Shows the reality behind the movie The Gangs of New York In the decades before the Civil War, the miserable living conditions of New York City's lower east side nurtured the gangs of New York. This book tells the story of the Bowery Boys, one gang that emerged as part urban legend and part street fighters for the city's legions of young workers. Poverty and despair led to a gang culture that was easily politicized, especially under the leadership of Mike Walsh who led a distinct faction of the Bowery Boys that engaged in the violent, almost anarchic, politics of the city during the 1840s and 1850s. Amid the toppled ballot boxes and battles for supremacy on the streets, many New Yorkers feared Walsh's gang was at the frontline of a European-style revolution. A radical and immensely popular voice in antebellum New York, Walsh spoke in the unvarnished language of class conflict. Walsh was an original, wildly unstable character who directed his aptly named Spartan Band against the economic and political elite of New York City and New England. As a labour organizer, state legislator, and even U.S. the right to strike, free land for settlers on the American frontier, against child labour, and to restore dignity to the city's growing number of industrial workers. * Brings to life a colourful era in American history and politics * Shows the reality behind the movie The Gangs of New York * Provides an insight into class and labour history

Peter Adams's The Insurrectionist is the first comprehensive biography of Major General Edwin A. Walker, a figure who, in the 1950s and 1960s, became a leader of a far-right political movement known for its elaborate conspiracy theories, authoritarianism, and uncompromising white supremacy. Sixty years before the January 6, 2021, attack on the U.S. Capitol, Edwin Walker was charged with insurrection and seditious conspiracy. He was arrested on orders from the attorney general after leading a deadly riot against federal marshals as they protected the first African American student attempting to register at the University of Mississippi. Those who flocked to Walker's side believed an invisible government working with coconspirators in the Kremlin and United Nations would soon enslave America under a one-world dictatorship. Walker's deep state conspiracy theory has echoed through American political culture into the age of QAnon, finding a new home among today's far-right extremists.

Anyone who claims the right 'to choose how to live their life' excludes any purely deterministic description of their brain in terms of genes, chemicals or environmental influences. For example, when an author of a text expresses his thoughts, he assumes that, in typing the text, he governs the firing of the neurons in his brain and the movement of his fingers through the exercise of his own free will: what he writes is not completely pre-determined at the beginning of the universe. Yet in the field of neuroscience today, determinism dominates. There is a conflict between the daily life conviction that a human being has free will, and deterministic neuroscience. When faced with this conflict two alternative positions are possible: Either human freedom is an illusion, or deterministic neuroscience is not the last word on the brain and will eventually be superseded by a neuroscience that admits processes not completely determined by the past. This book investigates whether it is possible to have a science in which there is room for human freedom. The book generally concludes that the world and the brain are governed to some extent by non-material agencies, and limited consciousness does not abolish free will and responsibility. The authors present perspectives coming from different disciplines (Neuroscience, Quantumphysics and Philosophy) and range from those focusing on the scientific background, to those highlighting rather more a philosophical analysis. However, all chapters share a common characteristic: they take current scientific observations and data as a basis from which to draw philosophical implications. It is these features that make this volume unique, an exceptional interdisciplinary approach combining scientific strength and philosophical profundity. We are convinced that it will strongly stimulate the debate and contribute to new insights in the mind-brain relationship.

The Life and Times of Moses Jacob Ezekiel: American Sculptor, Arcadian Knight tells the remarkable story of Moses Ezekiel and his rise to international fame as an artist in late nineteenth-century Italy. Sephardic Jew, homosexual, Confederate soldier, Southern apologist, opponent of slavery, patriot, expatriate, mystic, Victorian, dandy, good Samaritan, humanist, royalist, romantic, reactionary, republican, monist, dualist, theosophist, freemason, champion of religious freedom, proto-Zionist, and proverbial Court Jew, Moses Ezekiel was a riddle of a man, a puzzle of seemingly irreconcilable parts. Knighted by three European monarchs, courted by the rich and famous, Moses Ezekiel lived the life of an aristocrat with rarely a penny to his name. Making his home in the capacious ruins of the Baths of Diocletian in Rome, he quickly distinguished himself as the consummate artist and host, winning international fame for his work and consorting with many of the lions and luminaries of the fin-de-siecle world, including Giuseppe Garibaldi, Queen Margherita, Franz Liszt, Richard Wagner, Sarah Bernhardt, Gabriele D'Annunzio, Eleonora Duse, Annie Besant, Clara Schumann, Sir Lawrence Alma-Tadema, Alphonse Daudet, Mark Twain, Emile Zola, Robert E. Lee, Augustus Saint-Gaudens, and Isaac Mayer Wise. In a city besieged with eccentrics, he, a Southern Jewish homosexual sculptor, was outstanding, an enigma to those who knew him, a man at once stubbornly original and deeply emblematic of his times. According to Stanley Chyet in his introduction to Ezekiel's memoirs, "The contemporary European struggle between liberalism and reaction, between modernity and feudalism, between the democratic and the hierarchical is rather amply refracted in Ezekiel's account of his life in Rome." Indeed so many of the contentious cultural, political, artistic, and scientific struggles of the age converged in the figure of this adroit and prepossessing Jew.

