Peter Leonard's jaw-dropping VOICES OF THE DEAD introduced us to two mortal enemies: Holocaust survivor Harry Levin and Nazi death angel Ernst Hess. Now, their struggle reaches its dramatic conclusion in BACK FROM THE DEAD.Bahamas, 1971. Ernst Hess, missing and presumed dead, regains consciousness to find himself stuck in a hospital bed on a strange ward in a foreign country. He must do what he needs to do to get his life back and to finish the job he has been doing for decades.Harry believes he has already stopped Hess. When he finds out that the war criminal has somehow survived, Harry must do the only thing he can do - kill Hess again - even if it means crossing continents and putting his life and the lives of those that matter to him on the line.Action-packed and darkly humorous, BACK FROM THE DEAD is the unforgettable conclusion to a story that launches Peter Leonard into the pantheon of great suspense novelists.

Paulo Freire is one of the century's great thinkers on education and the politics of liberation. Known mostly for his literacy campaigns in Latin America and Africa, and for his seminal work Pedagogy of the Oppressed, his thinking continues to be rediscovered by generations of teachers, scholars, community activists and cultural workers in Europe and North America. While his name is synonymous with the practice of Critical Literacy' and A Pedagogy of Liberation', his work has been appropiated in many diverse fields of discipline and site-based projects of social reform. This volume represents a pathfinding analysis of Freires work and in many cases it offers an extension of his thinking in order to make it more applicable to first world contexts. Peter McLaren and Peter Leonard have brought together a divergent group of scholars widely recognized for their contributions to critical theory and critical pedagogy. Themes addressed include Freier's relation to feminist critique, his philosophical roots and an evaluation of his ideas from postmodernist and postcolonialist perspectives. The collection will be essential reading for anyone interested in the radical sociology of education and the politics of liberation.

Rome: McCabe and Chip, two American exchange students, are about to become embroiled with a violent street gang, a beautiful Italian girl and a flawed kidnapping plan.Detroit: Sharon Vanelli's affair with Joey Palermo, a Mafia enforcer, is about to be discovered by her husband, Ray, a secret service agent.Brilliantly plotted and shot through with wry humour, All He Saw Was the Girl takes place as these two narratives converge in the backstreets of Italy's oldest city. A thrilling ride, it once again displays Peter Leonard's genius for exploring the wrong turns that life can take.Peter Leonard's growing fan base includes greats such as Carl Hiaasen ('great storytelling') and Michael Connelly ('clever plotting and blood and guts characters'), and publications as diverse as Uncut ('sensational'), the Daily Mirror ('stunning') and the Big Issue ('brilliantly snappy').

Peter Leonard has already begun to establish himself as a distinctive, must-have voice in suspense fiction. Now he delivers his most compelling, most jaw-dropping novel yet, introducing us to a character you're not likely to forget anytime soon.The year is 1971. The place is Detroit. Harry Levin, a scrap metal dealer and Holocaust survivor, has just learned that his daughter was killed in a car accident. Traveling to Washington, DC to claim the body, he learns that the accident was caused by a German diplomat who was driving drunk. This is only the beginning of the horror for Harry, though, as he discovers that the diplomat will never face charges - he has already been released and granted immunity. Enraged and aggrieved, Harry discovers the identity of his daughter's killer, follows him to Munich, and hunts him down. What Harry finds out about the diplomat and his plans will explode his life and the lives of everyone around him.Brimming with action and dark humor, Voices of the Dead, firmly positions Peter Leonard as a writer every suspense fan needs to read.

The Dreamtime is a fusion of documentary and psychological fiction inspired by the author's experience as an international war correspondent. "Scene by scene, Chernov vividly describes battles fought in the streets, the bombing and shelling of apartments, and the dreams of those on the front lines, physically and psychologically. ... [T]his timely novel from a Ukrainian author excels at examining the connection between reality and dreams and exploring the effects of war on the human psyche." Library Journal "The Dreamtime is a dark, multi-layered, modern Ukrainian war novel. It demonstrates that war doesn't only occur on the front line, but that it quickly and relentlessly corrodes society, breaking down its structure. Chernov's dense, labored prose is tightly intertwined like blades of grass after a storm. But when engaged with, these interweaving shadows and voices gradually become clear and transparent to the reader." Serhiy Zhadan, author of The Orphanage Alluding to the Indigenous Australian concept of dreamtime, the novel offers a unique point of view on the beginning of the Russian invasion of Ukraine in 2014, through four intertwining narratives: a guilt-ridden doctor trying to exorcise his demons by exposing himself to war; a young woman tending to her ailing father as the bombs fall around them in Russian-occupied Slovyansk; a mysterious sociopath playing a cat-and-mouse game with an ex-lover; and a forensic expert solving a murder case while trying to save her marriage with a discharged soldier. As these threads unfurl, through harrowing scenes of personal and collective trauma, an enigmatic pattern emerges. The plots span in space from Ukraine's war-torn Donbas to southern Europe and southeast Asia, tied together by themes of existential conflict and the blurred line between reality and dreams. The novel was first published in Kyiv in 2020 as the focal point for a video-art exhibition on the media's role in creating public collective experiences. It was well received by critics and audiences and praised for its realism in depicting war, for its creative literary depiction of how dreams reflect the psyche, and for its masterly prose.

