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A hilarious, highly original collection of essays based on the
Botswana truism: "only food runs!" With a new introduction and new
material from the authorIn the tradition of Bill Bryson, a new
writer brings us the lively adventures and biting wit of an African
safari guide. Peter Allison gives us the guide's-eye view of living
in the bush, confronting the world's fiercest terrain of wild
animals and, most challenging of all, managing herds of gaping
tourists. Passionate for the animals of the Kalahari, Allison works
as a top safari guide in the wildlife-rich Okavango Delta. As he
serves the whims of his wealthy clients, he often has to stop the
impulse to run as far away from them as he can, as these tourists
are sometimes more dangerous than a pride of lions. No one could
make up these outrageous-but-true tales: the young woman who
rejected the recommended safari-friendly khaki to wear a more
"fashionable" hot pink ensemble; the lost tourist who happened to
be drunk, half-naked, and a member of the British royal family;
establishing a real friendship with the continent's most vicious
animal; the Japanese tourist who requested a repeat performance of
Allison's being charged by a lion so he could videotape it; and
spending a crazy night in the wild after blowing a tire on a tour
bus, revealing that Allison has as much good-natured scorn for
himself. The author's humor is exceeded only by his love and
respect for the animals, and his goal is to limit any negative
exposure to humans by planning trips that are minimally
invasive—unfortunately it doesn't always work out that way!New
story: People often ask safari guides about the experience that
frightened them the most. In this story Peter Allison tells of the
time he became aware of unseen danger, and knew that somewhere
within meters of him was a hunting lioness. Peter Allison is
originally from Sydney, Australia. His safaris have been featured
in National Geographic, Conde Nast Traveler, and on television
programs such as Jack Hanna's Animal Adventures. He travels
frequently to speaking appearances, and splits most of his time
between Botswana, Sydney, and San Francisco.
I personally have always been quite comfortable either halfway up
or halfway down a steep, snowy mountainside. Ascents and Descents
is the autobiography of Peter Allison: civil engineer, rock
climber, ski-mountaineer and mountain guide. Starting out on the
crags of north-east England as a young boy, Peter soon became
immersed in the emerging climbing scene of the 1950s, when
harnesses were a thing of the future, and hemp ropes and plimsolls
were the staple climbing gear. He soon began to explore ice
climbing and mixed climbing, progressing to crags in the Lake
District and then the Alps, and claiming several first British
ascents. Over the course of an impressive sixty-five-year climbing
career, he climbed hard lines on the high mountains, including the
North Face of the Eiger and the Hoernli Ridge on the Matterhorn.
Having initially juggled climbing with a thriving and extremely
busy quarrying business, Peter decided it was time to dedicate more
time to his love of the hills, and qualified as a mountain guide,
subsequently specialising in routes on the Chamonix Aiguilles, the
Aiguille du Chardonnet and the Aiguille d'Argentiere. He built an
excellent reputation, balancing fun and risk with safety and
prudence, and always putting his clients first. Ascents and
Descents tells of the highs and lows of climbing, from standing on
a summit in perfect conditions to the frustration of years of
rehabilitation from a broken pelvis. Peter Allison recounts his
colourful story with honesty, humour and frank detail, leaving you
in no doubt about his true passion for the mountains.
On his nineteenth birthday, Peter Allison flipped a coin. One side
would take him to Africa and the other to South America, the two
places he wanted to explore before he died. He recounted his time
spent as a safari guide in Africa to much acclaim in "Whatever You
Do, Don't Run" and "Don't Look Behind You." Sixteen years later, he
makes his way to Santiago, Chile, ready to seek out the continent's
best, weirdest, and wildest adventures, and to chase the elusive
jaguar. In just the first six months, Allison is bitten by a puma
(several times), knocked on his head by a bad empanada, and
surrounded by piranhas while rafting down a Bolivian river--all
because of his unusual fear of refrigerators and of staying in any
one place for too long. Ever the gifted storyteller and cultural
observer, Allison makes many observations about life in humid
climes, the nature of nomadism, and exactly what it is like to be
nearly blasted off a mountain by the famous Patagonia wind.
