Oscar Wilde was already one of the best known literary figures in Britain when he was persuaded to turn his extraordinary talents to the theatre. Between 1891 and 1895 he produced a sequence of distinctive plays which spearheaded the dramatic renaissance of the 1890s and retain their power today.

Oscar Wilde was a courageous individualist whose path-breaking life and work were shaped in the crucible of his time and place, deeply marked by the controversies of his era. This collection of concise and illuminating articles reveals the complex relationship between Wilde's work and ideas, and contemporary contexts including Victorian feminism, aestheticism and socialism. Chapters investigate how Wilde's writing was both a resistance to and quotation of Victorian master narratives and genre codes. From performance history to film and operatic adaptations, the ongoing influence and reception of Wilde's story and work is explored, proposing not one but many Oscar Wildes. To approach the meaning of Wilde as an artist and historical figure, the book emphasises not only his ability to imagine new worlds, but also his bond to the turbulent cultural and historical landscape around him - the context within which his life and art took shape.

Harold Pinter was one of the world's leading and most controversial writers, and his impact and influence continues to grow. This Companion examines the wide range of Pinter's work - his writing for theatre, radio, television and screen, and also his highly successful work as a director and actor. Substantially updated and revised, this second edition covers the many developments in Pinter's career since the publication of the first edition, including his Nobel Prize for Literature win in 2005, his appearance in Samuel Beckett's play Krapp's Last Tape and recent productions of his plays. Containing essays written by both academics and leading practitioners, the volume places Pinter's writing within the critical and theatrical context of his time and considers its reception worldwide. Including three new essays, new production photographs, five updated and revised chapters and an extended chronology, the Companion provides fresh perspectives on Pinter's work.

Whether looking for the sources of the Nile, the Niger, or the Amazon, penetrating the Australian outback, or searching for the Northwest Passage, the Victorians were intrepid explorers, zealously expanding the limits of science and human knowledge. In "Bright Paradise," Peter Raby describes brave voyages and gives us vivid and unforgettable portraits of the larger-than-life personalities of Charles Darwin, Alfred Wallace, and Henry Bates, glorious examples of Victorian energy and confidence. He also explores wider issues such as the growth of knowledge and the spread of the empire.

Witty, provocative, and exciting in the breadth of its research, this book charts an important period of scientific advance and transforms it into a compelling narrative.

The Cambridge Companion to Oscar Wilde offers an essential introduction to one of the theater's most important and enigmatic writers. Although a general overview, the volume also offers some of the latest thinking on the dramatist and his impact on the twentieth century. Part One places Wilde's work within the cultural and historical context of his time and includes an opening essay by Wilde's grandson, Merlin Holland. Part Two looks at Wilde's essential work as playwright and general writer. The third group of essays examines the themes and factors that shaped Wilde's work and includes Wilde and his view of the Victorian woman, Wilde's sexual identities, and interpreting Wilde on stage. The volume provides a detailed chronology of Wilde's work, a bibliography for further reading, and illustrations from important productions.

Oscar Wilde was already one of the best known literary figures in Britain when he was persuaded to turn his extraordinary talents to the theatre. Between 1891 and 1895 he produced a sequence of distinctive plays which spearheaded the dramatic renaissance of the 1890s and retain their power today. The social comedies, Lady Windermere's Fan, A Woman of No Importance, and An Ideal Husband, offer a moving as well as witty dissection of society and its morals, with a sharp focus on sexual politics. By contrast, the experimental, symbolist Salome, written originally in French, was banned for public performance by the English censor. His final dramatic triumph was his `trivial' comedy for serious people, The Importance of Being Earnest' arguably the greatest farcical comedy in English. Under the General Editorship of Dr Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is a scholarly introduction and detailed annotation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Oscar Wilde was a courageous individualist whose path-breaking life and work were shaped in the crucible of his time and place, deeply marked by the controversies of his era. This collection of concise and illuminating articles reveals the complex relationship between Wilde's work and ideas, and contemporary contexts including Victorian feminism, aestheticism and socialism. Chapters investigate how Wilde's writing was both a resistance to and quotation of Victorian master narratives and genre codes. From performance history to film and operatic adaptations, the ongoing influence and reception of Wilde's story and work is explored, proposing not one but many Oscar Wildes. To approach the meaning of Wilde as an artist and historical figure, the book emphasises not only his ability to imagine new worlds, but also his bond to the turbulent cultural and historical landscape around him - the context within which his life and art took shape.

