Gentle giant Florian Herscht is an orphan, adopted by a neo-Nazi who has apprenticed him as a graffiti cleaner. The Boss, a Bach fanatic, is enraged that someone is spraying wolf emblems across the monuments to the famed composer in their east German town. He is determined to punish the culprit and Florian has no choice but to join his gang as they devise a plan to catch him. But Florian has bigger things to worry about: having attended Herr Köhler's adult education classes in physics, he can see that the world might end at any moment.

Written in one cascading sentence with the power of atomic particles colliding, Krasznahorkai's novel is a tour de force, a moving character study, a blistering satire and devastating encapsulation of our helplessness at the moral and environmental dilemmas we face today.

In the darkening embers of a Communist utopia, life in a desolate Hungarian town has come to a virtual standstill. Flies buzz, spiders weave, water drips and animals root desultorily in the barnyard of a collective farm. But when the charismatic Irimias - long-thought dead - returns, the villagers fall under his spell. Irimias sets about swindling the villagers out of a fortune that might allow them to escape the emptiness and futility of their existence. He soon attains a messianic aura as he plays on the fears of the townsfolk and a series of increasingly brutal events unfold.

Winner of the 2015 Man Booker International Prize Beauty, in Laszlo Krasznahorkai's new novel, reflects, however fleeting, the sacred - even if we are mostly unable to bear it. In Seiobo There Below we see the Japanese goddess Seiobo returning to mortal realms in search of perfection. An ancient Buddha being restored; the Italian renaissance painter Perugino managing his workshop; a Japanese Noh actor rehearsing; a fanatic of Baroque music lecturing to a handful of old villagers; tourists intruding into the rituals of Japan's most sacred shrine; a heron as it gracefully hunts its prey. Told in chapters that sweep us across the world and through time, covering the furthest reaches of human experience, Krasznahorkai demands that we pause and ask ourselves these questions: What is sacred? How do we define beauty? What makes great art endure? Melancholic and mesmerisingly beautiful, this latest novel by the author of Satantango shows us how to glimpse the divine through extraordinary art and human endeavour. Winner of Best Translated Book of the Year Award 2014 Translated by Ottilie Mulzet

Shortlisted for The Man Booker International Prize 2018 A Hungarian interpreter obsessed with waterfalls, at the edge of the abyss in his own mind, wanders the chaotic streets of Shanghai. A traveller, reeling from the sights and sounds of Varanasi, encounters a giant of a man on the banks of the Ganges ranting on the nature of a single drop of water. A child labourer in a Portuguese marble quarry wanders off from work one day into a surreal realm utterly alien from his daily toils. In The World Goes On, a narrator first speaks directly, tells twenty-one unforgettable stories, then bids farewell ('for here I would leave this earth and these stars, because I would take nothing with me'). As Laszlo Krasznahorkai himself explains: 'Each text is about drawing our attention away from this world, speeding our body toward annihilation, and immersing ourselves in a current of thought or a narrative...' The World Goes On is another masterpiece by the winner of the 2015 Man Booker International Prize. 'The excitement of his writing,' Adam Thirlwell proclaimed in the New York Review of Books, 'is that he has come up with his own original forms-there is nothing else like it in contemporary literature.'

The grandson of Prince Genji lives outside of space and time and wanders the grounds of an old monastery in Kyoto. The monastery, too, is timeless: a place of prayer and deliverance, with barely a trace of any human presence. The wanderer is searching for a garden that has long captivated him: "he continually saw the garden in his mind's eye without being able to touch its existence." This exquisitely beautiful novel by National Book Award-winner Laszlo Krasznahorkai-perhaps his most serene and poetic work-describes a search for the unobtainable and the riches to be discovered along the way. Despite the difficulties in finding the garden, the reader is closely introduced to the construction processes of the monastery (described in poetic detail) as well as the geological and biological processes of the surrounding area (the underground layers revealed beneath a bed of moss, the travels of cypress-tree seeds on the wind, feral foxes and stray dogs meandering outside the monastery's walls), making this an unforgettable meditation on nature, life, history, and being.