"Be uncommon Christians . . . that is, eminently holy, self-denying, cross-bearing, Bible, everyday Christians." So James Brainerd Taylor (1801 1829) encouraged others to be, and so he strived to be himself. Of Intense Brightness reveals aspects of Taylor's uncommon Christianity by allowing the Princeton and Yale-educated evangelist to speak for himself. By means of forty-five selected and edited letters and journal entries of Taylor's (written from ages fourteen to twenty-seven), readers will obtain a unique glimpse into the inner workings of an evangelical Protestant spirituality that was, according to nineteenth-century Princeton Seminary professor Samuel Miller, "so uniform, that we had only, as it were, one face, and that of intense brightness to behold."

The Life and Times of Moses Jacob Ezekiel: American Sculptor, Arcadian Knight tells the remarkable story of Moses Ezekiel and his rise to international fame as an artist in late nineteenth-century Italy. Sephardic Jew, homosexual, Confederate soldier, Southern apologist, opponent of slavery, patriot, expatriate, mystic, Victorian, dandy, good Samaritan, humanist, royalist, romantic, reactionary, republican, monist, dualist, theosophist, freemason, champion of religious freedom, proto-Zionist, and proverbial Court Jew, Moses Ezekiel was a riddle of a man, a puzzle of seemingly irreconcilable parts. Knighted by three European monarchs, courted by the rich and famous, Moses Ezekiel lived the life of an aristocrat with rarely a penny to his name. Making his home in the capacious ruins of the Baths of Diocletian in Rome, he quickly distinguished himself as the consummate artist and host, winning international fame for his work and consorting with many of the lions and luminaries of the fin-de-siecle world, including Giuseppe Garibaldi, Queen Margherita, Franz Liszt, Richard Wagner, Sarah Bernhardt, Gabriele D'Annunzio, Eleonora Duse, Annie Besant, Clara Schumann, Sir Lawrence Alma-Tadema, Alphonse Daudet, Mark Twain, Emile Zola, Robert E. Lee, Augustus Saint-Gaudens, and Isaac Mayer Wise. In a city besieged with eccentrics, he, a Southern Jewish homosexual sculptor, was outstanding, an enigma to those who knew him, a man at once stubbornly original and deeply emblematic of his times. According to Stanley Chyet in his introduction to Ezekiel's memoirs, "The contemporary European struggle between liberalism and reaction, between modernity and feudalism, between the democratic and the hierarchical is rather amply refracted in Ezekiel's account of his life in Rome." Indeed so many of the contentious cultural, political, artistic, and scientific struggles of the age converged in the figure of this adroit and prepossessing Jew.

The book of Malachi sits aptly in Christian Bibles as the last book of the Old Testament, which it assumes, summarizes and applies, as it also looks forward to the New Testament, with its promises of the coming reign of God. A striking feature of the book is the way in which every word of God is contradicted or questioned by his people. God's persistence in speaking to them is a clear picture of sin and grace in close proximity. Furthermore, God's people neither served him enthusiastically nor turned away in blatant disobedience. This was not neutral territory, but a dangerous whirlpool of self-deception. Peter Adam's valuable exposition shows how Malachi is God's effective remedy for such a situation. The greatest sin of God's people is the sin against God - the source of all sin against ourselves and others; and at the heart of God's people, the church, must lie a deep, overwhelming conviction that God loves them.

Many discussions of Christian spirituality draw on a range of traditions and 'disciplines'. However, little attention appears to have been given to the Bible itself as a source of spirituality, or to its teaching on this theme. Furthermore, a common assumption is that the evangelical tradition has little to offer in the area of spirituality. In response, Peter Adam urges us to renew our confidence in a biblical model of spirituality, and to test our spirituality by the Bible. Drawing on a selection of Old and New Testament texts, along with significant insights from the Christian tradition, he expounds the shape and structure of a gospel-centred 'spirituality of the Word', through which we receive the life that God gives, and know God himself.

