During their education, medical students must learn and develop the fundamental history-taking and physical examination skills to prepare them for their medical careers. In an effort to standardize the clinical evaluations of these skills, North American medical schools use Objective Structured Clinical Examinations (OSCEs). Medical students and residents perform clinical tasks with a simulated patient and the student is evaluated on the questions that are asked of the "patient” and how the physical examination is conducted. These are generally evaluated in a checklist manner, with appropriate actions receiving a checkmark. Most medical schools use this form of evaluation as early as the first year of medicine. The OSCE and Clinical Skills Handbook was designed as a study aid for medical students preparing for these examinations. It summarizes important history and physical examination skills but also presents the information in a Q & A format, designed to facilitate both individual and group study. It is a practical review for medical students of all levels. The various disorders are described in such a way as to guide the less experienced while also including a more sophisticated multi-system perspective. The OSCE and Clinical Skills Handbook will be a valuable comprehensive reference to which any level of student can return often. Emphasis on basic clinical skills facilitates learning by junior medical students. Question and answer format suitable to a variety of learning levels facilitates the learning of basic skills for junior medical students and helps senior medical students develop an approach to clinical symptomatology. Important points are presented in an easy-to-read bulleted list format. Sample OSCE Scenarios and Sample Checklists provide accurate and realistic simulations of the OSCE exam format for students. The OSCE Checklist Template enables students to construct their own sample checklists using cases from the book and helps them develop an approach to a variety of clinical scenarios. A sample in-depth OSCE case provides an opportunity for practice. The body systems approach and tabbing system provide fast and easy access to the content.

Jim Carrey and Cameron Diaz star in this '90s US comedy. After being thrown out of the Coco Bongo nightclub one sad evening, timid bank clerk Stanley Ipkiss (Carrey) happens across a powerful Norse mask in the river which transforms him into a wise-cracking, zoot-suited, green-faced superhero. With his new-found charm and powers, which include infinite malleability of his own body, Stanley chats up the gorgeous woman of his dreams, singer Tina Carlyle (Diaz), robs his own bank, outwits the cops and demolishes the local hoods. His extravagant nightly exploits attract the unwanted attention of Lt. Mitch Kellaway (Peter Riegert) and Tina's boyfriend Dorian Tyrell (Peter Greene), who is trying to exert his own control over the city.

For the British 1st Airborne Division Operation Market Garden in September 1944 was a disaster. The Division was eliminated as a fighting force with around a half of its men were captured. The Germans were faced with dealing with 6,000 prisoners in a fortnight; many of them seriously wounded. Somehow the men were processed and despatched to camps around Germany and German occupied eastern Europe. Here the men experienced the reality of the collapsing regime - little food and shrinking frontiers. Once liberated in 1945 returning former prisoners were required to complete liberation questionnaires. Some refused. Others returned before 'Operation Endor' to handle released men and their repatriation to Britain was in place. Around a third did. However the questionnaires that do exist give an picture of every day experience for the 2,357 of these elite troops' time in captivity from capture to release. They show that German procedures still operating, but that men were often treated inhumanely, when moved to camps by closed box cars and when camps were evacuated. Although their interrogators were interested in Allied aircraft and airfields, their interrogators were also concerned the effect of the new miracle weapons and with politics, how Germany would be treated after an Allied victory? Nevertheless the airborne men's morale remained high; carrying out sabotage at artificial oil plants, railway repairs, factories and mines. Some overcame their guards when being evacuated at the end of the War, in some cases joining the Resistance. They record help received from Dutch, French and German civilians.

A masterly narrative survey of three centuries, from Alexander's conquest and empire to the triumph of Rome. The book begins with the personality and achievements of Alexander the Great, and continues with the military and political violence of the successor-kingdoms that fought over his inheritance. This era saw many important developments: a shift from the oral to the written; a move from the public to the private and a new individualist ethos; a huge growth in slavery, and therefore a glut of slave-labour which destroyed the incentive to innovate; a growing gap between rich and poor; a growing taste for luxury.

