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The 28th twisting installment in the DCI Alan Banks mystery series that Stephen King calls "the best now on the market." In November 1980, Nick Hartley returns home from a university lecture to find his house crawling with police. His ex-girlfriend, Alice Poole, has been found murdered, and her new boyfriend Mark Woodcroft is missing. Nick is the prime suspect. The case quickly goes cold, but Nick cannot let it go. He embarks on a career in investigative journalism, determined to find Alice's murderer--but his obsession leads him down a dangerous path. Decades later, in November 2019, an archaeologist unearths a skeleton that turns out to be far more contemporary than the Roman remains she is seeking. Detective Superintendent Alan Banks and his team are called in to investigate, but there is little to be gleaned from the remains themselves. Left with few clues, Banks and his team must rely on their wits to hunt down a killer. As the two cases unfurl, the investigations twist and turn to an explosive conclusion.
On the 25th April 1974, a coup destroyed the ranks of Portugal's fascist Estado Novo government as the Portuguese people flooded the streets of Lisbon, placing red carnations in the barrels of guns and demanding a 'land for those who work in it'. This became the Carnation Revolution - an international coalition of working class and social movements, which also incited struggles for independence in Portugal's African colonies, the rebellion of the young military captains in the national armed forces and the uprising of Portugal's long-oppressed working classes. It was through the organising power of these diverse movements that a popular-front government was instituted and Portugal withdrew from its overseas colonies. Cutting against the grain of mainstream accounts, Raquel Cardeira Varela explores the role of trade unions, artists and women in the revolution, providing a rich account of the challenges faced and the victories gained through revolutionary means.
Task Sequencing and Instructed Second Language Learning provides theoretical rationales for, and empirical studies of, the effects of sequencing language learning tasks to maximize second language learning. Examples of task sequences, and both laboratory and classroom-based research into them, are presented. This is the first collection of so far under-researched studies on the effects of task sequencing, framed within the Cognition Hypothesis of Task-based Language Teaching (TBLT) and the SSARC model for task sequencing. Perspectives include -- laboratory-based and classroom-based research designs -- implications for teacher training -- laboratory and classroom research methods -- conversational interaction -- task sequencing and Task Based Language Teaching syllabus design
The Oxford Handbook of Contemporary British and Irish Poetry offers thirty-eight chapters of ground breaking research that form a collaborative guide to the many groupings and movements, the locations and styles, as well as concerns (aesthetic, political, cultural and ethical) that have helped shape contemporary poetry in Britain and Ireland. The book's introduction offers an anthropological participant-observer approach to its variously conflicted subjects, while exploring the limits and openness of the contemporary as a shifting and never wholly knowable category. The five ensuing sections explore: a history of the period's poetic movements; its engagement with form, technique, and the other arts; its association with particular locations and places; its connection with, and difference from, poetry in other parts of the world; and its circling around such ethical issues as whether poetry can perform actions in the world, can atone, redress, or repair, and how its significance is inseparable from acts of evaluation in both poets and readers. Though the book is not structured to feature chapters on authors thought to be canonical, on the principle that contemporary writers are by definition not yet canonical, the volume contains commentary on many prominent poets, as well as finding space for its contributors' enthusiasms for numerous less familiar figures. It has been organized to be read from cover to cover as an ever deepening exploration of a complex field, to be read in one or more of its five thematically structured sections, or indeed to be read by picking out single chapters or discussions of poets that particularly interest its individual readers.
On a balmy June night, Kirsten, a young university student, is strolling home through a silent moonlit park when she is viciously attacked. When she awakes in the hospital, she has no recollection of that brutal night. But then slowly, painfully, details reveal themselves -- dreams of two figures, one white and one black, hovering over her; snatches of a strange and haunting song; the unfamiliar texture of a rough and deadly hand ... In another part of the country, Martha Browne arrives in a Yorkshire seaside town, posing as an author doing research for a book. But her research is of a particularly macabre variety. Who is she hunting with such deadly determination? And why? "The First Cut" is a vivid and compelling psychological thriller, from the author of the critically acclaimed Inspector Banks series.
