Starring Tom Cruise examines how Tom Cruise's star image moves across genres and forms as a type of commercial product that offers viewers certain pleasures and expectations. Cruise reads as an action hero and romantic lead yet finds himself in homoerotic and homosocial relationships that unsettle and undermine these heterosexual scripts. In this volume, editor Sean Redmond shows how important star studies is not just to understanding the ideological, commercial, and cultural significance of one star but to seeing how masculinity, ethnicity, sexuality, and commodity relations function in contemporary society. The volume is divided into three parts. Part 1 explores the ways that Cruise's star image and performances are built on a desiring gaze, nearly always complicated by perverse narrative arcs and liminal character relationships. This section also explores the complex and contradictory ways he embodies masculinity and heterosexuality. Part 2 places Cruise within the codes and conventions of genre filmmaking and the way they intersect with the star vehicle. Cruise becomes monomythical, heroic, authentic, and romantic, and at the same time, he struggles to hold these formulas and ideologies together. Part 3 views Cruise as both an ageless totemic figure of masculinity who does his own stunts, as well as an aging star-his body both the conduit for eternally youthful masculinity and a signifier of that which must ultimately fail. These readings are connected to wider discursive issues concerning his private and public life, including the familial/patriarchal roles he takes on.Scholars writing for this collection approach the Cruise star image through various vectors and frames, which are revelatory in nature. As such, they not only demonstrate the very best traditions of close ""star"" textual analysis but also move the approach to the star forward. Students, scholars, and readers of film, media, and celebrity studies will enjoy this deep dive into a complex Hollywood figure.

Psychotherapists have an ethical requirement to inform clients about their treatment methods, alternative treatment options, and alternative conceptions of their problem. While accepting the basis for this "informed consent" requirement, therapists have traditionally resisted giving too much information, arguing that exposure to alternative therapies could cause confusion and distress. The raging debates over false/recovered memory syndrome and the larger move towards medical disclosure have pushed the question to the fore: how much information therapists should provide to their clients?

In Negotiating Consent in Psychotherapy, Patrick O'Neill provides an in-depth study of the ways in which therapists and clients negotiate consent. Based on interviews with 100 therapists and clients in the areas of eating disorders and sexual abuse, the book explores the tangle of issues that make informed consent so difficult for therapists, including what therapists believe should be part of consent and why; how they decide when consent should be renegotiated; and how clients experience this process of negotiation and renegotiation.

Psychotherapists have an ethical requirement to inform clients about their treatment methods, alternative treatment options, and alternative conceptions of their problem. While accepting the basis for this "informed consent" requirement, therapists have traditionally resisted giving too much information, arguing that exposure to alternative therapies could cause confusion and distress. The raging debates over false/recovered memory syndrome and the larger move towards medical disclosure have pushed the question to the fore: how much information therapists should provide to their clients?

In Negotiating Consent in Psychotherapy, Patrick O'Neill provides an in-depth study of the ways in which therapists and clients negotiate consent. Based on interviews with 100 therapists and clients in the areas of eating disorders and sexual abuse, the book explores the tangle of issues that make informed consent so difficult for therapists, including what therapists believe should be part of consent and why; how they decide when consent should be renegotiated; and how clients experience this process of negotiation and renegotiation.

With a resurgence of interest inreal ale, there's never been a better time to master how to keep, store and serve cask beer. In a fully revised and updated edition of this CAMRA classic, Patrick O'Neill explains all you need to know about running a good cellar and ensuring that the pint you serve does both pub and brewer proud. Cellarmanship is a must-have book if you are a professional or student in the drinks trade, a beer festival organiser or simply a keen amateur wishing to serve a decent pint at a private party. This fully-updated new colour edition is published in a larger format, and detachable cellar card for at-a-glance cellar tips and techniques.

James Joyce's astonishing final text, Finnegans Wake (1939), is universally acknowledged to be entirely untranslatable. And yet, no fewer than fifteen complete renderings of the 628-page text exist to date, in twelve different languages altogether – and at least ten further complete renderings have been announced as underway for publication in the early 2020s, in nine different languages. Finnegans Wakes delineates, for the first time in any language, the international history of these renderings and discusses the multiple issues faced by translators. The book also comments on partial and fragmentary renderings from some thirty languages altogether, including such perhaps unexpected languages as Galician, Guarani, Chinese, Korean, Turkish, and Irish, not to mention Latin and Ancient Egyptian. Excerpts from individual renderings are analysed in detail, together with brief biographical notes on numerous individual translators. Chronicling renderings spanning multiple decades, Finnegans Wakes illustrates the capacity of Joyce's final text to generate an inexhaustible multiplicity of possible meanings among the ever-increasing number of its impossible translations.

Have you ever driven through a small town with an intriguing name like Wyandotte or Cuyamungue and wondered where that name came from? Or how such well-known placenames as Tucson, Waco, or Tulsa originated?

Native American placenames like these occur all across the American Southwest. This user-friendly guide--covering Arizona, New Mexico, Oklahoma, and Texas--provides fascinating information about the meaning and origins of southwestern placenames. With its unique regional approach and compact design, the handbook is especially suitable for curious travelers.

