The brilliant new novel in the number one bestselling Alan Banks crime series - by the master of the police procedural.

Late November, 1980. Student Nick Hartley returns from a lecture to find his house full of police officers. As he discovers that his ex-girlfriend has been found murdered in a nearby park, and her new boyfriend is missing, he realises two things in quick succession: he is undoubtedly a suspect as he has no convincing alibi, and he has own suspicions as to what might have happened . . .

Late November 2019. An dig near Scotch Corner unearths a skeleton that turns out to be far more recent than the Roman remains the archaeologist is looking for. Detective Superintendent Alan Banks and his team are called in and, as an investigation into the find begins, the past and the present meet with devastating consequences.

The 28th twisting installment in the DCI Alan Banks mystery series that Stephen King calls "the best now on the market." In November 1980, Nick Hartley returns home from a university lecture to find his house crawling with police. His ex-girlfriend, Alice Poole, has been found murdered, and her new boyfriend Mark Woodcroft is missing. Nick is the prime suspect. The case quickly goes cold, but Nick cannot let it go. He embarks on a career in investigative journalism, determined to find Alice's murderer--but his obsession leads him down a dangerous path. Decades later, in November 2019, an archaeologist unearths a skeleton that turns out to be far more contemporary than the Roman remains she is seeking. Detective Superintendent Alan Banks and his team are called in to investigate, but there is little to be gleaned from the remains themselves. Left with few clues, Banks and his team must rely on their wits to hunt down a killer. As the two cases unfurl, the investigations twist and turn to an explosive conclusion.

The brilliant last novel in the number one bestselling Alan Banks crime series - by the master of the police procedural. 'The best mystery-procedural series on the market. Try one and tell me I'm wrong' STEPHEN KING Late November, 1980. Student Nick Hartley returns from a lecture to find his house full of police officers. As he discovers that his ex-girlfriend has been found murdered in a nearby park, and her new boyfriend is missing, he realises two things in quick succession: he is undoubtedly a suspect as he has no convincing alibi, and he has own suspicions as to what might have happened . . . Late November 2019. An dig near Scotch Corner unearths a skeleton that turns out to be far more recent than the Roman remains the archaeologist is looking for. Detective Superintendent Alan Banks and his team are called in and, as an investigation into the find begins, the past and the present meet with devastating consequences. 'The master of the police procedural' MAIL ON SUNDAY

'Like the Living End', an elegy occasioned by the sudden death of a school friend, is the centre-piece of this gathering of poems completed since The Returning Sky (2012), a Poetry Book Society Recommendation. Described as 'the finest poet of his generation' and 'the finest poet alive when it comes to the probing of shifts in atmosphere, mome

On a balmy June night, Kirsten, a young university student, is strolling home through a silent moonlit park when she is viciously attacked.

When she awakes in the hospital, she has no recollection of that brutal night. But then slowly, painfully, details reveal themselves -- dreams of two figures, one white and one black, hovering over her; snatches of a strange and haunting song; the unfamiliar texture of a rough and deadly hand ...

In another part of the country, Martha Browne arrives in a Yorkshire seaside town, posing as an author doing research for a book. But her research is of a particularly macabre variety. Who is she hunting with such deadly determination? And why?

"The First Cut" is a vivid and compelling psychological thriller, from the author of the critically acclaimed Inspector Banks series.

The Cambridge Workshops on Universal Access and Assistive Technology (CWUAAT) are a series of workshops held at a Cambridge University College every two years. The workshop theme: "Designing inclusion for real-world applications" refers to the emerging potential and relevance of the latest generations of inclusive design thinking, tools, techniques, and data, to mainstream project applications such as healthcare and the design of working environments. Inclusive Design Research involves developing tools and guidance enabling product designers to design for the widest possible population, for a given range of capabilities.