Banks isn't back, and that's the problem. If DCI Alan Banks had been in his office when his old neighbour came calling, perhaps it would have turned out differently. Perhaps an innocent man would still be alive. And perhaps Banks's daughter wouldn't be on the run with a wanted man. But Banks is on holiday, blissfully unaware of the terrible chain of events set in motion by the discovery of a loaded gun in a young woman's bedroom, and his daughter's involvement with the ultimate bad boy . . .
The Cambridge Workshops on Universal Access and Assistive Technology (CWUAAT) are a series of workshops held at a Cambridge University College every two years. The workshop theme: "Designing inclusion for real-world applications" refers to the emerging potential and relevance of the latest generations of inclusive design thinking, tools, techniques, and data, to mainstream project applications such as healthcare and the design of working environments. Inclusive Design Research involves developing tools and guidance enabling product designers to design for the widest possible population, for a given range of capabilities. There are five main themes: Designing for the Real-World Measuring Demand And Capabilities Designing Cognitive Interaction with Emerging Technologies Design for Inclusion Designing Inclusive Architecture In the tradition of CWUAAT, we have solicited and accepted
contributions over a wide range of topics, both within individual
themes and also across the workshop's scope. We ultimately hope to
generate more inter-disciplinary dialogues based on focused usage
cases that can provide the discipline necessary to drive further
novel research, leading to better designs. The aim is to impact
industry and end-users as well governance and public design,
thereby effectively reducing exclusion and difficulty in peoples'
daily lives and society.
***THE SUNDAY TIMES BESTSELLER*** Murder is only the beginning for Banks and his team . . . The gruesome double murder at an Eastvale property developer's luxury home should be an open and shut case for Superintendent Banks and his team of detectives. There's a clear link to the notoriously vicious Albanian mafia, men who left the country suspiciously soon after the death. Then they find a cache of spy-cam videos hidden in the house - and Annie and Gerry's investigation pivots to the rape of a young girl that could cast the murders in an entirely different light. Banks's friend Zelda, increasingly uncertain of her future in Britain's hostile environment, thinks she will be safer in Moldova hunting the men who abducted, raped and enslaved her than she is Yorkshire or London. Her search takes her back to the orphanage where it all began - but by stirring up the murky waters of the past, Zelda is putting herself in greater danger than any she's seen before. And as the threat escalates, so does the danger for Banks and those who love Zelda . . . 'The master of the police procedural' Mail on Sunday 'The Alan Banks mystery-suspense novels are the best series on the market. Try one and tell me I'm wrong' Stephen King
As a young speechwriter in the Reagan White House, Peter Robinson was responsible for the celebrated "Mr. Gorbachev, tear down this wall" speech. He was also one of a core group of writers who became informal experts on Reagan -- watching his every move, absorbing not just his political positions, but his personality, manner, and the way he carried himself. In How Ronald Reagan Changed My Life, Robinson draws on journal entries from his days at the White House, as well as interviews with those who knew the president best, to reveal ten life lessons he learned from the fortieth president -- a great yet ordinary man who touched the individuals around him as surely as he did his millions of admirers around the world.
'Like the Living End', an elegy occasioned by the sudden death of a school friend, is the centre-piece of this gathering of poems completed since The Returning Sky (2012), a Poetry Book Society Recommendation. Described as 'the finest poet of his generation' and 'the finest poet alive when it comes to the probing of shifts in atmosphere, mome
Designing inclusively is no longer an option for companies. It is a business essential. Global populations are getting older, legislation is increasingly prohibitive of unnecessary exclusion and consumer attitudes are beginning to change. Exclusivity is out, inclusivity is in. Research communities the world over are responding to this change in design emphasis. Conferences such as the Cambridge Workshops on Universal Access and Assistive Technology (CWUAAT) offer a forum for researchers from diverse and varied disciplines to bring their perspectives on inclusive design together. This book has been inspired by the second CWUAAT, held in Cambridge, England in March 2004. It contains chapters from an international group of leading researchers in this field. Contributions focus on the following topics: design issues for universal access and assistive technology; enabling computer access and new technologies; and, assistive technology and rehabilitation robotics. This series of conferences is aimed at a broad range of interests, with a general focus on the development of products and solutions. Numerous case studies are used to raise awareness of the challenges faced in developing truly inclusive products, along with examples of good practice for design for a more inclusive world.
