First volume of the animated series about supernatural investigators Jake Kong, Eddie Spencer and Tracy the Ape, and they go up against the Prime Evil and hurtle through different dimensions in their Ghost Buggy. Episodes are: 'Witch's Stew'; 'Mummy Dearest'; 'Wacky Wax Museum'; 'Statue of Liberty'; 'The Ransom of Eddie Spencer'; and 'Eddie Takes Charge'.

Five more episodes from the first series of the CGI-animated franchise in which the Autobots and Decepticons return to do battle once again. This time around, Bulkhead and Arcee have to investigate a strange energy signal. The episodes are: 'Operation: Breakdown', 'Crisscross', 'Metal Attraction', 'Rock Bottom' and 'Partners'.

This book examines the scope and nature of Donald Duck and his family's popularity in Germany, in contrast to the diminished role they play in America. This is achieved through examination of the respective fan communities, business practices, and universality of the characters. This work locates and understands the aspects of translation and adaptation that inform the spread of culture that have as yet been underexplored in the context of comic books. It represents a large-scale attempt to incorporate adaptation and translation studies into comics studies, through a lens of fan studies (used to examine both the American and German fan communities, as well as the work of Don Rosa). This work builds on the efforts of other scholars, including Janet Wasko and Illaria Meloni, while expanding the historical understanding of what might be the world's best-selling comics. Peter Cullen Bryan is Lecturer at Pennsylvania State University, USA. His areas of study include American Studies, Intercultural Communications, and 21st Century American culture, emphasizing comic art and fan communities. His research has appeared in the Journal of Fandom Studies, The Journal of American Culture, and Popular Culture Studies Journal. He serves on the boards of the Mid-Atlantic Popular Culture Association and the Popular Culture Association, as well as Secretary for the Intercultural Communication section of the International Communication Association.

Italy often suffers from its cultural heritage. Certain themes have passed into stereotype and popular consumption, while others have been overlooked. This volume discusses teaching choices and topics on the implementation of a US study abroad business programme in Italy. The authors first have a look at business questions, then at culture through a chapter on the fashion industry. The final section focuses on methods in teaching Italian culture, language, history, and intercultural communication. This volume highlights non-traditional aspects of Italian culture, and focuses on the intercultural dimension of teaching and learning for study abroad students. The points of view found herein should promote a more contextualized and contemporary view of what studying Italy can be about.

All 13 episodes of the 1980s animated series for children. The series recounts the adventures of Wisp and her magic Colour Belt, her talking horse Starlite, and Twink the sprite as they bring colour to Rainbowland. Episodes are: 'Beginning of Rainbowland (Part 1)', 'Beginning of Rainbowland (Part 2)', 'Perils in the Pits', 'Mighty Monstromurk Menace (Part 1)', 'Mighty Monstromurk Menace (Part 2)', 'Mom', 'A Horse of a Different Colour', 'Queen of the Sprites', 'Star Sprinkled', 'Chasing Rainbows', 'Rainbow Night', 'Murky's Comet' and 'Invasion of Rainbowland'.

Directed by Michael Bay and produced by Steven Spielberg, this sci-fi action adventure is the fourth instalment in the film series based on the 1980s cartoons. Four years after the invasion of Chicago, mechanic and single parent Cade Yeager (Mark Wahlberg) discovers what he believes to be a dilapidated truck and takes it home to repair. What he really has resting in his garage is a deactivated Optimus Prime (voiced by Peter Cullen). When government officials learn of the discovery they try to push humanitarian boundaries in the name of scientific development.

All 13 episodes from the animated series. After Scooby (voice of Don Messick) and Shaggy (Casey Kasem) are tricked into opening the Chest of Demons, they accidentally unleash 13 monstrous spirits. With the help of Daphne (Heather North), Scrappy-Doo (Messick) and a con artist called Flim Flam (Susan Blu), Scooby and the gang are the only ones who can round up the ghosts and return them to where they came from before they wreak havoc on the mortal world. The episodes are: 'To All the Ghosts I've Loved Before', 'Scoobra Kadoobra', 'Me and My Shadow Demon', 'Reflections in a Ghoulish Eye', 'That's Monstertainment', 'Ship of Ghouls', 'A Spooky Little Ghoul Like You', 'When You Witch Upon a Star', 'It's a Wonderful Scoob', 'Scooby in Kwackyland', 'Coast-to-Ghost', 'The Ghouliest Show On Earth' and 'Horror-Scope Scoob'.

