Winner of both the National Book Award for Arts and Letters and the National Book Critics Circle Award for Criticism, Paul Fussell's The Great War and Modern Memory was one of the most original and gripping volumes ever written about the First World War. Frank Kermode, in The New York Times Book Review, hailed it as "an important contribution to our understanding of how we came to make World War I part of our minds," and Lionel Trilling called it simply "one of the most deeply moving books I have read in a long time." In its panaramic scope and poetic intensity, it illuminated a war that changed a generation and revolutionized the way we see the world.

Now, in Wartime, Fussell turns to the Second World War, the conflict he himself fought in, to weave a narrative that is both more intensely personal and more wide-ranging. Whereas his former book focused primarily on literary figures, on the image of the Great War in literature, here Fussell examines the immediate impact of the war on common soldiers and civilians. He describes the psychological and emotional atmosphere of World War II. He analyzes the euphemisms people needed to deal with unacceptable reality (the early belief, for instance, that the war could be won by "precision bombing," that is, by long distance); he describes the abnormally intense frustration of desire and some of the means by which desire was satisfied; and, most important, he emphasizes the damage the war did to intellect, discrimination, honesty, individuality, complexity, ambiguity and wit. Of course, no Fussell book would be complete without some serious discussion of the literature of the time. He examines, for instance, how the great privations of wartime (when oranges would be raffled off as valued prizes) resulted in roccoco prose styles that dwelt longingly on lavish dinners, and how the "high-mindedness" of the era and the almost pathological need to "accentuate the positive" led to the downfall of the acerbic H.L. Mencken and the ascent of E.B. White. He also offers astute commentary on Edmund Wilson's argument with Archibald MacLeish, Cyril Connolly's Horizon magazine, the war poetry of Randall Jarrell and Louis Simpson, and many other aspects of the wartime literary world.

Fussell conveys the essence of that wartime as no other writer before him. For the past fifty years, the Allied War has been sanitized and romanticized almost beyond recognition by "the sentimental, the loony patriotic, the ignorant, and the bloodthirsty." Americans, he says, have never understood what the Second World War was really like. In this stunning volume, he offers such an understanding.

The year 2000 marks the twenty-fifth anniversary of one of the most original and gripping volumes ever written about the First World War. Fussell illuminates a war that changed a generation and revolutionized the way we see the world. He explores the British experience on the Western Front from 1914 to 1918, focusing on the various literary means by which it has been remembered, conventionalized and mythologized. It is also about the literary dimensions of the experience itself. Fussell supplies contexts both actual and literary, for writers who have most effectively memorialized the great War as an historical experience with conspicuous imaginative and artisitc meaning. These writers include the classic memoirists Siegfried Sassoon, Robert Graves and Edmund Blunden, and poets David Jones, Isaac rosenberg, and Wilfred Owen. In a new introduction Fussell discusses the critical responses to his work, and the books that have influenced his writing and thinking about war. Fussell also shares the stirring experience of his research at the Imperial War Museum's Department of Documents. Fussell includes a new Suggested Further Reading List.

In Class Paul Fussell explodes the sacred American myth of social equality with eagle-eyed irreverence and iconoclastic wit. This bestselling, superbly researched, exquisitely observed guide to the signs, symbols, and customs of the American class system is always outrageously on the mark as Fussell shows us how our status is revealed by everything we do, say, and own. He describes the houses, objects, artifacts, speech, clothing styles, and intellectual proclivities of American classes from the top to the bottom and everybody -- you'll surely recognize yourself -- in between. Class is guaranteed to amuse and infuriate, whether your class is so high it's out of sight (literally) or you are, alas, a sinking victim of prole drift.

A book about the meaning of travel, about how important the topic has been for writers for two and a half centuries, and about how excellent the literature of travel happened to be in England and America in the 1920s and 30s.

Winner of both the National Book Award for Arts and Letters and the National Book Critics Circle Award for Criticism, Paul Fussell's classic The Great War and Modern Memory remains one of the most original and gripping volumes ever written about the First World War. In its panoramic scope and poetic intensity, it illuminated a war that changed a generation and revolutionized the way we see the world.

Now, in Wartime, Paul Fussell turns to the Second World War, the conflict in which he himself fought, to weave a more intensely personal and wide-ranging narrative. Whereas his former book focused primarily on literary figures, here Fussell examines the immediate impact of the war on soldiers and civilians. He compellingly depicts the psychological and emotional atmosphere of World War II by analyzing the wishful thinking and the euphemisms people needed to deal with unacceptable reality; by describing the abnormally intense frustration of desire and some of the means by which desire was satisfied; and, most importantly, by emphasizing the damage the war did to intellect, discrimination, honesty, individuality, complexity, ambiguity, and wit.

Of course, no book of Fussell's would be complete without serious attention to the literature of the time. He offers astute commentary on Edmund Wilson's argument with Archibald MacLeish, Cyril Connolly's Horizon magazine, the war poetry of Randall Jarrell and Louis Simpson, and many other aspects of the wartime literary world. In this stunning volume, Fussell conveys the essence of that war as no other writer before him has.

