The latest edition of Animal Nutrition has been updated thoroughly to provide a clear and comprehensive introduction to the science and practice of animal nutrition. This classic, market-leading text is a trusted resource for undergraduates studying Animal Science, Veterinary Science, Agriculture, Biology and Biochemistry. It is supported by key experimental evidence throughout about modern advancements in animal food nourishment, composition of foods and feeding standards for dairy and beef cattle, sheep, pigs and poultry, horses, and cats and dogs. It is split into six main sections covering: The components of food; The digestion and metabolism of nutrients; Quantifying the nutrient content of foods: digestibility, energy and protein values; The nutrient requirements of animals; The nutritional characteristics of foods; and Animal products and human nutrition. Quantitative aspects of the subject are clearly explained and illustrated by worked examples. Problems have been added to all chapters to aid student learning and the appendices include solutions to all chapter-end numeric questions. This edition includes nutritional topics related to molecular biology, the environment, and companion animals - dog and cat nutrition has been expanded. Under nutrient requirements of animals, usage of novel foods such as insects has also been added. Chapter-end summaries and questions allow students to recap and test their knowledge of the chapter topic.

In this multi-volume edition, the poetry of W.B. Yeats (1865–1939) is presented in full, with newly-established texts and detailed, wide-ranging commentary. Yeats began to write verse in the nineteenth century, and over time his own arrangements of poems repeatedly revised and rearranged both texts and canon. This edition of Yeats’s poetry presents all his verse, both published and unpublished, including a generous selection of textual variants from the many manuscript and printed sources. The edition also supplies the most extensive commentary on Yeats’s poetry to date, explaining specific references, and setting poems in their contexts; it also gives an account of the vast range of both literary and historical influences at work on the verse. The poems are presented in order of composition, and major revisions or rewritings of poems result in separate inclusions (in chronological sequence) for these writings as they were subsequently reconceived by the poet. In this second volume, the poems of Yeats’s early maturity emerge in the contexts of his engagement with Irish history and myth, along with nationalist politics; his increasing involvement with ritual magic and esoteric lore; and his turbulent, often unhappy, personal life. The poems of The Countess Kathleen and Various Legends and Lyrics (1892) reveal a poet of intense narrative power and metaphorical resource, adept at transforming miscellaneous sources into haunting and original poems. A major revision of his earlier narrative, ‘The Wanderings of Oisin’, takes place in this decade when Yeats is also taken up with the composition of elaborate and uncanny symbolic lyrics, many of them resulting from his love for Maud Gonne, that are finally collected in The Wind Among the Reeds (1899). This edition makes it possible to trace in detail Yeats’s debts to folklore and magic, alongside his involved and often difficult private and public life, in poetry of exceptional complexity and power.

In this multi-volume edition, the poetry of W.B. Yeats (1865–1939) is presented in full, with newly-established texts and detailed, wide-ranging commentary. Yeats began to write verse in the nineteenth century, and over time his own arrangements of poems repeatedly revised and rearranged both texts and canon. This edition of Yeats’s poetry presents all his verse, both published and unpublished, including a generous selection of textual variants from the many manuscript and printed sources. The edition also supplies the most extensive commentary on Yeats’s poetry to date, explaining specific references, and setting poems in their contexts; it also gives an account of the vast range of both literary and historical influences at work on the verse. The poems are presented in order of composition, and major revisions or rewritings of poems result in separate inclusions (in chronological sequence) for these writings as they were subsequently reconceived by the poet. This first volume collects Yeats’s poetry of the 1880s, from his ambitious and extensive juvenilia (including hitherto little-noticed dramatic poems) to his earliest published pieces, leading to his first substantial book of verse. The pastoral romance of classically-inflected early work like ‘The Island of Statues’ is succeeded in these years by the Irish mythic material that finds its largest canvas in the mini-epic ‘The Wanderings of Oisin’. In Yeats’s work through the 1880s, an adolescent poet’s youthful absorption in Romantic poetry is replaced by a commitment to esoteric religious speculation and Irish political nationalism. This edition allows readers to see Yeats’s emergence as a poet step by step in compelling detail in relation to his literary influences – including, significantly, the Anglo-Irish poetry of the nineteenth century. The commentary provides an extensive view of Yeats’s developing personal, cultural, and historical worlds as the poems gain in maturity and depth. From the first attempts at verse of a teenage boy to the fully accomplished writings of an original poet standing on the verge of popular success with poems such as ‘The Lake Isle of Innisfree’, Yeats’s poetry is displayed here in unprecedented fullness and detail.