Allison's self-deprecating humor is as delightful as his crazy
stunts, and his love for animals--even when they bite--is
infectious.
The second volume in Thames & Hudson's monographic series on
global architect Sir David Adjaye, winner of the 2021 RIBA royal
gold medal. Following on from Adjaye - Works: Houses, Pavilions,
Installations, Buildings, 1995-2007, published by Thames &
Hudson in 2020, this book covers the impressive portfolio of work
created by the architect between 2007 and 2015. During the years
covered in this book, Adjaye became interested in developing an
architecture that was more expansive, taking him outside Europe to
work on major projects such as the Museum of Contemporary Art in
Denver and the Moscow School of Management Skolkovo. Designing
buildings around the globe, including two projects connected with
the post-Katrina reconstruction programme in New Orleans, Adjaye
carefully tailored his approach to each place, sensitive to the
important role architecture plays in affirming a sense of community
and identity.
The Okavango Delta, Botswana: a lush wetland in the middle of the
Kalahari desert. Aged 19, Peter Allison thought he would visit for
a short holiday before going home to get a 'proper job'. But Peter
fell in love with southern Africa and its wildlife and before long
had risen to become a top safari guide. In Don't Run, Whatever You
Do, you'll hear outrageous-but-true tales from the most exciting
safaris. You'll find out when an elephant is really going to
charge, what different monkey calls mean and what do in a face off
with lions. Sometimes the tourists are even wilder than the
animals, from the half-naked missing member of the British royal
family to the Japanese amateur photographer who ignores all the
rules to get the perfect shot. Don't Run, Whatever You Do is a
glimpse of what the life of an expert safari guide is really like.
In Peter's own words: These are the stories of a not particularly
brave safari guide . . . As a child I knew that I was afraid of
heights, and while uncomfortable admitting any phobia, was glad to
have only one. Then I met my first crocodile. Now I know that there
are at least two things in the world that unhinge my knees with
fear, sour my breath, and overwhelm me with an urge to squeeze my
eyes shut and wake up somewhere else. In this companion to Don't
Run, Whatever You Do, Peter Allison encounters ravenous lions,
stampeding elephants and lovesick rhinos. He recounts his hairy,
and often hilarious, adventures in a private section of South
Africa's famous Kruger National Park and in Botswana's Okavango
Delta, where desert animals from the Kalahari make their homes next
to aquatic creatures like hippos, and where the unusual becomes
commonplace. It is written with a wonderful, gentle humour
evocative of Gerald Durrell. One can almost feel the heat from the
campfire flames as the stories are told.
For many young architects, houses or domestic buildings are among
the first projects they design. For David Adjaye, such early
commissions were connected to a rising generation of creatives,
with whom he shared a range of sensibilities. His artistry, clever
use of space and inexpensive, unexpected materials resulted in many
innovative and widely published houses, mainly built in London.
After twenty years of practice and a raft of high-profile projects
around the world - not least the National Museum of African
American History and Culture in Washington, DC, which opened in the
autumn of 2016 - houses represent a smaller portion of Adjaye's
work, but are more potent as a result. Selecting projects that are
challenging for their sites, complexity or architectural
possibility, Adjaye has both expanded and sharpened his domestic
design, taking it in new directions. This monograph presents in
vivid detail the nine finest and most recent examples, from Ghana
to Brooklyn, from desolate farmlands to urban jungles. The results,
presented through lucid texts alongside detailed and
photographically rich visual documentation, testify to the
importance of Adjaye's growing inventiveness and provide powerful
new design ideas for residential architecture.
"Plans are usually only good for one thing - laughing at in
hindsight. So, armed with rudimentary Spanish, dangerous levels of
curiosity and a record of poor judgement, I set off to tackle
whatever South America could throw at me." On his nineteenth
birthday, Peter Allison flipped a coin. One side would take him to
Africa and the other to South America. He recounted his time spent
as a safari guide in Africa to much acclaim in Don't Run, Whatever
You do and Don't Look Behind You. Sixteen years later he makes his
way to Chile, ready to seek out the continent's best, weirdest and
wildest adventures - and to chase the elusive jaguar. From learning
to walk a puma (or rather be bitten and dragged along by it) in
Bolivia, to finding love in Patagonia and hunting naked with the
remote Huaorani people in Ecuador, How to Walk a Puma is Peter's
fascinating and often hilarious account of misadventures in South
America. Ever the gifted storyteller and cultural observer, Allison
makes many observations about life in humid climes, the nature of
nomadism, and exactly what it is like to be nearly blasted off a
mountain by the famous Patagonia wind. His self-deprecating humour
is as delightful as his crazy stunts, and his love for animals -
even when they bite - is infectious.
