This collection of papers has been developed by an interdisciplinary group of contributors. They present a variety of new perspectives on creativity, spirituality, and transcendence as experienced in adulthood. The discussions in this volume, address the interplay of variables from theoretical, experimental, and clinical vantage points. This book is written for academic and clinical audiences, as well as for those who are interested in-and wrestle with-unexpressed aspects of their own creativity and spiritual yearnings. Unlike the current cognitive trend in creativity research that seeks rational and biological explanations for human phenomena, these essays give consideration to the power of extraordinary sources of inspiration. The research and theoretically based articles presented make a captivating collection that challenges our thinking about what it means to be a creative adult striving toward personal integrity and wisdom at the dawn of the 21st century.

This collection looks from a variety of angles at the human body as it resists the determinations of gender, sexuality, socialization, and history. Ranging from classical hermaphrodites, Bruegel's blind faces and Weimar transgender surgery, via Gentlemen Prefer Blondes, state-socialist sport and Proust, to Barbie, Lari Pittman, American Psycho, IVF, and video dance, the 16 essays question the relationship between politics, culture, and desire.

0. 1. The Scope of the Paper. This article is mainly devoted to the oper ators indicated in the title. More specifically, we consider elliptic differential and pseudodifferential operators with infinitely smooth symbols on infinitely smooth closed manifolds, i. e. compact manifolds without boundary. We also touch upon some variants of the theory of elliptic operators in Rn. A separate article (Agranovich 1993) will be devoted to elliptic boundary problems for elliptic partial differential equations and systems. We now list the main topics discussed in the article. First of all, we ex pound theorems on Fredholm property of elliptic operators, on smoothness of solutions of elliptic equations, and, in the case of ellipticity with a parame ter, on their unique solvability. A parametrix for an elliptic operator A (and A-). . J) is constructed by means of the calculus of pseudodifferential also for operators in Rn, which is first outlined in a simple case with uniform in x estimates of the symbols. As functional spaces we mainly use Sobolev - 2 spaces. We consider functions of elliptic operators and in more detail some simple functions and the properties of their kernels. This forms a foundation to discuss spectral properties of elliptic operators which we try to do in maxi mal generality, i. e., in general, without assuming selfadjointness. This requires presenting some notions and theorems of the theory of nonselfadjoint linear operators in abstract Hilbert space."

The current emphasis on get tough approaches to crime has had and will continue to have a disastrous impact on society as a whole. Cook, who has worked extensively in various capacities throughout the criminal justice system, argues that the failure to encourage treatment and rehabilitation is extremely shortsighted and serves only to postpone societal ills. He examines the prison experience as a psychological experience and suggests that restructuring the prison environment to focus on changing the behavior of criminals will ultimately be more cost effective and more beneficial to society. Approaching the problem of crime in a coordinated and systematic way will produce more results than the current reliance on political posturing and media sound bites.

Recent formulation of crime policy often seems driven by statistically rare and exceptional events, and the new laws passed in response to sensational events have actually resulted in an ever-growing and increasingly violent criminal underclass. Similarly, the trend toward incarceration and extreme punishment as the primary means of correction has led to unfortunate consequences. Overcrowding, massive prison construction, and the siphoning of funds from the rest of the public sector are all get tough byproducts. This study proposes solutions to current systemic problems aimed at those interested in trying to develop plans or treatment strategies within correctional settings.

This book is the result of a decision taken in 1980 to begin studying the history of mathematics in the nineteenth century. I hoped by doing it to learn some thing of value about Kovalevskaya herself and about the mathematical world she inhabited. Having been trained as a mathematician, I also hoped to learn something about the proper approach to the history of the subject. The decision to begin the study with Kovalevskaya, apart from the intrinsic interest of Kovalevskaya herself, was primarily based upon the fact that the writing on her in English had been done by people who were interested in sociological and psychological aspects of her life. None of these writings discussed her mathematical work in much detail. This omission seemed to me a serious one in biographical studies of a woman whose primary significance was her mathematical work. In regard to both the content of nineteenth century mathematics and the nature of the history of mathematics I learned a great deal from writing this book. The attempt to put Kovalevskaya's work in historical context involved reading dozens of significant papers by great mathematicians. In many cases, I fear, the purport of these papers is better known to many of my readers than to me. If I persevered despite misgivings, my excuse is that this book is, after all, primarily about Kovalevskaya. If specialists in Euler, Cauchy, etc."

