David Lynch has always been in the spotlight as a filmmaker, directing some of the most iconic movies ever made, but as a visual artist, he is less widely known. Lynch delights in the physicality of painting and likes to stimulate all the senses in his work. This new paperback edition brings together Lynch’s paintings, photography, drawings, sculpture and installation, and stills from his films. Many of these works reveal the dark underpinnings behind Lynch’s often-macabre movies. Others explore his fascination with texture and collage. Throughout, Lynch’s characteristic style—surreal, stylish, and even humorous—shines through. An introduction by music journalist and Lynch biographer Kristine McKenna, along with a thought- provoking essay by curator Stijn Huijts, offers fascinating new information and perspectives on Lynch’s life and career. This book reveals an unexplored facet of Lynch’s oeuvre and affirms that he is as brilliant a visual artist as he is a filmmaker.

The artist Stefan Hunstein brought magical photographs of untouched landscapes back from his journey to the Arctic in 2012. In their majesty and beauty, their immensity and their deadly cold they echo the visions of ice in painting and literature, especially during the Romantic era. The publication shows a selection of these breathtaking photographs which are being presented in public for the first time - also in a series of exhibitions. Here Hunstein, famous for his critical exami nation of contemporary history through the artistic processing of existing pictures, has taken up the camera himself and has created "Dream Pictures" which retain a hint of unreality in their outlines, shadows and reflections, in their theatrical blue lumi nosity and the bizarre, constantly changing structures. In these photos - printed on glass using a special technique - the artist links the fragile and the monstrous, the beauty of nature and "the horrors of the ice and of darkness" (Christoph Ransmayr)

Taking readers behind the scenes of one of the world's most exciting dance companies, this richly illustrated book also tells the incredible back story of its famed creator and his brilliant vision to weave Cuban culture and history into classical and contemporary dance. As a troubled teenager, Carlos Acosta was whisked off the streets of his native Havana and enrolled in the Cuban national ballet. From that time on he has emerged as one of the most influential dancers of the twenty-first century. Throughout his career, Acosta has striven to shine an international light on his homeland's rich cultural traditions, while also exposing Cuba to choreographic innovations happening around the globe. With this aim, Acosta established ACOSTA DANZA in 2015. More than five years later the troupe continues to perform to rapturous accolades, both for the exceptional quality of its Cuban dancers and for its mission to highlight Cuban-influenced music and set design. Filled with more than one hundred photographs, many never-before- published, this book gives voice to the astonishingly diverse collection of dancers and choreographers, whose sensuous vitality and technical skill jump off the page-their experiences on and off the stage, their dreams and strategies, their emotions and challenges. In a deeply personal interview, Acosta himself shares a vision for giving young Cuban dancers the opportunities to express themselves creatively, and to give back to a country and community that gave so much to him.

Beauty, terror, majesty, awe: mountain worlds have fascinated humankind since time immemorial. Stephan Huber ascends the snow-covered peaks "en miniature". In his sculptures he imitates the relief of the mountains and creates theatrical-looking, object-like works. This comprehensive volume reflects in powerful images the Alpine cosmos which Huber has been investigating for more than four decades. Stephan Huber’s “Mountains� can be found everywhere: in museums like the Hamburger Kunsthalle, the Bonner Kunstmuseum and the Messner Mountain Museum, and also as large-scale installations in the public space. His monumental contribution to the Venice Biennale in 1999 received international acclaim. In addition to the famous snow-white sculptures of mountain peaks, the publication also assembles early book objects, fictional expeditions, multiples and exhibition views. Essays and an extensive conversation with Reinhold Messner about the interior and exterior mountain worlds round out the volume.

Roland Fischer’s “Façades� are spectacular photographic pict ures: a visual grammar of architectural structures, an alphabet of abstract forms full of art � historical references. Roland Fischer (b. 1958), whose work is exhibited worldwide in important museums, lives and works in Munich and Beijing. Since the 1990s t he artist has been photographing the exteriors of buildings, of banks, corporate headquarters and museums in the metropolises of the world, including Beijing, Tokyo, Shanghai, New York, Hong Kong, Melbourne, Osaka, Boston, Brasilia, Los Angeles, Paris, São Paulo, Singapore, Dallas, Madrid, Washington, Mexico City, Chicago, Toronto, Chongqing and Montreal. The results of this breathtaking project form an unusual series of some 100 façades: a vocabulary of global architecture, an inventory of city landmarks. The structures and colours of the contemporary metropolitan universe are transformed into pictures that resemble abstract painting

Roland Fischer's "Facades" are spectacular photographic pictures: a visual grammar of architectural structures, an alphabet of abstract forms full of art-historical references. Roland Fischer (b. 1958), whose work is exhibited worldwide in important museums, lives and works in Munich and Beijing. Since the 1990s the artist has been photographing the exteriors of buildings, of banks, corporate headquarters and museums in the metropolises of the world, including Beijing, Tokyo, Shanghai, New York, Hong Kong, Melbourne, Osaka, Boston, Brasilia, Los Angeles, Paris, Sao Paulo, Singapore, Dallas, Madrid, Washington, Mexico City, Chicago, Toronto, Chongqing and Montreal. The results of this breathtaking project form an unusual series of some 100 facades: a vocabulary of global architecture, an inventory of city landmarks. The structures and colours of the contemporary metropolitan universe are transformed into pictures that resemble abstract paintings.