Celebrating 100 years of Peter Pan, this fourth volume in the Centennial Studies series explores the cultural contents of Barrie's creation and the continuing impact of Peter Pan on children's literature and popular culture today, especially focusing on the fluctuations of time and narrative strategies. This collection of essays on Peter Pan is separated into four parts. The first section is comprised of essays placing Barrie's in its own time period, and tackles issues such as the relationship between Hook and Peter in terms of child hatred, the similarities between Peter and Oscar Wilde, Peter Pan's position as an exemplar of the Cult of the Boy Child is challenged, and the influence of pirate lore and fairy lore are also examined. Part two features an essay on Derrida's concept of the grapheme, and uses it to argue that Barrie is attempting to undermine racial stereotypes. The third section explores Peter Pan's timelessness and timeliness in essays that examine the binary of print literacy and orality; Peter Pan's modular structure and how it is ideally suited to video game narratives; the indeterminacy of gender that was common to Victorian audiences, but also threatening and progressive; Philip Pullman and J.K. Rowling, who publicly claim to dislike Peter Pan and the concept of never growing up, but who are nevertheless indebted to Barrie; and a Lacanian reading of Peter Pan arguing that Peter acts as "the maternal phallus" in his pre-Symbolic state. The final section looks at the various roles of the female in Peter Pan, whether against the backdrop of British colonialism or Victorian England. Students and enthusiasts of children's literature will find their understanding of Peter Pan immensely broadened after reading this volume.

A palimpsest is at once easy to define and, at the same time, so infinitely various as to defy all denotation. A thrifty technique employed by the ancients to recycle scarce resources? Or a metaphor for the human mind? A text that overwrites another text? Or a culture that overwrites another culture? This concise, readable volume examines texts written by such figures as William Blake, Wilkie Collins, Edgar Allan Poe, and Frederick Douglass, in order to explore the dualistic thinking involved in the creation of literary palimpsests during the tempestuous eighteenth and nineteenth centuries. Contributors to this collection analyze the alienation and disorientation caused by the tremendous social and political revolution going on throughout the eighteenth and nineteenth centuries in the United States and Great Britain. Writers and philosophers of the time were charged with the task of reorienting themselves and their readers within the ever-changing social and political constructs that characterized their lives. Double Vision shows how these writers employed the use of the palimpsest in their attempts to strike a balance between preserving old ways and privileging new innovations.

This study examines the force of tradition in conservative German visual culture, exploring thematic continuities in the post-conflict representation of battlefield identities from the Franco-Prussian War in 1870-71 to the demise of the Weimar Republic in 1933. Using over 40 representative images sampled from both high and popular culture, Paul Fox discusses complex and interdependent visual responses to a wide spectrum of historical events, spanning world war, regional conflict, internal security operations, and border skirmishes. The book demonstrates how all the artists, illustrators and photographers whose work is addressed here were motivated to affirm German moral superiority on the battlefield. They produced images that advanced dominant notions of how the ideal German man should behave when at war - even when the outcome was defeat. Their construction of an imagined martial masculinity based on aggressive moral superiority became so deeply rooted in German culture that it eventually provided the basis for a programmatic imagining of how Germany might again recover its standing as a great military power in Central Europe in the wake of defeat in 1918. The Image of the Soldier in German Culture, 1871-1933 is an important volume for any historian interested cultural history, the representation of armed conflict in European culture, the history of modern Germany, the Franco-Prussian War, and the First World War.