Improve your use of tire imprint evidence with the work of an expert. McDonald discusses methods for examining, capturing, and recording imprints, outlines standard procedures for identification, shows how to prepare expert testimony, and provides detailed technical information helpful in identifying imprints.

In this multi-volume edition, the poetry of W.B. Yeats (1865-1939) is presented in full, with newly established texts and detailed, wide-ranging commentary. Yeats began to write verse in the nineteenth century, and over time his own arrangements of poems repeatedly revised and rearranged both texts and canon. This edition of Yeats's poetry presents all his verse, both published and unpublished, including a generous selection of textual variants from the many manuscript and printed sources. The edition also supplies the most extensive commentary on Yeats's poetry to date, explaining specific references, and setting poems in their contexts; it also gives an account of the vast range of both literary and historical influences at work on the verse. The poems are presented in order of composition, and major revisions or rewritings of poems result in separate inclusions (in chronological sequence) for these writings as they were subsequently reconceived by the poet. In this third volume, Yeats's poetry of the first decade of the twentieth century is brought into sharp focus, revealing the extent of his efforts to re-fashion a style that had already made him a well-known poet. All of the major modes in Yeats's earlier work are subject to radical re-imagining in these years, from poetic narrative founded in Irish myth, in poems such as 'Baile and Aillinn' and 'The Old Age of Queen Maeve', to the symbolist drama-poetry of The Shadowy Waters, here edited in its two (completely different) versions of 1900 and 1906. In a decade when the theatre was one of Yeats's principal concerns, his lyric poems, which were becoming increasingly explicit in personal terms, began to discover new intensities of conversational pitch and mythic resonance. Poems such as 'The Folly of Being Comforted', 'Adam's Curse', 'No Second Troy', and 'The Fascination of What's Difficult' are given close attention in this new edition, alongside topical and epigrammatic pieces that are often passed over in accounts of Yeats's development. The evolving complexities of Yeats's personal and political lives are crucial to his artistic development in these years, and the commentary gives these generous attention, showing how the poetry both feeds upon and often transcends the circumstances of its composition. The volume offers strong evidence for this decade as a crucial one in Yeats's poetic life, in which the poet created wholly new registers for his verse as well as new dimensions for his imaginative vision.

Confounding all conventional wisdom, the fertility rate in the Islamic Republic of Iran fell from around 7.0 births per woman in the early 1980s to 1.9 births per woman in 2006. That this, the largest and fastest fall in fertility ever recorded, should have occurred in one of the world's few Islamic Republics demands explanation. This book, based upon a decade of research is the first to attempt such an explanation. The book documents the progress of the fertility decline and displays its association with social and economic characteristics. It addresses an explanation of the phenomenal fall of fertility in this Islamic context by considering the relevance of standard theories of fertility transition. The book is rich in data as well as the application of different demographic methods to interpret the data. All the available national demographic data are used in addition to two major surveys conducted by the authors. Demographic description is preceded by a socio-political history of Iran in recent decades, providing a context for the demographic changes. The authors conclude with their views on the importance of specific socio-economic and political changes to the demographic transition. Their concluding arguments suggest continued low fertility in Iran.

The book is recommended to not only demographers, social scientists, and gender specialists, but also to policy makers and those who are interested in social and demographic changes in Iran and other Islamic countries in the Middle East. It is also a useful reference for demography students and researchers who are interested in applying fertility theories in designing surveys and analysing data.

A collection of new essays on the remarkable work produced by the poet Geoffrey Hill since the mid-1990s. Hill is widely recognised as the finest living English poet and the quality of his recent publications has been matched by the pace at which he produces quantities of profound and startlingly original verse. This book brings together work on Hill by figures as diverse as Rowan Williams and Christopher Ricks, along with penetrating treatments of these late writings by younger scholars, in order to provide a series of fresh perspectives on some of the finest and most challenging poetry now being written. It explores topics including physicality, death, confession, and recusancy, and also contains a large-scale bibliography of Hill's writings, which will be invaluable to all those seeking to read more widely in the work of this fascinating and exceptional figure.

