Roland Fischer’s “Façades” are spectacular photographic pict
ures: a visual grammar of architectural structures, an alphabet of
abstract forms full of art ‐ historical references. Roland
Fischer (b. 1958), whose work is exhibited worldwide in important
museums, lives and works in Munich and Beijing. Since the 1990s t
he artist has been photographing the exteriors of buildings, of
banks, corporate headquarters and museums in the metropolises of
the world, including Beijing, Tokyo, Shanghai, New York, Hong Kong,
Melbourne, Osaka, Boston, Brasilia, Los Angeles, Paris, São Paulo,
Singapore, Dallas, Madrid, Washington, Mexico City, Chicago,
Toronto, Chongqing and Montreal. The results of this breathtaking
project form an unusual series of some 100 façades: a vocabulary
of global architecture, an inventory of city landmarks. The
structures and colours of the contemporary metropolitan universe
are transformed into pictures that resemble abstract painting
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