Alberta writing has a long tradition. Beginning with the pictographs of Writing-on-Stone, followed by Euro-Canadian exploration texts, the post-treaty writing of the agrarian colonization period, and into the present era, Alberta writing has come to be seen as a distinct literature. In this volume Melnyk and Coates continue the project of scholarly analysis of Alberta literature that they began with Wild Words: Essays on Alberta Literature (2009). They argue that the essays in their new book confirm that Alberta's literary identity is historically contingent with a diverse, changing content, that makes its definition a work-in-progress. The essays in this volume provide contemporary perspectives on major figures in poetry and fiction, such as Robert Kroetsch, Sheila Watson, Alice Major, and Fred Stenson. Other essays bring to light relatively unknown figures such as the Serbian Canadian writer David Albahari and the pioneer clergyman Nestor Dmytrow. Writing Alberta: Building on a Literary Identity offers a detailed discussion of contemporary Indigenous writers, an overview of Alberta historiography of the past century, and the fascinating autobiographical reflections of the novelist Katherine Govier on her literary career and its Alberta influences. This Collection demonstrates that Alberta writers, especially in the contemporary period, are not afraid to uncover, re-think, and re-imagine parts of Alberta history, thereby exposing what had been lain to rest as an unfinished business needing serious re-consideration.

From the mid-nineteenth century onward, advocates argued that technology, as a moral force, would strengthen the ties that bound Canada to Britain and Western civilization, while opponents saw technology as a source of American power that threatened Canadian independence. The Technological Imperative in Canada offers new insights into the ideas of influential and lesser-known theorists of technology and morality that will appeal to anyone who wants a Canadian perspective on a critical subject.

So the emblem of the West Our bright Maple Leaf is bless'd To its children of the goodly open hand; All the nations of the earth Are now learning of its worth And are flocking to this wealthy, promised land. - The Sugar Maple Tree Song, 1906 In 1906, the Sugar Maple Tree Song was just one example of the rhapsodic pieces that touted the Prairie West as the "promised land." In the formative years of agricultural settlement from the late nineteenth century to the First World War, the Canadian government, along with the railways and other Prairie boosters, further developed and propagated this image within the widely distributed promotional literature that was used to attract millions of immigrants to the Canadian West from all corners of the world. Some saw the Prairies as an ideal place to create a Utopian society; others seized the chance to take control of their own destinies in a new and exciting place. The image of the West as a place of unbridled prosperity and opportunity became the dominant perception of the region at that time. During the interwar and post-World War II eras, this image was questioned and challenged, although not entirely replaced, thus showing its pervasive influence.The Prairie West as Promised Land is group of essays, which includes contributions from some of the best-known Prairie historians as well as some of the most promising new scholars in the field, explores this persistent theme in Prairie history and makes an important contribution to the historiography of the Canadian West. With Contributions By: Sarah Carter Catherine A. Cavanaugh Brett Fairbairn Michael Fedyk R. Douglas Francis David Hall SteveHewitt Laurence Kitzan Chris Kitzan George Melnyk Doug Owram Anthony W. Rasporich Bradford J. Rennie Bill Waiser Matthew Wangler Randi Warne

What comes to mind when we think of the Old West? Often, our conceptions are accompanied by as much mythology and mystique as fact or truth. What are the differences in how the Canadian and American Wests are perceived? Did they develop differently or are they just perceived differently? How do our conceptions influence our perceptions? A companion volume to One West, Two Myths: A Comparative Reader, One West, Two Myths II: Essays on Comparison presents scholarly views on the comparison of the Canadian and American Wests and the various methodologies involved. Contributors include literature specialists, scholars of popular culture, art historians, and political, social, and intellectual historians, demonstrating the interdisciplinary nature of this area of study. With Contributions By: J.M.S. Careless Sarah Carter Brian W. Dippie R. Douglas Francis C.L. Higham William H. Katerberg Lee Clark Mitchell Roger L. Nichols Robert Thacker Fredrick Jackson Turner Aritha van Herk David L. Williams

In the aftermath of the Second World War, Canadian national identity underwent a transformation. Whereas Canadians once viewed themselves as British citizens, a new, independent sense of self emerged after the war. Assured of their unique place in the world, Canadians began to reflect on the legacies and lessons of their British colonial past. Canada and the British World surveys Canada's national history through a British lens. In a series of essays focusing on discrete aspects of Canadian identity over more than a century, the complex and evolving relationship between Canada and the larger British world is revealed. From the 19th century's staunch belief in Canadians as Britons to the realities of modern multicultural Canada, this book eschews nostalgia in its endeavour to understand the dynamic and complicated society in which Canadians did and do live. Candid and ambitious, Canada and the British World is recommended reading for historians and scholars of colonialism and nationalism, as well as anyone interested in what it really means to be Canadian.