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From an early age, Azel, the Prince of the White Castle of the
Angels of Light, plans what he calls his great rebellion against
the Father. After his self transformation into a four legged,
scaled beast, he names himself the Dragon. At the head of his rebel
angel army and his dragon flocks, he brings war to the angel lands.
His intention is to dethrone the Father and rule in his place.
Khem, the Child of the White Mountain, vows upon his Silver Sword
to be his slayer. The lonely, perilous path of the dragonslayer, he
takes. At its end, he stands alone, to challenge the Father's foe
to combat.
'Englishness' is by no means the defining quality of those living
in the territory that has come to be England, but a concept that
has been made and remade throughout history, expressing itself
through existing symbols and ideas. This volume of wide-ranging
essays constitutes a major work on English national identity and
patriotism as it evolved during the period1880-1920, has had a
significant impact on writing and research in the field and is
considered a definitive text for students of modern British history
and many other courses in politics, sociology and literature.
Divided into two sections, essays in the first half of the book
explore Englishness and national culture, considering the English
rural ideology that endured in spite of England's status as an
industrial nation; the invention of English literature; the
identity of English music and the reception of Elgar; and the
constructed image of the 'Englishwoman' in the period. The second
half of the book focuses on political culture, with essays
discussing the Irish as 'marginal Britons'; the permeation of
Liberalism into English society and politics after the fall of the
party itself; the relationship between patriotism and Conservative
politics; and the perhaps lesser-known role played by socialism in
the construction of Englishness. This updated edition of
"Englishness" contains a new introduction and afterword, which set
this key work in the context of research done since its original
publication and relate it to current debates on the topic of
Britain as a multi-national state. This important volume contains
ideas that are still pertinent today, and its enduring contemporary
relevance makes it essential reading for students and scholars.
This book discusses gender and autobiography, and the politics of
autobiography. It offers examples of ways of making sense of
individual works or groups of works.
Power line repairman Roy Neary (Richard Dreyfuss) has a 'close encounter' with an alien spacecraft when he is sent out to investigate a mysterious power surge one night. Roy then becomes obsessed with five musical notes and a strange image in his head, estranging himself from his wife (Teri Garr) in the process.
He also discovers that he is not alone in his experiences, and joins others as they are drawn to the site of a visitation by an alien ship.
First Published in 1981. Pater is certainly the least widely read
and understood of any of the Victorian critics and creative
writers, though there are signs of a coming revival of interest in
him. Each of the discussions included in this issue devoted to
Pater touches, in some significant way, on his "imaginative sense
of fact," on his struggle with the objective 'givens' of experience
(ideas or individuals), and on his efforts to co-opt or turn that
Other into a reordered reflection of his own image.
First published in 1982. Routledge is an imprint of Taylor &
Francis, an informa company.
This book discusses gender and autobiography, and the politics of
autobiography. It offers examples of ways of making sense of
individual works or groups of works.
First published in 1982. Routledge is an imprint of Taylor &
Francis, an informa company.
First Published in 1981. Pater is certainly the least widely read
and understood of any of the Victorian critics and creative
writers, though there are signs of a coming revival of interest in
him. Each of the discussions included in this issue devoted to
Pater touches, in some significant way, on his "imaginative sense
of fact," on his struggle with the objective 'givens' of experience
(ideas or individuals), and on his efforts to co-opt or turn that
Other into a reordered reflection of his own image.
Exploring contemporary theory and practice surrounding loss and
bereavement for people with intellectual disabilities (ID), this
book brings together international contributors with a range of
academic, professional and personal experience. This authoritative
edited book looks at diverse experiences of loss across this
population whether it be loss due to transition, the loss or death
of others, or facing their own impending death. The book begins by
offering theoretical perspectives on loss and compassion,
bereavement, disenfranchised grief, spirituality, and psychological
support. It then addresses contemporary practice issues in health
and social care contexts and explores loss for specific communities
with ID including children, individuals with autism, those in
forensic environments, and those at the end of life. Identifying
inherent challenges that arise when supporting individuals with ID
experiencing loss, and providing evidence and case studies to
support best practice approaches, this book will be valuable
reading for students, academics and professionals in the fields of
disability, health and social care.
A book of clear verse. Geese migrate through its lines. Tall ships
leave Liverpool Bay. An iceberg breaks free of Antarctica. Ivory
burns in Kenya. The healing of the rift between nations is
contemplated. An exhibition of Pre-Raphaelite art is visited. The
crossing of the Rubicon is dared. Franz Kafka writes his tales. The
spirit of T.S. Eliot revisits The Waste Land. Shakespeare drinks
with his acting company. Autumn in Yerevan, Armenia, is mirrored.
Utopia is mused on. Childhood is remembered. Love celebrated.
Archie Leach sails from Bristol to New York. Matthew Flinders
becomes the first man to circumnavigate Australia. Noah's ark moors
on mount Ararat. The death of the last white rhinoceros is
lamented. Weland the smith lifts his hammer. Hugh Minn finds an
alien in his loft. Various other visions and inspirations are
explored. Readers of these lines will hopefully find them worthy of
study.