This Volume contains the Keynote, Invited and Full Contributed papers presented at COMPSTAT'98. A companion volume (Payne & Lane, 1998) contains papers describing the Short Communications and Posters. COMPSTAT is a one-week conference held every two years under the auspices of the International Association of Statistical Computing, a section of the International Statistical Institute. COMPSTAT'98 is organised by IACR-Rothamsted, IACR-Long Ashton, the University of Bristol Department of Mathematics and the University of Bath Department of Mathematical Sciences. It is taking place from 24-28 August 1998 at University of Bristol. Previous COMPSTATs (from 1974-1996) were in Vienna, Berlin, Leiden, Edinburgh, Toulouse, Prague, Rome, Copenhagen, Dubrovnik, Neuchatel, Vienna and Barcelona. The conference is the main European forum for developments at the interface between statistics and computing. This was encapsulated as follows in the COMPSTAT'98 Call for Papers. Statistical computing provides the link between statistical theory and applied statistics. The scientific programme of COMPSTAT ranges over all aspects of this link, from the development and implementation of new computer-based statistical methodology through to innovative applications and software evaluation. The programme should appeal to anyone working in statistics and using computers, whether in universities, industrial companies, research institutes or as software developers.

This book addresses issues concerning the engineering of system prod ucts that make use of computing technology. These systems may be prod ucts in their own right, for example a computer, or they may be the computerised control systems inside larger products, such as factory automation systems, transportation systems and vehicles, and personal appliances such as portable telephones. In using the term engineering the authors have in mind a development process that operates in an integrated sequence of steps, employing defined techniques that have some scientific basis. Furthermore we expect the operation of the stages to be subject to controls and standards that result in a product fit for its intended purpose, both in the hands of its users and as a business venture. Thus the process must take account of a wide range of requirements relating to function, cost, size, reliabili ty and so on. It is more difficult to define the meaning of computing technology. These days this involves much more than computers and software. For example, many tasks that might be performed by software running in a general purpose computer can also be performed directly by the basic technology used to construct a computer, namely digital hardware. However, hardware need not always be digital; we live in an analogue world, hence analogue signals appear on the boundaries of our systems and it can sometimes be advantageous to allow them to penetrate further."

These works by the foremost erotic poet of the Augustan period--The Art of Love, the Amores, Cures for Love, and On Facial Treatment for Ladies--give testament to the whole spectrum of sexual behavior.

Catullus, who lived during some of the most interesting and tumultuous years of the late Roman Republic, spent his short but intense life (?84-54 B.C.E.) in high Roman society, rubbing shoulders with various cultural and political luminaries, including Caesar, Cicero, and Pompey. Catullus's poetry is by turns ribald, lyric, romantic, satirical; sometimes obscene and always intelligent, it offers us vivid pictures of the poet's friends, enemies, and lovers. The verses to his friends are bitchy, funny, and affectionate; those to his enemies are often wonderfully nasty. Many poems brilliantly evoke his passionate affair with Lesbia, often identified as Clodia Metelli, a femme fatale ten years his senior and the smart, adulterous wife of an arrogant aristocrat. Cicero later claimed she poisoned her husband. This new bilingual translation of Catullus's surviving poems by Peter Green is fresh, bawdy, and utterly engaging. Unlike its predecessors, it adheres to the principle that the rhythm of a poem, whether familiar or not, is among the most crucial elements for its full appreciation. Green provides an essay on the poet's life and literary background, a historical sketch of the politically fraught late Roman Republic in which Catullus lived, copious notes on the poems, a wide-ranging bibliography for further reading, and a full glossary.

