TRUTH SEEKER is a thriller about a Native American Intelligence Operative investigating the murder of three Washington Journalists, when he uncovers a Brazilian Mafia conspiracy that has serious repercussions for the United States Government. Billy Tyson ""Wolf Tracker,"" the Father of the main character, an Apache Tribal Chief in New Mexico, met Rebecca, his Mother, on a Kibbutz in Israel, where Billy was sent to learn about the Israel farming methods. They married and had a son, who became a special intelligence agent for the U.S. Government. J. Patrick O'Connor holds dual nationality, Irish and American. He was educated in the United States and spent twenty years in Private Security and Intelligence work for Governments and International Companies, both in the United States and Europe. He has had several non-fiction books published and this is his first fiction novel.

Derrida: Profanations presents a re-appraisal of Jacques Derrida's deconstruction. If philosophy articulates what it means to be human, then deconstruction, which Patrick O Connor argues consigns all existence to a mortal, profane and worldly life remains radically philosophical. The assertion demands an analysis of Derrida's radicalisation of the key philosophers who influenced him, as well as a rebuttal of theological accounts of deconstruction. This book closely examines how the phenomenological lineage is received in deconstruction, especially the relation between deconstruction and Derrida's radical readings of Hegel, Husserl, Levinas and Heidegger. This book presents a theorisation of deconstruction as profane, atheistic and egalitarian. It reveals how deconstruction holds the resources to think ontology as a multiplicity of worlds through demonstrates the ways in which Derrida expresses a phenomenology which disjoints humans orientation to the world. Deconstruction is characterized as radically hubristic. For deconstruction, nothing is sacred. If nothing sustains itself as separate, exclusive or sacrosanct, then nothing can sustain the implementation of its own hierarchy.

M. John-Patrick O'Connor proposes that - in contrast to recent contemporary scholarship that rarely focuses on the ethical implications of discipleship and Christology - Mark's Gospel, as our earliest life of Jesus, presents a theological description of the moral life. Arguing for Mark's ethical validity in comparison to Matthew and Luke, O'Connor begins with an analysis of the moral environment of ancient biographies, exploring what types of Jewish and Greco-Romanic conceptions of morality found their way into Hellenistic biographies. Turning to the Gospel's own examples of morality, O'Connor examines moral accountability according to Mark, including moral reasoning, the nature of a world in conflict, and accountability in both God's family and to God's authority. He then turns to images of the accountable self, including an analysis of virtues and virtuous practices within the Gospel. O'Connor concludes with the personification of evil, human responsibility, punitive consequences, and evil's role in Mark's moral landscape.

Explains Cormac McCarthy's consistent philosophical preoccupations across the span of his literary output Provides a vital interpretive framework for understanding Cormac McCarthy's literary and philosophical perspectives Offers a systematic study of distinctly philosophical themes present in Cormac McCarthy's work Analyses how Cormac McCarthy offers a unique synthesis of metaphysical and materialist themes Explains the intersection of philosophical and literary themes in McCarthy's work in an accessible way This book explores Cormac McCarthy's literature (novels, plays, screenplays, philosophical essays and unpublished archive material) to uncover a distinct literary philosophy. More specifically, this study elucidates how McCarthy articulates a philosophical perspective which pivots on philosophical themes of mortality, the political, education, nihilism, materialism and language. Tracing these themes from the publication of his earliest novels to his most recent philosophical essays, this book argues that McCarthy offers a unique synthesis of spiritual, ethical and materialist concerns, the understanding of which is essential for coming to terms with his literature.

Empire, Capitalism, and Democracy: The Early American Experience documents the history of the United States from the opening of the Atlantic World to the post-Civil War era. Featuring a curated collection of primary sources, the text illustrates three interdependent forces that animated the history of early America: empire, capitalism, and democracy. Part I explores the origins of European contact with America, Indigenous civilizations, and the Atlantic slave trade. In Part II, sources address American independence from British rule, early ideas of liberty and equality, the creation of the U.S. Constitution, and the first years of American government. The final part speaks to key issues that divided Americans in the nineteenth century, including market revolution, slavery, western expansion, and ideas of freedom and democracy after the Civil War. The second edition features an increased focus on Indigenous experiences and includes 10 new readings. The book also includes fully updated introductions for each chapter. Accessible and enlightening, Empire, Capitalism, and Democracy is an ideal collection for foundational courses in U.S. history.

This book explores Cormac McCarthy's literature (novels, plays, screenplays, philosophical essays and unpublished archive material) to uncover a distinct literary philosophy. More specifically, this study elucidates how McCarthy articulates a philosophical perspective which pivots on philosophical themes of mortality, the political, education, nihilism, materialism and language. Tracing these themes from the publication of his earliest novels to his most recent philosophical essays, this book argues that McCarthy offers a unique synthesis of spiritual, ethical and materialist concerns, the understanding of which is essential for coming to terms with his literature.