David Adjaye, the son of a Tanzanian diplomat, spent his childhood
moving between international cities before settling in London,
where he was educated. Fresh out of the Royal Academy of Art, his
early commissions reflected an influential generation of artists at
the turn of the millennium with whom he shared a range of
sensibilities. His artistic sensitivity, deft use of space and
inexpensive, unexpected materials resulted in a number of iconic
projects. With the hindsight of almost twenty years of practice and
a raft of high-profile projects around the world - perhaps best
symbolized by his National Museum of African American History and
Culture in Washington, D.C. - the significance of Adjaye's earlier
projects is clear. Never shying away from a challenge, Adjaye used
his first projects as testbeds for what would become his unique,
acclaimed and highly sought after brand of 'critical regionalism'.
This monograph presents the first projects of Adjaye's corpus, many
little documented. From London's West End to Brooklyn, clever urban
interventions and pavilions to private houses for artists and
public buildings for the many. These early projects, brought
together and presented with new analyses and recently uncovered
archival material, testify to the originality of an architect at
the height of his talents who is changing the face of our built
world.
David Adjaye is one of Britain’s leading contemporary architects.
Known for his domestic projects, Making Public Buildings focuses
for the first time on Adjaye’s engagement with civic space and
the built environment.
At just over forty, David Adjaye is one of the world's most
exciting and accomplished architects, and has built many highly
acclaimed houses and public buildings in the UK and USA. Over a
ten-year period, the Tanzanian born, London-based architect has
visited 53 major African cities and photographed thousands of
buildings, sites and places that few of us will ever be able to
visit. This 7-volume slipcased edition documents Adjaye's tribute
to African metropolitan architecture. The individual volumes
present cities according to the terrain in which they are situated
- the Maghreb, Desert, The Sahel, Savannah and Grassland, Mountain
and Highveld, and Forest. Each city is shown in a concise urban
history, fact file, maps and satellite imagery, along with Adjaye's
personal travel notes and dozens of photographs of the city's
civic, commercial and residential architecture. All six `terrain'
volumes feature an introductory essay by Adjaye, and a separate
volume is dedicated to essays by leading academics and commentators
on Africa.
A hilarious, highly original collection of essays based on the
Botswana truism: "only food runs " "With a new introduction and new
material from the author"
In the tradition of Bill Bryson, a new writer brings us the lively
adventures and biting wit of an African safari guide. Peter Allison
gives us the guide's-eye view of living in the bush, confronting
the world's fiercest terrain of wild animals and, most challenging
of all, managing herds of gaping tourists. Passionate for the
animals of the Kalahari, Allison works as a top safari guide in the
wildlife-rich Okavango Delta. As he serves the whims of his wealthy
clients, he often has to stop the impulse to run as far away from
them as he can, as these tourists are sometimes more dangerous than
a pride of lions.
No one could make up these outrageous-but-true tales: the young
woman who rejected the recommended safari-friendly khaki to wear a
more "fashionable" hot pink ensemble; the lost tourist who happened
to be drunk, half-naked, and a member of the British royal family;
establishing a real friendship with the continent's most vicious
animal; the Japanese tourist who requested a repeat performance of
Allison's being charged by a lion so he could videotape it; and
spending a crazy night in the wild after blowing a tire on a tour
bus, revealing that Allison has as much good-natured scorn for
himself.