The role of the Hague Convention in today's world revisited. Significant attention today focusses on heritage destruction, but the key international laws prohibiting it - the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict and its First and Second Protocols (1954/1999) - lay out two core strands to limit the damage: the measures of respect for armed forces, and the safeguarding measures states parties should put in place in peacetime. This volume incorporates wide-ranging international perspectives from those in the academy, together with practitioner insights from the armed forces and heritage professionals, to explore the safeguarding regime. Its contributors consider such questions as whether state parties have truly taken "all possible steps", as the Convention tasks them; what we can learn from past practice, and how the Convention is implemented today; the implications of new trends in heritage law and management - such as the rise of the World Heritage Convention, and in the increasing focus on safe havens rather than refuges; whether new methods of heritage management such as Risk Assessment theory can be applied; and, in a Convention specifically focussed on state parties, what of their opponents, armed non-state actors. Topics range from leadership and the role of the State Party Representative, to the responsibilities of armed non-state groups in safeguarding, to explorations of past and current practice in different countries. Using a mix of case studies and theoretical explorations of new and existing methodologies, the contributions cover a broad timespan from World War II to today, with examples from Europe, the Middle East, and Africa. Overall, the volume's purpose is to promote wider understanding of the practical effectiveness of the Convention in the contemporary world, by investigating the perceived opportunities and constraints the Convention offers today to protect cultural property in armed conflict, and firmly establishing that such protection must begin in peace. CONTRIBUTORS: Maamoun Abdulkarim, Laura Albisetti, Pascal Bongard, Brittni Bradford, Rino Buchel, Emma Cunliffe, Philip Deans, Joanne Dingwall McCafferty, Paul Fox, Kristin Hausler, Stavros-Evdokimos Pantazopoulos, Nikolaus Paumgartner, Nigel Pollard, Lee Rotherham, Valentina Sabucco, Peter Stone, Raphael Zingg.

The modeling of item response data is governed by item response theory, also referred to as modern test theory. The eld of inquiry of item response theory has become very large and shows the enormous progress that has been made. The mainstream literature is focused on frequentist statistical methods for - timating model parameters and evaluating model t. However, the Bayesian methodology has shown great potential, particularly for making further - provements in the statistical modeling process. The Bayesian approach has two important features that make it attractive for modeling item response data. First, it enables the possibility of incorpor- ing nondata information beyond the observed responses into the analysis. The Bayesian methodology is also very clear about how additional information can be used. Second, the Bayesian approach comes with powerful simulation-based estimation methods. These methods make it possible to handle all kinds of priors and data-generating models. One of my motives for writing this book is to give an introduction to the Bayesian methodology for modeling and analyzing item response data. A Bayesian counterpart is presented to the many popular item response theory books (e.g., Baker and Kim 2004; De Boeck and Wilson, 2004; Hambleton and Swaminathan, 1985; van der Linden and Hambleton, 1997) that are mainly or completely focused on frequentist methods. The usefulness of the Bayesian methodology is illustrated by discussing and applying a range of Bayesian item response models.

The modeling of item response data is governed by item response theory, also referred to as modern test theory. The eld of inquiry of item response theory has become very large and shows the enormous progress that has been made. The mainstream literature is focused on frequentist statistical methods for - timating model parameters and evaluating model t. However, the Bayesian methodology has shown great potential, particularly for making further - provements in the statistical modeling process. The Bayesian approach has two important features that make it attractive for modeling item response data. First, it enables the possibility of incorpor- ing nondata information beyond the observed responses into the analysis. The Bayesian methodology is also very clear about how additional information can be used. Second, the Bayesian approach comes with powerful simulation-based estimation methods. These methods make it possible to handle all kinds of priors and data-generating models. One of my motives for writing this book is to give an introduction to the Bayesian methodology for modeling and analyzing item response data. A Bayesian counterpart is presented to the many popular item response theory books (e.g., Baker and Kim 2004; De Boeck and Wilson, 2004; Hambleton and Swaminathan, 1985; van der Linden and Hambleton, 1997) that are mainly or completely focused on frequentist methods. The usefulness of the Bayesian methodology is illustrated by discussing and applying a range of Bayesian item response models.

This collection seeks to examine the intersections of aesthetics and morality, of what Decadence means to art and society at various moments in British literature. Both artistic and social values are inflected by their histories, and, as time passes, so the definition of what it means to be D/decadent alters. The very ideas of the decline from a higher standard, of social malaise, of aesthetic ennui, all presume certain facts about the past, the present, and the linear nature of time itself. To reject the past as a given, and to relish the subtleties of present nuance, is the beginning of Decadence. Purportedly decadent artists focused upon the fleeting present, ascribed value to experiencing the aesthetic moment in its purest form, and it was precisely due to this focus upon living in, and for, the moment that society often responded by expressing moral contempt for the perceived hedonism of art. The aesthetic rejection of contemporary value added to the conflict between the literary and social inflections of Decadent interpretation. The truly decadent was condemned by artists as the stranglehold society maintained on individual interpretation and the interpretation of oneself. This conflict underlies the range of essays in the collection.

