The Nightmare On Elm Street Collection features seven films across seven discs plus a disc of bonus content.

A Nightmare On Elm Street
Nancy (Heather Langenkamp) is having grisly nightmares. Meanwhile, her high-school friends, who are having the very same dreams, are being slaughtered in their sleep by the hideous fiend of their shared nightmares. When the police ignore her explanation, she herself must confront the killer in his shadowy realm... From modern horror master Wes Craven comes a timeless shocker that remains the standard bearer for terror. Featuring Johnny Depp in his first starring role, this horror classic gave birth to one of the most infamous undead villains in cinematic history: Freddy Krueger.

A Nightmare on Elm Street 2: Freddy's Revenge
Five years have passed since Freddy Krueger (Robert Englund) was sent howling back to hell. But now, a new kid on Elm Street is being haunted every night by gruesome visions of the deadly dream stalker and if his twisted soul takes possession of the boy's body, Freddy will return from the dead to wreak bloody murder and mayhem upon the entire town.

A Nightmare On Elm Street 3: Dream Warriors
The last of the Elm Street kids are now at a psychiatric ward where Freddy haunts their dreams with unspeakable horrors. Their only hope is dream researcher and fellow survivor Nancy Thompson (Heather Langenkamp of the original Nightmare), who helps them battle the supernatural psycho on his own hellish turf.

A Nightmare On Elm Street 4: The Dream Master
Proving there's no rest for the wicked, the unspeakably evil Freddy Krueger is again resurrected from the grave to wreak havoc upon those who dare to dream. As her friends succumb one by one to Freddy's wrath, telepathically gifted Kristen embarks on a desperate mission to destroy the satanic dream stalker and release the tortured souls of his victims once and for all.

A Nightmare On Elm Street 5: The Dream Child
Unable to overpower the Dream Master who vanquished him in A Nightmare On Elm Street 4, Freddy haunts the innocent dreams of her unborn child and preys upon her friends with sheer horror. Will the child be saved from becoming Freddy's newest weapon or will the maniac again resurrect his legacy of evil?

A Nightmare On Elm Street 6: Freddy's Dead - The Final Nightmare
They tried to burn him, bury him, wash him away with holy water. Freddy hitches a ride inside some poor soul's dream to the nearest town and hey, quicker than you can say "Nine, ten, never sleep again", the dreamstalker's back in business...

A Nightmare On Elm Street 7: Wes Craven's New Nightmare
In a frightening new twist in the terror on Elm street, Wes Craven (director of the original film) finds that his dreams have begun to dictate real-life horrors for the stars of the film.

The 28th twisting installment in the DCI Alan Banks mystery series that Stephen King calls "the best now on the market." In November 1980, Nick Hartley returns home from a university lecture to find his house crawling with police. His ex-girlfriend, Alice Poole, has been found murdered, and her new boyfriend Mark Woodcroft is missing. Nick is the prime suspect. The case quickly goes cold, but Nick cannot let it go. He embarks on a career in investigative journalism, determined to find Alice's murderer--but his obsession leads him down a dangerous path. Decades later, in November 2019, an archaeologist unearths a skeleton that turns out to be far more contemporary than the Roman remains she is seeking. Detective Superintendent Alan Banks and his team are called in to investigate, but there is little to be gleaned from the remains themselves. Left with few clues, Banks and his team must rely on their wits to hunt down a killer. As the two cases unfurl, the investigations twist and turn to an explosive conclusion.

When a body is found, Banks must confront his past.

A skeleton has been unearthed. Soon the body is identified, and the horrific discovery hits the headlines.

Fourteen-year-old Graham Marshall went missing during his paper round in 1965. The police found no trace of him. His disappearance left his family shattered and his best friend, Alan Banks, full of guilt.

That friend has now become Detective Chief Inspector Alan Banks, and he is determined to bring justice for Graham. But he soon realizes that in this case the boundaries between victim and perpetrator, between law-guardian and law-breaker, are becoming increasingly blurred.