Written by distinguished linguist William Bright, the handbook is organized alphabetically, and its entries for places--including towns, cities, counties, parks, and geographic landmarks--are concise and easy to read. Entries give the state and county, along with all available information on pronunciation, the name of the language from which the name derives, the name's literal meaning, and relevant history.In their introduction to the handbook, editors Alice Anderton and Sean O'Neill provide easy-to-understand pronunciation keys for English and Native languages. They further explain basic linguistic terminology and common southwestern geographical terms such as "mesa," "canyon, " and "barranca."

The book also features maps showing all counties in each of the southwestern states, a list of Native languages and language families, and contact information for tribal headquarters throughout the Southwest.

Trilingual Joyce is a detailed comparative study of James Joyce's personal involvement in both French and Italian translations of the iconic 1928 text Anna Livia Plurabelle, which later became the eighth chapter of Finnegans Wake. Considered to be completely untranslatable at the time of its publication, the translation of Anna Livia Plurabelle represented a fascinating challenge to Joyce, who collaborated in experimental renderings of the text, first into French and later into Italian. Patrick O'Neill's Trilingual Joyce is the first comparative study of all three of the Anna Livia Plurabelle variations, and fills a long-standing gap in Joyce studies. O'Neill, an Irish-born professor who has written widely on texts in translation, also discusses in detail the avant-guard novelist and playwright Samuel Beckett's contribution as a young man to the French rendering of Anna Livia Plurabelle.

Lyrical, mysterious, and laden with symbolism, Franz Kafka's novels and stories have been translated into more than forty languages ranging from Icelandic to Japanese. In Transforming Kafka, Patrick O'Neill approaches these texts through the method he pioneered in Polyglot Joyce and Impossible Joyce, considering the many translations of each work as a single, multilingual "macrotext." Examining three novels - The Trial, The Castle, and America - and two short stories - "The Judgment" and "The Metamorphosis" - O'Neill offers comparative readings that consider both intertextual and intratextual themes. His innovative approach shows how comparing translations extends and expands the potential meanings of the text and reveals the subtle differences among the hundreds of translations of Kafka's work. A sophisticated analysis of the ways in which translation shapes, rearranges, and expands our understanding of literary works, Transforming Kafka is a unique approach to reading the works of a literary giant.

Starring Tom Cruise examines how Tom Cruise's star image moves across genres and forms as a type of commercial product that offers viewers certain pleasures and expectations. Cruise reads as an action hero and romantic lead yet finds himself in homoerotic and homosocial relationships that unsettle and undermine these heterosexual scripts. In this volume, editor Sean Redmond shows how important star studies is not just to understanding the ideological, commercial, and cultural significance of one star but to seeing how masculinity, ethnicity, sexuality, and commodity relations function in contemporary society. The volume is divided into three parts. Part 1 explores the ways that Cruise's star image and performances are built on a desiring gaze, nearly always complicated by perverse narrative arcs and liminal character relationships. This section also explores the complex and contradictory ways he embodies masculinity and heterosexuality. Part 2 places Cruise within the codes and conventions of genre filmmaking and the way they intersect with the star vehicle. Cruise becomes monomythical, heroic, authentic, and romantic, and at the same time, he struggles to hold these formulas and ideologies together. Part 3 views Cruise as both an ageless totemic figure of masculinity who does his own stunts, as well as an aging star-his body both the conduit for eternally youthful masculinity and a signifier of that which must ultimately fail. These readings are connected to wider discursive issues concerning his private and public life, including the familial/patriarchal roles he takes on.Scholars writing for this collection approach the Cruise star image through various vectors and frames, which are revelatory in nature. As such, they not only demonstrate the very best traditions of close ""star"" textual analysis but also move the approach to the star forward. Students, scholars, and readers of film, media, and celebrity studies will enjoy this deep dive into a complex Hollywood figure.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

