The long-awaited memoir from iconic, beloved actor and living legend Sir Patrick Stewart.

From his acclaimed stage triumphs to his legendary onscreen work, Sir Patrick Stewart has captivated audiences around the world and across multiple generations in a career spanning six decades with his indelible command of stage and screen.

No other British working actor enjoys such career variety, universal respect and unending popularity, as witnessed through his seminal roles – whether as Captain Jean-Luc Picard of Star Trek fame, Professor Charles Xavier of Marvel's X-Men hit film franchise, his more than forty years as part of the Royal Shakespeare Company and in such critically lauded roles for Hamlet and The Tempest on the West End and Broadway, his unforgettable one-man show adapted from Charles Dickens's A Christmas Carol, or his comedic work in American Dad!, Ted, Extras and Blunt Talk, among many others.

Now, he presents his long-awaited memoir, Making It So, a revealing portrait of a driven artist whose astonishing life – from his humble and hardscrabble beginnings in Yorkshire, to the dizzying heights of Hollywood and worldwide acclaim – proves a story as exuberant, definitive and enduring as the author himself.

The legendary Jean-Luc Picard and his crew embark on a bold and exciting new journey into the unknown: Los Angeles, 2024.

Trapped in an alternate reality by Q, Picard must enlist friends both old and new to confront the perils of 21st century Earth in a desperate race against time to save the galaxy’s future – and face the ultimate trial from one of his greatest foes.

In the near future, a weary Logan cares for an ailing Professor X in a hideout on the Mexican border.

But Logan's attempts to hide from the world and his legacy are thrown into disarray when a young mutant arrives, being pursued by dark forces.

(Academy Award nomination for: Best Adapted Screenplay)

First Class
First Class charts the beginning of the saga, following Professor X (James McAvoy) and Magneto (Michael Fassbender) through their formative years in the 1960s as they come to terms with their newfound superpowers. Initially close friends who work together to fight against evil, the two men are driven apart by a conflict of opinion that ultimately leads to the eternal war between Magneto's Brotherhood and Professor X's X-Men.

Days Of Future Past
When the survivors of the battle in 'X-Men: The Last Stand', led by Magneto (Ian McKellen), Professor X (Patrick Stewart) and Storm (Halle Berry), discover that total annihilation now awaits humans and mutants alike, they send the ageless Wolverine (Hugh Jackman) back in time to try and change the course of events. In the past, Wolverine must team up with the younger incarnations of the X-Men seen in 'X-Men: First Class', Charles Xavier (McAvoy), Magneto (Fassbender) and Mystique (Jennifer Lawrence), to avert disaster. Will he succeed?

Apocalypse
En Sabah Nur (Oscar Isaac), known as Apocalypse, has been worshipped as the first and most powerful mutant to have ever lived. When he is awakened after several thousands of years at rest, Apocalypse sees what the modern world has become and sets about correcting and cleansing humanity to create a better world for mutants to live in, recruiting Magneto (Fassbender) onto his team. Hearing about the imminent attack, Professor X (McAvoy) teams up with Raven (Lawrence) and Beast (Nicholas Hoult) to try to save humanity.

This book examines the development of biopolitics as an academic perspective within political science. It reviews the work of the leading proponents of this perspective and presents a comprehensive view of biopolitics as a framework to structure political inquiry. The book's chapters present a range of analysis, critique and recommendations for the current study of biopolitics. Coverage includes; the implications of biopolitics for political theory and the need to re-evaluate basic assumptions of the prevailing political science paradigm; an analysis of the methodological concerns of adopting a more biology-based approach to political science; the current state of knowledge of the genetic and neurological bases of mass and elite behavior; and biopolicy issues and the proper role of the life sciences in informing our understanding of them. The concluding chapter restates the case for a paradigm shift toward an interactive model, arguing that, rather than lead to biological determinism as denounced by some, this inclusive paradigm allows us to counteract deterministic protestations more effectively than by continuing to ignore or minimize biological influences.

Entire first series of the popular TV show. In 'Encounter at Farpoint', a double length story, the Enterprise encounters a planet that is being threatened by an alien creature - and to make matters worse, Picard is called before the super-being Q to answer questions on behalf of humanity. 'The Naked Now' has the cew infected by a deadly virus which manifests itself in such symptoms as intoxication and promiscuity.

