Seminal lectures on music education since the 1990s. There is no question that music education is in crisis today. The place of music in the national curriculum is controversial; there have been cuts in the provision of individual lessons; and there have been severe reductions in government funding, with more planned. This book, containing the first five Bernarr Rainbow Lectures, makes an important and timely contribution to the debate on music education. Baroness Warnock brings the perspective of a distinguished philosopher to bear on issues about the nature of music and its study; Lord Moser urges us to maintain and expand what has been achieved since World War II; the late Professor John Paynter, responsible for the 1960s surge in creative approaches to music teaching, presents his case in two contributions; John Stephens discusses structures for music teaching and then, in a second contribution, brings everything up to date; and Professor Gavin Henderson traces his own colourful career and supports music for all ages. Also included is the 2005 Royal Philharmonic Society by the Master of the Queen's Music, Sir Peter Maxwell Davies; an assessment from Bernarr Rainbow himself, written late in his life; an indictment from Wilfrid Mellers; and two reviews of Bernarr Rainbow on Music: Memoirs and Selected Writings, showing the continuing importance of his work fifteen years after his death. This book is part of the series Classic Texts in Music Education, edited by Professor Peter Dickinson, and supported by the Bernarr Rainbow Trust. Peter Dickinson is a British composer, writer and pianist and authorand editor of books on Lennox Berkeley, Copland, Cage, Barber and Berners.

Women and Comedy: History, Theory, Practice presents the most current international scholarship on the complexity and subversive potential of women's comedic speech, literature, and performance. Earlier comedy theorists such as Freud and Bergson did not envision women as either the agents or audiences of comedy, only as its targets. Only more recently have scholarly studies of comedy begun to recognize and historicize women's contributions to-and political uses of-comedy. The essays collected here demonstrate the breadth of current scholarship on gender and comedy, spanning centuries of literature and a diversity of methodologies. Through a reconsideration of literary, theatrical, and mass media texts from the Classical period to the present, Women and Comedy: History, Theory, Practice responds to the historical marginalization and/or trivialization of both women and comedy. The essays collected in this volume assert the importance of recognizing the role of women and comedy in order to understand these texts, their historical contexts, and their possibilities and limits as models for social engagement. In the spirit of comedy itself, these analyses allow for opportunities to challenge and reevaluate the theoretical approaches themselves.

A memoir by the renowned historian of music education, Bernarr Rainbow, including a selection of his writings and a biographical introduction by Peter Dickinson. Bernarr Rainbow's [1914-1998] Memoirs written in the last year or two of his life offers a fascinating read about the life of the man who became the leading historian of music education. The book answers questions about how his life and work developed and how he came to establish the Bernarr Rainbow Trust before he died in 1998. The collection will also bring together Rainbow's writings published in various magazines, some of very limited circulation. Thenotes by Peter Dickinson cover Rainbow's earlier life and career, from archival material including press cuttings and including areas he does not cover in his memoirs. There are introductions by Gordon Cox and Charles Plummeridge. PETER DICKINSON, the composer and pianist, is emeritus professor, University of Keele and University of London. He has written or edited several books about twentieth-century music, including Copland Connotations [2002], The Music of Lennox Berkeley [2003], CageTalk [2006], and the more recent Lord Berners and Samuel Barber Remembered.

Women and Comedy: History, Theory, Practice presents the most current international scholarship on the complexity and subversive potential of women's comedic speech, literature, and performance. Earlier comedy theorists such as Freud and Bergson did not envision women as either the agents or audiences of comedy, only as its targets. Only more recently have scholarly studies of comedy begun to recognize and historicize women's contributions to-and political uses of-comedy. The essays collected here demonstrate the breadth of current scholarship on gender and comedy, spanning centuries of literature and a diversity of methodologies. Through a reconsideration of literary, theatrical, and mass media texts from the Classical period to the present, Women and Comedy: History, Theory, Practice responds to the historical marginalization and/or trivialization of both women and comedy. The essays collected in this volume assert the importance of recognizing the role of women and comedy in order to understand these texts, their historical contexts, and their possibilities and limits as models for social engagement. In the spirit of comedy itself, these analyses allow for opportunities to challenge and reevaluate the theoretical approaches themselves.

