Since his death, the writings of Carl Schmitt (1888-1985) have been debated, cited, and adopted by political and legal thinkers on both the left and right with increasing frequency, though not without controversy given Schmitt's unwavering support for National Socialism before and during World War II. In Perilous Futures, Peter Uwe Hohendahl calls for critical scrutiny of Schmitt's later writings, the work in which Schmitt wrestles with concerns that retain present-day relevance: globalization, asymmetrical warfare, and the shifting international order. Hohendahl argues that Schmitt's work seems to offer solutions to these present-day issues, although the ambiguity of his beliefs means that Schmitt's later work is a problematic guide. Focusing on works Schmitt published after the war-including The Nomos of the Earth, Theory of the Partisan and Political Theology II-as well as his posthumously published diaries, Hohendahl reads these works critically against the backdrop of their biographical and historical contexts, he charts the shift in Schmitt's perspective from a German nationalist focus to a European and then international agenda, while attending to both the conceptual and theoretical continuities with his prewar work and addressing the tension between the specific circumstances in which Schmitt was writing and the later international appropriation. Crossing disciplines of history, political theory, international relations, German studies, and political philosophy, Hohendahl brings Schmitt's later writings into contemporary discourse and forces us to reexamine what we believe about Carl Schmitt.

The retirement of the distinguished philosopher Jurgen Habermas from his chair at the University of Frankfurt signalled an important caesura in the history of Critical Theory: the transition from the Habermasian project, to different forms of inquiry in the work of the next generation. This change-over happens at a time when it has become clear that Habermas's systematic exploration of communicative rationality has reached the point where both its achievements and its limitations had become evident. The essays collected in this volume address the problems connected with this transition, partly by returning to the insights of the first generation (Adorno and Benjamin), partly by focusing on questions raised by Habermas's work. Whatever the difference in the authors' positions, this collection gains its unity through their common interest in the significance and value of Critical Theory today and in its future as a philosophical project.

The recent retirement, from his chair at the University of Frankfurt, of the distinguished philosopher Jurgen Habermas, signalled an important caesura in the history of Critical Theory: the transition from the Habermasian project, to different forms of inquiry in the work of the next generation. This change-over happens at a time when it has become clear that Habermas's systematic exploration of communicative rationality has reached the point where both its achievements and its limitations had become evident. The essays collected in this volume address the problems connected with this transition, partly by returning to the insights of the first generation (Adorno and Benjamin), partly by focusing on questions raised by Habermas's work. Whatever the difference in the authors' positions, this collection gains its unity through their common interest in the significance and value of Critical Theory today and in its future as a philosophical project.

Across a spectrum of academic disciplines, the topic of globalization is at the forefront of contemporary efforts to understand a dynamically changing world society. How might critical social theory respond creatively to the challenge of thinking and theorizing globalization in its full complexity? Globalizing Critical Theory collects essays by scholars at the forefront of Critical Theory as they confront this timely topic. This book offers readers a chance to see contemporary Critical Theory in its full range-from political analyses of a global public sphere, critical race theory, and the politics of memory, to aesthetics and media studies. It includes crucial new essays by JYrgen on the transformations of the global order in the wake of the American invasion of Iraq, and major interventions by Nancy Fraser, Peter Hohendahl, Andreas Huyssen, James Bohman, and others. Globalizing Critical Theory provides a fascinating exploration of how Critical Theory is confronting the question of globalization-and how globalization is transforming Critical Theory.

Since his death, the writings of Carl Schmitt (1888-1985) have been debated, cited, and adopted by political and legal thinkers on both the left and right with increasing frequency, though not without controversy given Schmitt's unwavering support for National Socialism before and during World War II. In Perilous Futures, Peter Uwe Hohendahl calls for critical scrutiny of Schmitt's later writings, the work in which Schmitt wrestles with concerns that retain present-day relevance: globalization, asymmetrical warfare, and the shifting international order. Hohendahl argues that Schmitt's work seems to offer solutions to these present-day issues, although the ambiguity of his beliefs means that Schmitt's later work is a problematic guide. Focusing on works Schmitt published after the war-including The Nomos of the Earth, Theory of the Partisan and Political Theology II-as well as his posthumously published diaries, Hohendahl reads these works critically against the backdrop of their biographical and historical contexts, he charts the shift in Schmitt's perspective from a German nationalist focus to a European and then international agenda, while attending to both the conceptual and theoretical continuities with his prewar work and addressing the tension between the specific circumstances in which Schmitt was writing and the later international appropriation. Crossing disciplines of history, political theory, international relations, German studies, and political philosophy, Hohendahl brings Schmitt's later writings into contemporary discourse and forces us to reexamine what we believe about Carl Schmitt.

A discussion of Theodor Adorno s Aesthetic Theory is bound to look significantly different today than it would have looked when the book was first published in 1970, or when it first appeared in English translation in the 1980s. In The Fleeting Promise of Art, Peter Uwe Hohendahl reexamines Aesthetic Theory along with Adorno s other writings on aesthetics in light of the unexpected return of the aesthetic to today s cultural debates.

Is Adorno s aesthetic theory still relevant today? Hohendahl answers this question with an emphatic yes. As he shows, a careful reading of the work exposes different questions and arguments today than it did in the past. Over the years Adorno s concern over the fate of art in a late capitalist society has met with everything from suspicion to indifference. In part this could be explained by relative unfamiliarity with the German dialectical tradition in North America. Today s debate is better informed, more multifaceted, and further removed from the immediate aftermath of the Cold War and of the shadow of postmodernism.