The Oxford Handbook of Contemporary British and Irish Poetry offers thirty-eight chapters of ground breaking research that form a collaborative guide to the many groupings and movements, the locations and styles, as well as concerns (aesthetic, political, cultural and ethical) that have helped shape contemporary poetry in Britain and Ireland. The book's introduction offers an anthropological participant-observer approach to its variously conflicted subjects, while exploring the limits and openness of the contemporary as a shifting and never wholly knowable category. The five ensuing sections explore: a history of the period's poetic movements; its engagement with form, technique, and the other arts; its association with particular locations and places; its connection with, and difference from, poetry in other parts of the world; and its circling around such ethical issues as whether poetry can perform actions in the world, can atone, redress, or repair, and how its significance is inseparable from acts of evaluation in both poets and readers. Though the book is not structured to feature chapters on authors thought to be canonical, on the principle that contemporary writers are by definition not yet canonical, the volume contains commentary on many prominent poets, as well as finding space for its contributors' enthusiasms for numerous less familiar figures. It has been organized to be read from cover to cover as an ever deepening exploration of a complex field, to be read in one or more of its five thematically structured sections, or indeed to be read by picking out single chapters or discussions of poets that particularly interest its individual readers.

Task Sequencing and Instructed Second Language Learning provides theoretical rationales for, and empirical studies of, the effects of sequencing language learning tasks to maximize second language learning. Examples of task sequences, and both laboratory and classroom-based research into them, are presented. This is the first collection of so far under-researched studies on the effects of task sequencing, framed within the Cognition Hypothesis of Task-based Language Teaching (TBLT) and the SSARC model for task sequencing. Perspectives include -- laboratory-based and classroom-based research designs -- implications for teacher training -- laboratory and classroom research methods -- conversational interaction -- task sequencing and Task Based Language Teaching syllabus design

Murder is only the beginning for Banks and his team . . .

The gruesome double murder at an Eastvale property developer's luxury home should be an open and shut case for Superintendent Banks and his team of detectives. There's a clear link to the notoriously vicious Albanian mafia, men who left the country suspiciously soon after the death. Then they find a cache of spy-cam videos hidden in the house - and Annie and Gerry's investigation pivots to the rape of a young girl that could cast the murders in an entirely different light.

Banks's friend Zelda, increasingly uncertain of her future in Britain's hostile environment, thinks she will be safer in Moldova hunting the men who abducted, raped and enslaved her than she is Yorkshire or London. Her search takes her back to the orphanage where it all began - but by stirring up the murky waters of the past, Zelda is putting herself in greater danger than any she's seen before.

And as the threat escalates, so does the danger for Banks and those who love Zelda . . .

Banks is back - and this time he's investigating the murder of one of his own. Detective Inspector Bill Quinn is killed by a crossbow in the tranquil grounds of a police rehabilitation centre, and compromising photos are found in his room. DCI Banks, brought in to investigate, is assailed on all sides. By Joanna Passero, the Professional Standards inspector who insists on shadowing the investigation in case of police corruption. By his own conviction that a policeman shouldn't be deemed guilty without evidence. By Annie Cabbot, back at work after six months' recuperation, and beset by her own doubts and demons. And by an English girl who disappeared in Estonia six years ago, who seems to hold the secret at the heart of this case ...

On a balmy June night, Kirsten, a young university student, is strolling home through a silent moonlit park when she is viciously attacked.

When she awakes in the hospital, she has no recollection of that brutal night. But then slowly, painfully, details reveal themselves -- dreams of two figures, one white and one black, hovering over her; snatches of a strange and haunting song; the unfamiliar texture of a rough and deadly hand ...

In another part of the country, Martha Browne arrives in a Yorkshire seaside town, posing as an author doing research for a book. But her research is of a particularly macabre variety. Who is she hunting with such deadly determination? And why?

"The First Cut" is a vivid and compelling psychological thriller, from the author of the critically acclaimed Inspector Banks series.

The Cambridge Workshops on Universal Access and Assistive Technology (CWUAAT) are a series of workshops held at a Cambridge University College every two years. The workshop theme: "Designing inclusion for real-world applications" refers to the emerging potential and relevance of the latest generations of inclusive design thinking, tools, techniques, and data, to mainstream project applications such as healthcare and the design of working environments. Inclusive Design Research involves developing tools and guidance enabling product designers to design for the widest possible population, for a given range of capabilities.