'I believe that despite the enormous odds which exist, unflinching, unswerving, fierce intellectual determination, as citizens, to define the real truth of our lives and our societies is a crucial obligation which devolves upon us all. It is in fact mandatory.' Harold Pinter, English PEN President and Literature Nobel 2005 PEN - 'Poets, Essayists, Novelists' - was founded in London in 1921 to promote friendship, intellectual co-operation and exchange between writers from around the world. It has since become a worldwide network of writers, a community extended to more than 100 countries who for 100 years has worked to celebrate all literatures without exception and protect freedom of expression. What was PEN's role in shaping the very concept of human rights even before it was adopted by the United Nations in 1948? How did PEN develop fundamental ideas on free speech as well as the equality of languages and literatures? This book tells the extraordinary story of how writers from around the world placed the celebration of literature and the defence of free speech at the centre of humanity's struggle against repression and terror. From opposing book burning and the persecution of writers in Nazi Germany, to supporting dissident writers during the Cold War and campaigning for imprisoned writers in China today, PEN has worked to safeguard against all kinds of censorship and self-censorship. The extraordinary writers who have been PEN cases is a history of bravery and include Federico Garcia Lorca, Stefan Zweig, Musine Kokalari, Wole Soyinka, Salman Rushdie, Ngugi wa Thiong'o, Anna Politkovskaya, Hrant Dink and Svetlana Alexievich. Those writers' voices, and those of the many others who have battled to uphold the opening phrase of PEN's Charter - 'Literature knows no frontiers' - are still very much with us. Without them, PEN International could not have become the strong, vibrant, active movement it is today.

Peter McDonald offers a controversial reading of twentieth-century British and Irish poetry centred on six figures, all of whom are critics as well as poets: W. B. Yeats, T. S. Eliot, W. H. Auden, Louis MacNeice, Seamus Heaney, and Geoffrey Hill. Serious Poetry provocatively returns these writers to the elements of difficulty and cultural disagreement where they belong.

This collection of statutes form a reference point for the maritime, commercial and insurance litigator. It covers 35 statutes, some with a commentary and list of key cases to aid with interpretation of the statute.

Does Northern Ireland need `identity'? Does it make sense to discuss politics and literature in such terms? And what does it mean to make a connection between poetry and violence? In this controversial and original study, the Northern Irish poet and critic Peter McDonald examines the poetry of Seamus Heaney, along with work by Louis MacNeice, John Hewitt, Michael Longley, Derek Mahon, Tom Paulin, Ciaran Carson, Paul Muldoon, and others. He argues against the totalizing ambitions of identity-politics, and questions the value of nationalist assumptions, amongst both Irish and non-Irish critics, for the understanding of Northern Irish poetry. McDonald contends that a close attention to this poetry disables crude analysis and subverts political analogies in terms of `identity'. In a series of subtle and illuminating readings, Mistaken Identities shows how the best poets from Northern Ireland have made an issue of poetic form, and establishes the significance of this for post-nationalist criticism on both sides of the Irish Sea.

This collection of statutes form a reference point for the maritime, commercial and insurance litigator. It covers 35 statutes, some with a commentary and list of key cases to aid with interpretation of the statute.

In the five volumes of poetry he has published since 1989, Peter McDonald explores an intimately known territory that becomes strange: pulled out of shape by history, made unfamiliar by distance, made new by the attentive imagination. McDonald's "Collected Poems" is a sustained meditation on place and belonging, loss and love. The classical world is a haunting presence; the landscape of McDonald's poems resonates with past voices, with memories and acts of remembrance. The assured and scrupulous craft that creates the telling detail, the unsettling depth, has made him one of the most important Northern Irish writers of his generation.

In this multi-volume edition, the poetry of W.B. Yeats (1865-1939) is presented in full, with newly-established texts and detailed, wide-ranging commentary. Yeats began to write verse in the nineteenth century, and over time his own arrangements of poems repeatedly revised and rearranged both texts and canon. This edition of Yeats's poetry presents all his verse, both published and unpublished, including a generous selection of textual variants from the many manuscript and printed sources. The edition also supplies the most extensive commentary on Yeats's poetry to date, explaining specific references, and setting poems in their contexts; it also gives an account of the vast range of both literary and historical influences at work on the verse. The poems are presented in order of composition, and major revisions or rewritings of poems result in separate inclusions (in chronological sequence) for these writings as they were subsequently reconceived by the poet. This first volume collects Yeats's poetry of the 1880s, from his ambitious and extensive juvenilia (including hitherto little-noticed dramatic poems) to his earliest published pieces, leading to his first substantial book of verse. The pastoral romance of classically-inflected early work like 'The Island of Statues' is succeeded in these years by the Irish mythic material that finds its largest canvas in the mini-epic 'The Wanderings of Oisin'. In Yeats's work through the 1880s, an adolescent poet's youthful absorption in Romantic poetry is replaced by a commitment to esoteric religious speculation and Irish political nationalism. This edition allows readers to see Yeats's emergence as a poet step by step in compelling detail in relation to his literary influences - including, significantly, the Anglo-Irish poetry of the nineteenth century. The commentary provides an extensive view of Yeats's developing personal, cultural, and historical worlds as the poems gain in maturity and depth. From the first attempts at verse of a teenage boy to the fully accomplished writings of an original poet standing on the verge of popular success with poems such as 'The Lake Isle of Innisfree', Yeats's poetry is displayed here in unprecedented fullness and detail.

