Maybe it had just been a matter of time: had we had more time, what we would or could have achieved, together. Had we actually met that first time round, how different things might have been. The world we would have painted. Had we really loved each other, we would never have separated. It was a long hot summer… A chance encounter on a ferry leads to a lifetime of regret for misplaced opportunities. Beautifully written and vividly evoked, The Girl on the Ferryboat is a mirage of recollections looking back to the haze of one final prelapsarian summer on the Isle of Mull.

Exploring the personal and cultural experiences that have shaped the creative output of one of Australia's foremost composers, this fascinating study begins in a Russian enclave in northern China, progresses through student days in Sydney and San Francisco, and culminates with Sitsky's present position as Professor of Composition at The Australian National University in Canberra. The many influences on his work, including important professional and personal relationships with such eminent persons as the poet Gwen Harwood and the violinist Jan Sedivka, are discussed in detail as are the sources of much of the inspiration for Sitsky's compositions, now numbering close to 200. Of interest to scholars, students, and anyone interested in 20th-century music. In addition to presenting Sitsky's fascinating life story and expounding on the central position he has occupied for the past 40 years in Australia's musical culture, this important work provides for the first time comprehensive bibliographic references to all of Sitsky's compositions, his writing, his recordings, and his appearances as a pianist and lecturer on music. The book is a most valuable addition to any collection, for it is both a work of reference and a compelling story of the development of one of the most eclectic, visionary, and confronting artists of his generation.

This book brings together cross-disciplinary chapters focussing on theoretical approaches, new digital and scientific methods and analytical techniques, and related surveying and excavation case studies to examine the Romans extensive use of rivers and inland waterways around the Empire. expands our knowledge of Roman transport, communication and trade networks inland. highlights the challenges of archaeological work in the dynamic environments of rivers and waterways and showcases the use of new methodologies, including the increasing availability and accessibility of digital technologies that have led to a growth in the development and application of new archaeological and analytical techniques, as well as the discovery of new archaeological sites, many of which were previously inaccessible. is for archaeologists, historians, and classicists with an interest in the history and archaeology of the Roman Empire.

This selected works of Sorley MacLean brings together published poetry from MacLean's own edited volumes of Poetry. The poems will be given in their original Gaelic with English translations and introduced by Angus Peter Campbell and Aonghas Mac Neacail. Sorley MacLean was born on the island of Raasay in 1911. He was brought up within a family and community immersed in Gaelic language and culture, particularly song. He studied English at Edinburgh University from 1929, taking a first-class honours degree. Despite this influence, he eventually adopted Gaelic as the medium most appropriate for his poetry. He translated much of his own work into English, opening it up to a wider public. He fought in North Africa during World War II, before taking up a career in teaching, holding posts on Mull, in Edinburgh and finally as Head Teacher at Plockton High School. Amongst other awards and honours, he received the Queen's Gold Medal for Poetry in 1990. He died in 1996 at the age of 85.

'In pencil-written and drawing-spattered notebooks intended for her Australian granddaughter, an elderly woman, now in Edinburgh, remembers and relives her Hebridean childhood. The community thus recreated is one where modernity - its emblem the Electricity of Angus Peter Campbell's title - collides and overlaps with all sorts of linguistic, cultural and other continuities. But this is no sentimental or elegiac excursion into a long-gone past. What's evoked here is a powerful sense of what it was, and is, to grow up amid family, neighbours and surroundings of a sort providing, for the most part, both security and happiness.' JAMES HUNTER

WINNER OF THE 2017 SALTIRE SOCIETY FICTION BOOK OF THE YEAR AWARD A face is nothing without its history. Gavin and Emma live in Manhattan. She's a musician. He works in Artificial Intelligence. He's good at his job. Scarily good. He's researching human features to make more realistic mask-bots - non-human 'carers' for elderly people. When his enquiry turns personal he's forced to ask whether his own life is an artificial mask. Delving into family stories and his roots in the Highlands of Scotland, he embarks on a quest to discover his own true face, 'uniquely sprung from all the faces that had been'. He returns to England to look after his Grampa. Travels. Reads old documents. Visits ruins. Borrows, plagiarises and invents. But when Emma tells him his proper work is to make a story out of glass and steel, not memory and straw, which path will he choose? What's the best story he can give her? A novel about the struggle for freedom and personal identity; what it means to be human. It fuses the glass and steel of our increasingly controlled algorithmic world with the memory and straw of our forebears' world controlled by traditions and taboos, the seasons and the elements.