Articles, tributes and reminiscences of composer, pianist and author Peter Dickinson are here brought together for the first time. Peter Dickinson has made an enduring contribution to British musical life, and his music has been regularly performed and recorded by leading musicians. His writings, brought together here for the first time, are equally noteworthy. Covering well over half a century, the subjects are fascinatingly varied. Apart from musical interests ranging from Charles Ives to John Cage, they touch on literature; and Dickinson's meetings with W.H. Auden and Philip Larkinare an intriguing insight that led to his Auden songs and the chamber work Larkin's Jazz. American themes are prominent in this collection. There are unique reviews of concert life in New York from 1959 to 1961; an accountof the teaching programme at the Juilliard School of Music at that time; three studies of Ives; and features containing original material on Copland, Thomson and Cage, all of whom Dickinson knew. Features on Erik Satie include the imaginary discussion marking his centenary in 1966. Dickinson also writes about his own music, providing an insight into what it was like being a British composer in the later twentieth century. Peter Dickinson was born inLancashire in 1934 and now lives in Suffolk. His 80th birthday was marked by a whole variety of tributes, including concerts, articles, broadcasts and various interviews - some included in this book. PETER DICKINSON is aBritish composer and pianist as well as author and editor of Boydell/URP books on Berkeley, Copland, Cage, Barber and Berners. As a pianist, Dickinson had a twenty-five-year, international partnership with his sister, the mezzo Meriel Dickinson, for whom he wrote song cycles to poems of E. E. Cummings, Gregory Corso and Stevie Smith. He was a regular contributor to BBC Radio 3 and is widely read as a critic on the Gramophone. He is an Emeritus Professor ofthe Universities of Keele and London and is chair of the Bernarr Rainbow Trust, for which he has edited several books on music education.

The first serious study of music in independent schools, which bears eloquent witness to a high standard achieved over the last fifty years. This is the first serious study of music in independent schools. The high standard of musical work in such schools has long been known but now Andrew Morris and his team have provided up-to-date information. There are contributions from seven individual schools - Bedford, Dulwich, Eton, Gresham's, St. Paul's, Uppingham and Worksop - as well as chapters about Girls' Schools, Preparatory Schools, Choir Schools and Specialist Schools. Andrew Morris was Director of Music at Bedford School for thirty-two years and was President of the Music Masters and Mistresses Association in 1996-97. He is thus ideally placed to mastermind a substantial compendium which is eminently readable andabsorbing. The book includes material from Bernarr Rainbow's study, Music in the English Public School (1990) and brings it up to date. As a historian, Rainbow looked back at how music developed in independent schools. Progress was slow, even tortuous, but Rainbow's fascinating documents, supported by his commentary, show how idealism won through, and Morris and his colleagues bear eloquent witness to the very positive development over the last fifty years. ANDREW MORRIS taught in secondary modern, grammar and comprehensive schools in London before becoming Director of Music at Bedford School for thirty-two years. He was President of the Music Masters' and Mistresses' Association from 1996-97 and President of the RAM Club at the Royal Academy of Music 2005-06. He has examined for the ABRSM for over thirty years. BERNARR RAINBOW (1914-1998) is widely recognised as the leading authority on the history of music education. His seminal books are all published by Boydell and are listed on the back pages of this volume. His series of Classic Texts in Music Education is a major resource and in 1997 he foundedthe Bernarr Rainbow Trust which supports projects in music education. CONTRIBUTORS: Catherine Beddison, Elizabeth Blackford, Timothy Daniell, Richard Mayo, James Peschek, Alastair Sampson, Graham Smallbone, Jonathan Varcoe, Myfanwy Walters, Nathan Waring, Robert Weaver, Hilary Webster.

Compulsively readable interviews with the great American composer and his friends and colleagues, including Aaron Copland, Virgil Thomson, and Leontyne Price. Samuel Barber is one of America's most popular classical composers. His widely beloved works include "Adagio for Strings" and Knoxville: Summer of 1915 . The main source for Samuel Barber Remembered: A Centenary Tribute is a panoply of vivid and eminently readable interviews by Peter Dickinson for a BBC Radio 3 documentary in 1981. The interviewees include Barber's friends, fellow composers, and performers, notably Gian Carlo Menotti, Aaron Copland, William Schuman, Virgil Thomson, soprano Leontyne Price, and pianist John Browning. The book also includes three of the very few interviews extant with Barber himself. Dickinson contributes substantial chapters on Barber's early life and on Barber's reception in England. The book has a foreword by the distinguished composer and admirer of Barber, John Corigliano. Peter Dickinson, British composer and pianist, has written or editednumerous books about twentieth-century music, including CageTalk: Dialogues with and about John Cage (University of Rochester Press) and three books published by Boydell Press: The Music of Lennox Berkeley; Copland Connotations; and Lord Berners: Composer, Writer, Painter.