The author's humor is exceeded only by his love and respect for the
animals, and his goal is to limit any negative exposure to humans
by planning trips that are minimally invasive--unfortunately it
doesn't always work out that way
New story: People often ask safari guides about the experience that
frightened them the most. In this story Peter Allison tells of the
time he became aware of unseen danger, and knew that somewhere
within meters of him was a hunting lioness. Peter Allison is
originally from Sydney, Australia. His safaris have been featured
in "National Geographic, Conde Nast Traveler," and on television
programs such as "Jack Hanna's Animal Adventures." He travels
frequently to speaking appearances, and splits most of his time
between Botswana, Sydney, and San Francisco.
Constructed Narratives brings together essays and several recently
completed buildings by David Adjaye, in the United States and
elsewhere. In the essays, Adjaye shows how his approach to the
design of temporary pavilions and furniture, private houses, and
installations at the 2015 Venice Biennale feeds into his designs
for public buildings. Other essays discuss his engagement with
geography, the urban environment, his approach to materiality, and
architectural types. The presented projects include two public
libraries and the National Museum of African American History and
Culture, all in Washington D.C., a residential mixed-use building
in New York, and a hybrid art-retail building in Beirut. Two of
Adjaye's current projects are also included.
The African continent contains some of the world's most vibrant
culture and creativity, and yet its buildings - vernacular,
colonial or contemporary - have rarely engaged the interest of
Western architects. David Adjaye, the first black architect to
establish a truly global reputation in his field, has found endless
sources of inspiration for his designs in the rich - and chequered
- heritage of Africa's teeming metropolises. His life dream was to
return to the continent as an architect to document Africa's built
environment. Over a long decade, he tirelessly documented these
dynamic, colourful cities, photographing thousands of buildings,
sites and places, and letting each building speak for itself in
telling contrast to a design world obsessed with photorealistic
slickness. The result was a stunning seven-volume work that has
become an essential resource for all those interested in the
burgeoning continent. This compact edition will make the fruits of
this once-in-a-generation record available to a much wider
audience. The result is one of the most original, ambitious and
important architectural publications of our time, now available to
everyone wishing to gain an understanding of a unique architectural
heritage overlooked for too long.
The first in-depth analysis of the stunning designs of one of the
world's most captivating and prominent architects Born in Tanzania,
David Adjaye (b. 1966) is rapidly emerging as a major international
figure in architecture and design-and this stunning catalogue
serves only to cement his role as one of the most important
architects of our time. His expanding portfolio of important civic
architecture, public buildings, and urban planning commissions
spans Europe, the United States, Africa, Asia, and the Middle East.
He transforms complex ideas and concepts into approachable and
innovative structures that respond to the geographical, ecological,
technological, engineering, economic, and cultural systems that
shape the practice of global architecture. The publication of this
compendium of work and essays coincides with the scheduled opening
of Adjaye's National Museum of African American History and Culture
on the National Mall in Washington, D.C. Adjaye's completed work in
the United States includes the Museum of Contemporary Art in
Denver, a pair of public libraries in D.C., and several private
residences. He is also known for his collaborations with artists,
most recently with the British painter Chris Ofili (b. 1968).
Following an introduction by Zoe Ryan, Adjaye writes on his current
and future work, with subsequent essays by an extraordinary cadre
of architectural scholars on Adjaye's master plans and urban
planning, transnational architecture, monuments and memorials, and,
finally, the forthcoming museum in D.C. Portfolios of Adjaye's work
thread throughout this comprehensive volume. Distributed for the
Art Institute of Chicago and Haus der Kunst Exhibition Schedule:
Haus der Kunst, Munich (01/30/15-06/28/15) The Art Institute of
Chicago (09/19/15-01/03/16)
Beyond the Minimal presents four of the most interesting practices
in Austria today: Artec, Adolf Krischanitz, PauHof and
Riegler-Riewe. Certain qualities of formal reduction are evident in
the work of all four architects, but none of them equates
minimalism with negation or absence, in the sense that the term has
been used in writings on architecture. They have been brought
together because of the affinities in their approach -- their
common interest in materials, structure and the contribution of the
building to the larger environment.
Each practice is represented by a survey of around a dozen
projects, including houses, schools, offices and exhibition
pavilions. The survey is complemented by texts that link the work
to broader developments in European (particularly Swiss)
architecture.
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