An exploration of the legacy of The Waste Land on the centenary of its original publication, looking at the impact it had had upon criticism and new poetries across one hundred years. T. S. Eliot first published his long poem The Waste Land in 1922. The revolutionary nature of the work was immediately recognised, and it has subsequently been acknowledged as one of the most influential poems of the twentieth century, and as crucial for the understanding of modernism. The essays in this collection variously reflect on The Waste Land one hundred years after its original publication. At this centenary moment, the contributors both celebrate the richness of the work, its sounds and rare use of language, and also consider the poem's legacy in Britain, Ireland, and India. The work here, by an international team of writers from the UK, North America, and India, deploys a range of approaches. Some contributors seek to re-read the poem itself in fresh and original ways; others resist the established drift of previous scholarship on the poem, and present new understandings of the process of its development through its drafts, or as an orchestration on the page. Several contributors question received wisdom about the poem's immediate legacy in the decade after publication, and about the impact that it has had upon criticism and new poetries across the first century of its existence. An Introduction to the volume contextualises the poem itself, and the background to the essays. All pieces set out to review the nature of our understanding of the poem, and to bring fresh eyes to its brilliance, one hundred years on. Contributors: Rebecca Beasley, Rosinka Chaudhuri, William Davies, Hugh Haughton, Marjorie Perloff, Andrew Michael Roberts, Peter Robinson, Michael Wood.
In the late nineteenth and early twentieth centuries, Japan, China, and both Tsarist Russia and later the USSR, vied for imperial dominance in Northeast Asia. In the process, they contested and at the same time adopted many of the physical and rhetorical features of Old-World imperialism, mitigated by domestic political forces and deeply ingrained cultural and historical values. With chapters written by scholars from Europe and Asia, including Russia, this collection offers new international and interdisciplinary perspectives on competitions between imperialisms in Northeast Asia in the period 1894–1953, exploring encounters between old rivals and new protagonists. Bringing together specialists from different disciplines and drawing on newly discovered and hard-to-access sources, it presents a uniquely comparative and holistic perspective on the symbiotic relationships between these regional powers and resistance to them. The contributors focus on four key areas: ideology, rivalry and territoriality, social factors, and visual representations. A valuable resource for students and scholars of modern Northeast Asian history, and highly pertinent to understanding the imperial posturing between some of the same protagonists today.
Poetry & Money: A Speculation is a study of relationships between poets, poetry, and money from Chaucer to contemporary times. It begins by showing how trust is essential to the creation of value in human exchange, and how money can, depending on conditions, both enable and disable such trustfully collaborative generations of value. Drawing upon a vast range of poetry for its exemplifications, the book includes studies of poetic hardship, religious verse and debt redeeming, the South Sea Bubble and the economic revolution, debates over metallic and paper currency in the eighteenth and nineteenth centuries, as well as modernist struggles with the gold standard, depression, inflation, and the realised groundlessness of exchange value. With its practitioner's attention to the minutiae of poetic technique, it considers analogies between words and coins, and between poetic rhythm and the circulation of currencies in an economy. Through its close readings of poems over many centuries directly or indirectly engaged with money, it proposes ways in which, while we cannot escape monetary economies, we can resist, to some extent, being ensnared and diminished by them - through a fresh understanding of values money may serve to enable, but ones which are nevertheless beyond price.