In this multi-volume edition, the poetry of W.B. Yeats (1865-1939) is presented in full, with newly-established texts and detailed, wide-ranging commentary. Yeats began to write verse in the nineteenth century, and over time his own arrangements of poems repeatedly revised and rearranged both texts and canon. This edition of Yeats's poetry presents all his verse, both published and unpublished, including a generous selection of textual variants from the many manuscript and printed sources. The edition also supplies the most extensive commentary on Yeats's poetry to date, explaining specific references, and setting poems in their contexts; it also gives an account of the vast range of both literary and historical influences at work on the verse. The poems are presented in order of composition, and major revisions or rewritings of poems result in separate inclusions (in chronological sequence) for these writings as they were subsequently reconceived by the poet. In this second volume, the poems of Yeats's early maturity emerge in the contexts of his engagement with Irish history and myth, along with nationalist politics; his increasing involvement with ritual magic and esoteric lore; and his turbulent, often unhappy, personal life. The poems of The Countess Kathleen and Various Legends and Lyrics (1892) reveal a poet of intense narrative power and metaphorical resource, adept at transforming miscellaneous sources into haunting and original poems. A major revision of his earlier narrative, 'The Wanderings of Oisin', takes place in this decade when Yeats is also taken up with the composition of elaborate and uncanny symbolic lyrics, many of them resulting from his love for Maud Gonne, that are finally collected in The Wind Among the Reeds (1899). This edition makes it possible to trace in detail Yeats's debts to folklore and magic, alongside his involved and often difficult private and public life, in poetry of exceptional complexity and power.

Confounding all conventional wisdom, the fertility rate in the Islamic Republic of Iran fell from around 7.0 births per woman in the early 1980s to 1.9 births per woman in 2006. That this, the largest and fastest fall in fertility ever recorded, should have occurred in one of the world s few Islamic Republics demands explanation. This book, based upon a decade of research is the first to attempt such an explanation. The book documents the progress of the fertility decline and displays its association with social and economic characteristics. It addresses an explanation of the phenomenal fall of fertility in this Islamic context by considering the relevance of standard theories of fertility transition. The book is rich in data as well as the application of different demographic methods to interpret the data. All the available national demographic data are used in addition to two major surveys conducted by the authors. Demographic description is preceded by a socio-political history of Iran in recent decades, providing a context for the demographic changes. The authors conclude with their views on the importance of specific socio-economic and political changes to the demographic transition. Their concluding arguments suggest continued low fertility in Iran.

The book is recommended to not only demographers, social scientists, and gender specialists, but also to policy makers and those who are interested in social and demographic changes in Iran and other Islamic countries in the Middle East. It is also a useful reference for demography students and researchers who are interested in applying fertility theories in designing surveys and analysing data."

The poems in The Gifts of Fortune, Peter McDonald's seventh book of poems, cover a spectrum of personal history. They go to Belfast, Oxford, and further afield; in time they visit the poet's pasts, his now, his possible futures. Autobiographical detail abounds: McDonald's experiences (as a workingclass boy in Belfast, who dreams of leaving, and a middleaged Oxford don, who dreams of going back) are filtered through a deep instinct for poetic tradition. At the heart of the book are two sequences: one, 'Mud', in which family, professional, and literary histories are combined in strictly formal, but personally unguarded, reflections on poetry, class, and privilege; and another, 'Blindness', where a series of tenline units test poetic form to (and beyond) breaking-point, in a meditation on family and suffering, disappointment and hope. Other poems return to themes of wealth and poverty, love and loss, and the alienation and puzzlement of age. Throughout the book, form is ghosted by the formless, hovering just beyond the frame; and Fortune vies with Fate, quite another force.