Known for his brilliantly dark fictional visions, Laszlo Krasznahorkai is one of the most respected European writers of his generation and the winner of the 2015 Man Booker International Prize. Here, he brings us on a journey through China at the dawn of the new millennium. On the precipice of its emergence as a global power, China is experiencing cataclysms of modernity as its harsh Maoist strictures meet the chaotic flux of globalism. What remains of the Middle Kingdom's ancient cultural riches? And can a Westerner truly understand China's past and present--or the murky waters where the two meet? Destruction and Sorrow beneath the Heavens is both a travel memoir and the chronicle of a distinct intellectual shift as one of the most captivating contemporary writers and thinkers begins to engage with the cultures of Asia and the legacies of its interactions with Europe in a newly globalized society. Rendered in English by award-winning translator Ottilie Mulzet, Destruction and Sorrow beneath the Heavens is an important work, marking the emergence of Krasznahorkai as a truly global novelist.

An exemplary collection of work from one of the world's leading scholars of intellectual history "Foeldenyi . . . stage[s] a broad metaphysical melodrama between opposites that he pursues throughout this fierce, provoking collection (expertly translated by Ottilie Mulzet). . . . He proves himself a brilliant interpreter of the dark underside of Enlightenment ambition."-James Wood, New Yorker Laszlo Foeldenyi's work, in the long tradition of public intellectual and cultural criticism, resonates with the writings of Montaigne, Walter Benjamin, and Thomas Mann. In this new essay collection, Foeldenyi considers the continuing fallout from the collapse of religion, exploring how Enlightenment traditions have not replaced basic elements of previously held religious mythologies-neither their metaphysical completeness nor their comforting purpose. Realizing beautiful writing through empathy, imagination, fascination, and a fierce sense of justice, Foeldenyi covers a wide range of topics including a meditation on the metaphysical unity of a sculpture group and an analysis of fear as a window into our relationship with time.

Seiobo - a Japanese goddess - has a peach tree in her garden that blossoms once every three thousand years: its fruit brings immortality. In Seiobo There Below, we see her returning again and again to mortal realms, searching for a glimpse of perfection. Beauty, in Krasznahorkai's new novel, reflects, however fleetingly, the sacred - even if we are mostly unable to bear it. Seiobo shows us an ancient Buddha being restored; Perugino managing his workshop; a Japanese Noh actor rehearsing; a fanatic of Baroque music lecturing a handful of old villagers; tourists intruding into the rituals of Japan's most sacred shrine; a heron hunting.. Over these scenes and nine more - structured by the Fibonacci sequence - Seiobo hovers, watching it all.

Set in contemporary times, Baron Wenckheim's Homecoming tells the story of a Prince Myshkin-like figure, Baron Bela Wenckheim, who returns at the end of his life to his provincial Hungarian hometown. Having escaped from his many casino debts in Buenos Aires, where he was living in exile, he longs to be reunited with his high-school sweetheart Marika. Confusions abound, and what follows is an endless storm of gossip, con men, and local politicians, vividly evoking the small town's alternately drab and absurd existence. All along, the Professor-a world-famous natural scientist who studies mosses and inhabits a bizarre Zen-like shack in a desolate area outside of town-offers long rants and disquisitions on his attempts to immunize himself from thought. Spectacular actions are staged as death and the abyss loom over the unsuspecting townfolk.

In The World Goes On, a narrator first speaks directly, then tells eleven unforgettable stories, and then bids farewell ("for here I would leave this earth and these stars, because I would take nothing with me"). As Laszlo Krasznahoraki himself explains: "Each text is about drawing our attention away from this world, speeding our body toward annihilation, and immersing ourselves in a current of thought or a narrative..." A Hungarian interpreter obsessed with waterfalls, at the edge of the abyss in his own mind, wanders the chaotic streets of Shanghai. A traveler, reeling from the sights and sounds of Varanasi, encounters a giant of a man on the banks of the Ganges ranting on the nature of a single drop of water. A child laborer in a Portuguese marble quarry wanders off from work one day into a surreal realm utterly alien from his daily toils. The World Goes On is another amazing masterpiece by the winner of the 2015 Man Booker International Prize. "The excitement of his writing," Adam Thirwell proclaimed in the New York Review of Books, "is that he has come up with this own original forms-there is nothing else like it in contemporary literature."