A stunning set of Homer's epics, brilliantly translated by a leading ancient world scholar. Hailed by reviewers and readers alike, Peter Green's landmark translations of Homer's timeless epics are now available for the first time in this striking and sleekly designed collector-worthy set. With the verve and pathos of the original oral tradition, Green captures the beauty and complexity, the surging thunder and quiet lyricism, of the Iliad and the Odyssey for a new generation of readers. The translations are vivid and careful, accurate without being out of reach, while the detailed synopses and notes include perceptive observations about Homer's characters and themes. This widely acclaimed, must-have collection will be a treasured addition to every reader's bookshelf.

The so-called first war of the twenty-first century actually began more than 2,300 years ago when Alexander the Great led his army into what is now a sprawling ruin in northern Afghanistan. Frank L. Holt vividly recounts Alexander's invasion of ancient Bactria, situating in a broader historical perspective America's war in Afghanistan.

"The Argonautika, " the only surviving epic of the Hellenistic era, is a retelling of the tale of "Jason and the Golden Fleece, "probably the oldest extant Greek myth. Peter Green's lively, readable verse translation captures the swift narrative movement of Apollonios's epic Greek. This expanded paperback edition contains Green's incisive commentary, introduction, and glossary.
Alternate spelling: Argonautica, Apollonius Rhodius

Jim Carrey and Cameron Diaz star in this '90s US comedy. After being thrown out of the Coco Bongo nightclub one sad evening, timid bank clerk Stanley Ipkiss (Carrey) happens across a powerful Norse mask in the river which transforms him into a wise-cracking, zoot-suited, green-faced superhero. With his new-found charm and powers, which include infinite malleability of his own body, Stanley chats up the gorgeous woman of his dreams, singer Tina Carlyle (Diaz), robs his own bank, outwits the cops and demolishes the local hoods. His extravagant nightly exploits attract the unwanted attention of Lt. Mitch Kellaway (Peter Riegert) and Tina's boyfriend Dorian Tyrell (Peter Greene), who is trying to exert his own control over the city.

The Odyssey is vividly captured and beautifully paced in this swift and lucid new translation by acclaimed scholar and translator Peter Green. Accompanied by an illuminating introduction, maps, chapter summaries, a glossary, and explanatory notes, this is the ideal translation for both general readers and students to experience The Odyssey in all its glory. Green's version, with its lyrical mastery and superb command of Greek, offers readers the opportunity to enjoy Homer's epic tale of survival, temptation, betrayal, and vengeance with all of the verve and pathos of the original oral tradition.

In the dramatic monologues that make up "The Fourth Dimension"--especially those based on the grim history of Mycenae and its royal protagonists--the celebrated modern Greek poet Yannis Ritsos presents a timeless poetic paradigm of the condition of Greece, past and present. The volume also contains a group of modern narratives, including the famous, and much-anthologized, "Moonlight Sonata." Ritsos, rightly, regarded the "The Fourth Dimension" as his finest achievement. It is now presented to English- speaking readers for the first time in its entirety.

From "Philoctetes"

All the speeches of great men, about the dead and about heroes.
Astonishing, awesome words, pursued us even in our sleep,
slipping beneath closed doors, from the banqueting hall
where glasses and voices sparkled, and the veil
of an unseen dancer rippled silently
like a diaphanous, whirling wall
between life and death. This throbbing
our childhood nights, lightening the shadows of shields
etched on white walls by slow moonlight.

Now you can be the featured artist on and play along to six classic Peter Green tracks! In Session With Peter Green contains note-for-note transcriptions in standard notation and guitar tab, with lyrics and chord symbols. There is a breakdown and analysis of each solo, containing essential hints and tips as well as biographical notes on the music and a full discography. The CD contains full demonstration tracks of all the featured songs, full backing tracks of all the songs for you to join in with and the solo demonstrated in full and slowed down versions. There is also a backing track for the solo slowed down to practise along with.