In 1862, in the only instance of a Jewish expulsion in America, General Ulysses S. Grant banished Jewish citizens from the region under his military command. Although the order was quickly revoked by President Lincoln, it represented growing anti-Semitism in America. Convinced that assimilation was their best defense, Jews sought to Americanize by shedding distinctive dress, occupations, and religious rituals.

American Jews recognized the benefit and urgency of bridging the divide between Reform and Orthodox Judaism to create a stronger alliance to face the challenges ahead. With Grant's 1868 presidential campaign, they also realized they could no longer remain aloof from partisan politics. As they became a growing influence in American politics, both political parties courted the new Jewish vote.

Once in office, Grant took notice of the persecution of Jews in Romania and Russia, and he appointed more Jews to office than any president before him. Indeed, Simon Wolf, a Washington lawyer who became one of Grant's closest advisers, was part of a new generation of Jewish leaders to emerge in the post-Civil War era--thoroughly Americanized, politically mature, and committed to the modernized Judaism of the Reform movement.In "Politics, Faith, and the Making of American Judaism," Peter Adams recounts the history of the American Jewish Community's assimilation efforts, organization, and political mobilization in the late 19th century, as political and cultural imperatives crafted a new, American brand of Judaism.

Anyone who claims the right 'to choose how to live their life' excludes any purely deterministic description of their brain in terms of genes, chemicals or environmental influences. For example, when an author of a text expresses his thoughts, he assumes that, in typing the text, he governs the firing of the neurons in his brain and the movement of his fingers through the exercise of his own free will: what he writes is not completely pre-determined at the beginning of the universe. Yet in the field of neuroscience today, determinism dominates. There is a conflict between the daily life conviction that a human being has free will, and deterministic neuroscience. When faced with this conflict two alternative positions are possible: Either human freedom is an illusion, or deterministic neuroscience is not the last word on the brain and will eventually be superseded by a neuroscience that admits processes not completely determined by the past. This book investigates whether it is possible to have a science in which there is room for human freedom. The book generally concludes that the world and the brain are governed to some extent by non-material agencies, and limited consciousness does not abolish free will and responsibility. The authors present perspectives coming from different disciplines (Neuroscience, Quantumphysics and Philosophy) and range from those focusing on the scientific background, to those highlighting rather more a philosophical analysis. However, all chapters share a common characteristic: they take current scientific observations and data as a basis from which to draw philosophical implications. It is these features that make this volume unique, an exceptional interdisciplinary approach combining scientific strength and philosophical profundity. We are convinced that it will strongly stimulate the debate and contribute to new insights in the mind-brain relationship.

The series Beihefte zur Zeitschrift fur die alttestamentliche Wissenschaft (BZAW) covers all areas of research into the Old Testament, focusing on the Hebrew Bible, its early and later forms in Ancient Judaism, as well as its branching into many neighboring cultures of the Ancient Near East and the Greco-Roman world. BZAW welcomes submissions that make an original and significant contribution to the field; demonstrate sophisticated engagement with the relevant secondary literature; and are written in readable, logical, and engaging prose.

Britpop Decades covers the ten-years that witnessed the birth, boom and bust of Britpop - a period in which home-grown indie guitar music from across the UK went mainstream, pop stars were cut from the most unlikely of cloth, and British culture made its voice heard with some incredibly bombastic choruses. Delving deep into the 75 key albums that defined a decade, the book includes full band biographies, detailed track-by-track discussion, recommendations for further listening and some personal reminiscences by the authors who together came of age during the 90s. Also featuring a year-by-year review of the era, highlighting all the key historical, cultural and pop-cultural changes that took place, this is your guide to one of the most exciting, vibrant and sensational periods British music had witnessed since the 1960s. Part of Sonicbond's acclaimed Decades series, the book offers a window into the 90s for those that want to understand the time and a memory box for those that were there, but had too much fun to remember it.