There are five main themes:

Designing for the Real-World

Measuring Demand And Capabilities

Designing Cognitive Interaction with Emerging Technologies

Design for Inclusion

Designing Inclusive Architecture

In the tradition of CWUAAT, we have solicited and accepted contributions over a wide range of topics, both within individual themes and also across the workshop's scope. We ultimately hope to generate more inter-disciplinary dialogues based on focused usage cases that can provide the discipline necessary to drive further novel research, leading to better designs. The aim is to impact industry and end-users as well governance and public design, thereby effectively reducing exclusion and difficulty in peoples' daily lives and society.
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Water is a welcome element in any garden, having the power to both soothe and excite. Combined with rock, it brings a whole new dimension to garden design. This book explains how to create beautiful rock pools, ponds, gravel gardens, wildlife pools and bog gardens, and shows how to use bridges, decking, stepping stones, islands and lighting. A plant directory provides information on waterlilies, deep-water aquatics, oxygenating and free-floating plants, as well as trees, shrubs, ornamental grasses, ferns and alpines. For keen fish keepers, there is a section on buying and introducing fish, plus a final section on care and maintenance, which explains all you need to know to keep your rock and water garden in top condition. Whether your dream is a simple rock-edged pool or a cobble fountain, this book is perfect for all gardeners.

***THE SUNDAY TIMES BESTSELLER*** Murder is only the beginning for Banks and his team . . . The gruesome double murder at an Eastvale property developer's luxury home should be an open and shut case for Superintendent Banks and his team of detectives. There's a clear link to the notoriously vicious Albanian mafia, men who left the country suspiciously soon after the death. Then they find a cache of spy-cam videos hidden in the house - and Annie and Gerry's investigation pivots to the rape of a young girl that could cast the murders in an entirely different light. Banks's friend Zelda, increasingly uncertain of her future in Britain's hostile environment, thinks she will be safer in Moldova hunting the men who abducted, raped and enslaved her than she is Yorkshire or London. Her search takes her back to the orphanage where it all began - but by stirring up the murky waters of the past, Zelda is putting herself in greater danger than any she's seen before. And as the threat escalates, so does the danger for Banks and those who love Zelda . . . 'The master of the police procedural' Mail on Sunday 'The Alan Banks mystery-suspense novels are the best series on the market. Try one and tell me I'm wrong' Stephen King

The Retrieved Attachments in Peter Robinson's new collection are to people and places, friends and loved ones, mentor poets and artists. Deploying the full range of his gifts, these poems are characteristically responsive both to fresh encounters and evocative returns. Presented in five titled sections they revisit the landscapes of his years in Japan, find a way to tell the story of a heartbreak, return to familial locations in an unvisitable Italy, elegize or re-encounter companions and friends, and, for the final section, recover intimate senses of a locality's flora and fauna. Peter Robinson has been described as 'the finest poet of his generation' (PN Review) and 'a major English poet' (Poetry Review). Retrieved Attachments again shows why.

In the late nineteenth and early twentieth centuries, Japan, China, and both Tsarist Russia and later the USSR, vied for imperial dominance in Northeast Asia. In the process, they contested and at the same time adopted many of the physical and rhetorical features of Old-World imperialism, mitigated by domestic political forces and deeply ingrained cultural and historical values. With chapters written by scholars from Europe and Asia, including Russia, this collection offers new international and interdisciplinary perspectives on competitions between imperialisms in Northeast Asia in the period 1894–1953, exploring encounters between old rivals and new protagonists. Bringing together specialists from different disciplines and drawing on newly discovered and hard-to-access sources, it presents a uniquely comparative and holistic perspective on the symbiotic relationships between these regional powers and resistance to them. The contributors focus on four key areas: ideology, rivalry and territoriality, social factors, and visual representations. A valuable resource for students and scholars of modern Northeast Asian history, and highly pertinent to understanding the imperial posturing between some of the same protagonists today.