There are five main themes:

Designing for the Real-World

Measuring Demand And Capabilities

Designing Cognitive Interaction with Emerging Technologies

Design for Inclusion

Designing Inclusive Architecture

In the tradition of CWUAAT, we have solicited and accepted contributions over a wide range of topics, both within individual themes and also across the workshop's scope. We ultimately hope to generate more inter-disciplinary dialogues based on focused usage cases that can provide the discipline necessary to drive further novel research, leading to better designs. The aim is to impact industry and end-users as well governance and public design, thereby effectively reducing exclusion and difficulty in peoples' daily lives and society.
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***THE SUNDAY TIMES BESTSELLER*** Murder is only the beginning for Banks and his team . . . The gruesome double murder at an Eastvale property developer's luxury home should be an open and shut case for Superintendent Banks and his team of detectives. There's a clear link to the notoriously vicious Albanian mafia, men who left the country suspiciously soon after the death. Then they find a cache of spy-cam videos hidden in the house - and Annie and Gerry's investigation pivots to the rape of a young girl that could cast the murders in an entirely different light. Banks's friend Zelda, increasingly uncertain of her future in Britain's hostile environment, thinks she will be safer in Moldova hunting the men who abducted, raped and enslaved her than she is Yorkshire or London. Her search takes her back to the orphanage where it all began - but by stirring up the murky waters of the past, Zelda is putting herself in greater danger than any she's seen before. And as the threat escalates, so does the danger for Banks and those who love Zelda . . . 'The master of the police procedural' Mail on Sunday 'The Alan Banks mystery-suspense novels are the best series on the market. Try one and tell me I'm wrong' Stephen King

The 26th instalment of the Number One bestselling series 'The master of the police procedural' Mail on Sunday 'The Alan Banks mystery-suspense novels are the best series on the market. Try one and tell me I'm wrong' Stephen King *** A skinny young boy is found dead - his body carelessly stuffed into wheelie bin. Detective Superintendent Alan Banks and his team are called to investigate. Who is the boy, and where did he come from? Was he discarded as rubbish, or left as a warning to someone? He looks Middle Eastern, but no one on the East Side Estate has seen him before. As the local press seize upon an illegal immigrant angle, and the national media the story of another stabbing, the police are called to investigate a less newsworthy death: a middle-aged heroin addict found dead of an overdose in another estate, scheduled for redevelopment. Banks finds the threads of each case seem to be connected to the other, and to the dark side of organised crime in Eastvale. Does another thread link to his friend Zelda, who is facing her own dark side? The truth may be more complex - or much simpler - than it seems . . .

The seventeenth instalment in the Number One bestselling DCI Banks series When Karen Drew is found sitting in her wheelchair staring out to sea with her throat cut one chilly morning, DI Annie Cabbot, on loan to Eastern Area, gets lumbered with the case. Back in Eastvale, that same Sunday morning, 19-year-old Hayley Daniels is found raped and strangled in the Maze, a tangle of narrow alleys behind Eastvale's market square, after a drunken night on the town with a group of friends, and DCI Alan Banks is called in. Banks finds suspects galore, while Annie seems to hit a brick wall - until she reaches a breakthrough that spins her case in a shocking and surprising new direction, one that also involves Banks. Then another incident occurs in the Maze which seems to link the two cases in a bizarre and mysterious way. As Banks and Annie dig into the past to uncover the deeper connections, they find themselves also dealing with the emotional baggage and personal demons of their own relationship. It soon becomes clear that there are two killers in their midst, and that at any moment either one might strike again.

Bonjour Mr Inshaw is a homage by the award-winning poet Peter Robinson to David Inshaw, the celebrated painter, whom he first met during the artist's years as Creative Arts Fellow at Trinity College, Cambridge, in the mid-1970s. Largely produced in an unexpected burst of inspiration after a visit to the painter's studio early in 2019, these poems combine memories of Inshaw's paintings, or characteristic landscapes, with experiences of his company and conversation. Showing a formal flexibility and deftness characteristic of this poet's work, they reflect on the role of art in a time of political and cultural division. Presented in an en face format, Bonjour Mr Inshaw beautifully illustrates its ekphrastic encounters and allows us to reflect in turn on this contemporary example of the centuries-old dialogue between the arts of poetry and painting. `Following the visionary traditions of such quintessentially English predecessors as Samuel Palmer ... or Stanley Spencer ... Inshaw's paintings discover the mystical in what could just as easily be overlooked as the mundane.' - Rachel Campbell-Johnston, art critic for The Times `Robinson is the finest poet alive when it comes to the probing of shifts in atmosphere, momentary changes in the weather of the mind, each poem an astonishingly fine-tuned gauge for recording the pressures and processes that generate lived occasions' - Adam Piette in The Reader

'Like the Living End', an elegy occasioned by the sudden death of a school friend, is the centre-piece of this gathering of poems completed since The Returning Sky (2012), a Poetry Book Society Recommendation. Described as 'the finest poet of his generation' and 'the finest poet alive when it comes to the probing of shifts in atmosphere, mome

Wednesday's Child is the sixth novel in Peter Robinson's Inspector Banks series, following on from Past Reason Hated.

