Making use of newly-researched archival material, this collection of original essays on wartime and postwar US foreign policy re-evaluates well-known crises and documents many less familiar aspects of the nation's mid-twentieth century conflicts. Leading diplomatic historians address familiar subjects from new angles. They offer new evidence about the risks run and the costs incurred in the prosecution of the Cold War, from Korea to the Caribbean. And they provide up-to-date accounting of mid-twentieth century American diplomacy's global purposes and consequences.

Making use of newly-researched archival materials, this collection of original essays on wartime and post-war US foreign policy re-evaluates well-known crises and documents many less familiar aspects of the nation's mid-twentieth century conflicts. Leading diplomatic historians address familiar subjects from new angles. They offer new evidence about the risks run and the costs incurred in the prosecution of the Cold War, from Korea to the Caribbean. And they provide an up-to-date accounting of mid-twentieth century American diplomacy's global purposes and consequences.

"The Ethics of Mourning" dramatically shifts the critical discussion of the lyric elegy from psychological economy to ethical responsibility. Beginning from a reevaluation of famously inconsolable mourners such as Niobe and Hamlet, R. Clifton Spargo discerns the tendency of all grief to depend at least temporarily upon the refusal of consolation. By disrupting the traditional social and psychological functions of grief, resistant mourners transform mourning into a profoundly ethical act. Spargo finds such examples of ethical mourning in opposition to socially acceptable expressions of grief throughout the English and American elegiac tradition. Drawing on the work of Paul Ricoeur, Bernard Williams, and Emmanuel Levinas, his book explores the ethical dimensions of anti-consolatory grief through astute readings of a wide range of texts--including treatments of Hamlet, Milton, and Renaissance elegists, extended readings of Dickinson, Shelley, and Hardy, and final chapters on American Holocaust elegies by Sylvia Plath and Randall Jarrell.

Spargo argues that, to the extent that elegies are melancholic, to the extent that they resist the history of consolation and the strategies of commemoration implicit in elegiac conventions, they make an extraordinary ethical demand on us, asking that we remain in relationship to the other, even past the point of all usefulness. In the wake of the atrocities of the twentieth century, particularly the Holocaust, Spargo finds the crisis in the project of commemoration to be an event already inscribed with ethical meaning. He argues for the particular capacity of literature to undertake an imaginative risk on behalf of another that seems the very ground of ethics itself.

Phillip McCoy aka Big Mac is the head of a Virginia Beach crime family. He's married to his high school sweetheart Tootie. They control all the drugs moving on the east coast of the country. Big Mac has groomed his eldest son J-Mac to run the drugs and gambling of the family business. His daughter Princess is in charge of the family's prostitution business as well as a brilliant chemist. She has developed a synthetic drug that will revolutionize the drug world and make her family wealthier than they can ever imagine. The youngest son Baby Mac is in charge of the family's legitimate business. The McCoy family is the largest minority owner of hotels throughout the country. Baby Mac is also being groomed for a career in politics. His father has aspirations like the Kennedy family. Big Mac had decided early that he would use hotels to get his family out of the illegal business. The problem is when the family tries to get out there are people like Miguel, their Columbian supplier, who are not happy with the move and determined to stop the family. He also has to deal with the crooked city councilman Weber who opposes every move that the family makes in building new hotels because he blames them for his son's death. The McCoys are not your average crime family. They are the real McCoys.

This is the first urban novel of author Davian Clifton. It's titled "A Long Road to Redemption." James "JR" Roberts is a successful middle-aged African American male. JR utilized his athletic abilities to obtain a college scholarship thus allowing him to get out of the drug game that he and his brother controlled. JR had the American dream of the good wife, three kids, house, business, and plenty of money and respect in the community. After a business deal goes bad, JR finds himself in jail and loses everything he had worked so hard to obtain. His house. His money. His family. As well as his reputation. This story details the trials JR experiences as he works to regain all he has lost. There are people and consequences from his old life who are determined not to make his journey easy. He discovers that it is a long road to redemption. It is an urban tale with a spiritual twist.

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Vigilant Memory focuses on the particular role of Emmanuel Levinas's thought in reasserting the ethical parameters for poststructuralist criticism in the aftermath of the Holocaust. More than simply situating Levinas's ethics within the larger context of his philosophy, R. Clifton Spargo offers a new explanation of its significance in relation to history.

In critical readings of the limits and also the heretofore untapped possibilities of Levinasian ethics, Spargo explores the impact of the Holocaust on Levinas's various figures of injustice while examining the place of mourning, the bad conscience, the victim, and the stranger/neighbor as they appear in Levinas's work. Ultimately, Spargo ranges beyond Levinas's explicit philosophical or implicit political positions to calculate the necessary function of the "memory of injustice" in our cultural and political discourses on the characteristics of a just society.

In this original and magisterial study, Spargo uses Levinas's work to approach our understanding of the suffering and death of others, and in doing so reintroduces an essential ethical element to the reading of literature, culture, and everyday life.

After Representation? explores one of the major issues in Holocaust studiesùthe intersection of memory and ethics in artistic expression, particularly within literature.As experts in the study of literature and culture, the scholars in this collection examine the shifting cultural contexts for Holocaust representation and reveal how writersùwhether they write as witnesses to the Holocaust or at an imaginative distance from the Nazi genocideùarticulate the shadowy borderline between fact and fiction, between event and expression, and between the condition of life endured in atrocity and the hope of a meaningful existence. What imaginative literature brings to the study of the Holocaust is an ability to test the limits of language and its conventions. After Representation? moves beyond the suspicion of representation and explores the changing meaning of the Holocaust for different generations, audiences, and contexts.