The surprising career of Joseph Smith's famous book Late one night in 1823, Joseph Smith, Jr., was reportedly visited in his family's farmhouse in upstate New York by an angel named Moroni. According to Smith, Moroni told him of a buried stack of gold plates that were inscribed with a history of the Americas' ancient peoples, and which would restore the pure Gospel message as Jesus had delivered it to them. Thus began the unlikely career of the Book of Mormon, the founding text of the Mormon religion and perhaps the most important sacred text ever to originate in the United States. Paul Gutjahr traces the life of this remarkable book, showing how it launched one of the fastest-growing new religions on the planet and has featured in everything from comic books and action figures to movies and an award-winning Broadway musical.

Late one night in 1823 Joseph Smith, Jr., was reportedly visited in his family's farmhouse in upstate New York by an angel named Moroni. According to Smith, Moroni told him of a buried stack of gold plates that were inscribed with a history of the Americas' ancient peoples, and which would restore the pure Gospel message as Jesus had delivered it to them. Thus began the unlikely career of the "Book of Mormon," the founding text of the Mormon religion, and perhaps the most important sacred text ever to originate in the United States. Here Paul Gutjahr traces the life of this book as it has formed and fractured different strains of Mormonism and transformed religious expression around the world.

Gutjahr looks at how the "Book of Mormon" emerged from the burned-over district of upstate New York, where revivalist preachers, missionaries, and spiritual entrepreneurs of every stripe vied for the loyalty of settlers desperate to scratch a living from the land. He examines how a book that has long been the subject of ridicule--Mark Twain called it "chloroform in print"--has more than 150 million copies in print in more than a hundred languages worldwide. Gutjahr shows how Smith's influential book launched one of the fastest growing new religions on the planet, and has featured in everything from comic books and action figures to feature-length films and an award-winning Broadway musical.

What do we read when we read a text? The author's words, of course, but is that all? The prevailing publishing ethic has insisted that typography-the selection and arrangement of type and other visual elements on a page-should be an invisible, silent, and deferential servant to the text it conveys. This book contests that conventional point of view. Looking at texts ranging from the King James Bible to contemporary comic strips, the contributors to Illuminating Letters examine the seldom considered but richly revealing relationships between a text's typography and its literary interpretation. The essays assume no previous typographic knowledge or expertise; instead they invite readers primarily concerned with literary and cultural meanings to turn a more curious eye to the visual and physical forms of a specific text or genre. As the contributors show, closer inspection of those forms can yield fresh insights into the significance of a text's material presentation, leading readers to appreciate better how presentation shapes understandings of the text's meanings and values. The case studies included in the volume amplify its two overarching themes: one set explores the roles of printers and publishers in manipulating, willingly or not, the meaning and reception of texts through typographic choices; the other group examines the efforts of authors to circumvent or subvert such mediation by directly controlling the typographic presentation of their texts. Together these essays demonstrate that choices about type selection and arrangement do indeed help to orchestrate textual meaning. In addition to the editors, contributors include Sarah A. Kelen, Beth McCoy, Steven R. Price, Leon Jackson, and Gene Kannenberg Jr.

Charles Hodge (1797-1878) was one of nineteenth-century America's leading theologians, owing in part to a lengthy teaching career, voluminous writings, and a faculty post at one of the nation's most influential schools, Princeton Theological Seminary. Surprisingly, the only biography of this towering figure was written by his son, just two years after his death. Paul Gutjahr's book, therefore, is the first modern critical biography of a man some have called the "Pope of Presbyterianism. " Hodge's legacy is especially important to American Presbyterians. His brand of theological conservatism became vital in the 1920s, as Princeton Seminary saw itself, and its denomination, split. The conservative wing held unswervingly to the Old School tradition championed by Hodge, and ultimately founded the breakaway Orthodox Presbyterian Church. The views that Hodge developed, refined, and propagated helped shape many of the central traditions of twentieth- and twenty-first-century American evangelicalism. Hodge helped establish a profound reliance on the Bible among evangelicals, and he became one of the nation's most vocal proponents of biblical inerrancy. Gutjahr's study reveals the exceptional depth, breadth, and longevity of Hodge's theological influence and illuminates the varied and complex nature of conservative American Protestantism.

Mingling God and Mammon, piety and polemics, and prescriptions for this world and the next, modern Americans have created a culture of print that is vibrantly religious. From America's beginnings, the printed word has played a central role in articulating, propagating, defending, critiquing, and sometimes attacking religious belief. In the last two centuries the United States has become both the leading producer and consumer of print and one of the most identifiably religious nations on earth. Print in every form has helped religious groups come to grips with modernity as they construct their identities. In turn, publishers have profited by swelling their lists with spiritual advice books and scriptures formatted so as to attract every conceivable niche market.""Religion and the Culture of Print in Modern America"" explores how a variety of print media - religious tracts, newsletters, cartoons, pamphlets, self-help books, mass-market paperbacks, and editions of the Bible from the King James Version to contemporary ""Bible-zines"" - have shaped and been shaped by experiences of faith since the Civil War. Edited by Charles L. Cohen and Paul S. Boyer, whose comprehensive historical essays provide a broad overview to the topic, this book is the first on the history of religious print culture in modern America and a well-timed entry into the increasingly prominent contemporary debate over the role of religion in American public life.