From aab gosht to zeera, this is a wordlist of Hindi (and some regional) terms for food and dishes throughout the sub-continent. A handy pocket size, it is essential company when going to the market, food store or restaurant. Travellers and enthusiasts of Indian food will come to rely on it. Joyce P. Westrip was born in India and has spent a lifetime travelling the country, cooking the food and studying the food history. Her important book on Moghal cookery is also being published, by our colleagues Serif Books, during the course of the year.

Artist and award-winning writer Philippa Stockley has designed, made and painted since childhood. Years as an impoverished painter made being frugal, ecological, and always recycling second nature. After buying a derelict small house, decorating it on a tight budget was top of the list. Stockley paints, sews, saws, cooks and mends. In Paint & Make she shares how she paints murals, floor coverings, panels and faux-effects, and makes soft furnishings, useful and decorative small shelves, organic polish, and home-made treats.   With more than 300 original photos and drawings by the author, this beautiful and practical book shows you how to do the same. Where possible choose natural materials and reject needless plastics, aggressive chemicals, and waste. Making things yourself saves money, gives a unique result, and is satisfying and enriching. Careful use of precious natural resources is something to be proud of. Stockley shares projects from her own home to inspire you to create something unique and special in yours — without breaking the bank.

In late seventeenth century London two women, one white, one black, stake everything to prevent a manipulative mogul destroying them. Zenobia, born in poverty, grasps that her only hope of controlling her own life is to capitalise on her looks; Lily, brought to London on a sugar and slave ship as a 'toy', educated alongside her mistress but used by her master, lives as a kept woman. As their story weaves and folds through a murky and merciless London, both find themselves pitted against a ruthless man the world knows as John Crace. London's rich but festering possibilities as a rapidly-changing multinational city are breathtakingly painted, and pungent milieux ranging from plague pits to prisons to pastry kitchens - and Pickled Herring Stairs - are vividly brought to life.

"A squelchingly well-researched period piece with sex, lust, overripeness and what one character calls the 'odour' of the scholar permeating every paragraph. It is also . . . a remarkable tour de force, jampacked with poetry, verbal fireworks, vitality and charm."--"The Spectator "[UK] "The pages of this unscrupulous story are lined with lace, silk and muslin -- all of it stitched together in a fabric of shimmering deceit."-- "The Washington Post Book World" In this elaborate and finely woven novel set in 18th Century London, Mrs. Fox, a French noblewoman with a scandalous past, squares off against Earl Much, a debauched British aristocrat, in a battle of will and deceit that will claim many casualties along the way. Intent on improving her station in Georgian society, Mrs. Fox trades upon her considerable powers of wit and seduction in order to profit from the appetites of men. Her rival, however, is a crafty and resourceful man who has devoted his life to collecting priceless objects and ruining young women, and he will not be so easily beaten. Reminiscent of the world brought to life in "Dangerous Liaisons," "A Factory of Cunning" is seductive, calculating, and thoroughly entertaining. Philippa Stockley studied English at Oxford and period costume history at the Courtauld Institute. She produced her first illustrated novel at six and her first stage design at ten. A professional painter and designer, as well as an editor at the Evening Standard, she lives in London.

Gilver Memmer is running short of time. He is an enormously gifted painter, staggeringly good-looking, and profoundly self-involved, a cross between every woman's dream and every woman's worst nightmare. Great though his creative gifts may be, they cannot save him from dissolution. No longer the London art scene's wunderkind, he is getting by on the fumes of his former luck and sliding inexorably-though with a certain self-destructive elegance-toward oblivion. Into Gilver's life come two women: one who wants to push him into the grave he has been digging for himself and another who just might save him from it.