CONTENTS. CHAPTER I. THE NECESSITY OF CHARITY. Teachingof New Testament Extent ofthe obligation Charity and the last end Morality of acts independent of reference to last end Such reference required for merit Act of charity not difficult 1-13 CHAPTER II. THE NATURE OF MORTAL SIN. Various aspects of sin Formal malice consists in aversion from the last end St. Thomas and Suarez No mortal sin without such aversion Act of repentance formal opposite of sinful act All mortal sins directly opposed to charity Love of charity and love of concupiscence Sins against charity .... .... .... .... .... 14-27 CHAPTER III. HOPE. Variety of views View of Suarez Difficulties of this view Loss of hope by mortal sin Hope does not abide in heaven Alternative view, of New hope is trust in God s fidelity Teaching Testament Despair Certainty of .... hope 28-46 CHAPTER IV. MERIT. Merit requires reference of act to last end View of St. Thomas The command of charity Essential and accidental rewards View of Suarez on reference to last end Variousmodes of reference Innate reference Charity the form ofthe virtues All good acts not meritorious .... .... 47-67 IV CONTENTS. CHAPTER V. CONTRITION AND ATTRITION, a The Scholastic Teaching. Charity in the Old Law Justification easier in the New Sacrament of Penance Necessity of contrition and efficacy of absolution Scholastic teaching St. Anselm of Canterbury Hugh of St. Victor Peter Lombard First use of word quot quot attrition Alanus of Lille and William of Auvergne St. Bonaventure St. Thomas Ex attrito fit contritus 68-87 CHAPTER VI. CONTRITION AND ATTRITION. b The Council of Trent and subsequent teaching. quot quot Decree on Justification The beginning of love Attritionfrom motive of fear Change in original draft of decree Controversy in Belgium Decree of Alexander VII. Teaching of Suarez Attrition must be supreme Modern theologians .... 88-112 CHAPTER VII. THE NATURE OF CHARITY. Formal object of charity Absolute love of God Love of concupiscence Meaning of the absolute good Meanings of love of concupiscence Teaching of Cardinal Billot Error of Quietism View of Suarez, Tanquerey, Hurter, etc., on motive of perfect charity .... .... .... 113-134 PREFACE. THE student of the treatise on the Theological Virtues will not have failed to notice that in their dissertations on the virtue of charity most theologians seem to convey the impression that an act of the virtue is extremely difficult. That such cannot really be the case will, however, be evident from the consideration that acts of charity are required from the ordinary man very frequently during life, and it is not to be supposed that he must need any extraordinary graces to fulfil so important an obligation. The following pages, therefore, are an attempt to demonstrate that the practice of charity is easy and within the reach of all, by showing that the most commonly accepted theory of the nature of the virtue is open to considerable difficulty, and, even in the hands of its own supporters, is rarely applicable to real life. Various considerations will, it is hoped, point to the conclusion that an act of love of God as our supreme good and last end, generally called an act of love of concupiscence, is in reality an act of perfect charity. This conclusion seems to be forcing itself upon many modern theologians, almost against their will, but they are compelled to recognise that it is more truly atestimony to VI PREFACE. the infinite mercy of God than the ordinarily accepted notion of absolute love. Mortal sin derives its essential malice, according to St...

Entropic comedy is the phrase coined by Patrick O'Neill in this study to identify a particular mode of twentieth-century narrative that is not generally recognized. He describes it as the narrative expression of forms of decentred humour, or what might more loosely be called 'black humour.' O'Neill begins his investigation by examining the rise of an essentially new form of humour over the last three hundred years or so in the context of a rapid decay of confidence in traditional authoritative value systems. O'Neill analyses the resulting reorganization of the spectrum of humour, and examines th implications of this for the ways in which we read texts and the world we live in. He then turns from intellectual history to narratology and considers the relationship, in theoretical terms, of homour, play, and narrative as systems of discourse and the role of the reader as a textualizing agent. Finally, he considers some dozen twentieth-century narratives in French, German, and English (with occasional reference to other literatures) in the context of those historical and theoretical concerns. Authors of the texts analysed include Celine, Camus, Satre, and Robbe-Grillet in French; Heller, Beckett, Pynchon, Nabokov, and Joyce in English; Grass, Kafka, and Handke in German. The analyses proceed along lines suggested by structuralist, semiotic, and post-structuraist narrative and literary theory. From his analyses of these works O'Neill concludes they illustrate in narrative terms a mode of modern writing definable as entropic comedy, and he develops a taxonomy of the mode.

James Joyce's Finnegans Wake has repeatedly been declared to be entirely untranslatable. Nonetheless, it has been translated, transposed, or transcreated into a surprising variety of languages - including complete renditions in French, German, Portuguese, Dutch, Japanese, and Korean, and partial renditions in Italian, Spanish, and a variety of other languages. Impossible Joyce explores the fascinating range of different approaches adopted by translators in coming to grips with Joyce's astonishing literary text. In this study, Patrick O'Neill builds on an approach first developed in his book Polyglot Joyce, but deepens his focus by considering Finnegans Wake exclusively. Venturing from Umberto Eco's assertion that the novel is a machine designed to generate as many meanings as possible for readers, he provides a sustained examination of the textual effects generated by comparative readings of translated excerpts. In doing so, O'Neill makes manifest the ways in which attempts to translate this extraordinary text have resulted in a cumulative extension of Finnegans Wake into an even more extraordinary macrotext encompassing and subsuming its collective renderings.

Twayne's United States Authors, English Authors, and World Authors Series present concise critical introductions to great writers and their works.

Devoted to critical interpretation and discussion of an author's work, each study takes account of major literary trends and important scholarly contributions and provides new critical insights with an original point of view. An Authors Series volume addresses readers ranging from advanced high school students to university professors. The book suggests to the informed reader new ways of considering a writer's work.

Each volume features:

-- A critical, interpretive study and explication of the author's works

-- A brief biography of the author

-- An accessible chronology outlining the life, the work, and relevant historical context

-- Aids for further study: complete notes and references, a selected annotated bibliography and an index

-- A readable style presented in a manageable length