The rhymes in poems are important to understanding how poets write; and in the nineteenth century, rhyme conditioned the ways in which poets heard both themselves and each other writing. Sound Intentions studies the significance of rhyme in the work of Wordsworth, Keats, Tennyson, Christina Rossetti, Hopkins and other poets, including Coleridge, Byron, Elizabeth Barrett Browning, Swinburne, and Hardy. The book's stylistic reading of nineteenth-century poetry argues for Wordsworth's centrality to issues of intention and chance in poets' work, and offers a reading of the formal choices made in poetry as profoundly revealing points of intertextual relation. Sound Intentions includes detailed consideration of the critical meaning of both rhyme and repetition, bringing to bear an emphasis on form as poetry's crucial proving-ground. In a series of detailed readings of important poems, the book shows how close formal attention goes beyond critical formalism, and can become a way of illuminating poets' deepest preoccupations, doubts, and beliefs. Wordsworth's sounding of his own poetic voice, in blank verse as well as rhyme, is here taken as a model for the ways in which later nineteenth-century poets attend to the most perplexing and important voicings of their own poetic originality.

The complete first two seasons of the sitcom created by and starring Chris O'Dowd following a 12-year-old boy and his imaginary friend in a small Irish town.

Young Martin (David Rawle), the youngest member of the Moone family, has a unique outlook on life. With his imaginary friend, Seán (O'Dowd), on hand to help him, he negotiates everyday life and the troubles it brings.

This book looks at how Australia's migrant population composition is likely to change over coming decades. The book divides Australia's population into 48 countries of birth groupings and projects the birthplace populations out to 2066 according to the range of scenarios. These projections indicate a massive shift in Australia's migrant composition from a European to an Asian-dominated population over the coming decades-a change which can be interpreted as a third demographic transition. By providing detailed consideration of the implications of the changing population composition, this book is a great resource for academics, government and private sector services.

Commercial litigators frequently need to assess whether a disputed contract is valid. This book provides practitioners with an invaluable reference tool, which will enable them to navigate the complex issue of vitiation of contract.

As litigators are aware, when contractual disputes arise, many types of vitiation listed will be argued together or as alternatives to one another. This book provides a comprehensive examination of all the factors vitiating contractual consent from fraud, misrepresentation, non-disclosure, and mistake, to duress, undue influence, unconscionable bargains, and includes chapters on incapacity and unfairness. Finally, the book considers related topics, remedies and the philosophical foundations of the law in this area.

The book will be an invaluable reference tool for lawyers involved in contractual disputes, especially those preparing a case dealing specifically with the factors vitiating contractual consent. It will also be a useful reference for academics and postgraduate students of commercial law.

Peter MacDonald Eggers QC is an established and highly respected silk at 7KBW. He regularly appears before the Commercial Court and the Court of Appeal and in commercial and international arbitrations. He has published widely and teaches at University College London.

Do we want to read poetry, or just like having a few poets to talk about? The history of poetry in twentieth-century Britain and Ireland is one which ends with the assimilation of successful poets into a media culture; it is also, however, another history, one of form and authority, in which certain poets found modes and pitches of resistance to the seeming inevitabilities of their times. In this history, it is the authority of poetry (and not the media-processed poet) which is at stake in the integrity of poetic form.
Serious Poetry: Form and Authority from Yeats to Hill offers a controversial reading of twentieth-century British and Irish poetry centred on six figures, all of whom are critics as well as poets: W. B. Yeats, T. S. Eliot, W. H. Auden, Louis MacNeice, Seamus Heaney, and Geoffrey Hill. Yeats's centrality to twentieth-century poetry - and the problem many poets and critics had, or still have, with that centrality - is a major focus of the book. Serious Poetry argues that it is in the strengths, possibilities, perplexities, and certainties of the poetic form that poetry's authority in a distrustful cultural climate remains most seriously alive.

Louis MacNeice (1907-1963) is rightly regarded as one of the foremost Irish poets of this century, but he was also a distinctive, gifted, and popular playwright. This unique selection of eight of MacNeice's best-known plays, most of which were written for BBC Radio, draws on the most authoritative texts to provide a much-needed reminder of the power of his dramatic writing. All the plays are published here in authentic versions for the first time, several considerably changed, and two entirely new plays, never before published. The volume comprises MacNeice's famous The Dark Tower, published here for the first time in its third and final version; the saga play They Met on Good Friday and the parable The Mad Islands, both of which use explicitly Irish subject-matter; the stage play One for the Grave, which mercilessly satirizes television and commercialism; the epic Christopher Columbus; He Had a Date (in its second version), an experiment in radio biography; Prisoner's Progress, a prize-winning parable about an escape from a prisoner-of-war camp; and MacNeice's last play, Persons from Porlock, which traces the nemesis of an artist and was broadcast just four days before MacNeice's own death. This generous and representative selection makes available again MacNeice's entertaining and innovative Irish blend of fantasy and realism, prose and verse, and offers important new perspectives on MacNeice's poetry.