This book examines the evolving threat of terrorism and draws on the latest research to assess future trends. The author assumes that terrorism will remain a potent threat to the international system throughout the twenty-first century, primarily because of the convergence of two negative trends: the availability of Chemical, Biological, Radiological, and Nuclear Weapons (CBRN) - also known as Weapons of Mass Destruction - and the proliferation of terrorist organizations seeking to achieve mass casualties. Even without the CBRN element, however, Smith maintains that terrorism will remain an ongoing threat. The book also explores specific aspects of contemporary terrorism, including political, social, economic, religious, and ideological factors, globalization as a stimulation to contemporary terrorism, the role of organized crime in terrorist movements, and more. Written with students in college and professional programs in mind, the book includes case studies interspersed throughout the chapters that provide clarifying examples.

This timely work examines the scale and root causes of terrorism across Southeast Asia, including the role of al-Qaeda's ascendancy in the region. It begins with an overview of the analytical and theoretical framework for discussing the subject. Individual chapters then examine terrorist activities from both functional and country-specific perspectives. The book traces fundamental linkages between terrorism and security issues, such as illegal immigration, narcotics trafficking, and other criminal activity. In addition, it considers the issue of convergence - the growing connection between criminal groups and terrorism, and how this may facilitate future violence. Written by a range of experts in the field, the individual chapters reflect a variety of perspectives. The contributions fall into two broad categories - chapters that directly address terrorism (the groups, their ideologies, their modus operandi, their origins, and state responses to them); and chapters that address the "enabling environment" that exists in Southeast Asia (the role of transnational crime, porous borders, convergence between terrorism and crime).

This book examines the evolving threat of terrorism and draws on the latest research to assess future trends. The author assumes that terrorism will remain a potent threat to the international system throughout the twenty-first century, primarily because of the convergence of two negative trends: the availability of Chemical, Biological, Radiological, and Nuclear Weapons (CBRN) - also known as Weapons of Mass Destruction - and the proliferation of terrorist organizations seeking to achieve mass casualties. Even without the CBRN element, however, Smith maintains that terrorism will remain an ongoing threat. The book also explores specific aspects of contemporary terrorism, including political, social, economic, religious, and ideological factors, globalization as a stimulation to contemporary terrorism, the role of organized crime in terrorist movements, and more. Written with students in college and professional programs in mind, the book includes case studies interspersed throughout the chapters that provide clarifying examples.

This timely work examines the scale and root causes of terrorism across Southeast Asia, including the role of al-Qaeda's ascendancy in the region. It begins with an overview of the analytical and theoretical framework for discussing the subject. Individual chapters then examine terrorist activities from both functional and country-specific perspectives. The book traces fundamental linkages between terrorism and security issues, such as illegal immigration, narcotics trafficking, and other criminal activity. In addition, it considers the issue of convergence - the growing connection between criminal groups and terrorism, and how this may facilitate future violence. Written by a range of experts in the field, the individual chapters reflect a variety of perspectives. The contributions fall into two broad categories - chapters that directly address terrorism (the groups, their ideologies, their modus operandi, their origins, and state responses to them); and chapters that address the "enabling environment" that exists in Southeast Asia (the role of transnational crime, porous borders, convergence between terrorism and crime).

Ichthyology in Context (1500-1880) provides a broad spectre of early modern manifestations of human fascination with fish – “fish” understood in the early modern sense of the term, as aquatilia: all aquatic animals, including sea mammals and crustaceans. It addresses the period’s quickly growing knowledge about fish in its multiple, varied and rapidly changing interaction with culture. This topic is approached from various disciplines: history of science, cultural history, history of collections, historical ecology, art history, literary studies, and lexicology. Attention is given to the problematic questions of visual and textual representation of fish, and pre- and post-Linnean classification and taxonomy. This book also explores the transnational exchange of ichthyological knowledge and items in and outside Europe. Contributors include: Cristina Brito, Tobias Bulang, João Paulo S. Cabral, Florike Egmond, Dorothee Fischer, Holger Funk, Dirk Geirnaert, Philippe Glardon, Justin R. Hanisch, Bernardo Jerosch Herold, Rob Lenders, Alan Moss, Doreen Mueller, Johannes Müller, Martien J.P. van Oijen, Pietro Daniel Omodeo, Anne M. Overduin-de Vries, Theodore W. Pietsch, Cynthia Pyle, Marlise Rijks, Paul J. Smith, Ronny Spaans, Robbert Striekwold, Melinda Susanto, Didi van Trijp, Sabina Tsapaeva, and Ching-Ling Wang.

