Analyzing the economic, strategic, and cultural elements that shape the attraction--and the friction--between the Pacific and Atlantic communities, this book integrates European perspectives into a discussion that has traditionally been dominated by Asian and U.S. voices. The authors take as their theme the uncertainty created by the Pacific Rim's new role in shifting the international balances of political and economic power. Economic uncertainty has been fueled by Asia's trade surpluses with Western Europe and the United States, with the West viewing its system of free world trade as working to the greater advantage of the Asia Pacific. Strategic uncertainty pivots on the U.S.-USSR superpower rivalry and on the growing influence of Japan and the PRC on the strategic balance in the Pacific Basin. A more subtle and powerful constraint surfaces in the realm of culture--in differing perceptions among the people of the Asia Pacific and the West concerning liberal values and the liberal underpinnings of the present system of world trade.

In contrast to the many books that use military, diplomatic, and historic language in analyzing the Korean War, this book takes a cultural approach that emphasizes the human dimension of the war, an approach that especially features Korean voices. There are chapters on Korean art on the war, translations into English of Korean poetry by Korean soldiers, and American soldier poetry on the war. There is a photographic essay on the war by combat journalist and Pulitzer Prize winning photographer Max Desfor. Another chapter includes and analyzes songs on the Korean War - Korean, American, and Chinese - that illuminate the many complex memories of the war. There is a discussion of Korean films on the war and a chapter on Korean War POWs and their contested memories. More than any other nonfiction book on the war, this one shows us the human face of tragedy for Americans, Chinese, and most especially Koreans. June 2000 was the fiftieth anniversary of the outbreak of the Korean War; this moving volume is intended as a commemoration of it.

Analyzing the economic, strategic, and cultural elements that shape the attraction--and the friction--between the Pacific and Atlantic communities, this book integrates European perspectives into a discussion that has traditionally been dominated by Asian and U.S. voices. The authors take as their theme the uncertainty created by the Pacific Rim's new role in shifting the international balances of political and economic power. Economic uncertainty has been fueled by Asia's trade surpluses with Western Europe and the United States, with the West viewing its system of free world trade as working to the greater advantage of the Asia Pacific. Strategic uncertainty pivots on the U.S.-USSR superpower rivalry and on the growing influence of Japan and the PRC on the strategic balance in the Pacific Basin. A more subtle and powerful constraint surfaces in the realm of culture--in differing perceptions among the people of the Asia Pacific and the West concerning liberal values and the liberal underpinnings of the present system of world trade.

This book brings a fresh perspective to three wars the United States fought in Asia between 1941 and 1975 - the Pacific War, the Korean War, and the Vietnam War - by focusing on the human dimension of war as experienced by those, on all sides, who fought, lived through, and later remembered them. The complex relationship between history and memory is brought to bear on analyses of cultural artifacts and productions including novels, films, short stories, and poems that derive from or evoke war. Even though the cultural approach concerns itself with the local and the particular rather than with the abstract and universal, it is inherently comparative. Moreover, it also relocates each war in the historical and cultural experiences of Asian countries themselves rather than seeing the war as merely a conflict between the United States and Asian nations. This volume is meant to encourage readers, especially in a teaching environment, to develop an understanding of the experience of war in Asia that is variegated, fragmented, and complex, like the wars themselves.

The poems of Henry Vaughan (1622-95), particularly Silex Scintillans, published during the Commonwealth period, are probably the most biblical in English. Philip West's study relates these great works to the wider biblical culture of the 'Godly nation' of the mid-seventeenth century, and reveals the political and devotional styles which underpinned Vaughan's literary achievements.

In contrast to the many books that use military, diplomatic, and historic language in analyzing the Korean War, this book takes a cultural approach that emphasizes the human dimension of the war, an approach that especially features Korean voices. There are chapters on Korean art on the war, translations into English of Korean poetry by Korean soldiers, and American soldier poetry on the war. There is a photographic essay on the war by combat journalist and Pulitzer Prize winning photographer Max Desfor. Another chapter includes and analyzes songs on the Korean War - Korean, American, and Chinese - that illuminate the many complex memories of the war. There is a discussion of Korean films on the war and a chapter on Korean War POWs and their contested memories. More than any other nonfiction book on the war, this one shows us the human face of tragedy for Americans, Chinese, and most especially Koreans. June 2000 was the fiftieth anniversary of the outbreak of the Korean War; this moving volume is intended as a commemoration of it.

This text examines the Pacific War, the Korean War and the Vietnam War, from the perspective of those who fought the wars and lived through them. The relationship between history and memory informs the book, and each war is relocated in the historical and cultural experiences of Asian countries.