapists and psychoanalysts working with clients who have experienced trauma. It is accompanied by Subconscious Acts, Anesthesias, and Psychological Disaggregation in Psychological Automatism: Partial Automatism.

Pierre Janet's L'Automatisme psychologique, originally published in 1889, is one of the earliest and most important books written on the study of trauma and dissociation. Here it is made available, in two volumes, in English for the first time, with a new preface by Giuseppe Craparo and Onno van der Hart. Catalepsy, Memory, and Suggestion in Psychological Automatism, the first volume, examines three aspects of trauma and dissociation. Janet first explores catalepsy and analogous states, including comparing catalepsy to somnambulism, then discusses somnambulism, memory, and forgetting. Finally, Janet considers suggestion, amnesia, and distraction, as well as considering characteristics of suggestible individuals. Janet's work is an unsurpassed experimental study of human actions in their simplest and most rudimentary forms, and a fundamental contribution to our understanding of trauma-related dissociation. This seminal work will be of great interest to researchers and students of psychoanalysis, philosophy, and modernism, as well as psychotherapists and psychoanalysts working with clients who have experienced trauma. It is accompanied by Subconscious Acts, Anesthesias, and Psychological Disaggregation in Psychological Automatism: Partial Automatism.

Pierre Janet's L'Automatisme Psychologique, originally published in 1889, is one of the earliest and most important books written on the study of trauma and dissociation. Here it is made available, in two volumes, in English for the first time, with a new preface by Giuseppe Craparo and Onno van der Hart. The second volume, Subconscious Acts, Anesthesias, and Psychological Disaggregation in Psychological Automatism, covers four main topics. Beginning with an examination of subconscious acts, Janet first assesses partial catalepsies, subconscious acts, and posthypnotic suggestions, then proceeds to a consideration of anesthesias and simultaneous psychological existences. This is followed by discussion of several forms of psychological disaggregation, including spiritism, impulsive madness, hallucinations, and possessions. Finally, Janet considers elements of mental weakness and strength, from misery to judgement and will. Janet's work, with its many descriptions of dissociative actions and the dissociative personality, will help clinicians and researchers to develop insight in trauma-related dissociation, and to become more adapt at relating to their patients' dissociative actions. This seminal work will be of great interest to researchers and students of psychoanalysis, philosophy, and modernism, as well as psychotherapists and psychoanalysts working with clients who have experienced trauma. It is accompanied by Catalepsy, Memory, and Suggestion in Psychological Automatism: Total Automatism.

This book demonstrates that the encounter between Christianity and various African cultures gives rise to a number of problems for Africans who become Christians. It draws attention to certain traditional African beliefs and practices that seem to be incompatible with Christianity and create problems for Africans who embrace Christianity. Against this background it argues for the need to inculturate Christianity. It contends that in this exercise African Christianity can learn from the attempts at inculturation found in the New Testament times and in the early church. It offers examples of how the early church sought to make use of non-Christian categories of thought and elements in its articulation of the Christian message and in worship. It suggests a few areas of Ghanaian and African life where inculturation could and should take place. These include funeral rites, widowhood rites, child-naming rites, the rites of marriage, libation and christology. It concludes by offering some guidelines for use in the process of the inculturation of Christianity in Africa today.

Since 1953, the Kulturkreis der deutschen Wirtschaft has awarded the ars viva prize to outstanding young artists based in Germany. The award honours work that demonstrates a distinct language of form and an awareness of contemporary issues. This year's award includes exhibitions at Brucke-Museum, Berlin and the Kai Art Center, Tallinn, Estonia. The ars viva prize 2022 will be awarded to Tamina Amadyar (*1989), Lewis Hammond (*1987) and Mooni Perry (*1990). Text in English and German.

The life of fourteen-year-old Lami changes when she takes part in a dancing competition organised by the chief of her village. Now her dreams seem to be crumbling before her very eyes, threatened by an impending marriage to a very wealthy man from the next village.