World Stages, local audiences argues that the forms of intimacy and identification that come from being part of the public of a local performance, provide a potential model for rethinking our roles as world citizens. Using his own experience of recent theatrical practice in Vancouver as a starting point, Dickinson maps the spaces of connection and contestation, the flows of sentiment and social responsibility, produced by different communities in response to global sports spectacles. He also analyses how such topics are taken up in the work of playwrights, conceptual, installation, and performance artists like Ai Weiwei, and Rebecca Belmore. In so doing, Dickinson makes an original contribution to the emerging discourse on live art and 'livability' by examining not only the geographical and historical affiliations between different sites of performance, but also the - at times - radical new social bonds created by audiences witness to those performances. -- .

A novel approach to biography, drawing on interview material and other sources, all extensively annotated. This book is a major source of information about one of the most influential British composers of the mid-twentieth century and the musicians he knew. It also provides details of the musical relationship between Paris and London before, during and after World War II. Berkeley had a ring-side seat when he lived in Paris, studied with Nadia Boulanger and wrote reviews about musical life there from 1929 to 1934. His little known letters to her reveal the mesmeric power of this extraordinary woman. Berkeley was an elegant writer, and it is fascinating to read his first-hand memories of composers such as Ravel, Poulenc, Stravinsky and Britten. The book also contains interviewswith Berkeley's colleagues, friends and family. These include performers such as Julian Bream and Norman Del Mar; composers Nicholas Maw and Malcolm Williamson; the composer's eldest son Michael, the composer and broadcaster; andLady Berkeley. Lennox Berkeley knew Britten well, and there are many references to him in this eminently readable collection. Peter Dickinson, British composer and pianist, has written and edited numerous books about twentieth-century music, including Cage Talk: Dialogues with and about John Cage as well as Samuel Barber Remembered (both with University of Rochester Press) and three books published by Boydell Press: The Music of Lennox Berkeley; Copland Connotations; and Lord Berners: Composer, Writer, Painter. Peter Dickinson's music is widely performed and recorded. Dickinson knew Berkeley from 1956 until the composer's death in 1989; performed many of the songs with his sister, the mezzo Meriel Dickinson; and has written and broadcast regularly about his music.

John Cage was one of America's most renowned composers from the 1940s until his death in 1992. But he was also a much-admired writer and artist, and a uniquely attractive personality able to present his ideas engagingly wherever he went. As an interview subject he was a consummate professional.
The main source of "CageTalk: Dialogues with and about John Cage" is a panoply of vivid and compulsively readable interviews given to Peter Dickinson in the late 1980s for a BBC Radio 3 documentary. The original BBC program lasted an hour but the full discussions with Cage and many of the main figures connected with him have remained unpublished until now.
"CageTalk" also includes earlier BBC interviews with Cage, including ones by the renowned literary critic Frank Kermode and art critic David Sylvester. And the editor Peter Dickinson contributes little-known source material about Cage's "Musicircus" and "Roaratorio" as well as a substantial introduction exploring the multiple roles that Cage's varied and challenging output played during much of the twentieth century and continues to play in the early twenty-first.
Apart from the long interview with Cage himself, there are discussions with Bonnie Bird, Earle Brown, Merce Cunningham, Minna Lederman, Otto Luening, Jackson Mac Low, Peadar Mercier, Pauline Oliveros, John Rockwell, Kurt Schwertsik, Karlheinz Stockhausen, Virgil Thomson, David Tudor, La Monte Young, and Paul Zukovsky. Most of the interviews were given to Peter Dickinson but there are others involving Rebecca Boyle, Anthony Cheevers, Michael Oliver, and Roger Smalley.
Peter Dickinson, British composer and pianist, is Emeritus Professor, University of Keele and University of London, and has written or edited several books about twentieth-century music, including "Copland Connotations" Boydell Press, 2002] and "The Music of Lennox Berkeley" Boydell Press, 2003].

England in the future - but an England that is less rather than more civilised. This is the time of The Changes - a time when people, especially adults, have grown to hate machines and returned to a more primitive lifestyle. It is a time of hardship and fear?

