Through both World Wars, young African conscripts from Senegal, Algeria, Morocco, the Congo and elsewhere found themselves fighting for their colonial rulers, facing unknown enemies in unknown lands. German soldiers regarded their African enemies with a mixture of curiosity and malice, sometimes posing for snapshots with black POWs, sometimes summarily executing them on the battlefield. Mistreated by their own commanders during wartime, African troops had to fight for equal post-war compensation. This book, featuring a collection of never before published photos taken by German soldiers, records the fate of many French Colonial African soldiers during World War I and World War II. The author presents the images in the historical context of imperialism and colonialism.

Heldentod - The Nazi Culture of Death graphically focuses on the Third Reich's conception and promotion of the "Hero's Death" as it fostered and then fuelled a cataclysm of apocalyptic carnage and destruction. This underlying driving force, ultimately self-destructive, is shown infusing both State sponsored propaganda and echoed by the personal battlefield images captured by its soldiers' personal cameras. In so doing it confronts the matter of subject vs. observer and their intimate connection. The original, often one-of-a-kind and never before seen photos also serve as a searing documentation of man's inhumanity to man and a stark warning to future generations.

Of the millions of German soldiers who went to war, many were armed with their personal cameras and intent on photographically chronicling their Dienstzeit, or military service, via meticulously prepared albums or by turning their photos into postcards sent to family and friends or as a single photo to carry into battle. Others were professional photographers and film makers recruited by the military and the Nazi State propaganda ministry to produce images for their agendas. In the era before television, the video camera and satellite link-ups, no other group of combatants had documented a war with such a volume of images. The cameras included older 127 and 120 film formats as well as the new 35 mm still cameras and even 8- and 16-mm movie cameras, which at times the soldaten aimed with the same accuracy as their Mauser rifles and Krupp cannon. In turn the images reflect upon the photographers, a mirrored view of a mind-set clouded by a fatal arrogance, the eye of the beholder blinded by a cruel and rapacious ideology as yet unaware that such images would serve to document those darkest of times.

With its battlefields paved over and its bunkers crumbled, the Third Reich of Nazi Germany nevertheless lives on in countless photographs that record and chronicle an era whose powerful and often seductive malevolence continues to enthrall international audiences even as past perpetrators and survivors fade away. This collection of more than 500 photographs taken by amateurs and professional propagandists provides a panoramic overview of Nazi Germany, offering intimate glimpses into living rooms and killing grounds, kitchens and concentration camps, movie theaters and battle fronts. The explanatory text explores the cultural and historical context of the images, uniting them into a cohesive and riveting narrative. Together, these photographs, most never before seen, create a time capsule of indelible images that capture the faces of the individuals who fell under the sway of the swatstika as well as those who suffered under its onslaught on humanity.

No other combatant nation employed motorcycles on the scale produced by the Third Reich. During Nazi Germany's campaigns, first of invasion, then of the retreat that followed, motorcycles served a variety of functions: as couriers, for reconnaissance, for medical evacuation, as assault shock troops taking the brunt of battle, even as tank destroyers and for delivering hot meals to the frontline. As the Third Reich gained absolute control of Germany and sought to spread its domain by fire and steel, some 300 different brands of motorcycles had been in production, yet only a select few were chosen to join the Wehrmacht in its war of conquest. Among the motorcycles were the vaunted BMW, as well as NSU, Zundapp and the now lesser known yet 'bullet tough' DKW, among several others, either domestically produced or confiscated from occupied territories. As with all motorcyclists, there was a kinship among the soldiers on two (or three) wheels who called themselves Kradmelder (despatch riders). Two-Wheeled Blitzkrieg shares the uniquely personal, largely unpublished images they took of themselves and their machines as they entered the crucible of war.

Take an exhilarating ride through the history of the American bike, biker, and the biker nation in this fascinating and comprehensive chronicle of the biker era and today's ever-expanding legion of motorcycle enthusiasts. Impassioned, idiosyncratic, and razor sharp, "Born to Be Wild" traces a century's worth of the culture, the bikers, and the bikes themselves.

Who are these bikers? Are they those hard-living, leather-clad, tattooed guys often associated with images of the Hells Angels and Satan's Sinners? Or are they those clean-cut, suit-and-tie wearing riders with the sporty helmets you pass on your daily commute? In fact, they are both, for what began as a subculture of misfits and outlaws has grown into a flourishing society of men and women who celebrate the freedom of the open road and the brotherhood they find among bike enthusiasts of all stripes.

Today's biker has evolved from the rough-and-tumble antihero to a vast and vibrant biker culture populated by a new breed of rider including the RUBs, or Rich Urban Bikers, and championed by everyone from titans of industry like the late Malcolm Forbes to media celebrities like Jay Leno. And while elements of rebellion still remain intrinsic to the biker mystique, the culture has in fact expanded to include a plethora of riders from the American mainstream -- doctors, lawyers, and executives -- who love the freedom they find on their bikes and the camaraderie they find with their fellow devotees. It is also a multibillion-dollar industry that draws hundreds of thousands of participants and spectators to its annual events.

"Born to Be Wild, " written by motorcycle journalist Paul Garson and the editors of "Easyriders" magazine, captures as never before the spirit and evolution of the biker era. Beginning in 1895, "Born to Be Wild" traces the development of the modern bike, with special attention to Harley-Davidson's supreme contributions to the quality of the machines as well as the aesthetics of biker society. Featuring numerous fascinating sidebars that highlight the particular characteristics of the culture, the book also explores the socio-political events that have culminated in the great biker nation that we know today.

With more than two hundred photographs of bikes and bikers across the decades, "Born to Be Wild" is a definitive work that will open readers' eyes to a thriving society, one whose celebration of freedom and the open road precisely reflects what is best about our country as a whole.