The sixteenth-century French poets Pierre de Ronsard and Guillaume Du Bartas enjoyed a wide, immediate and long-lasting, but varied and mixed reception throughout early modern Europe. Ronsard and Du Bartas in Early Modern Europe is the first book-length volume to explore the transnational reception histories of both poets in conjunction with each other. It takes into account the great variety of their readerships, including translators, imitating poets, poetical theorists, illustrators and painters, both male and female (Marie de Gournay, Anne Bradstreet), some of them illustrious (Tasso, King James VI and I of Scotland and England, Opitz...), others less known, even obscure, but worth to be saved from oblivion (such as the French Marc-Antoine Chalon, the English Mary Roper, and the Dutch poet Philibert van Borsselen). This volume offers a fascinating insight into the different reception modes in Europe and their underlying political, religious and literary identities. Contributors include: Peter Auger, Denis Bjai, Karel Bostoen , Philippe Chomety, Paola Cosentino, Violaine Giacomotto-Charra, Alisa van de Haar, Padraic Lamb, Anne-Pascale Pouey-Mounou, Elisabeth Rothmund, Paul J. Smith, and Caroline Trotot.

Natural History in Early Modern France offers a longue duree account of recurring poetic structures of the genre through case studies spanning from the Renaissance to the eve of the nineteenth century. These case studies reveal the lasting epistemic importance of bookish knowledge and commonplacing in the natural-historical description from Belon to Buffon. They also highlight the French reception of Baconianism. Natural History in Early Modern France makes a case for the literary status of the genre by attending to the permanence of its 'Plinian' features, such as wonders. Natural history was not only concerned with increasingly rational modes of ordering natural particulars: this book reveals its enduring social, affective, spiritual, and aesthetic underpinnings. Contributors are: Peter Anstey, Susan Broomhall, Isabelle Charmantier, Arlette Fruet, Raphaele Garrod, Paul Gibbard, Dana Jalobeanu, Myriam Marrache-Gouraud, Stephane Schmitt, Paul J. Smith, and Stephane Van Damme.

Since its invention by Andrea Alciato, the emblem is inextricably connected to the natural world. Alciato and his followers drew massively their inspiration from it. For their information about nature, the emblem authors were greatly indebted to ancient natural history, the medieval bestiaries, and the 15th- and 16th-century proto-emblematics, especially the imprese. The natural world became the main topic of, for instance, Camerarius's botanical and zoological emblem books, and also of the 'applied' emblematics in drawings and decorative arts. Animal emblems are frequently quoted by naturalists (Gesner, Aldrovandi). This interdisciplinary volume aims to address these multiple connections between emblematics and Natural History in the broader perspective of their underlying ideologies - scientific, artistic, literary, political and/or religious. Contributors: Alison Saunders, Anne Rolet, Marisa Bass, Bernhard Schirg, Maren Biederbick, Sabine Kalff, Christian Peters, Frederik Knegtel, Agnes Kusler, Aline Smeesters, Astrid Zenker, Tobias Bulang, Sonja Schreiner, Paul Smith, and Karl Enenkel.

This volume tries to map out the intriguing amalgam of the different, partly conflicting approaches that shaped early modern zoology. Early modern reading of the "Book of Nature" comprised, among others, the description of species in the literary tradition of antiquity, as well as empirical observations, vivisection, and modern eyewitness accounts; the "translation" of zoological species into visual art for devotion, prayer, and religious education, but also scientific and scholarly curiosity; theoretical, philosophical, and theological thinking regarding God's creation, the Flood, and the generation of animals; new attempts with respect to nomenclature and taxonomy; the discovery of unknown species in the New World; impressive Wunderkammer collections, and the keeping of exotic animals in princely menageries. The volume demonstrates that theology and philology played a pivotal role in the complex formation of this new science. Contributors include: Brian Ogilvie, Bernd Roling, Erik Jorink, Paul Smith, Sabine Kalff, Tamas Demeter, Amanda Herrin, Marrigje Rikken, Alexander Loose, Sophia Hendrikx, and Karl Enenkel.

Disney's classic animated adaptation of the famous fairytale. Snow White is born pure and beautiful, so beautiful that her evil stepmother orders a huntsman to take her into the forest and kill her. However, the huntsman takes pity on the young beauty and sets her free. Alone and lost in the forest, she soon meets a group of kindly dwarfs, who provide her with friendship and a place to sleep. But the evil stepmother is still at large, planning to kill Snow White using the tried and tested method of a poisoned apple.

For this bilingual (English-French) anthology of early modern fictitious catalogues, selections were made from a multitude of texts, from the genre's beginnings (Rabelais's satirical catalogue of the Library of St.-Victor (1532)) to its French and Dutch specimens from around 1700. In thirteen chapters, written by specialists in the field, diverse texts containing fictitious booklists are presented and contextualized. Several of these texts are well known (by authors such as Fischart, Doni, and Le Noble), others - undeservedly - are less known, or even unrecorded. The anthology is preceded by a literary historical and theoretical introduction addressing the parodic and satirical aspects of the genre, and its relationship to other genres: theatre, novel, and pamphlet. Contributors: Helwi Blom, Tobias Bulang, Raphael Cappellen, Ronnie Ferguson, Dirk Geirnaert, Jelle Koopmans, Marijke Meijer Drees, Claudine Nedelec, Patrizia Pellizzari, Anne-Pascale Pouey-Mounou, Paul J. Smith, and Dirk Werle.