Recent years have seen the increasing valuation and promotion of 'creativity'. Future success, we are often assured, will rest on the creativity of our endeavours, often aligned specifically with 'cultural' activity. This book considers the emergence and persistence of this pattern, particularly with regards to cultural policy, and examines the methods and evidence deployed to make the case for art, culture and the creative industries. The origins of current practices are considered, as is the gradual accretion of a broad range of meanings around the term 'creative', and the implications this has for the success of the wider 'Creativity Agenda'. The specific experience of the city of Liverpool in adopting and furthering this agenda both in the UK and beyond is considered, as is the persistence of a range of problematic, and often contradictory, assumptions and practices relating to this agenda up to the present day.

This study of the first half of the reign of Louis XV considers the nature of politics in the ancient regime. Researched from primary sources, it offers a comprehensive analysis of the neglected ministries of the Duc de Bourbon and Cardinal de Fleury. Part one examines the court, policy and faction, while part two considers the crises provoked by Jansenism and the Paris Parliament. Campbell's discussion of the methods and practices of political management in this period of successful government should provoke debate and shed light on the crisis of the old regime in the 1780s.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Archie has lived on a small island off the Scottish coast his entire life. After decades without a job and without a break from his selfish wife, Archie packs his bag and leaves to find the hole where the North Wind originates, as the old stories claim. He meets many strange and wonderful characters along the way, including the beautiful deaf Jewel, Yukon Joe and Sergio the expert potato-peeler. Seeking to find his way in the world, and driven by the ancient stories he grew up with on the island, Archie faces many dangers in his quest for knowledge.

Fifty-nine new poems from award-winning writer Angus Peter Campbell. These poignant and beautifully crafted poems were originally created while in residence in a thatched house in his native South Uist. They move across time and space like a radio dial between global stations, sometimes catching the indigenous, sometimes the marvellous and comic. Poems that celebrate the places and voices located somewhere between Luxembourg and Lyons. 

A face is nothing without its history. Gavin and Emma live in Manhattan. She’s a musician. He works in Artificial Intelligence. He’s good at his job. Scarily good. He’s researching human features to make more realistic mask-bots – non-human ‘carers’ for elderly people. When his enquiry turns personal he’s forced to ask whether his own life is an artificial mask. Delving into family stories and his roots in the Highlands of Scotland, he embarks on a quest to discover his own true face, ‘uniquely sprung from all the faces that had been’. He returns to England to look after his Grampa. Travels. Reads old documents. Visits ruins. Borrows, plagiarises and invents. But when Emma tells him his proper work is to make a story out of glass and steel, not memory and straw, which path will he choose? What’s the best story he can give her? A novel about the struggle for freedom and personal identity; what it means to be human. It fuses the glass and steel of our increasingly controlled algorithmic world with the memory and straw of our forebears’ world controlled by traditions and taboos, the seasons and the elements.

The French Revolution, an event of world historical importance that gave birth to modern politics, has long been a subject of debate. Naturally, the question of its origins remains a key area of controversy. This collection of essays by a team of distinguished experts in the field offers original but approachable views and interpretations that will engage students and scholars alike. Each chapter contains new research and focuses upon a major strand of the present debate. The Origins of the French Revolution explores: - the process of decision-making - the financial crisis - the Paris parlement - pamphlet literature - the ideas of the Enlightenment - peasant involvement - the Estates General of 1789 Chapters on art and theatre, on the development of cultural history, and the corrosive role of religious conflict upon the fabric of the monarchy ensure that stimulating new perspectives now form a key part of future discussion. A full introduction considers the nature of the debate and offers a thought-provoking interpretation of the crisis of the absolute monarchy that led to the collapse of state and society in the summer of 1789.