'Code of Honour' sees Tasha kidnapped by an alien who wants her as his mate. 'The Last Outpost' finds the Enterprise coming face-to-face with the Ferengi for the first time. In 'Where No One Has Gone Before', a warp experiment goes wrong and flings the Enterprise into a strange galaxy billions of light-years from its starting point.

'Lonely Among Us' has Picard's body becomes the host for an alien entity. 'Justice' sees the unfortunate Wes Crusher sentenced to death for violating a local custom on an alien world. 'The Battle' finds Picard taking on DaiMan Bok, who wants revenge for the death of his son.

'Hide and Q' has the crew of the Enterprise D plagued once more by the cosmic trickster Q. 'Haven' sees Riker's heart set to break when Deanna is forced into an arranged marriage. In 'The Big Goodbye', Picard indulges his love of film noir detective stories on the holodeck, only to end up trapped when the system malfunctions.

'Datalore' has the crew of the Enterprise discover the component parts of Lore, Data's twin brother, on a devastated planet. 'Angel One' sees Riker caught up in the politics of a planet ruled entirely by women. '11001001' finds the Enterprise hijacked by an alien race called the Bynars, who upgrade the ship's computer to their own ends.

'Too Short a Season' has the Enterprise accompany the ageing Admiral Mark Jameson to Mordan IV, where his mission is to secure the release of Federation hostages. 'When the Bough Breaks' sees Wesley and various other children from the Enterprise kidnapped by the technologically advanced but sterile civilisation on the planet Aldea. In 'Home Soil', it transpires that the Enterprise is under attack from Microbain, a microscopic life-form, after Data is attacked by a laser drill.

'Coming of Age' finds Wesley preparing to sit an Academy exam, while Picard is investigated by the unpopular Lt Commander Dexter. 'Heart of Glory' has the Enterprise play host to two Klingons who claim to have been attacked by Ferengi. 'The Arsenal of Freedom' sees Picard lead a team to the lifeless planet Minos to search for the USS Drake.

'Symbiosis' finds Picard caught in the middle of a war between the narcotics-addicted Ornarans and their enemies the Brekkans, who possess a possible cure. In 'Skin of Evil', an Enterprise shuttlecraft crash lands on Vagra II and is captured by the evil Armus. 'We'll Always Have Paris' sees the man married to Picard's first love create a hole in the universe.

'Conspiracy' has Picard's best friend suffer from an acute paranoia which leads to the destruction of his starship being destroyed. Finally, in 'The Neutral Zone', the crew encounter an enemy stronger than any they have come across before.

Bryan Singer directs this blockbuster superhero sequel based on the characters from the Marvel comic strip. With a storyline that alternates between the past and present, the film acts as a direct sequel to three separate films, 'X-Men: The Last Stand' (2006), 'X-Men: First Class' (2011) and 'The Wolverine' (2013). When the survivors of the battle in 'X-Men: The Last Stand', led by Magneto (Ian McKellen), Professor X (Patrick Stewart) and Storm (Halle Berry), discover that total annihilation now awaits humans and mutants alike, they send the ageless Wolverine (Hugh Jackman) back in time to try and change the course of events. In the past, Wolverine must team up with the younger incarnations of the X-Men seen in 'X-Men: First Class', Charles Xavier (James McAvoy), Magneto (Michael Fassbender) and Mystique (Jennifer Lawrence), to avert disaster. Will he succeed?

The ultimate X-Men ensemble fights a war for the survival of the species across two time periods in X-Men: Days of Future Past.

The beloved characters from the original X-Men film trilogy join forces with their younger selves from X-Men: First Class, in an epic battle that must change the past – to save our future.

Historical drama starring Patrick Stewart and Glenn Close. In 1183, after the death of his eldest son, King Henry II (Stewart) must decide which of his three remaining sons will succeed him. As the time for him to announce his successor approaches, Henry frees his imprisoned wife, Eleanor of Aquitaine (Close), who he held captive after she plotted to overthrow him. It soon becomes clear, however, that Eleanor favours first child Richard (Andrew Howard), while Henry sees his youngest, John (Rafe Spall), as the next in line but, in the weeks ahead, the King begins to have serious doubts if any of his sons are capable of becoming the new ruler.

