Baile Átha Cliath, sa bhliain 1972. Déagóirí is ea Ruaidí agus Pancho, a rugadh is a tógadh i gceantar an Phoirt Thuaidh. Tá Ruaidí ag barr an ranga, agus tá sé sármhaith ag an mata. Bua eile ar fad atá ag Pancho – suimeanna airgid a aimsiú, seachas suimeanna a dhéanamh. Tá tuismitheoirí Ruaidí i mbun an Chomhair Chreidmheasa áitiúil. Bíonn athair Pancho i mbun drabhláis i dtithe tábhairne na cathrach gach lá pá. Tá difear lá agus oíche idir saol na mbuachaillí, ach is dlúthchairde iad mar sin féin. Lá, agus é ag seachadadh nuachtán mar is gnách, siúlann Ruaidí isteach san áit a ndearnadh robáil. Is amhlaidh a bhris gadaithe isteach i dteach ‘chailleacha an Phoirt Thoir’, beirt deirfiúracha aosta. Ach d’fhág na gadaithe airgead ina ndiaidh. Tá rogha mhór le déanamh ag Ruaidí agus Pancho... The city is Dublin, the year is 1972. Redser and Pancho are two teenagers from the North Wall. Redser is top of the class, especially good at maths. Pancho's knack is for finding money, not adding or subtracting it. Redser's parents run the local credit union. Pancho's dad runs riot in the city pubs on pay day. The boys' worlds could not be further apart. Yet the pair are the best of friends. One day, on his regular paper round, Redser stumbles upon the aftermath of a crime. Two elderly sisters, 'the East Wall witches', have been burgled. But the robbers haven't taken all the money. Redser and Pancho are about to face their biggest dilemma ever...

The Lilliput Press is proud to reissue this iconic view of Dublin’s northside docks area in the 1980s, which comprises Ronan Sheehan’s text and over 50 black and white photographs by Brendan Walsh. Widely regarded as one of the finest studies of Dublin during this period, The Heart Of The City was taught in UCD and Trinity and to students of Urban Folklore. This edition features a revised introduction by Sheriff Street-born writer and actor Peter Sheridan. Dublin film-director John Carney (Bachelor’s Walk, Once, Begin Again) writes a new foreword. More poignant still in the aftermath of The Celtic Tiger, this is a remarkable portrait of a people and city so badly affected by the catastrophic collapse of employment on the docks in the 1960s and by irresponsible urban planning

With 380 brilliant photos and engaging text, this book presents some 300 of the rarest and most beautiful radios ever made for home or workplace. The advent of the small, mantle or tabletop radio in 1930 gave a huge impetus to the spread of radio, not only allowing multiple sets in the home, but changing the listener from the family to the individual. This book highlights a small subset of tube (valve) radios that incorporated new styling, materials, and approaches to consumer marketing in the 1930s and 1940s. Until now they have been underrated by many radio enthusiasts, and largely unrecognized in the world of Art Deco and Industrial Design. The radios of 35 industrial designers, including the luminaries of streamlining in the USA and UK (Loewy, Bel Geddes, Teague, Van Doren, Vassos, Coates, and Chermayeff) are identified and examples from 15 countries are stunningly displayed.