In a 1988 conference, American and British scholars unexpectedly discovered that their ideas were converging in ways that formed a new picture of the variegated Hellenistic mosaic. That picture emerges in these essays and eloquently displays the breadth of modern interest in the Hellenistic Age.
A distrust of all ideologies has altered old views of ancient political structures, and feminism has also changed earlier assessments. The current emphasis on multiculturalism has consciously deemphasized the Western, Greco-Roman tradition, and Nubians, Bactrians, and other subject peoples of the time are receiving attention in their own right, not just as recipients of Greco-Roman culture.
History, like Herakleitos' river, never stands still. These essays share a collective sense of discovery and a sparking of new ideas--they are a welcome beginning to the reexploration of a fascinatingly complex age.

A survey of the work of Andrei Tarkovsky, the Russian film-maker who lived from 1932-1986. It is a critical examination of his films in the light of his own writings and life, his aesthetics of film, his theory of time in cinematography and an attempt to comprehend his vision.

Catullus, who lived during some of the most interesting and tumultuous years of the late Roman Republic, spent his short but intense life (?84-54 B.C.E.) in high Roman society, rubbing shoulders with various cultural and political luminaries, including Caesar, Cicero, and Pompey. Catullus's poetry is by turns ribald, lyric, romantic, satirical; sometimes obscene and always intelligent, it offers us vivid pictures of the poet's friends, enemies, and lovers. The verses to his friends are bitchy, funny, and affectionate; those to his enemies are often wonderfully nasty. Many poems brilliantly evoke his passionate affair with Lesbia, often identified as Clodia Metelli, a femme fatale ten years his senior and the smart, adulterous wife of an arrogant aristocrat. Cicero later claimed she poisoned her husband. This new bilingual translation of Catullus's surviving poems by Peter Green is fresh, bawdy, and utterly engaging. Unlike its predecessors, it adheres to the principle that the rhythm of a poem, whether familiar or not, is among the most crucial elements for its full appreciation. Green provides an essay on the poet's life and literary background, a historical sketch of the politically fraught late Roman Republic in which Catullus lived, copious notes on the poems, a wide-ranging bibliography for further reading, and a full glossary.

In the year A.D. 8, Emperor Augustus sentenced the elegant, brilliant, and sophisticated Roman poet Ovid to exile - permanently, as it turned out - at Tomis, modern Constantza, on the Romanian coast of the Black Sea. The real reason for the emperor's action has never come to light, and all of Ovid's subsequent efforts to secure either a reprieve or, at the very least, a transfer to a less dangerous place of exile failed. Two millennia later, the agonized, witty, vivid, nostalgic, and often slyly malicious poems he wrote at Tomis remain as fresh as the day they were written, a testament for exiles everywhere, in all ages. The two books of the Poems of Exile, the Lamentations (Tristia) and the Black Sea Letters (Epistulae ex Ponto), chronicle Ovid's impressions of Tomis - its appalling winters, bleak terrain, and sporadic raids by barbarous nomads - as well as his aching memories and ongoing appeals to his friends and his patient wife to intercede on his behalf. While pretending to have lost his old literary skills and even to be forgetting his Latin, in the Poems of Exile Ovid in fact displays all his virtuoso poetic talent, now concentrated on one objective: ending the exile. But his rhetorical message falls on obdurately deaf ears, and his appeals slowly lose hope. A superb literary artist to the end, Ovid offers an authentic, unforgettable panorama of the death-in-life he endured at Tomis.

One of the oldest extant works of Western literature, the Iliad is a timeless epic poem of great warriors trapped between their own heroic pride and the arbitrary, often vicious decisions of fate and the gods. Renowned scholar and acclaimed translator Peter Green captures the Iliad in all its surging thunder for a new generation of readers. Featuring an enticingly personal introduction, a detailed synopsis of each book, a wide-ranging glossary, and explanatory notes for the few puzzling in-text items, the book also includes a select bibliography for those who want to learn more about Homer and the Greek epic. This landmark translation specifically designed, like the oral original, to be read aloud will soon be required reading for every student of Greek antiquity, and the great traditions of history and literature to which it gave birth.