When 16-year-old Geoffrey, a ?weathermonger? starts to repair his uncle?s motorboat, he and his sister Sally are condemned as witches. Fleeing for their lives, they travel to France - where they discover that everything is normal. Returning to England, they set out to discover why the country is under this mysterious spell. Only discovering the origin of the deadly magic will allow them to set the people free of its destructive influence.

Peter Dickinson began writing the books after he'd had a nightmare. The trilogy is not sequential; rather, each book explores a different aspect of England during the time that simply became known as The Changes.

"Peter Dickinson is my own chosen demigod in the pantheon of crime fiction."
--Laurie R. King
For best-selling author Lady Margaret, the past is no longer a pleasant memory. Her first lover's mysterious death and the seeming inevitability of her inheriting the family's stately home are cast in new light by secrets unwillingly revisited. The first in a series of reprints of Peter Dickinson's mysteries, this classic British mystery will win fans currently engrossed in "Downton Abbey."
Praise for Peter Dickinson's mysteries:
"A literary magician controlling an apparently inexhaustible supply of effects . . . Craftsmanship such as this makes for compulsive reading."
--Penelope Lively
"He is the true original, a superb writer who revitalises the traditions of the mystery genre . . . incapable of writing a trite or inelegant sentence . . . a master."
--P. D. James
"He sets new standards in the mystery field that will be hard to live up to."
--Ruth Rendell
"He has an eye and a mind and a voice like no other."
--Donald E. Westlake
"A fresh triumph . . . a simultaneous insight into kids and their minders, and emerging nations, and the concept of freedom - all done with consummate story-telling skill."
--Peter Lovesey
"Read this book carefully. It's a jewel."
--"The New York Times Review"
"Brilliantly imaginative first detective story . . .wonderfully convincing."
--"The Observer"
"Mr Dickinson is the most original crime novelist to appear for a long, long time."
--"The Guardian"
"Brilliantly original, as always."
--"Times Literary Supplement"
"Wry, witty, irresistible."
--"The Financial Times"
"Dickinson tops all his prizewinners with this stunning psychological thriller."
--"Publishers Weekly"
Peter Dickinson has twice received the Crime Writers' Association's Gold Dagger. He lives in England and is married to the novelist Robin McKinley.

Winner of the CWA Gold Dagger: Scotland Yard’s James Pibble puzzles over the murder of a pygmy tribesman in the middle of London in this “first class� mystery (The Times Literary Supplement). Oddball cases are James Pibble’s specialty. But the brutal bludgeoning of the revered elder of a New Guinea tribesman may be his strangest yet. The corpse, in striped pajamas, lies in the middle of a room completely absent of furniture. Seven women squat on the floorboards. One knits. Another sits cross-legged at his feet. They all chant incantations in a strange language. The murder weapon, a wooden balustrade ornament in the shape of an owl, could have been wielded by any of the myriad suspects Pibble meets at Flagg Terrace, the London residence where the Ku family currently lives. And the only clue seems to be an Edwardian penny. So who killed bearded, four-foot-tall Aaron Ku? Everyone seems to have an alibi, including a local real estate agent, a professional escort, and an anthropologist whose marriage into the tribe was forbidden. In a house where men and women live in separate quarters, Pibble must follow a hierarchy of primitive rituals and gender-role reversals to unmask a surprising killer. The Glass-Sided Ants’ Nest is the 1st book in the James Pibble Mysteries, but you may enjoy reading the series in any order.

A unique sourcebook designed to raise issues of nationalism and sexuality in Canada through a rich and diverse selection of fiction, poetry, criticism, and history. Structured so as to provide an interactive study of these issues, the collection considers topics as wide-ranging as First Nations sexuality, censorship, assisted reproduction, and religion. Literary works by Alice Munro, Jane Rule, Timothy Findley, Leonard Cohen, Irving Layton, Lynn Crosbie, Michael Turner, and many others are juxtaposed with criticism and historical documents, many of which were previously out of print or unavailable. Selections include Marshall McLuhan's 1967 article "The Future of Sex" and excerpts from Stan Persky and John Dixon's Kiddie Porn, SKY Lee's Disappearing Moon Cafe, and Margaret Atwood's A Handmaid's Tale.