In 1933, the delightfully eccentric travel writer Robert Byron set out on a journey through the Middle East via Beirut, Jerusalem, Baghdad and Teheran to Oxiana, near the border between Afghanistan and the Soviet Union. Throughout, he kept a thoroughly captivating record of his encounters, discoveries, and frequent misadventures. His story would become a best-selling travel book throughout the English-speaking world, until the acclaim died down and it was gradually forgotten. When Paul Fussell published his own book Abroad, in 1982, he wrote that The Road to Oxiana is to the travel book what "Ulysses is to the novel between the wars, and what The Waste Land is to poetry." His statements revived the public's interest in the book, and for the first time, it was widely available in American bookstores. Now this long-overdue reprint will introduce it to a whole new generation of readers. This edition features a new introduction by Rory Stewart, best known for his book The Places In Between, about his extensive travels in Afghanistan. Today, in addition to its entertainment value, The Road to Oxiana also serves as a rare account of the architectural treasures of a region now inaccessible to most Western travelers, and a nostalgic look back at a more innocent time.

"The Boys' Crusade is the great historian Paul Fussell's unflinching and unforgettable account of the American infantryman's experiences in Europe during World War II. Based in part on the author's own experiences, it provides a stirring narrative of what the war was actually like, from the point of view of the children--for children they were--who fought it. While dealing definitively with issues of strategy, leadership, context, and tactics, Fussell has an additional purpose: to tear away the veil of feel-good mythology that so often obscures and sanitizes war's brutal essence.
"A chronicle should deal with nothing but the truth," Fussell writes in his Preface. Accord-ingly, he eschews every kind of sentimentalism, focusing instead on the raw action and human emotion triggered by the intimacy, horror, and intense sorrows of war, and honestly addressing the errors, waste, fear, misery, and resentments that plagued both sides. In the vast literature on World War II, "The Boys' Crusade stands wholly apart. Fussell's profoundly honest portrayal of these boy soldiers underscores their bravery even as it deepens our awareness of their experiences. This book is both a tribute to their noble service and a valuable lesson for future generations.

"From the Hardcover edition.

According to the renowned social critic and historian Paul Fussell, we are what we wear, and it doesn't look good. Unfolding the history and cultural significance of all manner of uniforms, Fussell reveals what our clothing says about class, sex, and the desire to belong. With keen insight and considerable curmudgeonly flair, Fussell fondly analyzes the roles that uniforms play in all kinds of communities, including those of the military, health care, the church, food service, sports, and civilian life. "A varied and satisfying feast" (San Diego Union-Tribune), Uniforms parses the hidden meanings of the apparel we wear -- from brass buttons to blue jeans, badges to feather flourishes -- to connect us to our chosen peers. Uniforms is "revelatory, ribald, and irresistible" (Shirley Hazzard).

In this highly praised autobiographical work, the author of "The Great War" and "Modern Memory" recounts his own experience of combat in World War II and how it became a determining force in his life. "Doing Battle" is at once a summing-up of one man's life and a profoundly thoughtful portrait of America's own search for identity in the second half of this century. of photos.

Winner of both the National Book Award and the National Book Critics Circle Award and named by the Modern Library one of the twentieth century's 100 Best Non-Fiction Books, Paul Fussell's The Great War and Modern Memory was universally acclaimed on publication in 1970. Today, Fussell's landmark study remains as original and gripping as ever: a literate, literary, and unapologetic account of the Great War, the war that changed a generation, ushered in the modern era, and revolutionized how we see the world. This brilliant work illuminates the trauma and tragedy of modern warfare in fresh, revelatory ways. Exploring the work of Siegfried Sassoon, Robert Graves, Edmund Blunden, David Jones, Isaac Rosenberg, and Wilfred Owen, Fussell supplies contexts, both actual and literary, for those writers who-with conspicuous imaginative and artistic meaning-most effectively memorialized World War I as an historical experience. Dispensing with literary theory and elevated rhetoric, Fussell grounds literary texts in the mud and trenches of World War I and shows how these poems, diaries, novels, and letters reflected the massive changes-in every area, including language itself-brought about by the cataclysm of the Great War. For generations of readers, this work has represented and embodied a model of accessible scholarship, huge ambition, hard-minded research, and haunting detail. Restored and updated, this new edition includes an introduction by historian Jay Winter that takes into account the legacy and literary career of Paul Fussell, who died in May 2012.

Romanticism is as rife in Civil War history as any other and may produce more than its share of drums and trumpets writing that glosses over the fear, pain, and death that are inevitable components of all warfare. The essays that make up this collection seek to act as corrective to such celebratory history by carefully examining some of the unpleasant realities that marked combat in the Civil War - when industrial and technological warfare came of age, at a time when medical care, sanitation, diet, and other modern adaptations to industry were still in their infancy. In addition to an introduction, an afterword, and an essay on the 'Numbers' by editor Gramm, Paul Fussell contributes a powerful essay on 'The Culture of War'; D. Scott Hartwig examines the face of battle at Gettysburg; Bruce A. Evans discusses 'Wounds, Death, and Medical Care in the Civil War' ; Eric T. Dean rethinks the meaning and consequences of combat in 'The Awful Shock and Rage of Battle' ; and Alan T. Nolan looks at the national consequences of battle and the resultant myth of the Lost Cause.