Until recently, popular biographers and most scholars viewed Alexander the Great as a genius with a plan, a romantic figure pursuing his vision of a united world. His dream was at times characterized as a benevolent interest in the brotherhood of man, sometimes as a brute interest in the exercise of power. Green, a Cambridge-trained classicist who is also a novelist, portrays Alexander as both a complex personality and a single-minded general, a man capable of such diverse expediencies as patricide or the massacre of civilians. Green describes his Alexander as "not only the most brilliant (and ambitious) field commander in history, but also supremely indifferent to all those administrative excellences and idealistic yearnings foisted upon him by later generations, especially those who found the conqueror, tout court, a little hard upon their liberal sensibilities." This biography begins not with one of the universally known incidents of Alexander's life, but with an account of his father, Philip of Macedonia, whose many-territoried empire was the first on the continent of Europe to have an effectively centralized government and military. What Philip and Macedonia had to offer, Alexander made his own, but Philip and Macedonia also made Alexander form an important context for understanding Alexander himself. Yet his origins and training do not fully explain the man. After he was named hegemon of the Hellenic League, many philosophers came to congratulate Alexander, but one was conspicuous by his absence: Diogenes the Cynic, an ascetic who lived in a clay tub. Piqued and curious, Alexander himself visited the philosopher, who, when asked if there was anything Alexander could do for him, made the famous reply, "Don't stand between me and the sun." Alexander's courtiers jeered, but Alexander silenced them: "If I were not Alexander, I would be Diogenes." This remark was as unexpected in Alexander as it would be in a modern leader. For the general reader, the book, redolent with gritty details and fully aware of Alexander's darker side, offers a gripping tale of Alexander's career. Full backnotes, fourteen maps, and chronological and genealogical tables serve readers with more specialized interests.

The Hellenistic Age, the three extraordinary centuries from the death of Alexander in 323 B. C. to Octavian's final defeat of Antony and Cleopatra at the Battle of Actium, has offered a rich and variegated field of exploration for historians, philosophers, economists, and literary critics. Yet few scholars have attempted the daunting task of seeing the period whole, of refracting its achievements and reception through the lens of a single critical mind. "Alexander to Actium" was conceived and written to fill that gap.
In this monumental work, Peter Green--noted scholar, writer, and critic--breaks with the traditional practice of dividing the Hellenistic world into discrete, repetitious studies of Seleucids, Ptolemies, Antigonids, and Attalids. He instead treats these successor kingdoms as a single, evolving, interrelated continuum. The result clarifies the political picture as never before. With the help of over 200 illustrations, Green surveys every significant aspect of Hellenistic cultural development, from mathematics to medicine, from philosophy to religion, from literature to the visual arts.
Green offers a particularly trenchant analysis of what has been seen as the conscious dissemination in the East of Hellenistic culture, and finds it largely a myth fueled by Victorian scholars seeking justification for a no longer morally respectable imperialism. His work leaves us with a final impression of the Hellenistic Age as a world with haunting and disturbing resemblances to our own. This lively, personal survey of a period as colorful as it is complex will fascinate the general reader no less than students and scholars.

One of the oldest extant works of Western literature, the Iliad is a timeless epic poem of great warriors trapped between their own heroic pride and the arbitrary, often vicious decisions of fate and the gods. Renowned scholar and acclaimed translator Peter Green captures the Iliad in all its surging thunder for a new generation of readers. Featuring an enticingly personal introduction, a detailed synopsis of each book, a wide-ranging glossary, and explanatory notes for the few puzzling in-text items, the book also includes a select bibliography for those who want to learn more about Homer and the Greek epic. This landmark translation - specifically designed, like the oral original, to be read aloud - will soon be required reading for every student of Greek antiquity, and the great traditions of history and literature to which it gave birth.