Over the last few years, the language of Biochemistry and Molecular Biology has expanded enormously to the extent that few scientists can expect to be familiar with all the terms and concepts. This is partly due the massive influence of the Genome and successive "-omics" projects which have developed in to many new areas of research. At the same time, terms from other subject areas - including mathematics, statistics, physics and other life sciences - appear increasingly in the biochemical literature. The Oxford Dictionary of Biochemistry and Molecular Biology provides a comprehensive and 'encyclopaedic' survey of modern biochemistry and molecular biology. This new edition of the popular dictionary has been comprehensively reviewed and updated to include many important new concepts and words. The entries are short but informative, providing up-to-date information on a broad range of topics, including definitions for terms from the fields of Bioinformatics, Biophysics, Cell Biology, Chemistry, Genetics, Immunology, Mathematics, Microbiology, Pharmacology, Systems Biology, and Toxicology. There are over 21000 main entries, which include: details of biochemical substances and the processes in which they are involved, methods and concepts in molecular biology, and definitions of biochemical symbols and abbreviations. Each entry is accessibly written. They point out pitfalls where terms are often confused, and explain the precise syntax of biochemical terms such as Greek letters and other formatting, which are invariably lost when searching the Internet. In addition, the dictionary is generously illustrated with over 900 chemical structures. The Oxford Dictionary of Biochemistry and Molecular Biology will serve as an invaluable reference text for student and professional biochemists and molecular biologists seeking information both from within and outside their own fields. It will also be of relevance and use to a broader audience of life scientists seeking an authoritative overview of fundamental principles.

While terrestrial archaeology has engaged with contemporary philosophy, maritime archaeology has remained in comparative disciplinary – or subdisciplinary – isolation. However, the issues that humans face in the Anthropocene – from global warming to global pandemics – call for transdisciplinary cooperation, and for thinking together beyond the confines of the human-centered philosophical tradition. Growing areas such as the “blue humanities� and “oceanic thinking� draw directly on our maritime past, even as they ponder the future. Theoretically engaged maritime archaeologists could contribute significantly to these areas of thought, as this volume demonstrates. The essays collected here serve as jumping off point, which opens new ways for maritime archaeologists to engage with the most important problems of our time and to benefit from the new insights offered by object-oriented and flat ontologies. The book gathers the analytical thinking of archaeologists, philosophers, marine biologists, and media theorists, and pushes those observations deep into the maritime realm. The contributions then branch out, like tentacles or corals, reaching into the lessons of oil spills, cephalopod hideouts, shipwreck literature, ruined monuments, and beached plastics. The volume concludes with a series of critical responses to these papers, which pushes the dialogue into new areas of inquiry. Taken as a whole, the volume emphasizes that the study of the past is more relevant than ever because serious consideration of our watery world and all its inhabitants is increasingly necessary for our collective survival. This volume takes the first steps toward this reckoning and, as such, it promises to be an important new contribution to lecture and conference halls around the world where oceans and the Anthropocene are under study.

Nearly 10,000 young people in Scotland are homeless. Some we see on the streets, thousands more are 'hidden' - sofa surfing, in B&Bs and living in unsafe homes. Every one of them has their own story to tell. For 30 years Rock Trust has been listening to their stories and helping them find a home. In All the Way Home, some of Scotland's leading authors have come together with young people to mark this anniversary of Rock Trust's urgent, ongoing work. Across first-hand accounts, poetry and fiction, this anthology brings to life the visible and invisible realities of home and homelessness, of family and belonging.

Maybe it had just been a matter of time: had we had more time, what we would or could have achieved, together. Had we actually met that first time round, how different things might have been. The world we would have painted. Had we really loved each other, we would never have separated. It was a long hot summer… A chance encounter on a ferry leads to a lifetime of regret for misplaced opportunities. Beautifully written and vividly evoked, The Girl on the Ferryboat is a mirage of recollections looking back to the haze of one final prelapsarian summer on the Isle of Mull.