A discussion of Theodor Adorno s Aesthetic Theory is bound to
look significantly different today than it would have looked when
the book was first published in 1970, or when it first appeared in
English translation in the 1980s. In The Fleeting Promise of Art,
Peter Uwe Hohendahl reexamines Aesthetic Theory along with Adorno s
other writings on aesthetics in light of the unexpected return of
the aesthetic to today s cultural debates.
Is Adorno s aesthetic theory still relevant today? Hohendahl
answers this question with an emphatic yes. As he shows, a careful
reading of the work exposes different questions and arguments today
than it did in the past. Over the years Adorno s concern over the
fate of art in a late capitalist society has met with everything
from suspicion to indifference. In part this could be explained by
relative unfamiliarity with the German dialectical tradition in
North America. Today s debate is better informed, more
multifaceted, and further removed from the immediate aftermath of
the Cold War and of the shadow of postmodernism.
Adorno s insistence on the radical autonomy of the artwork has
much to offer contemporary discussions of art and the aesthetic in
search of new responses to the pervasive effects of a neoliberal
art market and culture industry. Focusing specifically on Adorno s
engagement with literary works, Hohendahl shows how radically
transformative Adorno s ideas have been and how thoroughly they
have shaped current discussions in aesthetics. Among the topics he
considers are the role of art in modernism and postmodernism, the
truth claims of artworks, the function of the ugly in modern
artworks, the precarious value of the literary tradition, and the
surprising significance of realism for Adorno."
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