This is the most comprehensive, easy-to-use guide to idioms used in Spanish and English. Idioms are the heart and soul of a language as it's actually used, and Spanish has thousands of these mystifying expressions - most of which you won't find in any bilingual dictionary. With "The Big Red Book of Spanish Idioms" you'll never be in the dark about the meanings of idioms and colloquialisms used across the Spanish-speaking world. And you'll never be at a loss for the right turn of phrase when speaking or writing Spanish."The Big Red Book of Spanish Idioms" is filled with: 4,000 idioms arranged according to Spanish keywords; 1,800 Spanish keywords and their English equivalents; 1,800 example sentences for guidance in usage; 8,000 matching English expressions; an English-Spanish Index - to steer you to the right idioms, instantly; and, extensive cross-referencing that lets you access material in either language. By matching Spanish idioms with English expressions of a similar tone or register, this dictionary makes an ideal reference not only for students of Spanish but also for Spanish-speaking learners of English.

The artistic works by Sabine Groschup, a student of Maria Lassnig, range from painting, textile art and cinematic creations to sculptural pieces, literature and photography as well as spatial, video and sound installations. In her Augsburg solo exhibition "DER DOPPELTE (T)RAUM" (the Double Dream), Groschup presents her multifaceted work on a specially created, surreal stage. Real space and dream oscillate and merge into one another. This sets in motion a tense interplay between reality and dream, which is the focus of the artist's creative oeuvre. The essays collected here - by Silvia Eiblmayr, Katja Gasser and Peter Weibel, among others - help the reader to decipher and classify this oeuvre. First comprehensive presentation of Groschup's extensive and diverse artistic oeuvre. Presentation of the aesthetically unique, surreal stage scenario of the Augsburg exhibition Exhibition tim Augsburg June 29, 2022-October 9, 2022

This book provides philosophical insight into the nature of reality by reflecting on its ontological qualities through the medium of film. The main question is whether we have access to reality through film that is not based on visual representation or narration: Is film-in spite of its immateriality-a way to directly grasp and reproduce reality? Why do we perceive film as "real" at all? What does it mean to define its own reproducibility as an ontological feature of reality? And what does film as a medium exactly show? The contributions in this book provide, from a cinematic perspective, diverse philosophical analyses to the understanding of the challenging concept of "the real of reality".

From Greek antiquity to the present, from the book to the gramophone, from Gutenberg to Google, our culture is defined by changes in recording, storage, and transmission media. In a six-volume selection of his writings, Peter Weibel presents an encyclopedia that addresses all areas of the media world. The author has conceived this series as following in the tradition of the Enlightenment and the Encyclopédie by Denis Diderot and Jean Baptiste le Rond d’Alembert. Three volumes will be published in September 2014, and the remaining three in spring 2015. Volume one deals with a broad definition of architecture in the context of new media. Volume two is devoted to media-relat­ed innovations in the area of music—from automatic methods of composition in the music of Mozart to a theory of molecular music. Volume three addresses the impact of new media on art and discusses how pictures become interactive and viewers become part of the work—how reality replaces representation. The themes of the other three volumes are literature, pol­itics, and theory in the context of new media.

Essays and images that map art's new sonic cosmos, illustrated in color throughout. This milestone volume maps fifty years of artists' engagement with sound. Since the beginning of the new millennium, numerous historical and critical works have established sound art as an artistic genre in its own right, with an accepted genealogy that begins with Futurism, Dada, and Fluxus, as well as disciplinary classifications that effectively restrict artistic practice to particular tools and venues. This book, companion volume to a massive exhibition at ZKM | Karlsruhe, goes beyond these established disciplinary divides to chart the evolution and the full potential of sound as a medium of art. The book begins with an extensive overview by volume editor Peter Weibel that considers the history of sound as media art, examining work by visual artists, composers, musicians, and architects alike. Subsequent essays examine sound experiments in antiquity, sonification of art and science, and internet-based sound art. Contributors then survey the global field of sound art research and practice, in essays that describe the past, present, and future of sound art in Germany, Japan, China, the United States, the United Kingdom, Russia, Canada, Turkey, Australia, and Scandinavia. The texts are accompanied by an extensive photographic documentation of the ZKM exhibition. Texts by Achille Bonito Oliva, Dmitry Bulatov, Germano Celant, Seth Cluett, Christoph Cox, Julia Gerlach, Ryo Ikeshiro und/and Atau Tanaka, Caleb Kelly, Brandon LaBelle, Christof Migone, Laszlo Moholy-Nagy, Daniel Muzyczuk, Tony Myatt, Irene Noy, Giuliano Obici, Carsten Seiffarth und/and Bernd Schulz, Basak Senova, Linnea Semmerling, Morten Sondergaard, Alexandra Supper, David Toop und/and Adam Parkinson, Peter Weibel, Dajuin Yao, Siegfried Zielinski

From Greek antiquity to the present, from the book to the gramophone, from Gutenberg to Google, our culture is defined by changes in recording, storage, and transmission media. In a six-volume selection of his writings, Peter Weibel presents an encyclopedia that addresses all areas of the media world. The author has conceived this series as following in the tradition of the Enlightenment and the Encyclopedie by Denis Diderot and Jean Baptiste le Rond d'Alembert. Three volumes will be published in September 2014, and the remaining three in spring 2015. Volume one deals with a broad definition of architecture in the context of new media. Volume two is devoted to media-relat ed innovations in the area of music-from automatic methods of composition in the music of Mozart to a theory of molecular music. Volume three addresses the impact of new media on art and discusses how pictures become interactive and viewers become part of the work-how reality replaces representation. The themes of the other three volumes are literature, pol itics, and theory in the context of new media.

From Greek antiquity to the present, from the book to the gramophone, from Gutenberg to Google, our culture is defined by changes in recording, storage, and transmission media. In a six-volume selection of his writings, Peter Weibel presents an encyclopedia that addresses all areas of the media world. The author has conceived this series as following in the tradition of the Enlightenment and the Encyclopedie by Denis Diderot and Jean Baptiste le Rond d'Alembert. After two volumes covering architecture and music, volume 3 and 4 will be published in 2018 addressing the influence of the new media on art and literature. Politics and theory in the context of new media are the topics of volume 5 and 6 that are also in preparation.