Among the more intriguing documentary sources from late medieval Europe are pardon letters-petitions sent by those condemned for serious crimes to monarchs and princes in France and the Low Countries in the hopes of receiving a full pardon. The fifteenth-century Burgundian Low Countries and duchy of Burgundy produced a large cache of these petitions, from both major cities (Bruges, Ghent, Antwerp, and Dijon) and rural communities. In Honor, Vengeance, and Social Trouble, Peter Arnade and Walter Prevenier present the first study in English of these letters to explore and interrogate the boundaries between these sources' internal, discursive properties and the social world beyond the written text.Honor, Vengeance, and Social Trouble takes the reader out onto the streets and into the taverns, homes, and workplaces of the Burgundian territories, charting the most pressing social concerns of the day: everything from family disputes and vendettas to marital infidelity and property conflicts-and, more generally, the problems of public violence, abduction and rape, and the role of honor and revenge in adjudicating disputes. Arnade and Prevenier examine why the right to pardon was often enacted by the Burgundian dukes and how it came to compete with more traditional legal means of resolving disputes. In addition, they consider the pardon letter as a historical source, highlighting the limitations and pitfalls of relying on documents that are, by their very nature, narratives shaped by the petitioner to seek a favored outcome. The book also includes a detailed case study of a female actress turned prostitute.An example of microhistory at its best, Honor, Vengeance, and Social Trouble will challenge scholars while being accessible to students in courses on medieval and early modern Europe or on historiography.

Among the more intriguing documentary sources from late medieval Europe are pardon letters-petitions sent by those condemned for serious crimes to monarchs and princes in France and the Low Countries in the hopes of receiving a full pardon. The fifteenth-century Burgundian Low Countries and duchy of Burgundy produced a large cache of these petitions, from both major cities (Bruges, Ghent, Antwerp, and Dijon) and rural communities. In Honor, Vengeance, and Social Trouble, Peter Arnade and Walter Prevenier present the first study in English of these letters to explore and interrogate the boundaries between these sources' internal, discursive properties and the social world beyond the written text.Honor, Vengeance, and Social Trouble takes the reader out onto the streets and into the taverns, homes, and workplaces of the Burgundian territories, charting the most pressing social concerns of the day: everything from family disputes and vendettas to marital infidelity and property conflicts-and, more generally, the problems of public violence, abduction and rape, and the role of honor and revenge in adjudicating disputes. Arnade and Prevenier examine why the right to pardon was often enacted by the Burgundian dukes and how it came to compete with more traditional legal means of resolving disputes. In addition, they consider the pardon letter as a historical source, highlighting the limitations and pitfalls of relying on documents that are, by their very nature, narratives shaped by the petitioner to seek a favored outcome. The book also includes a detailed case study of a female actress turned prostitute.An example of microhistory at its best, Honor, Vengeance, and Social Trouble will challenge scholars while being accessible to students in courses on medieval and early modern Europe or on historiography.

Rereading Huizinga: Autumn of the Middle Ages, a Century Later explores the legacy and historiographical impact of Johan Huizinga's 1919 masterwork a century after its publication. Often considered one of the most successful books in medieval European history, its reception has varied over the last hundred years, popular with non-academic readers, and appraised more critically by fellow historians and those more generally in the field of medieval studies. There is broad consensus, however, about the work's absolute centrality, and the authors of this volume assess the Autumn of the Middle Ages reception, afterlife, and continued vitality.

The Dutch Revolt has long been hailed as the triumph of political freedom over monarchical tyranny. In 1781, John Adams observed that the American Revolution was its "transcript." Known for its many protagonists King Philip II, the Duke of Alba, the counts of Egmont and Hornes, radical Calvinists, obstreperous townspeople, and William of Orange the Dutch Revolt brought into relief conflicts among civic freedoms, religious dissent, representative institutions, and royal authority.

Drawing on a vast array of sources including archival documents, political and religious pamphlets, ballads, chronicles and letters, and a rich store of popular prints Peter Arnade gives us a new history of the core years of the revolt between 1566 and 1585, showing how the act of rebellion forged a political identity through ritual, symbol, and public action. In Beggars, Iconoclasts, and Civic Patriots, Arnade focuses on the political culture that took shape during the Revolt, a culture that itself fueled decades of turmoil. He sees the pulse of the Revolt in its public dramatization-the acts, words, and cultural representations that were its "daily bread and popular voice."

The violent wave of radical iconoclasm that swept the southern Netherlands in 1566 is the book's pivot, setting the stage for the Duke of Alba's brutal effort to restore the authority of the Spanish crown. Arnade details the sieges and violent sacks of Dutch cities by the Army of Flanders, and the response of Dutch rebels, who touted defiant cities as the seats and guarantors of unassailable rights and freedoms. This civic patriotism hailed William of Orange as father of the fatherland, his apotheosis hearkening back to late medieval princely ritual even as it invoked new republican imagery."

While earlier historians have seen the elaborate public rituals of the Burgundian dukes as stagnant forms held over from the chivalric world of the High Middle Ages, Peter Arnade argues that they were a vital theater of power through which the ducal court and the urban centers constantly renegotiated their relationship. This book is the first to apply the combined insights of social, political, and cultural history to an important but little-explored area of medieval and early modern Europe, the Burgundian Netherlands. Realms of Ritual traces the role of ritual in encounters between the dukes of Burgundy (later the Habsburg princes) and the townspeople of Ghent, the most important city in the county of Flanders. Arnade analyzes city-state ceremonies through which Ghent's aldermen, patricians, guildsmen, and the city's military and drama confraternities confronted local power and the growth of the Burgundian state. In the first serious reappraisal of Johan Huizinga's classic work The Waning of the Middle Ages, Arnade confirms Huizinga's vision of a Low Country society rich in public symbols, yet reveals the city-state conflict within which such ritual thrived. He offers a dramatically new perspective on the Northern Renaissance, as well as a historical/anthropological model for the study of urban-state relations.

The Dutch Revolt has long been hailed as the triumph of political freedom over monarchical tyranny. In 1781, John Adams observed that the American Revolution was its "transcript." Known for its many protagonists King Philip II, the Duke of Alba, the counts of Egmont and Hornes, radical Calvinists, obstreperous townspeople, and William of Orange the Dutch Revolt brought into relief conflicts among civic freedoms, religious dissent, representative institutions, and royal authority.

Drawing on a vast array of sources including archival documents, political and religious pamphlets, ballads, chronicles and letters, and a rich store of popular prints Peter Arnade gives us a new history of the core years of the revolt between 1566 and 1585, showing how the act of rebellion forged a political identity through ritual, symbol, and public action. In Beggars, Iconoclasts, and Civic Patriots, Arnade focuses on the political culture that took shape during the Revolt, a culture that itself fueled decades of turmoil. He sees the pulse of the Revolt in its public dramatization-the acts, words, and cultural representations that were its "daily bread and popular voice."

The violent wave of radical iconoclasm that swept the southern Netherlands in 1566 is the book's pivot, setting the stage for the Duke of Alba's brutal effort to restore the authority of the Spanish crown. Arnade details the sieges and violent sacks of Dutch cities by the Army of Flanders, and the response of Dutch rebels, who touted defiant cities as the seats and guarantors of unassailable rights and freedoms. This civic patriotism hailed William of Orange as father of the fatherland, his apotheosis hearkening back to late medieval princely ritual even as it invoked new republican imagery."