At 47 years of age Simon finds himself single after his marriage ends. He's looking for a partner and embarks on internet dating; "mates dates," signs up for an Introduction Agency, goes speed dating, tries organised dinner dating and uses a dedicated match-making service. He avoids his first Christmas alone by booking a single travellers trip to Venice. Misguidedly he pursues an appealing though hopeless 'blind date', a married lady who claims single status, a delightful but sexually disorientated secretary and a rural schoolteacher with a penchant for auto-eroticism, amongst others. His experiences are chronicled in "Dating.com." A fast paced, light hearted account of what can actually happen when a marriage ends and a quest for love begins in mid-life. Simon experiments with internet profiling; what to wear to organised events (and what not to); how to stay safe on entering the 'field' when newly single and learns the lesson that dates are not always what they seem. An uplifting, often hilarious read, whether you're a man or a woman, you'll laugh out loud, squirm and be entertained as Simon stumbles from one dating disaster to another. This is a life affirming, entertaining read with adult content (Simon tells it as it happened) and a cautionary tale, Simon has been described as a male Bridget Jones whose enthusiasm and urgency to find a partner lead him to pursue an array of women most of whom have little reciprocal interest in a long term relationship with him. When he ultimately finds the right woman, his fortunes take an unexpected turn....

The essays in this revised and expanded volume explore a variety of structuring taxonomies, the relationships between the aesthetic forms, styles and methodologies of detective and crime fiction in the late-Victorian and Edwardian period. The influences on the artists in the genre are as varied as the interests of the period in scientific method, forensics, archaeology, aesthetics, medicine, and the paranormal. But the formalising tendencies of investigative process remain, and it is this adherence, in artist and detective alike, to seeing crime and its resolution as a stylistic imposition of structure on disorder that is under examination.

This one-of-a-kind story is a message of hope for young children and families who are undergoing chemotherapy or any difficult struggle. Without words like cancer and chemo, the kid-friendly tale follows a brave hare on her courageous journey to overcome illness. A mysterious, healing stream offers the potential to get well, but there are surprising side effects that will challenge the hare's strength and determination.This book is about believing wishes can come true even in the most extreme circumstances. Ideal for cancers that are not terminal because of the message of survival. Perfect for pairing with honest discussions about your personal situation.

Bullying Is Wrong introduces young children to the problem of bullying through a poem and eye-catching images that capture the story. Children will naturally cheer for the hero of the story when he makes the choice to stand up to the bully, and defend the new kid. The book seeks to teach children to stand up for what is right and treat others with kindness and respect. Read Bullying Is Wrong, and talk to your children about what to do if they see bullying in their neighborhood or school.

First published in 1891, 'The Light that Failed' is Rudyard Kipling's semi-autobiographical first novel. Critics who had praised his Anglo-Indian short stories were shocked by the unhappy ending and deviation from his usual style. None, however, could deny the power of Kipling's writing. 'The Light that Failed' tells the story of war artist Dick Heldar, his doomed relationship with Maisie, and his descent into blindness. Through Dick, Kipling considers the relationship between Art and Life, espousing his belief that the artist has a duty to paint only what he knows to be true. This scholarly edition includes: critical introduction; author biography; suggestions for further reading; explanatory notes; contextual material.

"Humorous and highly amusing." - "The Scotsman"

"A really entertaining collection of stories. The lover of fiction could not desire a more entertaining volume." - "Yorkshire Post"

One of Richard Marsh's rarest works, "Between the Dark and the Daylight" (1902) contains twelve of Marsh's cleverest stories, ranging in theme from slapstick humour to Gothic horror.

In "My Aunt's Excursion," the opening story of the volume, an urbanite Londoner leads his provincial aunt and her party of mostly deranged followers on a hilarious and madcap romp across London. In "Exchange is Robbery," Marsh's recurring charcters and jewellers to the aristocracy, Messrs. Golden and Ruby, discover they have been the victims of a massive jewel fraud. "The Haunted Chair," one of Marsh's strangest and most unnerving stories of horror, features an old chair at a gentlemen's club, whose owner seems capable of returning from the grave. In "A Relic of the Borgias," an ancient cameo ring appears to possess the power to kill. Other stories, like "Em" and "Nelly," reveal Marsh's softer side as a romantic novelist.