On the night of November 29, 1988, near the impoverished Marlborough neighborhood in south Kansas City, an explosion at a construction site killed six of the city's firefighters. It was a clear case of arson, and five people from Marlborough were duly convicted of the crime. But for veteran crime writer and crusading editor J. Patrick O'Connor, the facts-or a lack of them-didn't add up. Justice on Fire is O'Connor's detailed account of the terrible explosion that led to the firefighters' deaths and the terrible injustice that followed. Justice on Fire describes a misguided eight-year investigation propelled by an overzealous Bureau of Alcohol, Tobacco, Firearms and Explosives (ATF) agent keen to retire; a mistake-riddled case conducted by a combative assistant US attorney willing to use compromised "snitch" witnesses and unwilling to admit contrary evidence; and a sentence of life without parole pronounced by a prosecution-favoring judge. In short, an abuse of government power and a travesty of justice. O'Connor's own investigation, which uncovered evidence of witness tampering, intimidation, and prosecutorial misconduct, helped give rise to a front-page series of articles in the Kansas City Star-only to prompt a whitewashing inquiry by the Department of Justice that exonerated the lead ATF agent and named other possible perpetrators who remain unidentified and unindicted. O'Connor extends his scrutiny to this cover-up and arrives at a startling conclusion suggesting that the case of the Marlborough Five is far from closed. Journalists are not supposed to make the news. But faced with a gross injustice, and seeing no other remedy, O'Connor felt he must step in. Justice on Fire is such an intervention.

This is a new release of the original 1961 edition.

TRUTH SEEKER is a thriller about a Native American Intelligence Operative investigating the murder of three Washington Journalists, when he uncovers a Brazilian Mafia conspiracy that has serious repercussions for the United States Government. Billy Tyson ""Wolf Tracker,"" the Father of the main character, an Apache Tribal Chief in New Mexico, met Rebecca, his Mother, on a Kibbutz in Israel, where Billy was sent to learn about the Israel farming methods. They married and had a son, who became a special intelligence agent for the U.S. Government. J. Patrick O'Connor holds dual nationality, Irish and American. He was educated in the United States and spent twenty years in Private Security and Intelligence work for Governments and International Companies, both in the United States and Europe. He has had several non-fiction books published and this is his first fiction novel.

The faces of Che, Frida, Evita, Carmen Miranda, and other icons represent Latin America both to a global public that sees these faces constantly reproduced, and to Latin Americans themselves. They enter the circulation machines of Hollywood, or work as nostalgic definitions of a nation, or define a post-national condition. They become stereotypes as they go global, and the often melodramatic stories that cling to them give them a different sort of power than the one they had in their original contexts. "Latin American Icons," from critics both in the United States and in Latin America, ask these faces questions; they describe the technologies and propaganda machines, whether the newspapers of Revolutionary Mexico (or Paris and New York) or the movie studios of Argentina and Mexico, which gave them power in their local context; and they return their original histories to those faces that have become abstract symbols of The Rebel or The Spitfire or The Tortured Artist. In equal parts idolatry and iconoclasm, "Latin American Icons" recognizes and interrogates those Latin Americans who have become larger than life. In trying to understand the meaning of iconic figures in modern Latin America, this volume ranges across every realm of political and cultural life--populist politicos, jet-setting ambassador-playboys, soccer players and superstars--to examine the complex forces at work in the making and re-making of celebrities within and across national borders.

The faces of Che, Frida, Evita, Carmen Miranda, and other icons represent Latin America both to a global public that sees these faces constantly reproduced, and to Latin Americans themselves. They enter the circulation machines of Hollywood, or work as nostalgic definitions of a nation, or define a post-national condition. They become stereotypes as they go global, and the often melodramatic stories that cling to them give them a different sort of power than the one they had in their original contexts. "Latin American Icons," from critics both in the United States and in Latin America, ask these faces questions; they describe the technologies and propaganda machines, whether the newspapers of Revolutionary Mexico (or Paris and New York) or the movie studios of Argentina and Mexico, which gave them power in their local context; and they return their original histories to those faces that have become abstract symbols of The Rebel or The Spitfire or The Tortured Artist. In equal parts idolatry and iconoclasm, "Latin American Icons" recognizes and interrogates those Latin Americans who have become larger than life. In trying to understand the meaning of iconic figures in modern Latin America, this volume ranges across every realm of political and cultural life--populist politicos, jet-setting ambassador-playboys, soccer players and superstars--to examine the complex forces at work in the making and re-making of celebrities within and across national borders.

Derrida: Profanations presents a re-appraisal of Jacques Derrida's deconstruction. If philosophy articulates what it means to be human, then deconstruction, which Patrick O'Connor argues consigns all existence to a mortal, profane and worldly life remains radically philosophical. The assertion demands an analysis of Derrida's radicalisation of the key philosophers who influenced him, as well as a rebuttal of theological accounts of deconstruction. This book closely examines how the phenomenological lineage is received in deconstruction, especially the relation between deconstruction and Derrida's radical readings of Hegel, Husserl, Levinas and Heidegger. This book presents a theorisation of deconstruction as profane, atheistic and egalitarian. It reveals how deconstruction holds the resources to think ontology as a multiplicity of worlds through demonstrates the ways in which Derrida expresses a phenomenology' which disjoints humans' orientation to the world. Deconstruction is characterized as radically hubristic. For deconstruction, nothing is sacred. If nothing sustains itself as separate, exclusive or sacrosanct, then nothing can sustain the implementation of its own hierarchy.

This book comprises 50 problems in declarer play and defence for the beginning player, presented in approximate order of difficulty. The emphasis is on planning the play at the first trick. The idea is to present bridge hands as the reader would encounter them playing at the table. Unlike in a textbook, where topics are introduced systematically, there is no clue as to what type of play is required. Experienced players recognize certain standard situations without having to work them out. This does not apply to novices who spend a lot of mental effort on them. The aim of the book is to get novices to develop their recognition of these situations.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!