The overarching theme of Discourse and Technology is cutting-edge in the field of linguistics: multimodal discourse. This volume opens up a discussion among discourse analysts and others in linguistics and related fields about the two-fold impact of new communication technologies: The impact on how discourse data is collected, transcribed, and analyzed -- and the impact that these technologies are having on social interaction and discourse.As inexpensive tape recorders allowed the field to move beyond text, written or printed language, to capture talk -- discourse as spoken language -- the information explosion (including cell phones, video recorders, Internet chat rooms, online journals, and the like) has moved those in the field to recognize that all discourse is, in various ways, "multimodal," constructed through speech and gesture, as well as through typography, layout and the materials employed in the making of texts. The contributors have responded to the expanding scope of discourse analysis by asking five key questions: Why should we study discourse and technology and multimodal discourse analysis? What is the role of the World Wide Web in discourse analysis? How does one analyze multimodal discourse in studies of social actions and interactions? How does one analyze multimodal discourse in educational social interactions? and, How does one use multimodal discourse analyses in the workplace? The vitality of these explorations opens windows onto even newer horizons of discourse and discourse analysis.

Philip Levine's new collection of poems (his first since The Simple Truth was awarded the Pulitzer Prize) is a book of journeys: the necessary ones that each of us takes from innocence to experience, from youth to age, from confusion to clarity, from sanity to madness and back again, from life to death, and occasionally from defeat to triumph. The book's mood is best captured in the closing lines of the title poem, which takes its name from the ship that brought the poet's mother to America: A nine-year-old girl travels all night by train with one suitcase and an orange. She learns that mercy is something you can eat again and again while the juice spills over your chin, you can wipe it away with the back of your hands and you can never get enough.

In this "characteristically wise" ("The New York Times Book Review)" collection from one of our most celebrated poets, Philip Levine brings us finely made, powerfully telling imagery from the worlds of hand, heart, and mind.

A compelling second collection of poetry. "Not This Pigs shows Levine] to be a poet of growing power and strangeness. In most of his poems Levine sketches in an apparently concrete experience, but he blurs the edges so that the reader is propelled into the realms of mystery."-Judson Jerome, Saturday Review ."one of the best books of poetry to come out of the sixties.his perspective is usually so healthy and so complete that I have come back to the poems again and again."-James McMichael, The Southern Review

Philip Levine was the authentic voice of America's urban poor. Born in 1928, the son of Russian-Jewish immigrants, he spent his early years doing a succession of heavy labouring jobs. Trying to write poetry 'for people for whom there is no poetry', he chronicled the lives of the people he grew up with and worked with in Detroit: 'Their presence seemed utterly lacking in the poetry I inherited at age 20, so I've spent the last 40-some years trying to add to our poetry what wasn't there.' Much of his poetry addresses the joys and sufferings of industrial life, with radiant feeling, as well as painful irony: 'It took me a long time to be able to write about it without snarling or snapping. I had to temper the violence I felt toward those who maimed and cheated me with a tenderness toward those who had touched and blessed me.' Always a poet of memory and invention, Philip Levine has continually written poems which search for universal truths. His plain-speaking poetry is a testament to the durability of love, the strength of the human spirit and the persistence of life in the face of death. Poetry Book Society Special Commendation.

Awarded the Pulitzer Prize in Poetry for 1995, Philip Levine goes from strength to strength, having received the National Book Ward for Poetry for his earlier book What Work Is. This is the first paperback edition of this text, about which Harold Bloom said, "The controlled pathos of every poem in the volume is immense, and gives me a new sense of Levine."