In 1858, Alfred Russel Wallace, aged thirty-five, weak with malaria, isolated in the Spice Islands, wrote to Charles Darwin: he had, he said excitedly, worked out a theory of natural selection. Darwin was aghast--his work of decades was about to be scooped. Within two weeks, his outline and Wallace's paper were presented jointly in London. A year later, with Wallace still on the opposite side of the globe, Darwin published "On the Origin of Species."

This new biography of Wallace traces the development of one of the most remarkable scientific travelers, naturalists, and thinkers of the nineteenth century. With vigor and sensitivity, Peter Raby reveals his subject as a courageous, unconventional explorer and a man of exceptional humanity. He draws more extensively on Wallace's correspondence than has any previous biographer and offers a revealing yet balanced account of the relationship between Wallace and Darwin.

Wallace lacked Darwin's advantages. A largely self-educated native of Wales, he spent four years in the Amazon in his mid-twenties collecting specimens for museums and wealthy patrons, only to lose his finds in a shipboard fire in the mid-Atlantic. He vowed never to travel again. Yet two years later he was off to the East Indies on a vast eight-year trek; here he discovered countless species and identified the point of divide between Asian and Australian fauna, 'Wallace's Line.'

After his return, he plunged into numerous controversies and published regularly until his death at the age of ninety, in 1913. He penned a classic volume on his travels, founded the discipline of biogeography, promoted natural selection, and produced a distinctive account of mind and consciousness in man. Sensitive and self-effacing, he was an ardent socialist--and spiritualist. Wallace is one of the neglected giants of the history of science and ideas. This stirring biography--the first for many years--puts him back at center stage, where he belongs.

Harold Pinter was one of the world's leading and most controversial writers, and his impact and influence continues to grow. This Companion examines the wide range of Pinter's work - his writing for theatre, radio, television and screen, and also his highly successful work as a director and actor. Substantially updated and revised, this second edition covers the many developments in Pinter's career since the publication of the first edition, including his Nobel Prize for Literature win in 2005, his appearance in Samuel Beckett's play Krapp's Last Tape and recent productions of his plays. Containing essays written by both academics and leading practitioners, the volume places Pinter's writing within the critical and theatrical context of his time and considers its reception worldwide. Including three new essays, new production photographs, five updated and revised chapters and an extended chronology, the Companion provides fresh perspectives on Pinter's work.

This book presents a complete account of the remarkable life and career of Harriet Smithson Berlioz. Peter Raby's success in this book is to bring fully and sympathetically to life the vulnerable woman and the working actress who is so generally submerged beneath the myth that was created about her. At the same time he provides a continually fascinating commentary on the theatrical and cultural history of her time: on touring troupes in Ireland; on the late Georgian theatre in London; on the different acting styles and traditions in England and France; on the economics of the theatre and the composition of the audiences; on the intellectual background to Shakespeare's belated acceptance in France; on French translations of Shakespeare and contemporary French critical essays and reviews; on the leading figures who frame Harriet's story - actors, painters, writers, and musicians (most notably, of course, Berlioz himself). Holding all together is the complex figure of Harriet - a talented actress, and who for a brief but crucial period in French cultural history became a symbol and an ideal of the new, Romantic spirit.

In 1858, aged thirty-five, weak with malaria, isolated in the remote Spice Islands, Alfred Russel Wallace wrote to Charles Darwin: he had, he said excitedly, worked out a theory of natural selection. Darwin was aghast - his work of decades was about to be scooped. Within a fortnight, his outline and Wallace's paper were presented jointly in London. A year later, with Wallace still at the opposite side of the world, On the Origin of Species was published. Wallace had none of Darwin's advantages or connections. Born in Usk, Gwent, in 1823, he left school at fourteen and in his mid-twenties spent four years in the Amazon collecting for museums and wealthy patrons, only to lose all his finds in a shipboard fire in mid-Atlantic. He vowed never to travel again. Yet two years later he was off to the East Indies, beginning an eight-year trek over thousands of miles; here he discovered countless unknown species and identified for the first time the point of divide between Asian and Australian fauna, 'Wallace's Line'.

With vigour and sensitivity, Peter Raby reveals Wallace as a courageous and unconventional explorer. After his return, he plunged into a variety of controversies, staying vital and alert until his death at the age of 90, in 1913. Gentle, self-effacing, and remarkably free from the racism that blighted so many of his contemporaries, Wallace is one of the neglected giants of the history of science and ideas.

This stirring biography - the first for many years - puts him at centre stage, where he belongs.

During the eighteenth century, theatrical writing developed as a genre. The publishing market responded to a seemingly insatiable appetite for accounts of the personalities, social lives and performances of celebrated entertainers. This series features actors who were significant in their development of new ways of performing Shakespeare.