SEVEN LESSONS ON ARCHITECTURAL MORPHOGENESIS It is the author's fourth extensive book on drawings in architectural design. It follows the Thought Palaces (1999), Thinkink (2010) and Urban Innuendoes (2013). All these books favored drawings as compared to text, but this book has no written text at all (with the exception of the acknowledgements and the contents page). Its motto is: drawings speak in many thongs, they form the text of this book. It contains seven architectural projects, all designed by the author, and with one exception, they are all international competitions about complex and significant public buildings. None of his winning projects are among them, because the purpose of the book is to provide insights related to the secrets of the intuitive and rational process of the thoughts to matter transformation. All the freehand ink drawings are made by the author, using the "spaceprints" method. Visit the short video:

SEVEN LESSONS ON ARCHITECTURAL MORPHOGENESIS It is the author's fourth extensive book on drawings in architectural design. It follows the Thought Palaces (1999), Thinkink (2010) and Urban Innuendoes (2013). All these books favored drawings as compared to text, but this book has no written text at all (with the exception of the acknowledgements and the contents page). Its motto is: drawings speak in many thongs, they form the text of this book. It contains seven architectural projects, all designed by the author, and with one exception, they are all international competitions about complex and significant public buildings. None of his winning projects are among them, because the purpose of the book is to provide insights related to the secrets of the intuitive and rational process of the thoughts to matter transformation. All the freehand ink drawings are made by the author, using the "spaceprints" method. Visit the short video:

There are eleven different architectural design processes assembled in the book, most of them in the conceptual phase. They are done in different times, for different clients, but with the same method. The verbal text is minimal; interested persons are asked to "read" the drawings, as they progressed "as a first degree differentiation from spirit to matter." Intuition and rational thinking are attempted to be both active throughout the whole process. The depicted surfaces (the "Spaceprints") provide the opportunity to simultaneously explore, analyze, and articulate the shape of space and nonspace. Both urban (macro) and building (micro) scales are developed in tandem, which is the most important observation, and the actual reason, of the book. All ink drawings are made by the author.