When artist Dominique receives a letter from her dying father, a reckoning with repressed memories and a pull for romantic and familial love sends shockwaves through her life, as she journeys to Paris to face the places and events of her early years. Balanced with visits to the Venezuelan Amazon, where Dominique explores a spiritual and loving longing (meeting a young guide, Juan), a raw and tender unfolding of this love story is a parallel to the uncovering of the shocking truth of Dominique’s birth, and her parents’ relationship. Pascale Petit’s My Hummingbird Father is a beautifully lyrical debut novel in dialogue with Pascale’s Ondaatje and Laurel Prize-winning poetry collection, Mama Amazonica.

The slow-down in economic growth and the rise in unemployment in the 1970s revived some of the uncertainties experienced by industrialized economies during the inter-war period. After more than a decade of stagnation, the period of sustained growth in the thirty years following the Second World War now seems increasingly to have been an exceptional phase in an overall development process still dominated by wide fluctuations in economic growth rates. Slow Growth and the Service Economy examines what it means to live in a period of economic recession and analyses social patterns in response to the slowing down of financial and economic growth.

The notion of information is multifaceted. According to the case, it is a simple signal or already knowledge. lt responds to codes and is inscribed into a social relationship. There are clearly many perspectives which the social sciences can take to analyse the notion of information. The economy cannot account for the majority of situations where, in the activities of production, consumption or exchange, the notion of information finds itself implied, although each school of thought has its own understanding of the notion of information. This book takes this observation as a starting point and goes on to clarify a contemporary debate on the economy of information which remains quite vague, making use of the ways in which different theoretical approaches deal with information. To seize the nature and scope of the transformations in our societies, a consequence of our new ways of handling, stocking and circulating information in the workings of the markets like Organisations, such a theoretical exercise seems useful. The organisation of the book results from this choice. The contributions gathered in one part deal with the role of information in the functioning of the markets, those featuring in another are more interested in the organisations. To favour an enriching cross-reading of approaches developed in the two sections already referred to, we have preceded these with a section gathering approaches (which are more transversal) developing different theories of information (according to perspectives which are, respectively, systematic, statistical or strategic).

Mama Amazonica is set in a psychiatric ward and in the Amazon rainforest, an asylum for animals on the brink of extinction. It reveals the story of Pascale Petit's mentally ill mother and the consequences of abuse. The mother transforms into a giant Victoria amazonica waterlily, and a bestiary of untameable creatures - a jaguar girl, a wolverine, a hummingbird - as she marries her rapist and gives birth to his children. From heartbreaking trauma, there emerge luxuriant and tender portraits of a woman battling for survival, in poems that echo the plight of others under duress, and of our companion species. Petit does not flinch from the violence but offers hope by celebrating the beauty of the wild, whether in the mind or the natural world. Mama Amazonica is Pascale Petit's seventh collection, and her first from Bloodaxe. Four of Pascale Petit's previous six collections have been shortlisted for the T.S. Eliot Prize. Winner of the inaugural Laurel Prize in 2020, Mama Amazonica won the Royal Society of Literature's Ondaatje Prize 2018 - the first time a poetry book has won this prize for a work of fiction, non-fiction or poetry best evoking the spirit of a place, was shortlisted for the Roehampton Poetry Prize 2018, and was the Poetry Book Society Choice for autumn 2017.

The variable activity of stars such as the Sun is mediated through stellar magnetic fields, radiative and energetic particle fluxes, stellar winds and magnetic storms manifested as stellar flares and coronal mass ejections. This activity influences planetary atmospheres, climate and habitability: on the one hand it drives life-sustaining processes on planets, but on the other hand can adversely impact planetary environments rendering them uninhabitable. Studies of this intimate relationship between the parent star, its astrosphere and the planets that it hosts have reached a certain level of maturity in our own Solar System. Based on this understanding, the first attempts are being made to characterize the interactions between distant stars and their planets and understand their coupled evolution, which is relevant for the search for habitable exoplanets. IAU Symposium 328 brings together diverse, interdisciplinary reviews and research papers which address the themes of star-planet interactions and habitability.

All phases of stellar evolution are influenced by the presence of magnetic fields in the star's interior and close environment. IAU Symposium 302 gives an overview of the emerging field of stellar magnetism. The last few years have seen the dawn of a new era in this research domain, with the advent of powerful tools strengthening both observational and modelling approaches, rapidly changing our view of the role stellar magnetism plays throughout stellar evolution. The topics covered span all phases of evolution, from the formation of stars and their early accreting years, through main sequence evolution for both low and high mass stars, and also the final stages of stellar evolution. This volume features the most recent advances achieved by major observatories (ground-based and space-borne) and through massively-parallel 3D numerical simulations, benefiting astronomers interested in the latest observational and theoretical developments in this exciting and growing field.

Pascale Petit's Tiger Girl marks a shift from the Amazonian rainforests of her previous work to explore her grandmother's Indian heritage and the fauna and flora of subcontinental jungles. Tiger girl is the grandmother, with her tales of wild tigers, but she's also the endangered predators Petit encountered in Central India. In exuberant and tender ecopoems, the saving grace of love in an otherwise bleak childhood is celebrated through spellbinding visions of nature, alongside haunting images of poaching and species extinction. Tiger Girl is Pascale Petit's eighth collection, and her second from Bloodaxe, following Mama Amazonica, winner of the Royal Society of Literature's Ondaatje Prize 2018 - the first time a poetry book won this prize for a work of fiction, non-fiction or poetry best evoking the spirit of a place. It is shortlisted for the 2020 Forward Prize for Best Collection. Four of her earlier collections were shortlisted for the T.S. Eliot Prize.