When two social workers, investigating reports of child abuse, appear at Brenda Scupham's door, her fear of authority leads her to comply meekly with their requests. Even when they say that they must take her seven-year old daughter Gemma away for tests . . .

It is only when they fail to return Gemma the following day that Brenda realizes something has gone terribly wrong.

At the same time, Banks is investigating a particularly unpleasant murder at the site of an abandoned mine. Gradually, the leads in the two cases converge, guiding Banks to one of the most truly terrifying criminals he will ever meet . . .

Wednesday's Child is followed by the seventh book in this Yorkshire-based crime series, Dry Bones That Dream.

The Retrieved Attachments in Peter Robinson's new collection are to people and places, friends and loved ones, mentor poets and artists. Deploying the full range of his gifts, these poems are characteristically responsive both to fresh encounters and evocative returns. Presented in five titled sections they revisit the landscapes of his years in Japan, find a way to tell the story of a heartbreak, return to familial locations in an unvisitable Italy, elegize or re-encounter companions and friends, and, for the final section, recover intimate senses of a locality's flora and fauna. Peter Robinson has been described as 'the finest poet of his generation' (PN Review) and 'a major English poet' (Poetry Review). Retrieved Attachments again shows why.

Designing inclusively is no longer an option for companies. It is a business essential. Global populations are getting older, legislation is increasingly prohibitive of unnecessary exclusion and consumer attitudes are beginning to change. Exclusivity is out, inclusivity is in. Research communities the world over are responding to this change in design emphasis. Conferences such as the Cambridge Workshops on Universal Access and Assistive Technology (CWUAAT) offer a forum for researchers from diverse and varied disciplines to bring their perspectives on inclusive design together. This book has been inspired by the second CWUAAT, held in Cambridge, England in March 2004. It contains chapters from an international group of leading researchers in this field. Contributions focus on the following topics: design issues for universal access and assistive technology; enabling computer access and new technologies; and, assistive technology and rehabilitation robotics. This series of conferences is aimed at a broad range of interests, with a general focus on the development of products and solutions. Numerous case studies are used to raise awareness of the challenges faced in developing truly inclusive products, along with examples of good practice for design for a more inclusive world.

An exploration of the legacy of The Waste Land on the centenary of its original publication, looking at the impact it had had upon criticism and new poetries across one hundred years. T. S. Eliot first published his long poem The Waste Land in 1922. The revolutionary nature of the work was immediately recognised, and it has subsequently been acknowledged as one of the most influential poems of the twentieth century, and as crucial for the understanding of modernism. The essays in this collection variously reflect on The Waste Land one hundred years after its original publication. At this centenary moment, the contributors both celebrate the richness of the work, its sounds and rare use of language, and also consider the poem's legacy in Britain, Ireland, and India. The work here, by an international team of writers from the UK, North America, and India, deploys a range of approaches. Some contributors seek to re-read the poem itself in fresh and original ways; others resist the established drift of previous scholarship on the poem, and present new understandings of the process of its development through its drafts, or as an orchestration on the page. Several contributors question received wisdom about the poem's immediate legacy in the decade after publication, and about the impact that it has had upon criticism and new poetries across the first century of its existence. An Introduction to the volume contextualises the poem itself, and the background to the essays. All pieces set out to review the nature of our understanding of the poem, and to bring fresh eyes to its brilliance, one hundred years on. Contributors: Rebecca Beasley, Rosinka Chaudhuri, William Davies, Hugh Haughton, Marjorie Perloff, Andrew Michael Roberts, Peter Robinson, Michael Wood.

The brilliant last novel in the number one bestselling Alan Banks crime series - by the master of the police procedural. 'The best mystery-procedural series on the market. Try one and tell me I'm wrong' STEPHEN KING Late November, 1980. Student Nick Hartley returns from a lecture to find his house full of police officers. As he discovers that his ex-girlfriend has been found murdered in a nearby park, and her new boyfriend is missing, he realises two things in quick succession: he is undoubtedly a suspect as he has no convincing alibi, and he has own suspicions as to what might have happened . . . Late November 2019. An dig near Scotch Corner unearths a skeleton that turns out to be far more recent than the Roman remains the archaeologist is looking for. Detective Superintendent Alan Banks and his team are called in and, as an investigation into the find begins, the past and the present meet with devastating consequences. 'The master of the police procedural' MAIL ON SUNDAY