The issues of colonialism and imperialism have recently come to the forefront of thinking in the humanities. Disciplines such as history, literature and anthropology are taking stock of their extensive and usually unacknowledged legacy of Empire. At the same time, contemporary cultural theory has had to respond to post-colonial pressure, with its different registers and agendas. This volume ranges, geographically, from Brazil to India and South Africa, from the Andes to the Caribbean and the USA. This range is matched by a breadth of historical perspectives. Central to the whole volume is a critique of the very idea of the "postcolonial" itself. Contributors include Annie Coombes, Simon During, Peter Hulme, Neil Lazarus, David Lloyd, Anne McClintock, Zita Nunes, Benita Parry, Graham Pechey, Mary Louise Pratt, Renato Rosaldo and Gayatri Chakravorty Spivak.

First Published in 2002. Modes and categories inherited from the past no longer seem to fit the reality experienced by a new generation. 'New Accents' is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change, to stretch rather than reinforce the boundaries that currently define literature and its academic study. The present selection of papers, made from nearly two hundred published, represents in some measure the diversity of the work at the eight Essex Sociology of Literature Conferences.

Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century's end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation's unique postcolonial situation. This analysis of one nation's struggle with its coloniality allows each essay to investigate just what it means to be postcolonial.

This Norton Critical Edition includes: * The First Folio (1623) text, accompanied by the editors' preface and detailed explanatory annotations. * A rich collection of source materials by Ovid, Giovanni Pico della Mirandola, King James I, Michel de Montaigne and others centered on the play's major themes of magic, witchcraft, politics, religion, geography and travel. * Seventeen wide-ranging scholarly essays, seven of them new to the Second Edition. * Nineteen rescriptings that speak to The Tempest's enduring inspiration and provocation for writers from Thomas Heywood and Percy Bysshe Shelley to Aime Cesaire and Ted Hughes. * A Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts and criticism-helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

First Published in 2002. Modes and categories inherited from the past no longer seem to fit the reality experienced by a new generation. 'New Accents' is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change, to stretch rather than reinforce the boundaries that currently define literature and its academic study. The present selection of papers, made from nearly two hundred published, represents in some measure the diversity of the work at the eight Essex Sociology of Literature Conferences.

The British Empire drew on the talents of many remarkable figures, whose lives reveal a wonderfully rich involvement with the crucial issues of the period. In many cases they left a legacy of travel writing, novels, biography and ethnography which made important contributions to our knowledge of other cultures."Writing, Travel and Empire" explores the lives and writings of eight such figures, including Sir George Grey, Gertrude Bell, Sir Hugh Clifford, and Roger Casement. All travelled the Empire - from Grey, the renowned colonial governor who undertook dangerous journeys to the interior of Australia, to Tom Harrisson, the emaciated polymath, war hero and Arctic explorer, whose time in the New Hebrides embraced both cannibalistic rituals and a meeting with film legend Douglas Fairbanks Sr, who sought Harrisson out for a Hollywood feature about savage life.All saw themselves as writers, despite their very different approaches and interests, and each was writing against a backdrop of the impending disappearance of indigenous cultures around the world. Writing from the margins of what was shortly to become the more formalised discipline of anthropology, their work yields interesting insights into both the issues of empire and the ways in which academic disciplines define the boundaries of their subject. Embracing themes such as gender and travel, racial science, the globalisation of 'native management' and the internal colonies, and with a geographical coverage that extends from South America to Russia via Africa and the South Seas, "Writing Travel and Empire" will engage all those with an interest in cultural geography, anthropology, history, postcolonial studies, biography and travel writing.

In Cannibalism and the Colonial World, published in 1998, an international team of specialists from a variety of disciplines - anthropology, literature, art history - discusses the historical and cultural significance of western fascination with the topic of cannibalism. Addressing the image as it appears in a series of texts - popular culture, film, literature, travel writing and anthropology - the essays range from classical times to contemporary critical discourse. Cannibalism and the Colonial World examines western fascination with the figure of the cannibal and how this has impacted on the representation of the non-western world. This group of literary and anthropological scholars analyses the way cannibalism continues to exist as a term within colonial discourse and places the discussion of cannibalism in the context of postcolonial and cultural studies.

Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century's end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation's unique postcolonial situation. This analysis of one nation's struggle with its coloniality allows each essay to investigate just what it means to be postcolonial.