At the end of the 24th century, and 14 years after his retirement from Starfleet, Jean-Luc Picard is living a quiet life on his vineyard, when he is sought out by a mysterious young woman in need of his help.

This chance encounter sends him on a bold and exciting new journey to track down a series of mysteries about his past.

Culminating in the most daring mission of his life, Picard is forced to recruit allies spanning generations old and new with the fate of the Federation at stake.

This 10-Disc collection features all 30 episodes and over 7 hours of special features including deleted scenes, story logs, gag reels and more!

At the heart of one of the most successful transmedia franchises of all time, Star Trek, lies an initially unsuccessful 1960s television production, Star Trek: The Original Series. In Star Trek and American Television, Pearson and Messenger Davies, take their cue from the words of the program's first captain, William Shatner, in an interview with the authors: "It's a television show." In focusing on Star Trek as a television show, the authors argue that the program has to be seen in the context of the changing economic conditions of American television throughout the more than four decades of Star Trek's existence as a transmedia phenomenon that includes several films as well as the various television series. The book is organized into three sections, dealing with firstly, the context of production, the history and economics of Star Trek from the original series (1966-1969) to its final television incarnation in Enterprise (2002-2005). Secondly, it focuses on the interrelationships between different levels of production and production workers, drawing on uniquely original material, including interviews with star captains William Shatner and Sir Patrick Stewart, and with production workers ranging from set-builders to executive producers, to examine the tensions between commercial constraints and creative autonomy. These interviews were primarily carried out in Hollywood during the making of the film Nemesis (2002) and the first series of Star Trek: Enterprise. Thirdly, the authors employ textual analysis to study the narrative "storyworld" of the Star Trek television corpus and also to discuss the concept and importance of character in television drama. The book is a deft historical and critical study that is bound to appeal to television and media studies scholars, students, and Star Trek fans the world over. With a foreword by Sir Patrick Stewart, Captain Jean-Luc Picard in Star Trek: The Next Generation.

Tiny Tim, Bob Cratchit and Ebenezer Scrooge come to marvelous life in Patrick Stewart's critically-acclaimed solo interpretation of A Christmas Carol. The star of "X-Men" and The Royal Shakespeare Company, Stewart has performed his one-man stage production of this holiday classic to sell-out audiences. Now, in this Grammy nominated studio recording of the dazzling achievement that has thrilled audiences in New York and Los Angeles, Stewart invites listeners to rediscover the timeless story at its source: Dickens' own words, presented in a soaring, virtuoso solo performance in which Stewart plays all parts.

Double bill of BBC espionage drama mini-series based on the novels by John Le Carré and starring Alec Guinness as master spy George Smiley. In 'Tinker, Tailor, Soldier, Spy' (1979), Smiley has been in 'retirement' for some time, some say owing to his mishandling of the Czech scandal. However, the retiring superspy finds himself summoned back to the 'Circus' (British secret service) when it transpires that an enemy infiltrator is at work in the department. Smiley returns once again to his old department in 'Smiley's People' (1982) following the murder of his friend, General Vladimir, a Russian who once worked for British Intelligence. When it transpires that Vladimir was in fact a double agent, Smiley becomes engaged in a battle of wills with his old adversaries at the Moscow Centre.

The long-awaited memoir from iconic, beloved actor and living legend Sir Patrick Stewart! From his acclaimed stage triumphs to his legendary onscreen work in the Star Trek and X-Men franchises, Sir Patrick Stewart has captivated audiences around the world and across multiple generations with his indelible command of stage and screen. Now, he presents his long-awaited memoir, Making It So, a revealing portrait of an artist whose astonishing life--from his humble beginnings in Yorkshire, England, to the heights of Hollywood and worldwide acclaim--proves a story as exuberant, definitive, and enduring as the author himself.

Our Voices II: The DE-colonial Project will showcase decolonising projects which work to de-stable and disquiet colonial built environments. The land, towns, and cities on which we live have always been Indigenous places yet, for the most part our Indigenous value sets and identities have been disregarded or appropriated. Indigenous people continue to be gentrified out of the places to which they belong and neo-liberal systems work to continuously subjugate Indigenous involvement in decision-making processes in subtle, but potent ways. However, we are not, and have never been cultural dopes. Rather, we have, and continue to subvert the colonial value sets that overlay our places in important ways.