Adorno s insistence on the radical autonomy of the artwork has much to offer contemporary discussions of art and the aesthetic in search of new responses to the pervasive effects of a neoliberal art market and culture industry. Focusing specifically on Adorno s engagement with literary works, Hohendahl shows how radically transformative Adorno s ideas have been and how thoroughly they have shaped current discussions in aesthetics. Among the topics he considers are the role of art in modernism and postmodernism, the truth claims of artworks, the function of the ugly in modern artworks, the precarious value of the literary tradition, and the surprising significance of realism for Adorno."

German radicals of the 1960s announced the death of literature. For them, literature both past and present, as well as conventional discussions of literary issues, had lost its meaning. In The Institution of Criticism, Peter Uwe Hohendahl explores the implications of this crisis from a Marxist perspective and attempts to define the tasks and responsibilities of criticism in advanced capitalist societies. Hohendahl takes a close look at the social history of literary criticism in Germany since the eighteenth century. Drawing on the tradition of the Frankfurt School and on Jurgen Habermas's concept of the public sphere, Hohendahl sheds light on some of the important political and social forces that shape literature and culture. The Institution of Criticism is made up of seven essays originally published in German and a long theoretical introduction written by the author with English-language readers in mind. This book conveys the rich possibilities of the German perspective for those who employ American and French critical techniques and for students of contemporary critical theory.

A discussion of Theodor Adorno s Aesthetic Theory is bound to look significantly different today than it would have looked when the book was first published in 1970, or when it first appeared in English translation in the 1980s. In The Fleeting Promise of Art, Peter Uwe Hohendahl reexamines Aesthetic Theory along with Adorno s other writings on aesthetics in light of the unexpected return of the aesthetic to today s cultural debates.

Is Adorno s aesthetic theory still relevant today? Hohendahl answers this question with an emphatic yes. As he shows, a careful reading of the work exposes different questions and arguments today than it did in the past. Over the years Adorno s concern over the fate of art in a late capitalist society has met with everything from suspicion to indifference. In part this could be explained by relative unfamiliarity with the German dialectical tradition in North America. Today s debate is better informed, more multifaceted, and further removed from the immediate aftermath of the Cold War and of the shadow of postmodernism.

Adorno s insistence on the radical autonomy of the artwork has much to offer contemporary discussions of art and the aesthetic in search of new responses to the pervasive effects of a neoliberal art market and culture industry. Focusing specifically on Adorno s engagement with literary works, Hohendahl shows how radically transformative Adorno s ideas have been and how thoroughly they have shaped current discussions in aesthetics. Among the topics he considers are the role of art in modernism and postmodernism, the truth claims of artworks, the function of the ugly in modern artworks, the precarious value of the literary tradition, and the surprising significance of realism for Adorno."

A leading figure in the Frankfurt School of philosophers from the 1930s through the time of his death in 1969, Adorno was the author of influential philosophical and sociological works on issues ranging from aesthetics, music history, and mass culture to politics, modern technology, and the Western philosophical tradition. Prismatic Thought is a brilliant tour of Adorno's work, with special emphasis on his aesthetic writings. Peter Uwe Hohendahl opens with a pair of chapters that considers Adorno's years of exile in the United States during the Second World War and his return in the early 1950s to a West Germany harrowed by its recent Nazi past and responsibility for the Holocaust. He then examines Adorno's writings on literature, language, poetry, philosophy, and mass culture in relation to modern history. Throughout the book, Hohendahl argues that Adorno's work "ultimately resists the desire for systematic order, the search for a grand design that gives meaning to all the individual texts." Prismatic Thought is distinguished by Hohendahl's sensitivity to the historical and intellectual conditions of Adorno's time and by his mastery of the myriad Adorno studies of the past twenty-five years. Equally important is his description of Adorno's relevance to our own age. In the course of situating Adorno in his own era, Hohendahl introduces us to an Adorno who is also our contemporary. Peter Uwe Hohendahl is Jacob Gould Schurman Professor of German and Comparative Literature at Cornell University. His books include Building a National Literature: The Case of Germany, 1830-1870 and The Institution of Criticism. He is editor of A History of German Literary Criticism, 1730-1980 (Nebraska 1988).

Jurgen Habermas is one of the best-known and most influential philosophers in Europe today. Heir to the Frankfurt school, his reputation rests on more than thirty years of groundbreaking works on society knowledge, history, technology; ethics, and many other subjects. He is also a familiar figure in his native Germany where he has often played a prominent role in public de-bates. In recent years, he has spoken out ever more directly on the extraordinary changes taking place in Germany, Europe, and the world.

This volume of interviews reveals Habermas's passionate engagement with contemporary issues. Wide-ranging and informal, the interviews focus on matters of decisive importance to Germany and the rest of the world in the 1990s: German unification; recent explosive debates about interpretations of German history, Germany's asylum policies, and the Nazi era; efforts to create a cooperative, peaceful Europe; and the significance of the Persian Gulf War. A final interview focuses on the relation between theory and practice--between philosophy and the so-called real world. In an afterword to the volume, Habermas addresses a broad spectrum of issues facing Germany and other nations in this final decade of the century.

Ably translated and annotated by Max Pensky, professor of philosophy at the State University of New York-Binghamton, "The Past as Future" provides a striking portrait of an intellectual who is equally at home in the world of academic philosophy and in mainstream debate--and who can make valuable connections between the two.

This book boldly takes issue with traditional literary criticism for its failure to explain how literature as a body is created and shaped by institutional forces. Peter Uwe Hohendahl approaches literary history by focusing on the material and ideological structures that determine the canonical status of writers and works. He examines important elements in the making of a national literature including the political and literary public sphere, the theory and practice of literary criticism, and the emergence of academic criticism as literary history.