Still the Dawn. A book of poems and ballads. Poems written to
preserve memories, explore moods, emotions, art, myths, real events
and dreams, together with some attempts at light verse, even
nonsense. Ballads that tell tales, reflect on the seasons, time and
its passing. The poet enters the mead hall, un-lids his word hoard,
recites. He shares his gift. Those who attend to his works, he
hopes to entertain.
On the planet Ankor, Klubbe the turkle lives as a hermit. A marine
mishap inspires him to be an inventor. His inventions and
explorations change his life, his entire planet. Turkles are close
cousins of turtles. Unlike them, they have yellow golden skin and
back shells, walk on their hind legs, have the gift of language,
and the ability to create their own culture. The life of Klubbe may
read like a light-hearted science fiction story, but it actually
happened to him. Princess Corka thinks his invention is sublime.
Ubbtosh, the pyramid priest, promises to guide him to the core of
the cosmos. In space, there are no sign posts, he finds, but there
are other beings. And on Ankor, there are mysteries to be solved.
Is the Great Glom more than a myth? And what about the Great Archy
Eopta?
'Englishness' is by no means the defining quality of those living
in the territory that has come to be England, but a concept that
has been made and remade throughout history, expressing itself
through existing symbols and ideas. This volume of wide-ranging
essays constitutes a major work on English national identity and
patriotism as it evolved during the period1880-1920, has had a
significant impact on writing and research in the field and is
considered a definitive text for students of modern British history
and many other courses in politics, sociology and literature.
Divided into two sections, essays in the first half of the book
explore Englishness and national culture, considering the English
rural ideology that endured in spite of England's status as an
industrial nation; the invention of English literature; the
identity of English music and the reception of Elgar; and the
constructed image of the 'Englishwoman' in the period. The second
half of the book focuses on political culture, with essays
discussing the Irish as 'marginal Britons'; the permeation of
Liberalism into English society and politics after the fall of the
party itself; the relationship between patriotism and Conservative
politics; and the perhaps lesser-known role played by socialism in
the construction of Englishness. This updated edition of
"Englishness" contains a new introduction and afterword, which set
this key work in the context of research done since its original
publication and relate it to current debates on the topic of
Britain as a multi-national state. This important volume contains
ideas that are still pertinent today, and its enduring contemporary
relevance makes it essential reading for students and scholars.
This scarce antiquarian book is included in our special Legacy
Reprint Series. In the interest of creating a more extensive
selection of rare historical book reprints, we have chosen to
reproduce this title even though it may possibly have occasional
imperfections such as missing and blurred pages, missing text, poor
pictures, markings, dark backgrounds and other reproduction issues
beyond our control. Because this work is culturally important, we
have made it available as a part of our commitment to protecting,
preserving and promoting the world's literature.
This scarce antiquarian book is included in our special Legacy
Reprint Series. In the interest of creating a more extensive
selection of rare historical book reprints, we have chosen to
reproduce this title even though it may possibly have occasional
imperfections such as missing and blurred pages, missing text, poor
pictures, markings, dark backgrounds and other reproduction issues
beyond our control. Because this work is culturally important, we
have made it available as a part of our commitment to protecting,
preserving and promoting the world's literature.
What's in a name? For Philip Dodd, this question led to an
international hunt for the best stories of eponymous heroes-- an
extraordinarily diverse group of people with just one thing in
common: by chance or deliberately, they have left their names
deeply embedded in the language and consciousness of future
generations.
A few, such as instrument-maker Adolphe Sax, set out to achieve
immortality. A handful ? Joseph-Ignace Guillotin, for example ?
positively shunned the prospect. But the majority, like Joseph P.
Frisbie or Ernst Gr?fenberg (the G in G- spot), simply had no idea
that some strange quirk of their lives, work, or personalities
would catapult them to fame, or that one day their family name
would become a household word.
Tracing their varied paths to glory has taken Philip Dodd on a
worldwide quest. He has voyaged to the desolate Matagorda peninsula
on the Gulf Coast of Texas to find out the truth about the
notorious cattle rancher Samuel Maverick. He has been to Happy
Valley, California, to find Roy Jacuzzi, alive and well and still
bubbling with ideas. He has followed the story of Joseph P. Frisbie
from a former pie factory in Bridgeport, Connecticut, to the
headquarters of Wham-O, trying the fledgling sport of ?Frisbie
golf? and taking home a rather strange and macabre memento? And, of
course, he has ventured to the St Ann's River in Trinidad to see
for himself the spot where Robert Lechmere Guppy, naturalist
extraordinaire, first collected a certain small freshwater fish.
His discoveries breathe life back into words that we too readily
take for granted.
Philip Dodd's globetrotting, personal approach brings these
idiosyncratic, occasionally bizarre stories to vivid life? armchair
travel at its best. In this marvelous tribute to the forgotten
people who changed our language, we learn that the prospect of
immortality is only a fluke away. In an age of instant 15-minute
celebrity, that's a reassuring thought.
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