Handling and archiving data should be done in a highly professional and quality-controlled manner. For academic and research libraries, it is required to know how to document data and support traceability, as well as to make it reusable and productive. However, these institutions have different requirements relating to the archiving and reusability of data. Therefore, a comprehensive source of information is required to understand data access and management within these organizations. Research Data Access and Management in Modern Libraries is a critical scholarly resource that delves into innovative data management strategies and strategy implementation in library settings and provides best practices to stakeholders using the latest tools and technology. It further explores concepts such as research data management, data access, data preservation, building document and data institutional repositories, applications of Web 2.0 tools, mobile technology applications in data access, and conducting information literacy programs. This book is ideal for librarians, information specialists, research scholars, students, IT managers, computer scientists, policymakers, educators, and academic administrators.

Historic accounts and new material illuminate the creation, early history and artistic intentions of Britten's first opera. The premiere of Peter Grimes on 7 June 1945 announced the emergence of the first great composer of opera in English since Purcell. Surviving documents offer evidence of the complex interaction of differing ideas about the possible shape and content of the new work, most notably the composition draft, which these essays are particularly concerned to illuminate. They juxtapose historic material with fresh studies: three items written by members of theteam involved in the 1945 production are set alongside specially-commissioned articles, with the three-fold intention of presenting the views of some of the creators of the opera, outlining the work's early history, and offeringcontemporary perspectives on its historical context and its message.Professor PAUL BANKS is Research Development Fellow at the Royal College of Music.Contributors: PAUL BANKS, PHILIP BRETT, BENJAMIN BRITTEN, ERIC CROZIER, DONALDMITCHELL, PETER PEARS, PHILIP REED, ROSAMUND STRODE. Packed away in its pages is a very large amount of new information. TIMES LITERARY SUPPLEMENT A fitting tribute to the opera's enduring international stature, and undoubtedly [a] significant achievement in Britten studies. MUSIC AND LETTERS

Without an understanding of the conflicts of Mahler's youth one cannot truly appreciate the impulses behind the major symphonies and song cycles of his later years. Available again for a new generation of Mahlerians, Donald Mitchell's famous study of the composer's early life and music was greeted as a major advance on its first appearance in 1958. Revised and updated in the early 1980s, thispaperback edition includes a new introduction by the author to bring this classic work once again to the forefront of Mahler studies. From his birth in Bohemia, then part of the mighty Austro-Hungarian empire, to a surveyof his early works, many now lost, Gustav Mahler: The Early Years forms an indispensable prelude to the period of the great compositions. The conflicts which came to mark Mahler's music and personality had their beginningsin his childhood and youth. Without understanding the territorial, social and familial conflicts of this time one cannot truly appreciate the impulses behind the major symphonies and song cycles of his later years. DONALD MITCHELL was born in 1925. Two composers have been central to his writings on music, Gustav Mahler and Benjamin Britten. His three studies of Mahler, The Early Years (1958), The Wunderhorn Years (1975), and Songs and Symphonies of Life and Death (1985), are among the enduring monuments of postwar Mahler literature. He was founder Professor of Music at the University of Sussex (1971-76), was visiting Professor atKing's College, London, and is currently a visiting Professor at the Universities of Sussex and York.

A member of the USA's stellar 1984 Olympic boxing team, Paul Banke then scaled the heights as a professional to become world champion in 1990. Unfortunately, throughout his career, he was at the mercy of his secret mistress - drugs. As part of the celebrity slipstream, Banke often had free access to heroin, crystal meth and cocaine. Best remembered for his epic trilogy with Daniel Zaragoza, drugs overtook him and Banke soon became a forgotten champion. Shortly after retiring in 1993, he was homeless and destitute. Having not eaten for three days, Banke found himself lying in a dumpster in Vegas, ecstatic at finding a partially consumed cheeseburger. Arrested for grand theft auto in 1995 he was urged in jail to take an HIV test, due to sharing needles. He had contracted full-blown AIDS. Miraculously, after three decades of drug abuse, Banke turned his life around in September 2014 and became clean and sober. Now once again warmly embraced by the boxing fraternity, he shares his story to inspire and deter those on a similar path.

A collection of essays which explore the cultural background and creative evolution of this once-overlooked work. This volume is based on a selection of papers presented during a study course devoted to Gloriana held at the Britten-Pears School for Advanced Musical Studies in 1991. Glorianahas been a source of controversy since its premiere as part of the Coronation celebrations in 1953. It was planned as a national opera of broad appeal by its authors, Benjamin Britten and William Plomer, but, despite wide coverage in the media, the opera failed toestablish itself in the repertoire until a new production in 1966 revealed it to be a powerful and stageworthy work. In recent years it has attracted an increasing amount of scholarly attention. This volume offers essays byROBERT HEWISON, PHILIP REED, ANTONIA MALLOY, DONALD MITCHELL and PETER EVANS which explore the opera's cultural background, the early stages of its creative evolution, the first critical responses, and various aspects of the workitself: these are supplemented by a list of source materials for the opera and the works derived from it, and an extensive bibliography.

Facsimile of the composition draft of Peter Grimes, showing Britten's compositional method; companion volume containing essays on its history and significance. Peter Grimes, Benjamin Britten's first opera, established his stature as a composer, marked a turning point in the fortunes of English opera, and conquered operatic stages around the world. Though its setting and music reflect Britten's greatlove for his native East Anglia, the inspiration for the work was a chance encounter with the poetry of George Crabbe while Britten and the tenor Peter Pears (who eventually created the title role) were stayingin California in 1941; they made a number of draft scenarios while they waited for a passage to England, and after their return Montagu Slater was asked to write the libretto. The full score was completed by February 1945. The single document that reveals most about the work's creative history is the composition draft in which the composer wrestled with text and music, gradually fashioning the opera into its final version. The colour facsimile of this fascinating manuscript is published to coincide with the 50th anniversary of its first production. It is accompanied by a commentary volume containing a series of essays on the work's history and its contemporary significance by leading Britten scholars, together with a brief note on the work by PETER PEARS(apparently never before published) and an account of the first production by the late ERIC CROZIER, who directed it. The volume is illustrated with colour reproductions of some of the original costume designs by Kenneth Green, his portrait of BenjaminBritten, and contemporary black and white photographs.

Handling and archiving data should be done in a highly professional and quality-controlled manner. For academic and research libraries, it is required to know how to document data and support traceability, as well as to make it reusable and productive. However, these institutions have different requirements relating to the archiving and reusability of data. Therefore, a comprehensive source of information is required to understand data access and management within these organizations. Research Data Access and Management in Modern Libraries is a critical scholarly resource that delves into innovative data management strategies and strategy implementation in library settings and provides best practices to stakeholders using the latest tools and technology. It further explores concepts such as research data management, data access, data preservation, building document and data institutional repositories, applications of Web 2.0 tools, mobile technology applications in data access, and conducting information literacy programs. This book is ideal for librarians, information specialists, research scholars, students, IT managers, computer scientists, policymakers, educators, and academic administrators.

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