The biggest debut of 2024 and a hilarious mystery with a killer hook. Perfect for fans of Knives Out and Only Murders in the Building.

Frances always said she'd be murdered... She was right.

In 1965, seventeen-year-old Frances Adams was told by a fortune teller that one day she'd be murdered. Frances spent the next sixty years trying to prevent the crime that would be her eventual demise. Of course, no one took her seriously - until she was dead.

For Frances, being the village busybody was a form of insurance. She'd spent a lifetime compiling dirt on every person she met, just in case they might turn out to be her killer. In the heart of her sprawling country estate lies an eccentric library of detective work, where the right person could step in and use her findings to solve her murder.

When her great-niece Annie arrives from London and discovers that Frances' worst fear has come true, Annie is thrust into her great-aunt's last act of revenge against her sceptical friends and family. Frances' will stipulates that the person who solves her murder will inherit her millions.

Can Annie unravel the mystery and find justice for Frances, or will digging up the past lead her into the path of the killer?

Adrien, Etienne and Nina are 10 years old when they meet at school and become inseparable. Years later, a car is pulled up from the bottom of a lake, with a body inside. Virginie, a local journalist with an enigmatic past, follows the case.

Step by step she reveals the extraordinary bonds that unite the three childhood friends. How is the car wreck connected to their story? Why did their friendship fall apart?

Three is a compelling story of love and loss, hope and grief, and of the distance that comes with the passing of time. A masterly crafted story full of suspense and unexpected plot twists.

Justine is 21 years old and has lived with her grandparents and cousin Jules since the death of her parents. She works as a carer at a retirement home and spends her days listening to her residents' stories.

After bonding with Hélène, an almost 100-year-old resident, the two women slowly reveal their stories to one another. Whilst Justine helps Hélène to relive her memories of love and war, Hélène encourages Justine to confront the secrets of her own past, and the loss she has buried deep within.

One day, trouble arrives in the form of a mysterious phone call that shakes the retirement home to its core and uncovers a shocking revelation. At once humorous and melancholic, Valérie Perrin's debut novel is a story of how the past can shape our present, and the scars of undeclared love.

A poignant bestselling novel full of French charm and memorable characters.

Violette Toussaint is the caretaker at a cemetery in a small town in Bourgogne. Her daily life is lived to the rhythms of the hilarious and touching confidences of random visitors and her colleagues.

Violette’s routine is disrupted one day by the arrival of a local police chief, Julien Seul, who insists on depositing the ashes of his mother on the gravesite of a complete stranger. The grave Julien is looking for, and his mother’s story of clandestine love, is intertwined with Violette’s own secret past.

The funny, moving, intimately told story of a woman who believes obstinately in happiness, Fresh Water for Flowers brings out the exceptional and the poetic in the ordinary. A delightful, atmospheric, absorbing tale.

Justine is 21 years old and has lived with her grandparents and cousin Jules since the death of her parents. She works as a carer at a retirement home and spends her days listening to her residents' stories.

After bonding with Helene, an almost 100-year-old resident, the two women slowly reveal their stories to one another. Whilst Justine helps Helene to relive her memories of love and war, Helene encourages Justine to confront the secrets of her own past, and the loss she has buried deep within.

One day, trouble arrives in the form of a mysterious phone call that shakes the retirement home to its core and uncovers a shocking revelation. At once humorous and melancholic, Valerie Perrin's debut novel is a story of how the past can shape our present, and the scars of undeclared love.

FRANCES ALWAYS SAID SHE'D BE MURDERED... SHE WAS RIGHT. In 1965, when Frances Adams was seventeen, a fortune teller told her that one day she'd be murdered. Thus began a lifetime of trying to prevent the crime that would be her eventual demise. No one took Frances seriously for sixty years - until, of course, she was murdered. But for Frances, being the village busybody was a form of insurance. She'd spent a lifetime compiling dirt on every person she met, just in case they might turn out to be her killer. In the heart of her sprawling country estate lies an eccentric library of detective work, where the right person could step in and use her findings to solve her murder. When her great-niece Annie arrives from London and discovers that Frances' worst fear has come true, Annie is thrust into her great-aunt's last act of revenge against her sceptical friends and family. Frances' will stipulates that the person who solves her murder inherits her millions, and she's challenged a group that includes Annie to prove to the world that Frances was right all along about her future. Can Annie unravel the mystery and find justice for Frances, or will digging up the past lead her into the path of the killer?

A large-format treasure trove from the creator of international bestseller Inside the Villains, featuring portraits of 40 extraordinary imaginary children with descriptions of each one's superpower. Meet the most extraordinary children you'll ever see--or might ever see . . . An electric child, a flying child, a stone child, an invisible child, a thunder child, a cake child--what superpower would you wish for? On each spread, the children describe their characteristics, tell anecdotes, and present the superpowers that makes them unique. A "class photo" brings the children together at the end, alongside a quiz for the reader to find out their own superpower. Picture book and comics combine in a big book full of fantasy, poetry, humor, and a real look at emotions and personalities. Through Clotilde Perrin's unique imagination, this encyclopedia celebrates the peculiar and the individual, strengths and differences, allowing every reader to explore what miraculous superpower they would wish for--or might already have. Known for her remarkable lift-the-flap explorations of fairytale stories, Clotilde Perrin here turns the lens of her original mind onto her child readers, showing each one how they too can be heroes.

Anglo-Japanese Cultural Pioneers 1945-2015 covers interviews with ten prominent people in the field of Anglo-Japanese exchange, showing the rich cultural diversity and interaction between professional people in the UK, Europe and Japan during the last 70 years since 1945. Coming from diverse backgrounds, diplomats, scholars, musicians, business people, journalists, gardeners, and humanitarian activists, all of whom have made an impact in the field of international understanding, and contibuted to the social history of of our era.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.