This new edition, the first in over a century, features the unabridged text of the original work, along with an introduction by Prof. Paul Fox and a reproduction of the impossibly rare jacket cover of the original six shilling edition.

Prince Zaleski, an exiled Russian nobleman, inhabits a half-ruined abbey in Wales, where he spends most of his time smoking cannabis and opium, reading from his library of medieval books, or admiring his collection of rare curios dating from ancient antiquity. His retirement from the world is occasionally interrupted by his friend Shiel, who comes to seek Zaleski's help in solving mysteries that have baffled the greatest minds in Britain.

In "The Race of Orven," Zaleski must unravel a case involving a burglary, a murder, a floating phantasm, and three severed fingers. In "The Stone of the Edmundsbury Monks," the prince races against time to solve the mystery of a jewel from the Crusades that may cause a man's death. And in the final story in the collection, "The S.S.," an inexplicable wave of thousands of apparent suicides puts Zaleski to the ultimate test and leads to a deeply disturbing conclusion.

Originally appearing in 1895 as the seventh entry in John Lane's provocative

Keynotes series,

Prince Zaleski incorporated two of the popular trends in 1890s literature: Decadence and detective stories. Influenced by Poe, Huysmans, and Wilde, Shiel's Decadent detective remains one of the most intriguing creations of "fin de siecle" British fiction. This edition includes the unabridged text of the original edition and features a new introduction by Paul Fox.

"I believe that the three writers of the nineteenth century who had the greatest natural talents were D'Annunzio, Kipling and Tolstoy." - James Joyce

"In Gabriele D'Annunzio's new novel, 'The Intruder, ' doubtless certain decadent critics will see a triumph of art, a manifestation of genius; just what ordinary, healthy-minded people will see therein it is difficult to say. The book will, however, certainly arouse disgust in such of them as read it.... For many reasons 'The Intruder' is a book much better left unread." - "The New York Times"

Tullio Hermil is a Nietzschean superman: handsome, intelligent, and powerful, he believes himself to be superior to other men and beyond the reach of their judgment. A dandy and an aesthete, Tullio is repeatedly unfaithful to his loving and innocent wife Juliana, who bears his ill-treatment and infidelity with patience.

At last, growing weary of his debauchery, Tullio decides to attempt a reconciliation with his wife, but he is horrified to find that, in a single weak moment, Juliana has succumbed to the advances of another man and has gotten pregnant. And when the baby - the Intruder - arrives, Tullio begins to contemplate an unspeakable crime that will lead to deadly results.

First published in Italian in 1891, "The Intruder" ("L'innocente") was controversial because of its questionable morality. The present edition reprints the rare unabridged 1898 American edition translated by Arthur Hornblow, rather than the more commonly reprinted bowlderized British translation of 1897. Although initially recognized as a giant of modern European literature, D'Annunzio's reputation has suffered much from his ties to Mussolini's fascism, and it is to be hoped that this edition, which features an original introductory essay by Paul Fox, will lead to a rediscovery of his works.

This study examines the force of tradition in conservative German visual culture, exploring thematic continuities in the post-conflict representation of battlefield identities from the Franco-Prussian War in 1870-71 to the demise of the Weimar Republic in 1933. Using over 40 representative images sampled from both high and popular culture, Paul Fox discusses complex and interdependent visual responses to a wide spectrum of historical events, spanning world war, regional conflict, internal security operations, and border skirmishes. The book demonstrates how all the artists, illustrators and photographers whose work is addressed here were motivated to affirm German moral superiority on the battlefield. They produced images that advanced dominant notions of how the ideal German man should behave when at war - even when the outcome was defeat. Their construction of an imagined martial masculinity based on aggressive moral superiority became so deeply rooted in German culture that it eventually provided the basis for a programmatic imagining of how Germany might again recover its standing as a great military power in Central Europe in the wake of defeat in 1918. The Image of the Soldier in German Culture, 1871-1933 is an important volume for any historian interested cultural history, the representation of armed conflict in European culture, the history of modern Germany, the Franco-Prussian War, and the First World War.