When Roy Fisher told Gael Turnbull in 1960 that he had 'started writing like mad' and produced 'a sententious prose book, about the length of a short novel, called the Citizen' he was registering a sea change in his work, finding a mode to express his almost visceral connection with Birmingham in a way that drew on his sensibility and a wealth of materials that could last a lifetime. Much later in his career he would say that 'Birmingham is what I think with.' This 'melange of evocation, maundering, imagining, fiction and autobiography,' as he called it, was written 'so as to be able to have a look at myself & see what I think.' All that was known of this work before Fisher's death in 2017 is that fragments from it had been used as the prose sections in City and that - never otherwise published - it was thought not to have survived. This proved not to be the case, and in The Citizen and the Making of City, Peter Robinson, the poet's literary executor, has edited the breakthrough fragment and placed it in conjunction with the first 1961 published version of Fisher's signature collage of poetry and prose, along with a never published longer manuscript of it found among the poet's archive at the University of Sheffield, and some previously unpublished poems that were considered for inclusion during the complex evolution of the work that Robinson tracks in his introduction. By offering in a single publication the definitive 1969 text, two variant versions of City, its prose origins in The Citizen and continuation in Then Hallucinations, as well as some of the poetry left behind, this landmark publication offers a unique insight into Roy Fisher's most emblematic work. It is supplemented with an anthology of Fisher's own comments on City and a secondary bibliography of criticism on his profound response to changes wrought upon England's industrial cities in the middle of the 20th century.
In Poetry & Translation the acclaimed poet and translator Peter Robinson examines the activity of translation practised by poets and others, and the way in which the various practices of translating have continued in parallel with the writing of original poetry. While some attention is paid to classic statements of the translator's cultural role, readers should not expect to find formalized theoretical debate along the lines already developed in translation studies courses and their teaching handbooks. Instead, Poetry & Translation seeks to raise issues and matters for discussion - not to close them down. The aim of the book is to increase knowledge of, and thought about, the interactive processes of reading and writing poetry composed in mother tongues and in translations. Poetry & Translation will be of value to all devoted readers and students of poetry or translation, to students involved in classical and modern languages, and to those taking part in creative writing courses, whether as students or as teachers.
Former London policeman Alan Banks relocated to Yorkshire seeking some small measure of peace. But depravity and violence are not unique to large cities. His new venue, the quaint little village of Eastvale, seems to have more than its fair share of malefactors, among them a brazen Peeping Tom who hides in night's shadows spying on attractive, unsuspecting ladies as they prepare for bed. And when an elderly woman is found brutally slain in her home, Chief Inspector Banks wonders if the voyeur has increased the intensity of his criminal activities. But whether related or not, perverse local acts and murderous ones are combining to profoundly touch Banks's suddenly vulnerable personal life, forcing a dedicated law officer to make hard choices he'd dearly hoped would never be necessary.
‘The Alan Banks mystery-suspense novels are the best series on the market. Try one and tell me I'm wrong’ Stephen King Gallows View is the first novel in Peter Robinson's bestselling Inspector Banks series. NEW TOWN. NEW CASES. NEW DANGER. Detective Chief Inspector Alan Banks has recently relocated with his family to the Yorkshire Dales from stressful London but soon finds that life in the countryside is not quite as idyllic as he had imagined. Three cases come to the fore: a voyeur is terrorizing the women of Eastvale. Two thugs are breaking into homes, and an old woman is dead, possibly murdered. As the tension mounts, Banks must also deal with his attraction to a young psychologist Jenny Fuller, and when both Jenny and Banks's wife are drawn deeper into events Banks realizes that his cases are weaving closer and closer together . . . Gallows View is followed by A Dedicated Man in the Inspector Banks series.
This book examines the working lives, retirement plans, and old age experiences of three generations of gay men born 1924-86. It draws on data collected from interviews with 82 men in Australia, England, New Zealand, and USA. The first half of the book concentrates on the men's working lives, while the second half of the book explores the interviewees' concerns about old age and retirement. The author analyses the men's contrasting stories, highlighting key generational differences in their experience of being 'out' in the workplace and the dominant work narratives which emerge in each age group. This important work will have cross-disciplinary appeal to scholars of sociology, gerontology, health sciences, gender, queer, and gay and lesbian studies, as well as practitioners. |
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