The relationship between gender, aging and the State in determining the material, social and psychological experiences of older people raises profoundly important questions of theory, practice and politics.

A striking new feature of the welfare systems in many Western countries is the extent to which market relations have permeated social services. Conceptions of 'risk management' now dominate the way parents and children are responded to, while new technologies aim to 'measure' their relationship with state service providers. Bureaucratic control is increasing, while resources are reduced. These factors have led to the demise of the traditional role of the social worker as one who engages with the client in a supportive encounter. Professional competence within social work is increasingly tied to 'mastering' scientific knowledge and new technical skills. The result of collaboration between authors from Canada, Britain and Australia, Social Work in a Corporate Era offers a critical overview of these developments and their implications. It provides a re-evaluation of the assumptions and practices of the critical social work tradition and explores the possibility of rebuilding an 'emancipatory' social work. The authors aim to disentangle the debate between Marxism, feminism and anti-racism, in the context of both postmodern challenges and the corporate restructuring of the welfare state. Calling for the development of a new politics of social work practice, this book addresses many of the urgent issues facing welfare state practitioners in health and social services today.

Foreword by:
Paulo Freire

A striking new feature of the welfare systems in many Western countries is the extent to which market relations have permeated social services. Conceptions of 'risk management' now dominate the way parents and children are responded to, while new technologies aim to 'measure' their relationship with state service providers. Bureaucratic control is increasing, while resources are reduced. These factors have led to the demise of the traditional role of the social worker as one who engages with the client in a supportive encounter. Professional competence within social work is increasingly tied to 'mastering' scientific knowledge and new technical skills. The result of collaboration between authors from Canada, Britain and Australia, Social Work in a Corporate Era offers a critical overview of these developments and their implications. It provides a re-evaluation of the assumptions and practices of the critical social work tradition and explores the possibility of rebuilding an 'emancipatory' social work. The authors aim to disentangle the debate between Marxism, feminism and anti-racism, in the context of both postmodern challenges and the corporate restructuring of the welfare state. Calling for the development of a new politics of social work practice, this book addresses many of the urgent issues facing welfare state practitioners in health and social services today.

Jack McCann is a high-stakes Wall Street trader who sneaks into his office early one morning to try and clear out his things and get out of dodge; he knows he's in trouble, deep legal trouble, a fact highlighted by the urgent phone calls from his boss. Outside his office window, Jack hears a booming sound, and then the worst thing imaginable. He works in the World Trade Center, and it is September 11, 2001. His wife in Connecticut, Diane, is visited the next day by a grief counselor, and then the mob, where she learns her husband owes them $750,000. Their personal bank accounts have been emptied. She's totally and utterly broke. Lost in grief and now shock, Diane soon learns her husband was not the loving spouse he appeared to be. But neither is she, owing to that Beretta she keeps tucked into her handbag. The perfect summer read, Unknown Remains boasts an exciting crime story, inventive plot twists, and a cast of rogues, who just might be using a national tragedy to cover up their own deep transgressions and greed.

Substantial federal assistance allowed GM and Chrysler to restructure their costs and improve their financial condition. Through federally-funded restructuring, GM and Chrysler reported lowering production costs and capacities by closing or idling factories, laying off employees, and reducing their debt and number of vehicle brands and models. These changes enabled both companies to report operating profits and reduce costs enough to be profitable at much lower sales levels than ever before. Nevertheless, to remain profitable, both companies must manage challenges affecting both their costs, including debt levels, and vehicle demand, such as launching products that are attractive to consumers amid rising fuel prices. This book examines the role of TARP assistance in the restructuring of the U.S. motor vehicle industry with a focus on unwinding the government stake in GMAC and Chrysler.

And Of The Service On That Station For The Suppression Of The Slave Trade, In The Years 1830-32.

Records Of A Voyage In The Ship Dryad, In 1830-32.

Records Of A Voyage In The Ship Dryad, In 1830-32.

And Of The Service On That Station For The Suppression Of The Slave Trade, In The Years 1830-32.

Peter Leonard provides an accessible analysis of debates about the crisis of the welfare state under the contemporary conditions of postmodern scepticism and the triumphs of global market capitalism. In the last two decades Western governments have sought to replace the post-war welfare compact with neo-conservative individualism. The prospects for the Left look bleak. At the same time, postmodern critique raises profound questions about the validity of a mass politics of emancipation based on the universal values of justice, reason and progress. From a critical perspective founded in Marxism and feminism, Leonard uses elements of postmodern deconstruction to consider how we might now re-think the present and future of welfare. He draws the reader into a dialogue about the implications for reconstructing welfare: of changes in ideas about the individual subject; the context of culture and racism; the organization of welfare; the nature of 'the new economy'; and the possibilities of a politics of resistance.