Monte Carlo and Las Vegas have become synonymous with casino gambling. Both destinations featured it as part of a broad variety of leisure and consumption opportunities that normalized games of chance and created emotional atmospheres that supported the hedonistic aspects of gambling. Urban spaces and architecture were carefully designed to enable a rapid growth of the casino industry and produce experiences on previous unimaginable scale. Feeling Lucky, is a “making of story,� about cities which acquired a strange and captivating allure of mystery around them. It is more than a mere descriptive account, however. Combining urban history, the history of consumption, and sociological approaches it presents a compelling comparative history of Monte Carlo and the Las Vegas Strip between the 1860s and 1970s. Paul Franke takes the reader on a journey from arriving at the cities, through the carefully planned urban environments and into the famous casinos. The analysis follows the paths contemporary gamblers would have taken, right to the gambling tables and to the shifting gambling practices across a century. Franke shows that casino entrepreneurs succeeded in producing and selling gambling experiences by controlling spaces, adapt leisure practices and appeal to specific markets. Gamblers on the other hand  regarded Monte Carlo and Las Vegas as places to engage in games of chance that would allow them to preserve their political, cultural, and moral identities.

The volume is a contribution to the ongoing debate on the internationalization of American Studies. The essays by European, American and Latin American scholars provide critical evaluations of a wide range of concepts, including trans-national and post-national, international, trans-atlantic, trans-pacific, as well as hemispheric, inter-American and comparative American studies. Combining theoretical reflections and actual case studies, the collection proposes a reassessment of current developments at a time when American nations experience the paradoxical simultaneity of both weakened and strengthened national borders alongside multiple challenges to national sovereignty.

In Explaining Evil four prominent philosophers, two theists and two non-theists, present their arguments for why evil exists. Taking a "position and response" format, in which one philosopher offers an account of evil and three others respond, this book guides readers through the advantages and limitations of various philosophical positions on evil, making it ideal for classroom use as well as individual study. Divided into four chapters, Explaining Evil covers Theistic Libertarianism, Theistic Compatibilism, Atheistic Moral Realism and Atheistic Moral Non-realism. It features topics including free will, theism, atheism, goodness, Calvinism, evolutionary ethics, and pain, and demonstrates some of the dominant models of thinking within contemporary philosophy of religion and ethics. Written in accessible prose and with an approachable structure, this book provides a clear and useful overview of the central issues of the philosophy of evil.

This volume is an introductory textbook to K-theory, both algebraic and topological, and to various current research topics within the field, including Kasparov's bivariant K-theory, the Baum-Connes conjecture, the comparison between algebraic and topological K-theory of topological algebras, the K-theory of schemes, and the theory of dg-categories.

All 12 episodes from the first series of the American medical comedy drama series starring Mark Feuerstein as Hank, the hottest new 'concierge doctor' in the Hamptons. Episodes are: 'Pilot', 'There Will Be Food', 'Strategic Planning', 'TB Or Not TB', 'No Man Is an Island', 'If I Were a Sick Man', 'Crazy Love', 'The Honeymoon's Over', 'It's Like Jamais Vu All Over Again', 'Am I Blue?', 'Nobody's Perfect' and 'Wonderland'.

All 18 episodes from the second series of the American medical comedy drama starring Mark Feuerstein as Hank, the hottest new 'concierge doctor' in the Hamptons. The episodes are: 'Spasticity', 'Lovesick', 'Keeping the Faith', 'Medusa', 'Mano a Mano', 'In Vino Veritas', 'Comfort's Overrated', 'The Hankover', 'Frenemies', 'Whole Lotto Love', 'Big Whoop', 'Open Up Your Yenta Mouth and Say Ah', 'Mulligan', 'Pit Stop', 'A History of Violins', 'Astraphobia', 'Fight Or Flight' and 'Listen to the Music'.

This series of HANDBOOKS OF LINGUISTICS AND COMMUNICATION SCIENCE is designed to illuminate a field which not only includes general linguistics and the study of linguistics as applied to specific languages, but also covers those more recent areas which have developed from the increasing body of research into the manifold forms of communicative action and interaction. For "classic" linguistics there appears to be a need for a review of the state of the art which will provide a reference base for the rapid advances in research undertaken from a variety of theoretical standpoints, while in the more recent branches of communication science the handbooks will give researchers both an overview and orientation. To attain these objectives, the series aims for a standard comparable to that of the leading handbooks in other disciplines, and to this end strives for comprehensiveness, theoretical explicitness, reliable documentation of data and findings, and up-to-date methodology. The editors, both of the series and of the individual volumes, and the individual contributors, are committed to this aim. The language of publication is English. The main aim of the series is to provide an appropriate account of the state of the art in the various areas of linguistics and communication science covered by each of the various handbooks; however no inflexible pre-set limits will is imposed on the scope of each volume. The series is open-ended, and can thus take account of further developments in the field. This conception, coupled with the necessity of allowing adequate time for each volume to be prepared with the necessary care, means that there is no set time-table for the publication of the whole series. Each volume is a self-contained work, complete in itself. The order in which the handbooks are published does not imply any rank ordering, but is determined by the way in which the series is organized; the editors of the whole series enlist a competent editor for each individual volume. Once the principal editor for a volume has been found, he or she then has a completely free hand in the choice of co-editors and contributors. The editors plan each volume independently of the others, being governed only by general formal principles. The series editors only intervene where questions of delineation between individual volumes are concerned. It is felt that this (modus operandi) is best suited to achieving the objectives of the series, namely to give a competent account of the present state of knowledge and of the perception of the problems in the area covered by each volume. To discuss your handbook idea or submit a proposal, please contact Birgit Sievert.

This international encyclopedia documents and surveys, for the first time, the entire complex of translation as well as the operations and phenomena associated with it. Structured along systematic, historical and geographic lines, it offers a comprehensive and critical account of the current state of knowledge and of international research. The Encyclopedia (1) offers an overview of the different types and branches of translation studies; (2) covers translation phenomena - including the entire range of interlingual, intralingual, and intersemiotic transfer and transformation - in their social, material, linguistic, intellectual, and cultural diversity from diachronic, synchronic, and systematic perspectives, (3) documents and elucidates the most important results of the study of translation to the present day, as well as the current debates, taking into account theoretical assumptions and methodological implications; (4) identifies, where possible, lacunae in existing research, listing priorities and desiderata for further research. The languages of publication are German, English, and French.

All 13 episodes from the fifth series of the American medical comedy drama starring Mark Feuerstein as Hank, the hottest new 'concierge doctor' in the Hamptons. The episodes are: 'Hankwatch', 'Blythe Spirits', 'Lawson Translation', 'Pregnant Paws', 'Vertigo', 'Can of Worms', 'Chock Full O' Nuts', 'Hammertime', 'Pins and Needles', 'Game of Phones', 'Open Invitation', 'A Trismus Story' and 'Bones to Pick'.

All 16 episodes from the fourth series of the American medical comedy drama starring Mark Feuerstein as Hank, the hottest new 'concierge doctor' in the Hamptons. The episodes are: 'After the Fireworks', 'Imperfect Storm', 'A Guesthouse Divided', 'Dawn of the Med', 'You Give Love a Bad Name', 'About Face', 'Fools Russian', 'Manimal', 'Business and Pleasure', 'Who's Your Daddy', 'Dancing With the Devil', 'Hurts Like a Mother', 'Something Fishy This Way Comes', 'Sand Legs', 'Off-Season Greetings: Part One' and 'Off-Season Greetings: Part Two'.