The notion of information is multifaceted. According to the case, it is a simple signal or already knowledge. lt responds to codes and is inscribed into a social relationship. There are clearly many perspectives which the social sciences can take to analyse the notion of information. The economy cannot account for the majority of situations where, in the activities of production, consumption or exchange, the notion of information finds itself implied, although each school of thought has its own understanding of the notion of information. This book takes this observation as a starting point and goes on to clarify a contemporary debate on the economy of information which remains quite vague, making use of the ways in which different theoretical approaches deal with information. To seize the nature and scope of the transformations in our societies, a consequence of our new ways of handling, stocking and circulating information in the workings of the markets like Organisations, such a theoretical exercise seems useful. The organisation of the book results from this choice. The contributions gathered in one part deal with the role of information in the functioning of the markets, those featuring in another are more interested in the organisations. To favour an enriching cross-reading of approaches developed in the two sections already referred to, we have preceded these with a section gathering approaches (which are more transversal) developing different theories of information (according to perspectives which are, respectively, systematic, statistical or strategic).

Before and since his enforced exile, Yang Lian has been one of the most innovative and influential poets in China. Widely hailed in America and Europe as a highly individual voice in world literature, he has been translated into many languages. "Lee Valley Poems" is his first book to be wholly conceived and written in London, once his place of exile and now his permanent home. It includes an extended sequence, "When Water Confirms", translated by Brian Holton and Agnes Hung-Chong Chan, and a suite of shorter poems translated by several poets, most of these working with Yang Lian: Polly Clark, Antony Dunn, Jacob Edmond, W.N. Herbert, Pascale Petit, Fiona Sampson and Arthur Sze. The book's preface, A Wild Goose Speaks to me, takes as its springboard Yang Lian's comment 'There is no international, only different locals'. With this perspective, the Lee Valley of his first London poems becomes the international inside the local: the poet may travel far but never really leaves the ground of his own inner self, and the value and joy of poetry is seen as fishing in the deep sea of existence. This title is published in a dual language Chinese-English edition.

Second collection from the poet of powerful emotions and vivid imagery, The Zoo Father underlines the author's reputation as a questing poet capable of outstanding imagistic flourishes and surprising associations. This extraordinary and powerful volume is comprised of two sections, the first about with the poet's relationship with her father, the second with her mother. Section One is heavily imbued with imagery of the poet's travels in South America and her researches in the cultures and ecology of the Venezuelan. Pain, anger, bewilderment are refracted through a rich, often sensual imagery of fauna, hallucinatory drugs and tribal beliefs. This gives the poems their originality, and prevents subject matter of childhood abandonment and abuse becoming too harrowing. The imagery adapted from shamanistic beliefs is especially memorable. Section Two is set in southern France, in an almost equally exotic location of vineyards and 'dinosaur plateaux'. It concerns the poet's family holidays in "the vineyard" and her rediscovery and subsequent repossession of that place. Once again, the poems delineate a primary relationship (with the poet's mother), with the lushness of the imagery putting into surprising context the development of that relationship.

This novel is a true story. There are two men in one man, held together by their mutual skin. Their embattled state is healed by the one energy called magick, love, sex, perversion, justice, cruelty, god, poetry, atomic hydrogen, celestial holography, and by the lady who leaves him with a picture of herself that the author must keep in good repair. His orders are that, apart from herself, the only thing constant is change, and he testifies that 'my pen, albeit it stinks of ignorance, faithfully speaks of deeds, some of which I have heard of, but most of which I have seen with my own eyes, and felt with my own skin.' 'In the Country of the Skin' is full of Godstuff. The language both initiates and communicates. Communicating what initiations? What is in front of your nose. And what was there from before birth, sweating with fear and joy-singing like monkeys and archbishops. Doors opening. Walls uncoupling. A long drink of acorn-juice for the know-all, to cure him of his malady. You with the apparitions, meet Dovetail Crime Robert, along with Silas, Teresa, Jonas, Sarah, the Apple-Colonel and Whanging Jill. 'In the Country of the Skin' offers participation in a vision that sees beyond the opposites of life and death. To read it is to participate, to participate in it is to be renewed. It is a book that not only says things, but brings them about as well. The book comes with a new introduction by Pascale Petit. 'What it is, essentially, is a long contemplative interior monologue, flushed and vitalised by the full force of Redgrove's astonishingly unique and inventive imagination - his feel for the oozing, rippling, rustling plasticity of natural forces, his celebratory, quasi-mystical inwardness with the stuff and process of sensual life' (The Tablet) 'His imagery is often surprising and beautiful - it has a brilliance and intensity one cannot but recommend.' TLS Peter Redgrove (1932-2003) worked in several interlinked fields: as a poet, novelist, playwright, and in psychological practice. He believed creative, psychological and scientific work are aspects of the same common study, and his insights are profound, illuminating and constantly exciting. He received many awards during his life and was especially honoured by receiving the Queen's Gold Medal for Poetry in 1996.