Remnants of Conquest offers a detailed account of the modern writers who have visited the Caribs, descendents of the supposedly fierce tribe in the West Indies who fought against European invaders for three centuries. Writers include Jean Rhys and Patrick Leigh Fermor.

In Cannibalism and the Colonial World, an international team of specialists from a variety of disciplines discusses the historical and cultural significance of Western fascination with the topic of cannibalism. Addressing the image as it appears in a series of texts--popular culture, film, literature, travel writing and anthropology--the essays range from classical times to contemporary critical discourse. This group of literary and anthropological scholars places the discussion of cannibalism in the context of postcolonial and cultural studies.

The Dinner at Gonfarone's is organised as a partial biography, covering five years in the life of the young Nicaraguan poet, Salomon de la Selva, but it also offers a literary geography of Hispanic New York (Nueva York) in the turbulent years around the First World War. De la Selva is of interest because he stands as the largely unacknowledged precursor of Latino writers like Junot Diaz and Julia Alvarez, writing the first book of poetry in English by an Hispanic author. In addition, through what he called his pan-American project, de la Selva brought together in New York writers from all over the American continent. He put the idea of trans-American literature into practice long before the concept was articulated. De la Selva's range of contacts was enormous, and this book has been made possible through discovery of caches of letters that he wrote to famous writers of the day, such as Edwin Markham and Amy Lowell, and especially Edna St Vincent Millay. Alongside de la Selva's own poetry - his book Tropical Town (1918) and a previously unknown 1916 manuscript collection - The Dinner at Gonfarone's highlights other Hispanic writing about New York in these years by poets such as Ruben Dario, Jose Santos Chocano, and Juan Ramon Jimenez, all of whom were part of de la Selva's extensive network.

W. Adolphe Roberts (1886-1962) was a prolific writer -poet, novelist, journalist, historian. As a political activist he also laid the groundwork for Jamaican independence. Finally published, 52 years after his death, his autobiography, These Many Years, offers a representative Caribbean life: rural upbringing, precocious talent, travel to the USA, literary success, adventures across the world, involvement in politics, return to Jamaica. In New York Roberts worked as a journalist and editor. However, in the mid-1930s, he made contact with Jamaican activists in Harlem and launched the Jamaica Progressive League, pioneering the movement for self-government. Moving back to Jamaica, Roberts decided against a political career, dedicating himself to studying the region and writing books such as The Caribbean: The Story of Our Sea of Destiny and Six Great Jamaicans: Biographical Sketches. Roberts' zestful account of his literary life, his open recollection of his many lovers, and his frank assessment of his political friends and enemies, including Norman Manley and Alexander Bustamante, make These Many Years a vital source for the Jamaican national story.

The Cambridge Companion to Travel Writing is a broad, specially commissioned introduction to travel writing in English between 1500 and the present. Five essays survey the period's travel writing; six more focus on areas of particular interest--Arabia, the Amazon, Ireland, Calcutta, the Congo and California, while the final three analyze some of the theoretical and cultural dimensions of this enigmatic, influential genre of writing. An extensive further reading list plus a detailed chronology are included.

The British Empire drew on the talents of many remarkable figures, whose lives reveal a wonderfully rich involvement with the crucial issues of the period. In many cases they left a legacy of travel writing, novels, biography and ethnography which made important contributions to our knowledge of other cultures."Writing, Travel and Empire" explores the lives and writings of eight such figures, including Sir George Grey, Gertrude Bell, Sir Hugh Clifford, and Roger Casement. All travelled the Empire - from Grey, the renowned colonial governor who undertook dangerous journeys to the interior of Australia, to Tom Harrisson, the emaciated polymath, war hero and Arctic explorer, whose time in the New Hebrides embraced both cannibalistic rituals and a meeting with film legend Douglas Fairbanks Sr, who sought Harrisson out for a Hollywood feature about savage life.All saw themselves as writers, despite their very different approaches and interests, and each was writing against a backdrop of the impending disappearance of indigenous cultures around the world. Writing from the margins of what was shortly to become the more formalised discipline of anthropology, their work yields interesting insights into both the issues of empire and the ways in which academic disciplines define the boundaries of their subject. Embracing themes such as gender and travel, racial science, the globalisation of 'native management' and the internal colonies, and with a geographical coverage that extends from South America to Russia via Africa and the South Seas, "Writing Travel and Empire" will engage all those with an interest in cultural geography, anthropology, history, postcolonial studies, biography and travel writing.