As a young speechwriter in the Reagan White House, Peter Robinson was responsible for the celebrated "Mr. Gorbachev, tear down this wall" speech. He was also one of a core group of writers who became informal experts on Reagan -- watching his every move, absorbing not just his political positions, but his personality, manner, and the way he carried himself. In How Ronald Reagan Changed My Life, Robinson draws on journal entries from his days at the White House, as well as interviews with those who knew the president best, to reveal ten life lessons he learned from the fortieth president -- a great yet ordinary man who touched the individuals around him as surely as he did his millions of admirers around the world.

When Roy Fisher told Gael Turnbull in 1960 that he had 'started writing like mad' and produced 'a sententious prose book, about the length of a short novel, called the Citizen' he was registering a sea change in his work, finding a mode to express his almost visceral connection with Birmingham in a way that drew on his sensibility and a wealth of materials that could last a lifetime. Much later in his career he would say that 'Birmingham is what I think with.' This 'melange of evocation, maundering, imagining, fiction and autobiography,' as he called it, was written 'so as to be able to have a look at myself & see what I think.' All that was known of this work before Fisher's death in 2017 is that fragments from it had been used as the prose sections in City and that - never otherwise published - it was thought not to have survived. This proved not to be the case, and in The Citizen and the Making of City, Peter Robinson, the poet's literary executor, has edited the breakthrough fragment and placed it in conjunction with the first 1961 published version of Fisher's signature collage of poetry and prose, along with a never published longer manuscript of it found among the poet's archive at the University of Sheffield, and some previously unpublished poems that were considered for inclusion during the complex evolution of the work that Robinson tracks in his introduction. By offering in a single publication the definitive 1969 text, two variant versions of City, its prose origins in The Citizen and continuation in Then Hallucinations, as well as some of the poetry left behind, this landmark publication offers a unique insight into Roy Fisher's most emblematic work. It is supplemented with an anthology of Fisher's own comments on City and a secondary bibliography of criticism on his profound response to changes wrought upon England's industrial cities in the middle of the 20th century.

Designing inclusively is no longer an option for companies. It is a business essential. Global populations are getting older, legislation is increasingly prohibitive of unnecessary exclusion and consumer attitudes are beginning to change. Exclusivity is out, inclusivity is in. Research communities the world over are responding to this change in design emphasis. Conferences such as the Cambridge Workshops on Universal Access and Assistive Technology (CWUAAT) offer a forum for researchers from diverse and varied disciplines to bring their perspectives on inclusive design together. This book has been inspired by the second CWUAAT, held in Cambridge, England in March 2004. It contains chapters from an international group of leading researchers in this field. Contributions focus on the following topics: design issues for universal access and assistive technology; enabling computer access and new technologies; and, assistive technology and rehabilitation robotics. This series of conferences is aimed at a broad range of interests, with a general focus on the development of products and solutions. Numerous case studies are used to raise awareness of the challenges faced in developing truly inclusive products, along with examples of good practice for design for a more inclusive world.

Bonjour Mr Inshaw is a homage by the award-winning poet Peter Robinson to David Inshaw, the celebrated painter, whom he first met during the artist's years as Creative Arts Fellow at Trinity College, Cambridge, in the mid-1970s. Largely produced in an unexpected burst of inspiration after a visit to the painter's studio early in 2019, these poems combine memories of Inshaw's paintings, or characteristic landscapes, with experiences of his company and conversation. Showing a formal flexibility and deftness characteristic of this poet's work, they reflect on the role of art in a time of political and cultural division. Presented in an en face format, Bonjour Mr Inshaw beautifully illustrates its ekphrastic encounters and allows us to reflect in turn on this contemporary example of the centuries-old dialogue between the arts of poetry and painting. `Following the visionary traditions of such quintessentially English predecessors as Samuel Palmer ... or Stanley Spencer ... Inshaw's paintings discover the mystical in what could just as easily be overlooked as the mundane.' - Rachel Campbell-Johnston, art critic for The Times `Robinson is the finest poet alive when it comes to the probing of shifts in atmosphere, momentary changes in the weather of the mind, each poem an astonishingly fine-tuned gauge for recording the pressures and processes that generate lived occasions' - Adam Piette in The Reader