Three dystopian novels by an award-winning author that imagine a world where humankind has suddenly and violently rejected modern technology. Something has gone very wrong in England. In a tunnel beneath Wales one man opens a crack in a mysterious stone wall, and all over the island of Britain people react with horror to perfectly normal machines. Abandoning their cars on the roads and destroying their own factories, many flee the cities for the countryside, where they return to farming and an old-fashioned life. When families are split apart and grown-ups forget how they used to live, young people face unexpected challenges. Nicola Gore survives on her own for nineteen days before she's taken in by a Sikh family that still remembers how to farm and forge steel by hand. Margaret and Jonathan brave the cold and risk terrible punishment in order to save a man's life and lift the fog of fear and hate that's smothering their village. And Geoffrey and his little sister, Sally, escape to France only to be sent back to England on a vital mission: to make their way north to Wales, alone, and find the thing under the stones that shattered civilization--the source of the Changes. Prolific author Peter Dickinson was known for "keeping up a page-turning pace," and these adventure-packed novels are some of his most important contributions to science fiction (The Guardian).

This brilliant crime novel by CWA Gold Dagger winner Peter Dickinson is set in the Caribbean, where a researcher becomes trapped like a rodent in a maze When it comes to his rats, David Foxe is an expert. He decides when they eat, when they exercise, when they take their medicine—and when they die. For the sake of the Company, he performs all manner of experiments on his helpless subjects, testing various drugs designed to improve the animals’ nature. After a particularly grueling series of tests, he is sent on a working vacation to the Southward Islands. This Caribbean paradise is ruled by the shadowy dictator Dr. Trotter, who is said to possess demonic power and whose mother is rumored to be a witch. Foxe may be a man of science, but he now finds himself in a world governed by the occult.   When a dead body is discovered in his island laboratory, Foxe becomes the key suspect and is taken prisoner. The only way to clear his name is to carry out experiments on his fellow inmates. Amid radical insurgents, crazed prisoners, and a crumbling dictatorship, Foxe must now escape this most dangerous experiment of all.

A strange malady afflicts the children of McNair House in this British mystery featuring former Scotland Yard superintendent James Pibble, from CWA Gold Dagger winner Peter Dickinson Recently given the sack by Scotland Yard, James Pibble arrives at McNair House on a private matter, only to find that this charitable institution is not at all what it seems. The children who live here have a rare disease called cathypny, which renders them sleepy and fat. It also imbues them with special telepathic powers, which is how one boy instantly pegs Pibble as a cop. A dreamy nine-year-old named Marilyn has perceived that someone at McNair House is in mortal danger. With all the research money that’s suddenly pouring in, the pressure is on to prove that these children really are empaths; a Greek tycoon is banking on it. But Pibble is beginning to suspect the worst kind of fraud: an exploitative con game using innocent young lives as bait. And one of the children may be the target of an escaped killer obsessed with the supernatural. Now Pibble must pit his own finely honed instincts against an adversary who can see the future: a world without James Pibble. Sleep and His Brother is the 4th book in the James Pibble Mysteries, but you may enjoy reading the series in any order.

A thrilling new adventure for young adults by internationally celebrated and prizewinning author, Peter Dickinson. Nigel's father is the British ambassador in Dirzhan, a small country up among the mountains way out east. It has one foot in the middle ages and one in the age of the internet. Its national myth is called The Vengeance of the Khan. On his first morning there he settles down write his blog. He's off to a good start, invited to visit the Khan's daughter Taeela, a real princess living in a real palace. Her father rules Dirzhan with an iron fist. His people are divided into feuding clans. Half his army is not to be trusted. His palace is riddled with secret passages. Only one old man knows where they run. It isn't long before Nigel and Taeela need his help, to escape from the men who have killed her father, and then make their way through a country in turmoil, find friends up in the mountains and return with a band of followers to those haunted passages so that Taeela can re-enact that ancient myth. The vengeance of the Khan. Here is a rip-roaring adventure story, a world exotic but utterly believable, a cast of fascinating characters. In short, a story by Peter Dickinson at the top of his form.

After "Water" comes "Fire" - five stories from Robin McKinley and Peter Dickinson about the necessary yet dangerous element. In these tales, a boy and his dog are unexpected guests on a dragonrider's first flight. A slave saves his village with a fiery magic spell. A girl's new friend, the guardian of a mystical bird, is much older than he appears. A young man walks the spirit world to defeat a fireworm. A mysterious dog is a key player in an eerie graveyard showdown. These five short stories are full of magic, mystery, and wonder.
"This collection of beautifully crafted tales will find a warm welcome from fans of either author, as well as from fantasy readers in general." - "School Library Journal"

Peter Dickinson has won international acclaim for his stunning and uniquely inventive crime fiction. Now the author P. D. James calls "the true original" returns once again to prove that in his masterful hands, harrowing suspense can be found in the most unexpected places.