Mannequins in Museums is a collection of historical and contemporary case studies that examine how mannequins are presented in exhibitions and shows that, as objects used for storytelling, they are not neutral objects. Demonstrating that mannequins have long histories of being used to promote colonialism, consumerism, and racism, the book shows how these histories inform their use. It also engages readers in a conversation about how historical narratives are expressed in museums through mannequins as surrogate forms. Written by a select group of curators and art historians, the volume provides insight into a variety of museum contexts, including art, history, fashion, anthropology and wax. Drawing on exhibition case studies from North America, South Africa, and Europe, each chapter discusses the pedagogical and aesthetic stakes involved in representing racial difference and cultural history through mannequins. As a whole, the book will assist readers to understand the history of mannequins and their contemporary use as culturally relevant objects. Mannequins in Museums will be compelling reading for academics and students in the fields of museum studies, art history, public history, anthropology and visual and cultural studies. It should also be essential reading for museum professionals who are interested in rethinking mannequin display techniques.

Mannequins in Museums is a collection of historical and contemporary case studies that examine how mannequins are presented in exhibitions and shows that, as objects used for storytelling, they are not neutral objects. Demonstrating that mannequins have long histories of being used to promote colonialism, consumerism, and racism, the book shows how these histories inform their use. It also engages readers in a conversation about how historical narratives are expressed in museums through mannequins as surrogate forms. Written by a select group of curators and art historians, the volume provides insight into a variety of museum contexts, including art, history, fashion, anthropology and wax. Drawing on exhibition case studies from North America, South Africa, and Europe, each chapter discusses the pedagogical and aesthetic stakes involved in representing racial difference and cultural history through mannequins. As a whole, the book will assist readers to understand the history of mannequins and their contemporary use as culturally relevant objects. Mannequins in Museums will be compelling reading for academics and students in the fields of museum studies, art history, public history, anthropology and visual and cultural studies. It should also be essential reading for museum professionals who are interested in rethinking mannequin display techniques.

This book refutes the 21st-century zeitgeist that views advancing technology as an unambiguous social good, and examines the effects of this uncritical acceptance and dependence. It argues that technology has become the new religion for the digital age, and that elevating technology to the status of deity serves as a mechanism to allow for the denial of problems created by reliance upon machines. From the release of toxins into the environment to the unsustainable energy demands of the modern era, technological dependence and overreach are driving humanity to the brink of extinction. Despite these problems, existential issues such as artificial intelligence, and the proliferation of nuclear weapons, there is an unwavering belief in the ability of technology, particularly any device labeled "smart," to create a perfect future while denying the history of unmet promises and unintended consequences of technological innovation. In this book, the psychological underpinnings of these beliefs are explored from both a clinical and cognitive perspective. In addition, it critiques the social and economic forces that maintain our reliance on, or addiction to, technology, and examines the ethical and security issues associated with the control of advanced technology.

Published to commemorate the 40th anniversary of the Normandy campaign, Panzers in Normandy Then and Now is a detailed study of the German panzer regiments in Normandy in 1944 as seen from the German side. The book is basically divided into two parts: the theoretical composition of the 1944 model of the panzer regiment, its equipment and personnel, and secondly, individual chapters on the seventeen panzer units which saw service in Normandy. In addition, the book contrasts the scenes of the fighting that raged in the countryside and villages of this part of France with comparison photographs of the battleground as it is today. Research for this book also resulted in the discovery of the location of the grave of the most famous panzer commander, formerly listed as missing in action, when a Normandy roadside revealed its secret in 1983 as the last resting place of the victor of Villers-Bocage, Michael Wittmann.

The First Conference on Engineering Probability in Flood Defense was orga nized by the Department of Mathematics and Informatics of the Delft U niver sity of Technology and the Department of Industrial Engineering and Opera tions Research of the University of California at Berkeley, and was held on June 1,2 1995 in Delft. Groups at Berkeley and Delft were both deeply engaged in modeling deterioration in civil structures, particularly flood defense structures. The plans for the conference were well under way when the dramatic floods in The Netherlands and California in the winter of 1994-1995 focused world attention on these problems. The design of civil engineering structures and systems is essentially an example of decision making under uncertainty. Although the decision making part of the process is generally acknowledged, the uncertainty in variables and param eters in the design problem is less frequently recognized. In many practical design procedures the uncertainty is concealed behind sharp probabilistic de sign targets like 'once in a thousand years' combined with a standardized use of safety factors. The choice of these probabilistic design targets, however, is based on an assessment of the uncertainty of the variable under consideration, and on its assessed importance. The value of the safety factor is governed by similar considerations. Standard practice is simply accu ulated experience and engineering judgment. In light of the great number of civil engineering structures that function suc-. cessfully, one may say that this standard practice has proven itself broadly satisfactory."

Virtual environments such as games and animated and "real" movies require realistic sound effects that can be integrated by computer synthesis. The book emphasizes physical modeling of sound and focuses on real-world interactive sound effects. It is intended for game developers, graphics programmers, developers of virtual reality systems and training simulators, and others who want to learn about computational sound. It is written at an introductory level with mathematical foundations provided in appendices. Links to code examples and sound files can be found on the Downloads/Updates tab.