One of the most important designers and architects of the 20th century, Eileen Gray (1878-1976) wielded enormous influence - though often unacknowledged, especially in her lifetime - in a field largely dominated by men. Today, her original furniture sells for dizzying sums and her iconic designs, including the luxurious Bibendum chair and the refined yet functional E.1027 table, are renowned throughout the world. Resolutely independent and frequently underappreciated, Gray evolved from a creator of opulent lacquer furniture into a pioneer of the modernist principle of form following function. Remaining separate from major schools or movements such as Bauhaus and De Stijl, she developed her own distinctive take on the forms and materials favoured by fellow International Style designers such as Le Corbusier, Charlotte Perriand and Mies van der Rohe. This definitive new edition of the biography by Peter Adam, the only surviving person to have been close to Gray during her reclusive later years, is a uniquely intimate survey of her life and work. Comprehensively updated and illustrated with material drawn from Gray's personal archives - correspondence, journals, photographs and architectural sketchbooks - it tells the full story of her life from aristocratic beginnings in Ireland, through the extravagance of Art Deco-era Paris, relationships with lovers, male and female, and her productive years in southern France. It reveals fresh details about her elegant, largely overlooked paintings; tense exchanges with Le Corbusier; and the fate of E.1027, the home that she designed and furnished herself, and which set a new standard for radically modernist living.

Das Buch ist ein Leitfaden uber die modernen Fertigungsverfahren in der Triebwerktechnik. Besonderer Wert wurde hierbei auf die Darstellung der werkstofftechnischen, metallkundlichen und physikalischen Zusammenhange gelegt, von denen sich die wesentlichen technischen Massnahmen der Fertigung ableiten. Die Vertiefung in einzelne Sachgebiete wird mit Hilfe eines umfangreichen Literaturverzeichnisses unterstutzt. Das Buch wendet sich mit seiner interdisziplinaren Darstellung von Werkstofftechnik, Fertigungstechnik und Funktionalitat der Maschinenkomponenten an Ingenieure und Techniker, die an der Entwicklung und Fertigung von Gasturbinen arbeiten. Ebenso sind die Studenten der Werkstofftechnik, der Fertigungstechnik, des Maschinenbaus und der ihm zugeordneten Disziplinen angesprochen. Prof. Dr.-Ing. Peter Adam ist Inhaber des Lehrstuhls fur Oberflachentechnik an der Friedrich-Schiller-Universitat Jena. Er arbeitete uber 20 Jahre als Leiter der Fertigungsverfahrensentwicklung bei der Motoren- und Turbinen-Union Munchen."

Enmity between individuals was an ubiquitious phenomenon in the ancient world. Using the method of legal anthropology this book examines patterns of hate-driven feuding in kinship-based and segmentary societies and applies these insights to biblical law. It defines the fundamental categories of enmity, love, revenge, honor and shame in the context of feuding and it illustrates certain legal actions, such giving false witness, and shows how they are expressions of hateful relationships. Adam proposes that we should understand hate between individuals as a legal construct that becomes visible when lived out as private enmity, a social status that exhibits distinct hallmarks. In kinship-based societies, private hate/enmity was publicly declared and, consequently, was publicly known in one’s own kin and beyond. Private enmity was acted out in feud-like patterns, with a flexibility that allowed opponents to choose between various measures to hurt their opponent. Acting out hate was reciprocal, and it typically escalated and swiftly expanded into one party’s attempt to kill the other and to trigger a blood feud. Finally, private enmity was “transitive” in the sense that opponents at enmity naturally expected solidarity from kin and friends. Adam uses textual analysis to illustrate how the legal construct of hate informs biblical law from the Covenant Code, to Deuteronomic and Priestly Legislation, including the Holiness Code. He also demonstrates how hate forms the backdrop of conflict settlement. Ultimately, by ways of tracing back through the category of private hate and enmity, this book unpacks the meaning of the quintessential command to “Love your neighbor!”

Irish-born designer Eileen Gray (1878-1976) is widely known today as a pioneer of both Art Deco and Modernism. In a career spanning nearly 80 years she produced innovative designs for furniture, lighting, carpets, interiors and architecture. Much less well known is that throughout her life as a designer and an architect she never stopped producing small paintings and drawings. This book is the first to focus on Eileen Gray's important but essentially private work as a painter. Eileen Gray considered herself a designer and an architect, not a painter: she viewed her work as a painter with great modesty, treating it as a private occupation and a vehicle for artistic expression during periods when she could not design furniture. Much of her artwork has disappeared, either lost in the Second World War or destroyed by the artist herself. But a body of works on paper, produced between the 1920s and the 1950s, has survived: elegant, geometric drawings and gouaches of muted tonality and subtle power. This book, which reproduces unseen material from the Eileen Gray archive and draws on Gray's correspondence with her niece Prunella Clough on the nature of painting, will be a revelation to her many followers and admirers.

Nine seasoned Bible teachers walk through the entire book of Galatians, pointing out key doctrinal truths and offering insights on how to preach and teach the book.