Paralyzed by a debilitating illness, ninety-year-old Rachel Matson has been robbed of everything but her intellect. Yet when the indomitable widow finds herself confronted by a disturbing mystery -- one that begins when a nineteenth-century pistol that belonged to her husband pops up on Antiques Roadshow -- she is determined to solve it. From the confines of her bed, with only the photographs she took long ago to guide her, Rachel begins the arduous task of teasing the past from the shadows. But what finally emerges is a tale stretching back more than half a century, a tale bearing a sordid secret and an even more devastating truth...

The New York Times Book Review calls multiple-award winner Peter Dickinson "a stylist of subtle brilliance". Always surprising and incisive, the author of The Yellow Room Conspiracy and dozens of other unique novels returns with his first new book in five years; and proves again that in his masterful hands, powerful drama and devastating secrets can be found at the heart of even the smallest mysteries.

For nearly her whole life, through most of the twentieth century, Rachel Matson saw the world through the lens of a camera, and produced stunning photographs that not only captured the moment but hinted at a greater truth. Now the ninety-year-old widow lies paralyzed, in the final stages of a debilitating illness. Yet while Rachel's body may be useless, her spirit remains indomitable, her mind razor sharp, and her eye, the trained eye of an artist, still picks up the most telling details. Together with her vast collection of photographs, these gifts are about to help her meet an extraordinary challenge, as she confronts a shattering mystery that harkens back over the decades...

On a television program that showcases heirlooms, an antique pistol that belonged to her late husband, Colonel Jocelyn Matson, turns up, leaving Rachel bewildered and then profoundly disturbed. How could the prized Ladurie -- one of a matched pair of dueling pistols she had given to him to commemorate his return from the horrors of a Japanese POW camp -- appear hundreds of miles away in the possession of a stranger?

Determined to learn the fate of Jocelyn's gun, Rachel falls back on the one thing left to her -- her intellect -- and soon begins the painful process of teasing the past from the shadows. Whatemerges from the vivid shards of her memories is a mesmerizing tale of honor, passion, and betrayal that stretches from colonial India to modern-day England ...a tale of a loving marriage interrupted by war, of a once-proud regiment of soldiers broken by unspeakable cruelty, and of a dashing officer burdened by a lurid secret.

Charged with emotion and harrowing suspense, Peter Dickinson's astonishing novel draws you in, until, as helpless as Rachel herself, you can only wait and ponder, while the missing pieces of the past are slowly brought into sharp focus, and the haunting truth at last is shockingly revealed.

In an ancient kingdom, a boy and his hawk challenge the gods All his life, Tron has been destined to join the priests who rule his strange desert kingdom. When the old king grows sick, a ritual is called for to restore his health: the sacrifice of a blue hawk, the symbol of the god Gdu. For the first time, Tron is chosen to take part in the ritual. Just before the bird is sacrificed, the young priest notices that its eyes are cloudy. The bird is sick, and to give its soul to the king would be to kill him. And so Tron steals the bird away. The priests are enraged at his disruption of the ritual. Some call for his head, but others see Tron’s potential. They give him three months to train the wild bird—three months to save its life and rescue the kingdom from the wrath of the gods.

In this gripping novel by CWA Gold Dagger winner Peter Dickinson, the survivor of a manor-house crime delves into the past to solve a mystery At the elegant English manor known as Snailwood, tourists come daily to hear decades-old gossip about the second wife of the sixth earl. Zena was a remarkable young woman whose scandalous reputation has been dimmed neither by time nor by her bizarre death. In the 1930s, Zena was the star of a notorious party set whose members included playwrights, politicians, and Nazi sympathizers. They passed wild weekends at Snailwood, arguing about politics and drinking until dawn. At the center of their parties was the manor’s magnificent tower clock. The clock stopped long ago, but the darkness of its legacy continues to spread.   When a workman offers to fix the clock for free, the only remaining survivor of the old days is forced to revisit her memories of Zena’s last mad party, when death came to Snailwood and Britain changed forever.