Collection of four animated Disney features adapted from fairy tale stories. 'Tangled' (2010) is a retelling of the classic Brothers Grimm fairy tale 'Rapunzel'. While hiding out in a seemingly abandoned tower deep in the forest, handsome young bandit Flynn Rider (voice of Zachary Levi) is surprised to discover that the tower does in fact have an occupant in the form of feisty long-haired teen Rapunzel (Mandy Moore). Rapunzel, who has been looking for a means of escape from the tower in which she has been grounded for her entire life, strikes a deal with the dashing outlaw and the unlikely pair soon find themselves caught up in the adventure of a lifetime as they face magic, monsters and villains in their quest for freedom. In 'Snow White and the Seven Dwarfs' (1937), also based on a fairy tale by the Brothers Grimm, Snow White (Adriana Caselotti) is born pure and beautiful, so beautiful that her evil stepmother orders a huntsman to take her into the forest and kill her. However, the huntsman takes pity on the young beauty and sets her free. Alone and lost in the forest, she soon meets a group of kindly dwarfs, who provide her with friendship and a place to sleep. But the evil stepmother is still at large, planning to kill Snow White using the tried and tested method of a poisoned apple. In 'The Little Mermaid' (1989), based on Hans Christian Andersen's story, Ariel (Jodi Benson) is the mermaid daughter of King Triton (Kenneth Mars), and lives beneath the waves. However, Ariel longs to see the world above, especially after rescuing a handsome prince from drowning. To this end she makes a deal with sea witch Ursula (Pat Carroll): Ariel can live above the sea in exchange for her beautiful singing voice. Ariel soon regrets her decision, however, when it transpires that her father's kingdom is at risk. In 'Sleeping Beauty' (1959), adapted from another folk tale written by the Brothers Grimm, Princess Aurora (Mary Costa) falls into a deep and endless sleep on her 16th birthday as a result of a curse put on her when she was born by the evil fairy Maleficent (Eleanor Audley). Only a kiss from Prince Phillip (Bill Shirley) can wake Aurora, and three good fairies set out to engineer that event.

"Re e crire la Renaissance, de Marcel Proust a Michel Tournier" pre sente neuf lectures rapproche es autour d'un the me commun: la re e criture de la Renaissance dans la litte rature franc aise au XXe sie cle. Paul J. Smith nous invite a une promenade litte raire chez quelques grands auteurs du sie cle dernier - Proust, Yourcenar, Albert Cohen, Ce line, Ponge, Rene Char, Perec, Franc ois Bon et Tournier - afin d'y e tudier la pre sence de Rabelais et de Montaigne, et la re e criture de quelques the mes chers a la Renaissance (le philosophe ambulant, le Juif Errant, la the orie des quatre e le ments, la mythification de Jeanne d'Arc...). Ces essais se proposent non seulement d'e clairer tel ou tel aspect particulier des uvres de ces auteurs modernes, mais e galement d'e largir cette vision a l'ensemble de leurs cre ations litte raires. Dans les cas de Proust, Ce line, Ponge et Perec, la lecture rapproche e des Modernes, en proposant un autre regard sur ces e critures, permet de renouveler notre vision des auteurs de la Renaissance.

Classic comedy about two 13-year-old identical twins (both played by Hayley Mills), who meet for the very first time in summer camp. They soon learn that they were separated at a very early age when their parents Mitch (Brian Keith) and Margaret (Maureen O'Hara) divorced. On a lark, the twins switch places: the one living with Keith goes back home with O'Hara, and vice versa. Keith is planning to remarry the 'wrong woman', vituperative Vicky (Joanna Barnes). The twins conspire to reunite their parents, but the road to reconciliation is rough indeed.

Du sommaire: Ambiguite et comprehension du langage (Paul Bogaards, Johan Rooryck). - Why pluralities don't mean a thing (Crit Cremers). - Aspects of interlingual ambiguity: polyglot punning (Dirk Delabastita). - Les feux de Saint-Antoine (Sjef Houppermans). - The semantics of Dutch moeten 'must, should, have to' from a typological and a relevance-theoretical perspective (Theo Janssen). - L'ambiguite en langue et en discours (Catherine Kerbrat-Orecchioni)."

Walt Disney's second full-length animated feature focuses on the famous wooden puppet who wants nothing more than to be a real boy. Pinocchio (voiced by Dick Jones) is the wood-carved creation of Geppetto (Christian Rub). When the pair are visited by the Blue Fairy, she grants Pinocchio the opportunity to become a real, flesh-and-blood boy, but only if he learns to be brave, honest and unselfish. To this end Pinocchio is granted a conscience, one which comes in the shape of the diminutive Jiminy Cricket (Cliff Edwards). However, Pinocchio soon discovers that being good is not as easy as it sounds. The film won two Oscars, for Best Song ('When You Wish Upon a Star') and Best Original Score.

Jeux de mots celebre le pouvoir createur des jeux de langage dans la litterature de Rabelais a Richard Millet. Calembour, mot-valise, bon mot, neologisme, mot-fetiche : ce volume collectif explore la productivite des mots en prose et en poesie. Jeux de mots celebrates the creative power of wordplay from Rabelais to present times. Puns, portmanteaus, 'bon mots', neologisms, fetish-words: this collective volume explores the productivity of words in prose and poetry.