"The Ethics of Mourning" dramatically shifts the critical
discussion of the lyric elegy from psychological economy to ethical
responsibility. Beginning from a reevaluation of famously
inconsolable mourners such as Niobe and Hamlet, R. Clifton Spargo
discerns the tendency of all grief to depend at least temporarily
upon the refusal of consolation. By disrupting the traditional
social and psychological functions of grief, resistant mourners
transform mourning into a profoundly ethical act. Spargo finds such
examples of ethical mourning in opposition to socially acceptable
expressions of grief throughout the English and American elegiac
tradition. Drawing on the work of Paul Ricoeur, Bernard Williams,
and Emmanuel Levinas, his book explores the ethical dimensions of
anti-consolatory grief through astute readings of a wide range of
texts--including treatments of Hamlet, Milton, and Renaissance
elegists, extended readings of Dickinson, Shelley, and Hardy, and
final chapters on American Holocaust elegies by Sylvia Plath and
Randall Jarrell.
Spargo argues that, to the extent that elegies are melancholic,
to the extent that they resist the history of consolation and the
strategies of commemoration implicit in elegiac conventions, they
make an extraordinary ethical demand on us, asking that we remain
in relationship to the other, even past the point of all
usefulness. In the wake of the atrocities of the twentieth century,
particularly the Holocaust, Spargo finds the crisis in the project
of commemoration to be an event already inscribed with ethical
meaning. He argues for the particular capacity of literature to
undertake an imaginative risk on behalf of another that seems the
very ground of ethics itself.
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