Superspy George Smiley (Alec Guinness) has for some time been in 'retirement' - some say due to his mishandling of the Czech scandal. However, the retiring masterspy finds himself summoned back to the 'Circus' (British secret service) when it transpires that an enemy infiltrator is at work in the department.

Our Voices: Indigeneity and Architecture is an exciting advance in the field of architecture offering multiple indigenous perspectives on architecture and design theory and practice. Indigenous authors from Aotearoa NZ, Canada, Australia, and the USA explore the making and keeping of places and spaces which are informed by indigenous values and identities. The lack of publications to date offering an indigenous lens on the field of architecture belies the rich expertise found in indigenous communities in all four countries. This expertise is made richer by the fact that this indigenous expertise combines both architecture and design professional practice, that for the most part is informed by Western thought and practice, with a frame of reference that roots this architecture in the indigenous places in which it sits.

British masterspy George Smiley (Alec Guinness) returns to his old department following the murder of his friend, General Vladimir, a Russian who once worked for British Intelligence. When it transpires that Vladimir was in fact a double agent, Smiley becomes engaged in a battle of wills with his old nemesis, Karla of Moscow Centre.

Collection containing every episode of the late 1980s/early 1990s 'Start Trek' spin-off series plus a wealth of additional material including documentaries and behind-the-scenes footage. Set in the 24th century, some 80 years after the adventures of Captain Kirk and the starship Enterprise, the series follows Captain Jean-Luc Picard (Patrick Stewart) and the crew of the Enterprise NCC 1701-D as they venture to distant planets in search of new life, boldly going where no one has gone before.

Box set featuring all the big screen 'Star Trek' adventures. 'Star Trek - The Motion Picture' pits Kirk's crew against a mechanised menace; 'The Wrath of Khan' revives an enemy from the original series; 'The Search For Spock' sends Kirk on a quest to find Spock's body; 'The Voyage Home' sends the whole crew back to 1984 to retrieve two whales; 'The Final Frontier' was a quest to find God; 'The Undiscovered Country' is set at the time of an outbreak of peace between Starfleet and the Klingons; 'Generations' brings together two generations of Enterprise crews under the command of Jean Luc Picard; 'Star Trek First Contact' sees the Next Generation crew attempt to prevent the relentless Borg from altering Earth's history; 'Star Trek Insurrection' finds Picard and his crew violating the prime directive when they attempt to protect the peace-loving planet of Ba'ku from being exploited by the alliance; and in 'Star Trek Nemesis' Picard is sent to negotiate with the new Romulan leader Shinzon on behalf of the United Federation of Planets.

God versus the numerous colossuses that confront the main character Mr. Seeker Barrington in ways that bring the reader into the epicenter of amazing spiritual and physical battles is what this story is all about. Seeker Barrington who finds God after some poignant and traumatizingly disruptive losses in his life takes the advice of a former girlfriend and surrenders his life over to Jesus Christ. Seeker then is propelled into situations that utterly and completely rock his world from top to bottom and the worlds of those people who are closest to him.

German computer-animated movie featuring the voice of Patrick Stewart. When Gaya's power stone is stolen by Professor N. Icely (Stephan Lander), local hero Zino (Glenn Wrage), his companion Boo (Alan Mariot), the mayor's daughter Alanta (Emily Watson) and the local trouble makers The Snurks are pulled into the vortex as well. When they wake up, they find themselves in a world filled with giants, monster rats and buildings that reach into the sky.

14 years after Captain Jean-Luc Picard retired from Starfleet, Patrick Stewart is back to reprise his iconic role.

After the destruction of the Planet Romulus, we follow Picard as he tracks down a series of mysteries about his past.

From co-creators Alex Kurtzman, Pulitzer Prize winning author Michael Chabon, OSCAR winner Akiva Goldsman (A Beautiful Mind), and renowned Star Trek novelist Kirsten Beyer, STAR TREK: PICARD sets out on a new adventure against a legion of dangerous foes, with the help from a few returning characters – Data, Riker, and Seven of Nine – and a whole new crew.