On the 25th April 1974, a coup destroyed the ranks of Portugal's fascist Estado Novo government as the Portuguese people flooded the streets of Lisbon, placing red carnations in the barrels of guns and demanding a 'land for those who work in it'. This became the Carnation Revolution - an international coalition of working class and social movements, which also incited struggles for independence in Portugal's African colonies, the rebellion of the young military captains in the national armed forces and the uprising of Portugal's long-oppressed working classes. It was through the organising power of these diverse movements that a popular-front government was instituted and Portugal withdrew from its overseas colonies. Cutting against the grain of mainstream accounts, Raquel Cardeira Varela explores the role of trade unions, artists and women in the revolution, providing a rich account of the challenges faced and the victories gained through revolutionary means.

Task Sequencing and Instructed Second Language Learning provides theoretical rationales for, and empirical studies of, the effects of sequencing language learning tasks to maximize second language learning. Examples of task sequences, and both laboratory and classroom-based research into them, are presented. This is the first collection of so far under-researched studies on the effects of task sequencing, framed within the Cognition Hypothesis of Task-based Language Teaching (TBLT) and the SSARC model for task sequencing. Perspectives include -- laboratory-based and classroom-based research designs -- implications for teacher training -- laboratory and classroom research methods -- conversational interaction -- task sequencing and Task Based Language Teaching syllabus design

This book explains the negotiations on an international framework for trade in services, undertaken in the Group of Negotiations on Services of the Uruguay Round, and the international discussions on transborder data flows and telecommunication regulation in a number of international fora.

Former London policeman Alan Banks relocated to Yorkshire seeking some small measure of peace. But depravity and violence are not unique to large cities. His new venue, the quaint little village of Eastvale, seems to have more than its fair share of malefactors, among them a brazen Peeping Tom who hides in night's shadows spying on attractive, unsuspecting ladies as they prepare for bed. And when an elderly woman is found brutally slain in her home, Chief Inspector Banks wonders if the voyeur has increased the intensity of his criminal activities. But whether related or not, perverse local acts and murderous ones are combining to profoundly touch Banks's suddenly vulnerable personal life, forcing a dedicated law officer to make hard choices he'd dearly hoped would never be necessary.

‘The Alan Banks mystery-suspense novels are the best series on the market. Try one and tell me I'm wrong’ Stephen King

Gallows View is the first novel in Peter Robinson's bestselling Inspector Banks series.

NEW TOWN. NEW CASES. NEW DANGER.

Detective Chief Inspector Alan Banks has recently relocated with his family to the Yorkshire Dales from stressful London but soon finds that life in the countryside is not quite as idyllic as he had imagined.

Three cases come to the fore: a voyeur is terrorizing the women of Eastvale. Two thugs are breaking into homes, and an old woman is dead, possibly murdered. As the tension mounts, Banks must also deal with his attraction to a young psychologist Jenny Fuller, and when both Jenny and Banks's wife are drawn deeper into events Banks realizes that his cases are weaving closer and closer together . . .

Gallows View is followed by A Dedicated Man in the Inspector Banks series.

This book examines the working lives, retirement plans, and old age experiences of three generations of gay men born 1924-86. It draws on data collected from interviews with 82 men in Australia, England, New Zealand, and USA. The first half of the book concentrates on the men's working lives, while the second half of the book explores the interviewees' concerns about old age and retirement. The author analyses the men's contrasting stories, highlighting key generational differences in their experience of being 'out' in the workplace and the dominant work narratives which emerge in each age group. This important work will have cross-disciplinary appeal to scholars of sociology, gerontology, health sciences, gender, queer, and gay and lesbian studies, as well as practitioners.