All 16 episodes from Season 1 of the animated adventure series in which the struggle for supremacy of the Earth continues against the evil Decepticons. Episodes are: 'More Than Meets the Eye (1)', 'More Than Meets the Eye (2)', 'More Than Meets the Eye (3)', 'Transport to Oblivion', 'Roll For It', 'Divide and Conquer', 'Fire in the Sky', 'S.O.S. Dinobots', 'Fire on the Mountain', 'War of the Dinobots', 'The Ultimate Doom: 1 - Brainwash', 'The Ultimate Doom: 2 - Search, 'The Ultimate Doom: 3 - Revival', 'Countdown to Extinction', 'A Plague of Insecticons' and 'Heavy Metal War'.

This book examines the scope and nature of Donald Duck and his family's popularity in Germany, in contrast to the diminished role they play in America. This is achieved through examination of the respective fan communities, business practices, and universality of the characters. This work locates and understands the aspects of translation and adaptation that inform the spread of culture that have as yet been underexplored in the context of comic books. It represents a large-scale attempt to incorporate adaptation and translation studies into comics studies, through a lens of fan studies (used to examine both the American and German fan communities, as well as the work of Don Rosa). This work builds on the efforts of other scholars, including Janet Wasko and Illaria Meloni, while expanding the historical understanding of what might be the world's best-selling comics. Peter Cullen Bryan is Lecturer at Pennsylvania State University, USA. His areas of study include American Studies, Intercultural Communications, and 21st Century American culture, emphasizing comic art and fan communities. His research has appeared in the Journal of Fandom Studies, The Journal of American Culture, and Popular Culture Studies Journal. He serves on the boards of the Mid-Atlantic Popular Culture Association and the Popular Culture Association, as well as Secretary for the Intercultural Communication section of the International Communication Association.

International co-operation in criminal law enforcement has become a centrally important policy issue for Europe in the 1990s. In criminal matters, when a decision is taken to go beyond the discretionary exchange of information towards institutionalized police co-operation, a whole Pandora's box of issues and problems is opened. This book, based on interviews in a wide variety of documentary sources, examines the progress of this co-operation. The authors cover all the major and theoretical issues associated with the emerging pattern of co-operation, including the harmonization of criminal law and criminal procedure, law enforcement strategies, police organization and discipline, and the politics of immigration and civil liberties. In a European Union without internal border controls there is widespread agreement on the objective of closer police co-operation. But prospects in some areas are not good and there are potential pitfalls, even dangers, along the road to more integrated arrangements. The authors conclude by making recommendations that proper accountability arrangements are a prerequisite of a balanced and efficient system of European police co-operation.

Fans and scholars have long regarded the 1980s as a significant turning point in the history of comics in the United States, but most critical discussions of the period still focus on books from prominent creators such as Frank Miller, Alan Moore, and Art Spiegelman, eclipsing the work of others who also played a key role in shaping comics as we know them today. The Other 1980s: Reframing Comics' Crucial Decade offers a more complicated and multivalent picture of this robust era of ambitious comics publishing. The twenty essays in The Other 1980s illuminate many works hailed as innovative in their day that have nonetheless fallen from critical view, partly because they challenge the contours of conventional comics studies scholarship: open-ended serials that eschew the graphic-novel format beloved by literature departments; sprawling superhero narratives with no connection to corporate universes; offbeat and abandoned experiments by major publishers, including Marvel and DC; idiosyncratic and experimental independent comics; unusual genre exercises filtered through deeply personal sensibilities; and oft-neglected offshoots of the classic ""underground"" comics movement of the 1960s and 1970s. The collection also offers original examinations of the ways in which the fans and critics of the day engaged with creators and publishers, establishing the groundwork for much of the contemporary critical and academic discourse on comics. By uncovering creators and works long ignored by scholars, The Other 1980s revises standard histories of this major period and offers a more nuanced understanding of the context from which the iconic comics of the 1980s emerged.

