'She looked absolutely pure. Nature, in her fantastic trickery, had set such a seal of maidenhood upon Tess's countenance that he gazed at her with a stupefied air: "Tess- say it is not true! No, it is not true!"' Young Tess Durbeyfield attempts to restore her family's fortunes by claiming their connection with the aristocratic d'Urbervilles. But Alec d'Urberville is a rich wastrel who seduces her and makes her life miserable. When Tess meets Angel Clare, she is offered true love and happiness, but her past catches up with her and she faces an agonizing moral choice. Hardy's indictment of society's double standards, and his depiction of Tess as 'a pure woman', caused controversy in his day and has held the imagination of readers ever since. Hardy thought it his finest novel, and Tess the most deeply felt character he ever created. This unique critical text is taken from the authoritative Clarendon edition, which is based on the manuscript collated with all Hardy's subsequent revisions. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Love and the erratic heart are at the center of Hardy's "woodland story." Set in the beautiful Blackmoor Vale, The Woodlanders concerns the fortunes of Giles Winterborne, whose love for the well-to-do Grace Melbury is challenged by the arrival of the dashing and dissolute doctor, Edred Fitzpiers. When the mysterious Felice Charmond further complicates the romantic entanglements, marital choice and class mobility become inextricably linked. Hardy's powerful novel depicts individuals in thrall to desire and the natural law that motivates them.
This is the only critical edition of the novel, which was Hardy's own favorite "as a story," that is based on a comprehensive study of the manuscript and incorporates later revisions. The new introduction by Penny Boumelha considers the novel in the context of Hardy's career, the characters' relationships with one another, the role of destiny and individual choice, narrative perspective, and the community. This edition also contains a new and up-to-date bibliography and a new chronology.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

This important study offers close readings of The Professor, Jane Eyre, Shirley and Villette, considered in feminist, Marxist, and other theoretical and critical contexts. Penny Boumelha provides astute insights into what it means to write as a woman, and the historically specific nature of this meaning; what it means to read as a feminist; textuality, resistance to patriarchy, and its gender and race-specific forms and the importance of the political concerns of the present in producing feminist readings. She also takes up the important question o for feminist critics of the validity and the uses of interpretation.

‘You are ambitious, Eustacia – no not exactly ambitious, luxurious. I ought to be of the same vein, to make you happy, I suppose’

Tempestuous Eustacia Vye passes her days dreaming of passionate love and the escape it may bring from the small community of Egdon Heath.  Hearing that Clym Yeobright is to return from Paris, she sets her heart on marrying him, believing that through him she can leave rural life and find fulfilment elsewhere. But she is to be disappointed, for Clym has dreams of his own, and they have little in common with Eustacia’s. Their unhappy marriage causes havoc in the lives of those close to them, in particular Damon Wildeve, Eustacia’s former lover, Clym’s mother and his cousin Thomasin. The Return of the Native illustrates the tragic potential of romantic illusion and how its protagonists fail to recognize their opportunities to control their own destinies.

Penny Boumelha’s introduction examines the classical and mythological references and the interplay of class and sexuality in the novel. This edition, essentially Hardy’s original book version of the novel, also includes notes, a glossary, chronology and bibliography.

This important study offers close readings of The Professor, Jane Eyre, Shirley and Villette, considered in feminist, Marxist, and other theoretical and critical contexts. Penny Boumelha provides astute insights into what it means to write as a woman, and the historically specific nature of this meaning; what it means to read as a feminist; textuality, resistance to patriarchy, and its gender and race-specific forms and the importance of the political concerns of the present in producing feminist readings. She also takes up the important question o for feminist critics of the validity and the uses of interpretation.