Fans and scholars have long regarded the 1980s as a significant turning point in the history of comics in the United States, but most critical discussions of the period still focus on books from prominent creators such as Frank Miller, Alan Moore, and Art Spiegelman, eclipsing the work of others who also played a key role in shaping comics as we know them today. The Other 1980s: Reframing Comics' Crucial Decade offers a more complicated and multivalent picture of this robust era of ambitious comics publishing. The twenty essays in The Other 1980s illuminate many works hailed as innovative in their day that have nonetheless fallen from critical view, partly because they challenge the contours of conventional comics studies scholarship: open-ended serials that eschew the graphic-novel format beloved by literature departments; sprawling superhero narratives with no connection to corporate universes; offbeat and abandoned experiments by major publishers, including Marvel and DC; idiosyncratic and experimental independent comics; unusual genre exercises filtered through deeply personal sensibilities; and oft-neglected offshoots of the classic ""underground"" comics movement of the 1960s and 1970s. The collection also offers original examinations of the ways in which the fans and critics of the day engaged with creators and publishers, establishing the groundwork for much of the contemporary critical and academic discourse on comics. By uncovering creators and works long ignored by scholars, The Other 1980s revises standard histories of this major period and offers a more nuanced understanding of the context from which the iconic comics of the 1980s emerged.

Five more episodes from the first series of the CGI-animated franchise in which the Autobots and Decepticons return to do battle once again. While Arcee and Jack have their hands full dealing with the crash-landed Decepticon Airachnid, Optimus becomes infected with a deadly Decepticon plague, the cure for which is hidden within Megatron's mind. The episodes are: 'Speed Metal', 'Predatory', 'Sick Mind', 'Out of His Head' and 'Shadowzone'.

Triple bill of feature-length Disney animated adventures following Winnie the Pooh (voice of Jim Cummings) and his friends in the Hundred Acre Wood. In 'Winnie the Pooh' (2011) Pooh finds a note from Christopher Robin (Jack Boulter) which leads the bear to believe his friend has been kidnapped by an elusive creature called the Backson. Joined by Piglet (Travis Oates), Tigger (Cummings), Eeyore (Bud Luckey) and the rest of the gang, Pooh sets out on a journey to save Christopher and on the way searches for honey and a new tail for Eeyore. In 'The Tigger Movie' (2000) Tigger gets in the way when Pooh, Piglet (John Fiedler), Roo (Nikita Hopkins), Rabbit (Ken Sansom) and Owl (Andre Stojka) try to prepare a home for their doleful friend, Eeyore (Peter Cullen), so Pooh suggests that his ever-bouncing companion go outside and play with some other tiggers. Tigger thinks this a very foolish suggestion, as he is the only tigger in existence - or so he thinks. In fact, this proves to be the start of an exciting adventure in which Tigger discovers his long-lost family members. In 'Pooh's Heffalump Movie' (2005) Pooh hears a strange noise in the woods and he and his friends are convinced that the dreaded Heffalump has come to do them harm. Pooh, Piglet and Tigger set out to capture the beast, but Roo (Jimmy Bennett), who is told he's too small to join the search party, meets Lumpy the Heffalump (Kyle Stanger) face-to-face and discovers he's not the bad guy he's been made out to be.

Sequel to the 2007 mega-budget live action sci-fi film based on the 1980s cartoon series. Shia LaBeouf reprises his role as Sam Witwicky, the young earthling caught in the raging war between the Autobots and the Decepticons. After he glimpses the truth about the ancient origins of the Transformers through a powerful vision sent to him by the Allspark, Sam once again finds himself the target of the evil Decepticons, who have returned to Earth under the command of the formidable Starscream (voiced by Charles Adler). Joining the Autobots' mission to protect humankind is Optimus Prime (Peter Cullen), who forms an alliance with international armies for this second epic battle.

Retailing: Environment and Operations is a complete introduction to the retail environment and retail operations for students of retailing, marketing, service management and related studies. It covers all the key areas of retailing activity and the supply chain. The text introduces and integrates appropriate business, consumer and social concepts to provide an effective framework for the study of retailing, specifically within the UK. It focuses on how managers and professionals in the consumer supply chain can improve their market effectiveness and operational efficiency. Written in an accessible style, Retailing: Environment and Operations is designed for use on a single one-year course, a double one-semester module or two one-semester modules. The book is written in language accessible to the student and future manager. It builds on simple concepts to provide a sound foundation for further critical studies in retailing and service management. The analysis is illustrated with numerous case studies, tip/examples and discussion topics. Retailing: Environment and Operations is ideal for first year students on a degree or higher diploma course in retailing, service management or marketing.